The Game is a name that’s been well-known in hip-hop for decades. Like many of his contemporaries, rap beefs have come his way throughout the years. One of the West Coast icon’s most famous feuds is with 50 Cent, whom he previously worked with in G-Unit. During a sitdown with VladTV, Game spoke about his experience in the group, and how it helped him move up on the industry’s ladder. However, he did admit that it felt as though Fif was the only one getting serious monetary opportunities, leading to some resentment between them.
“I appreciated the step up on the ladder,” the 44-year-old told Vlad. “I always felt like if I never got put in G-Unit, or Dr. Dre didn’t sign me to Aftermath, I would still be sitting here talking to you with the same track record,” he said. “I’m the type, like if I put my mind to something and I say this is what I want to do, that’s just simply what I’m going to do… It was cool being in G-Unit, but then it wasn’t because I felt like we was just in it.”
From Game’s perspective, “50 was making the money and we was just in G-Unit.” The Compton native wasn’t specifically salty because of Curtis Jackson’s hunger for success. Still, he was hurting while cast in the shadows of another lyricist while trying to reach the top himself. “I definitely wanted to like, just be a solo artist and like get to get to it,” he admitted.
As The Game reflects on all the money he didn’t make while working with G-Unit, 50 Cent is keeping busy securing the bag than to another nemesis’ downfall. Last week, the “I Get Money” artist confirmed that he’s working on a documentary depicting Diddy’s troubling behaviour in the industry over the years after Cassie’s bombshell lawsuit. Read more about that at the link below, and check back later for more hip-hop/pop culture news updates.
In a recent chat on Apple Music’s The Rebecca Judd Show, recorded backstage during his Nov. 21 show at London’s O2, 50 Cent opened up. He shared details about some pivotal moments tied to the 20th anniversary of his groundbreaking debut album, Get Rich or Die Tryin’. One of the burning questions addressed the first purchase he made after hitting it big. Specifically, the interviewer wanted to know what he did with his check after signing to Eminem’s Shady Records in 2002. 50 Cent revealed, “I bought my grandmother a C220 Benz. I’ll never forget because when I got the car, I got it right away, the first thing I bought when the deal was done.” This gesture speaks volumes about the rapper’s connection to family and his desire to share his success with those he holds dear.
The story he tells turn when 50 Cent recalls returning from his tour to find his grandfather on the porch. He shared that his grandpa was visibly moved by the sight of his grandmother’s new car. In a touching moment, 50 shares, “He was having a moment. So he was like, ‘I just went to work. I went to work, hurt my back, came back, and she done brainwashed my kids.’” His grandfather, it seems, was grappling with the changes that success had brought to the family.
NEW YORK, NEW YORK – JULY 15: 50 Cent attends the “Power Book III: Raising Kanan” New York Premiere at Hammerstein Ballroom on July 15, 2021 in New York City. (Photo by Theo Wargo/Getty Images)
The sweet memory gives fans a glimpse into the complex emotions that success can stir within a family. Despite the glamour and extravagance often associated with the hip-hop lifestyle, 50 Cent’s first purchase was a testament to the values instilled in him. This emphasized the importance of family and acknowledging the sacrifices made by his grandparents.
In this candid conversation, 50 Cent showcases a side rarely seen by the public. He got a chance to reveal the profound impact of success on familial relationships. An opportunity of a lifetime that quite literally changed his life. And the people close to him. As fans continue to celebrate the 20th anniversary of Get Rich or Die Tryin‘, this personal anecdote adds a layer of depth to the narrative of 50 Cent’s journey from rags to riches. What do you think of this sweet story? Let us know on HNHH!
Released in 2005, The Documentary stands as one of The Game’s most acclaimed albums, achieving a double-platinum status in the United States with over 2 million copies sold. His major label debut, under 50 Cent’s leadership, became a hallmark of West Coast hip-hop in the mid-aughts. At a time when Dr. Dre leaned into the East Coast stylings of 50 Cent, The Game’s album marked a return to his stomping grounds with a new torchbearer for California. His debut albummarked a significant moment in The Game’s career and left an indelible mark on the hip-hop landscape.
The Documentary debuted at the top of the Billboard 200 chart and remained a dominating force, showcasing the rapper’s storytelling prowess and West Coast-inspired beats. With singles like “How We Do” featuring 50 Cent and “Hate It or Love It” with the assistance of 50 Cent, the album soared in popularity and critical acclaim. The amalgamation of gritty narratives and catchy hooks contributed to its commercial success, resonating with hip-hop enthusiasts and the general music audience.
The album’s commercial triumph wasn’t confined to the United States alone. It made an impact globally, reaching international audiences and bolstering The Game’s position as a prominent figure in the rap scene. Its global resonance solidified the album’s status as a benchmark in the genre and cemented The Game’s place among hip-hop’s elite.
A Lasting Impact
Rapper The Game in July, 2004 in Compton, California. (Photo by Gregory Bojorquez/Getty Images)
Beyond its commercial success, The Documentary holds significant cultural weight. It served as a snapshot of West Coast hip-hop, preserving the essence of the region’s sound while introducing The Game’s unique storytelling abilities. The album also featured collaborations with established artists like Dr. Dre, 50 Cent, and Eminem, further elevating its stature and influence within the industry.
Moreover, the album’s impact on subsequent generations of artists is palpable. Many aspiring rappers cite The Documentary as a source of inspiration due to its authenticity, lyrical depth, and production quality. Its influence can be heard in the works of numerous contemporary artists, showcasing its enduring legacy within the hip-hop community.
In conclusion, The Documentary remains an emblematic piece in The Game’s discography and a cornerstone in hip-hop history. Its commercial success, marked by its double-platinum status and over 2 million copies sold in the United States alone, coupled with its cultural impact and influence on the genre, solidifies its position as one of the best-selling and most influential albums in hip-hop.
Furthermore, the album’s ability to transcend its initial success, leaving an enduring mark on the cultural landscape, underscores its significance. The Documentary not only showcased The Game’s talent and artistry but also left an indelible imprint on the evolution of hip-hop, cementing its place among the genre’s most iconic albums.
During his recent appearance on the Rap Radar podcast, Giggs opened up about the time he spent in jail. The performer served around two years behind bars for a gun charge in back in 2003. He claims that one of the things he hated the most about serving time was the lack of access he had to music. Luckily, he was eventually able to get some CDs that his manager sent him. According to him, hearing 50 Cent had a major influence on him while he was in jail.
“That was ’03. It was all 50, G-Unit tapes,” Giggs began. “I remember I went to one jail and we couldn’t have music at all.” He continued, “I was in there for like three months and I was going crazy with no music, fam — I remember I heard one 50 tune, ‘Guns For Sale.’ I heard it on the radio one night, like half of it, I said, ‘I gotta the f*ck out of this jail. F*ck this place.’”
“And I remember we got a transfer and moved to the next jail then,” he continued. “As soon as I got in the jail, I heard some yute playing some [DJ] Whoo Kid tape. I’m like, ‘Oh sh*t! Is that what I’ve been missing?’” He went on to describe urging his manager to send him music, in order to make his stay more comfortable. Fortunately, he eventually came through, sending him a ton of CDs to choose from.
“I hit [my manager] and I said: ‘Fam, just send me everything bro,’” the UK-born performer explains. “And he sent me mad CDs. I remember that was that time, like, G-Unit — and everyone had some new young buck. I remember Dipset had JR Writer. Busta – he had the youth M Dollars yute. Obviously 50, Lloyd Banks. Everyone that had that young yute with the punchlines. Cassidy [was with] Swizz. Them times was ringing.” Share your thoughts in the comments section down below and keep an eye on HNHH for more updates on Giggs.
A TikTok user is going viral on the platform for posing as 50 Cent for the NPC trend. In a video of one of the user’s posts, he can be seen remarking “G-Unit” while listening to 50’s classic Get Rich or Die Tryin’ song, “Many Men.”
When 2Cool2Blog shared one of the TikTok’s on Instagram, fans were not thrilled with the content. “Yeah, humans are bored & desperate at this point,” one user wrote. Another expressed their overall confusion: “What is this NPC stuff? Teach me like a kindergartner [prayer hands] please I’m trying to understand.” One commenter thought it was a promotion for Power. “Thought was ghost from power, thought was a hint or prelude to him coming back to power,” they admitted.
TORONTO, ONTARIO – JULY 31: 50 Cent performs during his “Final Lap” tour at Budweiser Stage on July 31, 2023 in Toronto, Ontario. (Photo by Robert Okine/Getty Images)
The 50 Cent NPC TikToker is just the latest to jump on the trend. PinkyDoll went viral, last month, for her strange live streams on TikTok, but later revealed she is making tons of money from the posts. At one point, she claimed to make over $7,000 daily with her odd looping dialogue.
As the NPC TikToker goes viral, the real 50 Cent is currently performing on his Final Lap tour. He’s set to perform at Brooklyn’s Barclay’s Center on Thursday and Friday night. When 50 initially announced the run of concerts, he admitted to his fans that it could be his final tour as he shifts his focus to film and television. “I won’t be running around like this no more,” he explained on Instagram Live in May. “I gotta do my film and television stuff and got a lot of other things going on behind the scenes that I gotta work on. So I won’t be out touring as much as I’ve been touring… I’m having fun this time because it’s set up to enjoy myself, we not feeling pressure.”
On Drink Champs, Tony Yayo provided a hilarious account of what went on that day. He explained that dancers and extras on the set began panicking as they yelled, “Suge is coming!” He detailed a chaotic environment as pieces of the set and cameras fell to the ground while crew members fled. “Look, Suge came but this is why I always respected Eminem, 50 Cent and n***as that was with us,” he said. Yayo explained that he was startled by the individuals rolling with Suge due to their face tattoos. Still, he was ready for war, explaining, “If we don’t pop now, it’s back to the hood.”
While Eminem, 50 Cent, and their crew were ready to fight against Suge Knight and his crew of alleged Blood members, Yayo explained that the Death Row CEO was largely waiting to see what happened before he acted. “This the sh*t about Suge. He’ll light the cigar – he trying to see what you’re going to do,” he said. “Eminem, 50, everyone outside. [Suge] lights his cigar. I was buggin’ ‘cause I seen – this is when I knew Eminem was real. He was like, ‘I don’t give a f*ck, man,’” Yayo said in his best Eminem impression. “I was like, ‘Damn, Eminem is a real n***a.’”
Yayo continued, “50’s n***as outside, [like], ‘Wassup?!’ and then the n***a Suge just walked away. Mexican n***as looked kind of confused like they didn’t know what was going on. Eminem came outside 100%.” Again, Yayo reiterated that Eminem stated, “I don’t give a f**k, man!’” and explained that Proof previously had a run-in with Suge Knight where he accused the music mogul of murdering Tupac. Check the clip above.
Tony Yayo’s podcast tour is continuing. In an upcoming episode of Drink Champs, the G-Unit soldier revealed 50 Cent was not a fan of the song “Many Men” at first. Additional topics in the episode include the downfall of G-Unit, working alongside rappers, being wrapped up in 50 Cent’s many beefs, and more.
Previously, PistolPete linked up with G-Unit lieutenant Tony Yayo in the streets of NYC, giving props to each other— gangster to gangster.
With the rest of the G-Unit soldiers sporting TS baseball caps, Yayo recounts the 2006 beef with the BX-based crew headed by Fat Joe.
“Yo, the realest beef was with Terror Squad,” Tony Yayo said. “He was a real n-gga, I gotta give it up. The realest beef was with Fat Joe and them. We outside.” Pistol Pete resplied, “Tony Yayo, we fuck with you, though. We out here in the trenches, n-gga. We out here, fuck all that. We out here together, n-gga, a bunch of real n-ggas.”
50 Cent may no longer be hip-hop’s go-to supervillain, but he certainly was throughout the ’00s. Through a slew of gritty diss tracks, he amassed a portfolio of enemies in his home territory of New York. Nas, Kanye West, Diddy, and even Oprah were speaking out against his antics. In fact, that polarizing personality would go as far as beefing with former crew members of G-Unit. With 50 Cent being G-Unit’s general, The Game, Lloyd Banks, Tony Yayo, and Young Buck have all made statements against him at one point or another over the past few decades.
While fans have been hoping for a reconciliation and a newfound project, 50 Cent has consistently squashed these rumors. While speaking to The Breakfast Club in August 2022, he stated, “I probably won’t do a project with them. I’m done with carrying them around. My back hurt.” The relationship between G-Unit’s members has deteriorated since the ’00s between many of its respective members. However, 50 remains close with Yayo, who he cites as the more mature member of the quintet.
50 Cent & The Game’s Beef Turned Violent
G-Unit’s downfall began all the way back in 2004. 50 Cent and The Game had each reached stardom as solo acts, morphing their young personalities into ones that were ego-driven. The Game signed to Dr. Dre’s Aftermath Records in 2003, where 50 Cent was the label’s biggest star. Later that year, G-Unit was working on the eventual multi-Platinum album Beg For Mercy. At the time, The Game wasn’t a part of G-Unit. However, Dr. Dre decided that having him join the chart-topping hip-hop act would be a genius marketing move. In addition, 50 Cent began working with The Game on his debut album, The Documentary.
While Dr. Dre’s business moves looked good from a marketing perspective, 50 Cent and The Game had friction that would eventually scale into a full-fledged beef. The Game’s The Documentary was reaching a significant level of hype behind lead singles “Westside Story,” “Hate It or Love It,” and “How We Do.” Aftermath Records was certainly happy, but 50 Cent wasn’t. Having played a significant role in the success of the songs, he began to feel as if he was being controlled. Having to scrap and claw his way from the streets of Harlem to stardom, 50 Cent was overworking for others’ profits. 50 Cent’s album The Massacre was pushed back a month to accommodate for The Game.
The Group’s Members Lost Motivation
LAS VEGAS, NV – SEPTEMBER 20: (L-R) Rappers Tony Yayo, 50 Cent, Young Buck, Kidd Kidd and Lloyd Banks of G Unit attend the 2014 iHeartRadio Music Festival at the MGM Grand Garden Arena on September 20, 2014 in Las Vegas, Nevada. (Photo by Bryan Steffy/Getty Images for iHeartMedia)
The burgeoning tension rose to the surface on February 28, 2005. While 50 Cent was on Hot 97 with the G-Unit crew, he venomously claimed that The Game hadn’t been loyal to the group. Recently, The Game had expressed a desire to work with the likes of Nas, Jadakiss, and Fat Joe, who were all well-known rivals of G-Unit. Considering this a direct betrayal, 50 kicked him out of the group live on air. While still on the air, The Game showed up with his crew to confront the G-Unit’s leader. After the squad wasn’t let in, The Game’s associates got into a shootout outside Funkmaster Flex’s building. The situation catapulted a slew of disses from The Game, including mixtapes Ghost Unit and Stop Snitchin, Stop Lyin.
However, The Game was only the first member to be dropped from G-Unit live on air. In 2008, 50 Cent would also drop Young Buck on Hot 97 after Buck exposed the group’s inner workings. In addition, Young Buck’s role had been diminishing over the past few projects. Moving into the 2010s, 50 Cent would begin beefing with remaining members Lloyd Banks and Tony Yayo. By this point, 50’s career had vastly taken off beyond the constructs of hip-hop. He was acting in blockbuster films and creating a variety of businesses. In an interview with XXL, he stated, “They [Banks and Yayo] just sit there and wait. When someone works for you, you have the habit of dealing with things by not dealing with them. You may get in the regimen of coming over and doing it for them.”
50 Cent’s Solo Career Was Popping Off
NEW YORK – NOVEMBER 13: (U.S. TABS OUT) 50 Cent and G-Unit appear onstage during “Spankin’ New Music Week” on MTV’s Total Request Live at the MTV Times Square Studios November 13, 2003 in New York City. (Photo by Scott Gries/Getty Images)
Of course, another primary reason for G-Unit’s demise was the iconic success of 50 Cent’s solo career. His studio album, Get Rich or Die Tryin’, was far more successful than any of the G-Unit projects. In fact, 50 Cent was leaving money on the table by working with the group for as long as he did. G-Unit’s slow-burning fallout occurred for a wide variety of reasons. 50 Cent felt as if he was carrying the quartet on his shoulders. With his solo career growing daily, working with G-Unit made less and less sense. In addition, Yayo and Banks struggled to reinvigorate their notoriety as MCs over time. While the fallout wasn’t pretty, G-Unit introduced an iconic bling era of hip-hop.
As the world of reality television thrives, one name that continues to resonate is Olivia Longott, known to many simply as Olivia. A standout personality on Love & Hip Hop: New York (LHHNY), Olivia has successfully transitioned from her roots in music to become a prominent figure on reality TV, building a commendable net worth along the way.
Olivia’s Net Worth
Celebrity Net Worth reports that Olivia is worth $4 million. This is supported by her longstanding music career, business ventures, and reality television stint on LHHNY. She has amassed a global fanbase and continues to make music, further increasing her reach and net worth.
The Singer’s Background
Born in Brooklyn, New York, Olivia is best remembered as the first lady of G-Unit, the hip-hop group founded by 50 Cent. However, it was her role on LHHNY, where she navigated her career resurgence and personal life, that catapulted her into the spotlight of reality television. Her time on LHHNY undoubtedly amplified her brand, enhancing her earning potential.
While her reality TV fame has been instrumental in adding to her net worth, Olivia’s financial story transcends television. Her music career, both as a solo artist and as part of G-Unit, has been a notable income stream. With hits like “Bizounce” and “December,” Olivia carved a place for herself in the music industry, contributing significantly to her wealth.
Other Business Ventures
NEW YORK, NY – MARCH 02: (L-R) Artist manager Mona Scott poses with castmembers Somaya Reece, Olivia Longott and Emily Bustamante at vh1’s “Love & Hip Hop” New York premiere at District 36 on March 2, 2011 in New York City. (Photo by Johnny Nunez/WireImage)
A woman of multiple talents, Olivia has also stepped into the realm of writing with the release of her book Release Me: My Life, My Words. The book, part autobiography and part self-help guide, showcases Olivia’s introspective side and her ability to capitalize on her life experiences. Though the book sales might not be the cornerstone of her income, they add a layer of diversification to her earnings.
Conclusion/TLDR
In the ever-evolving landscape of pop culture, Olivia Longott’s name carries weight, not only as an LHHNY star or a music artist but as a savvy businesswoman. Her journey paints a vivid picture of the potential for financial success in the world of entertainment. It’s a narrative that goes beyond the glitz and glamour of reality TV, resonating with anyone who dares to navigate the twists and turns of their own unique path to success.
With his raw lyrical prowess and relentless ambition, The Game has carved his path to wealth in an industry renowned for its cutthroat competition. But, what is the ex-G-Unit star’s net worth in 2023? We’ll be taking a look at his wealth and what has gone into it over this article.
The Game Net Worth
As of 2023, The Game, a notable figure in the hip-hop industry, has an impressive net worth of $10 million US dollars, according to Celebrity Net Worth.
Foundations Of The Game’s Net Worth
Rapper The Game in July, 2004 in Compton, California. (Photo by Gregory Bojorquez/Getty Images)
Born Jayceon Terrell Taylor in 1979, The Game had a tumultuous upbringing in Compton, California. The adversity he faced in his youth became a formative element of his gritty, realist rap style. His debut album, The Documentary released in 2005, soared to the top of the Billboard charts, bringing The Game into the spotlight and starting his financial ascent.
The Game’s Flourishing Music Career And Net Worth
SYDNEY, AUSTRALIA – AUGUST 08: US rapper The Game, also known as Jayceon Terrell Taylor, performs on stage in concert at Luna Park on August 8, 2009 in Sydney, Australia. (Photo by Don Arnold/WireImage)
With his distinctive voice and powerful storytelling, The Game continued to command the hip-hop scene after his breakthrough. Albums such as Doctor’s Advocate and Jesus Piece achieved commercial success and critical acclaim. The Game’s net worth rose steadily with each subsequent release.
Beyond Music: Other Avenues Enhancing The Game’s Wealth
NEW YORK, NY – SEPTEMBER 23: Rapper The Game visits Music Choice on September 23, 2015 in New York City. (Photo by D Dipasupil/Getty Images)
The Game proved to be a multifaceted talent, pursuing opportunities beyond his music career. His ventures into acting, with roles in films and TV series like Belly 2: Millionaire Boyz Club and Street Kings, added a new dimension to his portfolio and boosted his net worth.
In addition to acting, he has engaged in various business ventures, such as his co-ownership stake in the marijuana dispensary, The Reserve. His diverse investments demonstrate his entrepreneurial spirit and contribute significantly to The Game’s net worth.
Assessing The Game’s Net Worth in the Larger Context
VENICE, CALIFORNIA – AUGUST 12: Rapper The Game attends the release of “Drillmatic” at the Gall3ry By Koll3ctiff on August 12, 2022 in Venice, California. (Photo by Unique Nicole/Getty Images)
When evaluating The Game’s net worth, one must consider more than just the figures. His influence extends beyond his personal wealth, manifesting in his contributions to hip-hop and his impact on up-and-coming artists. His wealth represents not just commercial success, but his indelible mark on the music industry.
The Game’s net worth tells a story of resilience, talent, and hard work. His success in music, acting, and business underlines his diverse talents and entrepreneurial acumen.
Conclusion/TLDR
While The Game’s net worth is an impressive $10 million US dollars in 2023, his worth transcends monetary value. His significant contribution to the hip-hop industry, his mentorship of young artists, and his business ventures attest to his worth as a significant cultural figure.
The Game’s journey from the tough streets of Compton to multi-million-dollar status symbolizes a powerful narrative of overcoming adversity. This inspiring journey, coupled with his influential presence in the industry, highlights The Game as a true hip-hop icon.
Y’all think 
