Philip Michael Thomas is an actor best known for his role as Detective Ricardo Tubbs in the groundbreaking television series Miami Vice. He has a net worth of $2.5 million as of 2024, according to CelebrityNetWorth. Thomas’s portrayal of Tubbs made him a household name and helped redefine the cop genre for the 1980s with a blend of action, fashion, and music. His career, though most prominently defined by his television success, spans a range of creative endeavors. This also includes music and theater, showcasing his versatile talents.
Philip Michael Thomas achieved international fame through Miami Vice, which aired from 1984 to 1990. Alongside co-star Don Johnson, Thomas brought a new level of style and sophistication to the portrayal of law enforcement officers, significantly influencing popular culture and television aesthetics. The show was celebrated for integrating music and fashion, earning Thomas a Golden Globe nomination and securing his place in television history.
Musical & Theatrical Pursuits
Beyond the screen, Thomas pursued passions in music and theater, where he had initially set his sights before becoming a television star. He released multiple albums and singles, exploring genres like pop, R&B, and reggae. His 1985 album Living the Book of My Life did not succeed commercially but showcased his desire to express himself musically. In addition to his recording work, Thomas appeared in various stage productions, demonstrating his range and commitment to acting beyond his Miami Vice persona.
Later Career & Legacy
After Miami Vice, Thomas continued to act in television and film but never recaptured the immense popularity of his role as Tubbs. He appeared in guest spots on television shows and took roles in several movies, including voice work for the video game Grand Theft Auto: Vice City, which paid homage to his iconic TV character. Despite a quieter presence in the entertainment industry in later years, Thomas’s influence, particularly from his Miami Vice days, persists in the memory of the show’s many fans and in the ongoing style and substance of cop dramas.
Philip Michael Thomas’s journey through the entertainment industry reflects a career that, while defined early on by a seminal TV role, also encompasses significant contributions to music and theater. His artistic endeavors and his iconic role in Miami Vice have left a lasting legacy, and his continued work in various creative outlets underscores his diverse talents and enduring appeal.
Fab Five Freddy, born Fred Brathwaite, is a pivotal figure in the hip-hop and visual arts communities. He reportedly has a net worth of $2 million as of 2024, according to CelebrityNetWorth. As a graffiti artist and filmmaker, Freddy first gained notoriety in the late 1970s and early 1980s. Later, he worked as a bridge between the burgeoning hip-hop scene in New York City and the downtown art and music scenes. His role as the host of Yo! MTV Raps further solidified his influence. He made hip-hop accessible to a global audience, marking him as an integral player in the genre’s mainstream success.
Pioneer In The Hip-Hop & Art Worlds
Fab Five Freddy’s early work in the New York art scene involved collaborations with contemporary artists like Jean-Michel Basquiat and Keith Haring, connecting the graffiti and gallery realms. His art has been instrumental in elevating graffiti and urban culture into established art spaces. Freddy challenged perceptions and fostered a new appreciation for street art. His role in the 1983 film Wild Style, a seminal hip-hop film, showcased the life and vibrancy of hip-hop culture, impacting its spread worldwide.
Host of Yo! MTV Raps & Media Influence
As the original host and co-producer of Yo! MTV Raps, Fab Five Freddy brought hip-hop music and its culture to millions of homes. He played a crucial role in the genre’s global proliferation. Under his guidance, the show spotlighted upcoming and established hip-hop artists. It also addressed socio-political issues within the community, making it a significant platform for hip-hop’s broader cultural conversations.
Continuing Impact & Current Endeavors
Beyond his early contributions, Fab Five Freddy has continued to influence the arts and media landscapes. He has directed music videos, curated exhibitions, and participated in documentaries focusing on the intersections of music, art, and social issues. His recent work includes involvement in cannabis advocacy, highlighting the social justice issues related to marijuana legalization—a testament to his ongoing commitment to activism and cultural commentary.
Fab Five Freddy’s journey through art, music, and cultural activism showcases his multifaceted impact on the scenes he has touched. From his graffiti beginnings to becoming a hip-hop ambassador on television, his career reflects significant contributions to both the cultural fabric and the understanding of hip-hop as a key part of modern music history. As he continues to engage with creative projects and advocacy, his legacy as a pioneer in blending artistic mediums and breaking cultural barriers remains profound.
Jennifer Beals is celebrated for her dynamic and versatile career in both film and television. She has established a net worth of $8 million as of 2024, according to CelebrityNetWorth. Beals first rose to prominence with her star-making performance in the 1983 film Flashdance. It became a cultural phenomenon that defined an era with its style and music. Her career since then has been characterized by a series of challenging and innovative roles that have showcased her talent and broadened her artistic range.
Breakout Role & Cinematic Impact
Jennifer Beals’s breakthrough role as Alex Owens in Flashdance not only catapulted her to fame but also earned her a Golden Globe nomination. This role was symbolic of the 1980s’ spirit of individualism. It also had flair, showcasing Beals as a formidable presence on screen, capable of combining physicality with a compelling performance. Beyond its box office success, Flashdance has had a lasting impact on fashion and pop culture. It is also credited with popularizing dancewear as streetwear and inspiring countless Halloween costumes and tribute performances.
Prolific Work In Television
After her initial burst of stardom, Beals transitioned into a prolific career in television. She continued to take on roles that pushed conventional boundaries. She is perhaps best known for her role as Bette Porter on the groundbreaking series The L Word, which ran from 2004 to 2009 and returned in 2019 with a sequel series, The L Word: Generation Q. Through this character, Beals explored complex themes of sexuality, identity, and feminism. This resonated deeply with audiences and critics alike. Her performance in The L Word has been particularly praised for its depth and the nuanced portrayal of LGBTQ+ issues.
Ongoing Contributions & Activism
In addition to acting, Jennifer Beals is actively involved in social and environmental causes. She uses her platform to advocate for human rights and animal welfare, participating in campaigns and leveraging her public visibility to effect change. This advocacy work complements her acting career, as she often chooses roles that align with her commitment to social justice, such as her involvement in projects focusing on critical and contemporary issues.
Jennifer Beals’ ability to maintain a successful and relevant career in a rapidly changing industry highlights her adaptability and dedication to her craft. From her iconic role in Flashdance to her influential work on television, Beals has not only left a mark on the entertainment world but also on the various causes she supports. As she continues to engage with new projects, her legacy as an actress and an activist remains robust and inspiring.
Blair Underwood is a celebrated actor whose extensive career spans over thirty years. His performances in film, television, and theater have garnered him critical acclaim and a dedicated fanbase. As of 2024, his efforts in the industry have culminated in a net worth of $8 million, according to CelebrityNetWorth. Underwood’s roles have often broken barriers and challenged stereotypes, making him a significant figure in portraying diverse characters on the American screen.
Stellar Television & Film Career
Blair Underwood’s breakthrough came with his role in the television series L.A. Law, where he played attorney Jonathan Rollins. His portrayal earned him Golden Globe nominations and set the tone for a career that would often see him in roles that project intelligence, dignity, and complexity. Following this, Underwood took on various characters across genres. These also included his powerful performance in Deep Impact and a critically acclaimed role in Just Cause with Sean Connery.
Contributions To Theater & Authorship
In addition to his screenwork, Underwood has also made significant contributions to theater. His portrayal of Stanley in the Broadway revival of A Streetcar Named Desire brought a fresh perspective to the role and was celebrated for its depth and intensity. This theatrical work complements his on-screen endeavors, showcasing his acting versatility. Beyond acting, Underwood has co-authored several books, expanding his creative expression into writing and further engaging with his audience through different media.
Advocacy & Philanthropic Efforts
Beyond his artistic endeavors, Blair Underwood is known for his advocacy work, particularly concerning issues affecting the African American community. His involvement in charitable organizations and social campaigns reflects his commitment to using his public platform to support meaningful causes and effect positive change. This aspect of his career enhances his public image and underscores the breadth of his impact beyond entertainment.
Blair Underwood’s career is a testament to his talent and his dedication to his craft. His ability to navigate diverse roles across television, film, and stage—coupled with his work as an author and activist—highlights a multifaceted career that continues to inspire and influence. As he moves forward with new projects, Underwood remains a prominent and respected figure in Hollywood, celebrated for both his artistic achievements and his contributions to the community.
The relationship between Hip Hop and sports has long been documented. Naturally, Hip Hop culture is felt across various sports, but the history with basketball is by far the longest and richest. Rucker Park, (or simply The Rucker) sits at the epicenter of these two worlds. Or at least it used to be. Nestled in the heart of Harlem, New York, The Rucker is a cherished spot in the annals of these two cultural influences.
The name of Rucker Park honors local teacher and New York City Department of Parks and Recreation playground director Holcombe Rucker. Born in 1926, Rucker grew up on 141st Street with his grandmother. Standing at 6 feet and 3 inches, he found his calling playing guard at Benjamin Franklin High School until World War II, when he dropped out of school to enlist in the war. After the war was over, Holcombe Rucker returned with one last mission: to give back to his community through the education and the game he loved so much.
In 1950, Rucker’s vision came to fruition through a basketball league that would keep kids off the streets and encourage them in both studies and hoops. This was how the Rucker Tournament was born. It was originally held on various Harlem courts until 1954 when it found its home at the corner of 155th Street and Frederick Douglass Boulevard. However, it wasn’t until 1974 that the park was officially named after Holcombe Rucker. This felt especially special because his legacy had extended far beyond the court. Rucker’s tournament wasn’t just about basketball though. It was also about education, dignity, and meaning. Over 700 individuals secured college basketball scholarships thanks to his initiative’s efforts.
Rucker Park soon emerged as a mecca for street basketball in the 1950s. It offered a platform for local athletes to showcase their skills on its gritty asphalt courts. Situated amidst the bustling streets of Harlem, the park embodied the raw, unfiltered essence of playground basketball. Therefore, players from across New York City flocked to Rucker, drawn by the prospect of testing their skills against the city’s best. Wilt Chamberlain was the first household name to grace Rucker Park, and the names after him could fill a book. With its chain-link fences and raucous crowds, Rucker Park became synonymous with the vibrant subculture of streetball. There, flashy moves and playground legends reigned supreme.
As Rucker Park gained prominence in the basketball world, it also became a cultural epicenter for Harlem’s burgeoning rap scene. The park’s vibrant atmosphere attracted not only athletes but also Hip Hop artists, DJs, and fans who shared a common love for the game and the music. Spontaneous rap battles and freestyle sessions became as integral to the Rucker experience as the basketball games themselves. As a result, Rucker Park helped blur the lines between sport and art. The symbiotic relationship between basketball and hip-hop flourished with players drawing inspiration from the rhythm and energy of the music while rappers paid homage to the park’s iconic status in their lyrics and music videos.
Importantly, Rucker Park has witnessed the rise of numerous streetball legends whose electrifying performances have become the stuff of urban folklore. In 1982, Greg Marius founded the Entertainers Basketball Classic (EBC) at Rucker Park, transforming the park into an urban amphitheater. The EBC attracted top players from across the country, including NBA stars like Kobe Bryant, Kevin Durant, and LeBron James, who relished the opportunity to showcase their skills in the hallowed grounds of Rucker. The tournament’s unique blend of competitive basketball and entertainment drew crowds of spectators and media attention. This solidified Rucker Park’s reputation as a premier destination for streetball enthusiasts worldwide.
During the late 1990s and early 2000s, Rucker Park gained further notoriety through its association with the And1 Mixtape Tour, a traveling showcase of streetball talent. Featuring players known for their flashy moves and playground flair, the And1 tour brought the excitement of Rucker Park to cities across the globe, popularizing the park’s unique brand of basketball culture. The tour’s mixtapes, which showcased the players’ jaw-dropping highlights set to Hip Hop beats, became must-watch videos among basketball fans. This also helped elevate the profile of streetball worldwide. To this day, even rappers like Machine Gun Kelly have Rucker to thank for giving them a platform.
By the 20th season of the tournament, the Rucker’s visitors began to include the likes of Former President Bill Clinton and NBA Commissioners David Stern, Adam Silver and Stephon Marbury. But no matter who came around, the palpable excitement of Rucker marked a typical day on the court. However, one notable incident that would have shut down both the ballin’ and rappin’ worlds was the game that was never held in 2003. Jay-Z and Fat Joe were battling to be the King of New York, not just on the charts but also in business and basketball.
Their EBC teams were stacked with top talent like Carmelo Anthony, Kevin Durant, Jermaine O’Neal, LeBron James, and more. As the competition heated up, both men kept adding to their rosters, even making last-minute changes. Jay-Z even left his tour to appear at The Rucker with Beyoncé and Steve Stoute. The anticipation was high, with rumors of surprise appearances and last-minute shake-ups. Joe also revealed that he had a surprise waiting at 57th Street with Mike Bibby and Allen Iverson, planning to bring them to the game for halftime. Jay-Z also arranged for Shaquille O’Neal to join in at the last minute. With both teams ready, and thousands in attendance, the power went out.
An Enduring Legacy
Rucker Park’s cultural influence extends far beyond the confines of the basketball court, permeating various aspects of urban life and popular culture. The park’s iconic blacktop has served as a canvas for graffiti artists and a backdrop for music videos, immortalizing its place in the annals of rap history. From the iconic Above The Rim film, which featured acting credits from 2Pac and Bernie Mac, to lyrical tributes by pioneers like Nas and Jay-Z, Rucker Park has left an indelible mark on the worlds of sports and music. It embodies the spirit of resilience, creativity, and community that defines Harlem’s rich heritage.
Unfortunately, the park is no longer what it used to be. However, its legacy remains intact. In 2022, Rucker Park famously made history again. It became the first outdoor venue for The Basketball Tournament, a single-elimination winner-take-all event with a $1 million prize. The echoes of legends past reverberated as new stars stepped onto the hallowed ground. So the next time you pass by the corner of 155th Street and Frederick Douglass Boulevard, remember Holcombe Rucker- the visionary who turned a playground into a symphony of basketball, Hip Hop, and most of all, community.
Megan Thee Stallion has found herself embroiled in another legal battle after being hit with a new lawsuit. The “Hot Girl Summer” star is facing allegations of creating a hostile work environment, as detailed in documents to the court filed by her former cameraman Emilio Garcia. However, there have also been other bombshell claims made in the lawsuit. Some have sparked intense scrutiny of the rapper’s alleged conduct behind the scenes. Nonetheless, it’s important to note that these are all allegations. Moreover, Megan’s lawyer has stated that the claims are false. Here’s what we know so far.
The man behind the lawsuit against Megan Thee Stallion is Emilio Garcia. He served as her cameraman from 2018 to 2023. To sum it up, he is alleging harassment and the establishment of a hostile work environment. One startling claim in the lawsuit, however, alleges that Megan subjected him to watch her engage in sexual activity during a trip to Ibiza, Spain. This reportedly happened inside an SUV after a night out in June 2022. Megan allegedly told Garcia to “never discuss” what he saw.
Garcia’s Other Claims
Garcia also claims that he was body-shamed and fat-shamed by the “HISS” rapper. He accused Megan of allegedly saying things like “Spit your food out,” “Fat bitch,” and “You don’t need to be eating.” In an interview with NBC News, Garcia expressed his feelings about the ordeal. “To hear someone who advocates about loving your body tell me these things, felt degrading,” he said. Garcia also outlined in the lawsuit that his compensation arrangement underwent a notable alteration.
Previously receiving a $4,000 monthly rate, he found himself transitioning to a pay-per-task model. He was subsequently required to submit invoices for each assignment. Despite this shift, Garcia claims he was still required to deliver the same level of service. However, he alleged disparate treatment following his work on her Ibiza tour in 2022. Specifically, he stated that there was a decrease in the number of bookings Megan Thee Stallion subsequently offered him.
Garcia also alleges that he experienced various damages, stemming from what he purportedly endured. These include significant financial losses amounting to over six figures in unpaid wages, employment benefits, medical expenses, injuries, emotional distress, and other related costs. The lawsuit also claims that Megan Thee Stallion created a toxic work environment for Garcia. He claims that her alleged actions not only violated professional boundaries but also caused emotional distress. Additionally, the lawsuit aims to recover unpaid wages, along with accrued interest, overdue overtime pay, and any other entitled employee benefits. These have all been calculated at the legal rate. Finally, the plaintiff seeks statutory penalties and wage penalties per California labor regulations, as well as punitive damages based on evidence provided, and reimbursement for incurred expenses, including legal fees.
In response to the lawsuit, Megan Thee Stallion’s lawyer Alex Spiro has vehemently denied the allegations. Speaking to Page Six, Spiro asserted: “This is an employment claim for money — with no sexual harassment claim filed, and with salacious accusations to attempt to embarrass her. We will deal with this in court.” Spiro is a well-known celebrity attorney who has worked with a host of notable names, including Jay-Z, Kim Kardashian, Elon Musk, and several others. He also issued statements on Megan’s behalf during Tory Lanez’s trial. The rapper herself has yet to publicly address the controversy, leaving many to speculate about her next steps and how she plans to handle this situation.
If you thought Drake and Kanye West had forgotten their long-standing beef, think again. Ye recently came out guns a-blazing with the release of the “Like That Remix,” proving that he and Drizzy have a long way to go before they settle. From the first line of the diss track, it’s evident that Ye has a bone to pick. Alongside Future, Metro Boomin’, and Ty Dolla $ign, this remix borrows many elements from the original track and takes things up a notch. Altogether, 2024 has quickly become the year of the diss track, and the Drake-Kanye West beef is the latest entry in the long lineup.
Kanye West and Drake’s beef stretches back years, and the remix is the most recent milestone. However, while Ye is pretty used to commandeering multiple spats simultaneously, this is seemingly new territory for Drizzy. In what can only be considered a humongous feat, Drake has had words for several heavyweights in the game this year alone. Between Kendrick Lamar, Rick Ross, and now Ye, it’s a miracle he’s still standing.
As Drake continues to prove he’s no pushover, the industry is foaming at the mouth in anticipation of what’s to come. But what’s most remarkable is that two of his diss tracks, “Push Ups” and the controversial, AI-assisted “Taylor Made Freestyle,” are targeted at Kendrick. This is why Ye’s involvement caught us all by surprise. Kanye West debuted the “Like That Remix” during his appearance on The Download with Justin Laboy, and this has effectively added a new layer to his ongoing beef with Drake.
Ye Felt “Energized” To Eliminate Drake
Much to the disappointment of fans, Kendrick Lamar has yet to respond to Drake for the aforementioned diss tracks. Nonetheless, Ye seems to have taken on the task, claiming the baton off K-Dot. It’s no wonder the track begins the way he does. In an aggressive manner, Ye hollers: “You know we had to get The Hooligans up here / We gon’ take this p*ssy n*gga out / Yo, Dot, I got you.”
Right out the gate, Kanye’s made his intentions clear… he’s out for blood. While on The Download, he shared that he was “energized” to take down Drake. “[Future] called me and I went to the studio and laid that,” he began. “We went through the creative process of adding the chords and called the Hooligans out in London to get on the joint… Everybody was very, very energized about the elimination of Drake.”
Multiple Stray Bullets
In true Ye fashion, shots were fired at not just Drake but those within his proximity. Drake famously resigned with Universal Music Group in 2022, reportedly featuring some serious money being thrown around. UMG’s CEO, Lucian Grainge, was one of the names dropped on the “Like That Remix.” Specifically, Ye referred to him as Drake’s “master.”
“Where’s Lucian? Serve your master, n*gga / You caught a little bag for your masters, didn’t ya / Lifetime deal, I feel bad for n*ggas / Y’all so outta sight, outta mind/ I can’t even think of a Drake line.“
However, the most memorable stray bullet fell on J. Cole, who famously bowed out of the rap feud by apologizing to Kendrick Lamar. Nonetheless, Ye had some words for him. In what has become one of the most viral lines on the track, Kanye says, “Play J. Cole, get the pu**y dry.” The reason for the animosity remains unclear, but fans have long since had their theories about why Kanye West and J. Cole do not see eye to eye.
For one, Ye might not have enjoyed Cole’s “big three” claim. However, Kendrick’s response about “big me” didn’t seem to rub Kanye the wrong way. In 2016, Cole’s “False Prophets” had a few lines that may have subtly pointed to Ye’s mental health issues. Whatever the case may be, Ye told Justin Laboy that it was too late for Cole to back out of the feud. Evidently, the damage is already done. “It’s like, n**ga, you can’t run now,” Ye said.
Conclusion
Kanye West and Drake’s beef has now hit a new peak. It’s anyone’s guess if Ye will double down with another verse soon. Or maybe Drizzy has some words of his own in store. However, at the core of it all is Kendrick Lamar. Above all, the fans are still eager for his return.
Rae Dawn Chong is an actress known for her roles in several influential films and television series during the 1980s and 1990s. She has built a net worth of $4 million as of 2024, according to CelebrityNetWorth. Chong’s career began with critical acclaim in her early film roles. She quickly became a recognized face in Hollywood, known for her talent and versatility in various characters.
Breakthrough In Film
Rae Dawn Chong’s career took off after performing in the prehistoric film Quest for Fire (1981). That role helped her receive significant critical acclaim. This role showcased her ability to embody complex characters, marking her as a rising star in the film industry. She continued to build on this momentum with significant roles in popular films like The Color Purple and Commando, where she not only held her own alongside major stars but also left a lasting impression due to her compelling performances.
Versatility In Acting
Throughout the 1980s and 1990s, Chong appeared in various movie genres. These ranged from comedies and dramas to science fiction and action. Further, her flexibility as an actress allowed her to navigate through different roles. This showcased her range and helped her maintain a steady career in Hollywood. Beyond film, Rae Dawn also made several appearances on television, including guest spots on popular shows that broadened her audience and added to her body of work.
Recent Endeavors & Continued Influence
In recent years, Rae Dawn Chong has continued to act but has also ventured into directing and writing. It shows a keen interest in all aspects of film production. These endeavors highlight her deep understanding of the industry and her desire to influence it beyond acting. Chong’s past and present work has contributed to her net worth and left a mark on the entertainment industry. This reflects her diverse talents and ability to adapt to the evolving landscape of film and television.
Rae Dawn Chong’s career is a testament to her actress skill and commitment to the arts. From her early days as a film star to her current work behind the camera, she has continuously evolved, ensuring her relevance and financial success. As she explores new creative opportunities, Chong’s legacy in the entertainment industry remains impactful, underscored by her enduring appeal and ongoing contributions.
While it seems rap has returned to a place where feuds are dealt with on wax rather than in person, Quavo and Chris Brown’s ongoing beef is treading into personal territory. Over the weekend, Breezy unloaded his latest release, “Weakest Link,” targeting Quavo and bringing up the late Takeoff. Among other claims, he also claimed to have slept with Saweetie while she was still dating Quavo, and spared the Migos rapper the humiliation of a public ass-beating at Paris Fashion Week when they were seated next to each other. Moreover, Chris Brown, out of all people, attempted to level the playing field with domestic assault allegations against Quavo.
The feud is ultimately a low-stakes battle between an R&B singer and a rapper over a woman who already moved on from both of them. Though Chris may have initially denied that this doesn’t have to do with shared partners – a commonality in the entertainment industry as a whole – that, along with the death of Takeoff, became what Breezy believed to be the sore spots. But, similar to how Quavo swiftly responded to Chris Brown’s 11:11 diss with the release of “Tender,” the Migos rapper proved that his competitive nature isn’t limited to athletics. On his latest release, “Over Hoes & B*tches” — a play on Breezy’s OHB clique — Quavo fired back at the R&B singer with the posthumous assistance of Takeoff. Here’s everything you need to know about the song.
Initially debuted on Akademiks Live Stream on April 22nd, Quavo dug into the vault to directly jab back at Chris Brown’s dig toward the late Migos member on “Weakest Link,” Breezy raps, “R.I.P. Takeoff, he the only real one that got true respect/ Crazy how when he died, everybody really wished it was you instead (Oh shit, brrah).” Though Brown immediately acknowledged how he might be “trippin’,” the inclusion of Takeoff’s performance on “Over Hoes & Bitches” illustrates the ride-or-die nobility between the uncle-and-nephew duo.
“This bullet got your name/ Don’t ever bring up Take, pussy,” Huncho raps on the intro, just before Takeoff’s posthumous hook becomes the song’s glue. Though we can’t confirm when Takeoff’s contributions were recorded, it certainly sounds like something that may have came out of the back catalog. However, considering that this feud pre-dates Takeoff’s death, it wouldn’t be difficult to imagine that it would released in the thick of the initial stages of Quavo and Chris Brown’s feud. Even if the bars sound like they could be talking about anyone, it’s an effective hook for Quavo’s diss track toward Breezy.
Saweetie
Of course, one of the biggest bombshells from Chris Brown’s “Weakest Link” surrounded Saweetie. Though Karreuche remains at the center of the beef – or atleast we thought – Chris Brown revealed that he slept with Quavo’s ex while they were together. “Who gassed you up to put that out?/ Yeah, that was shitty, n***a/ I can take a model bitch and make a Saweetie, n***a,” he raps. Of course, this line ultimately caught the attention of Saweetie who exposed text messages from Quavo back in January. Whether a coincidence or not, fans also pointed out that on the same day Quavo messaged her, she was spotted next to Chris Brown at an NBA game.
Tran has maintained her silence amid the Chris Brown/Quavo saga. However, Breezy and Quavo ensured they addressed the core of their issues. On “Over Hoes & Bitches, Quavo questions Breezy’s commitment to pushing this feud further. “Lil’ boy wanna die ’bout some coochie? (Bow) You still fucked up ’bout Karrueche?” he raps. While Chris Brown previously shrugged off his former fling with Tran, Quavo suggests that Brown’s ego continues to fuel the fury behind their feud.
Since the 2009 Grammys, things have not been the same for Chris Brown. Allegations of abuse have followed him over the years, including other reported incidents, some of which have resulted in lawsuits. However, Breezy’ violent past has continued to haunt his existence and it became the focal point of Quavo’s latest releases.
On “Weakest Link,” Chris Brown calls out Quavo for facing similar accusations following the infamous video of himself and Saweetie in the elevator. In response, Quavo pulled up several examples of Chris Brown exhibited signs of abuse, including the evening he attacked Rihanna, the supposed rift he had with Teyana Taylor, and his infamous beef with Frank Ocean, of all people. Quavo uses the Ocean incident, specifically, to question whether Chris Brown is actually willing to fight. “Talking about fashion week, you sparing who?/ Come punch me in my face/ It ain’t nun’ but a fade, you know you lost to Frank (Frank Ocean?),” Quavo raps.
Chris Brown has faced several accusations surrounding his alleged relationship with substances. A 2017 report from Billboard detailed his reported issue following a lawsuit filed by his former manager. Although Breezy has denied using any drugs outside of marijuana, many have speculated that his aggressive behavior stems from the alleged use of cocaine.
Across “Over B*tches & H*es,” Quavo makes several mentions of these supposed rumors. “The cocaine got ’em, your honor (White), bipolar disorder, no wonder,” he raps, which delves deeper into the allegations from the aforementioned 2017 report where a source claimed that Chris Brown leaned further into substances as he abandoned his prescription medication for his bipolar disorder. “You was the greatest, n***a, you fumbled, going out sad, I’m watching you crumble/ Why they got Quavo out here going back and forth with a singer that turned to a junkie?” Elsewhere in the verse, he calls Chris Brown a “Crackhead Michael Jackson.” Pretty self-explanatory.
Street Ties
Though Chris Brown emerged as a child star, the latter half of his career found him assuming a more bad boy image. This largely relates to Brown’s alleged ties to the Pirus. During the intro, Quavo brings up the reports that home invaders held Chris Brown’s aunt at gunpoint. However, he suggests that the robbery was the result of Chris failing to pay his debts. “N***as ran in your house, tied up your aunt ’cause you ain’t pay,” he raps.
Furthermore, Quavo, specifically, calls out Breezy for putting on a tough guy image. Once again, he questions Breezy’s authenticity. “N***a, you ain’t been in the trenches/ We stomping the yard, you know how that ended,” he raps, referencing Breezy’s character in the film, Stomp The Yard, who dies relatively early. “Want smoke with me? OHB mean fighting over hoes and bitches (OHB),” he adds, flipping the name of Chris Brown’s crew Original Hood Bosses.
As one of the biggest pop superstars in the modern world, Drake has made no secret of his many sexual exploits. The “First Person Shooter” rapper has stated numerous times in his lyrics that he enjoys casual hookups with great frequency. This musical content has led many fans to wonder if Drake has numerous kids as a result of his lifestyle. As far as the public knows, Drake is the father of only one child named Adonis Graham. Adonis’s existence was revealed to the public during a 2018 rap beef, which saw Drake verbally sparring with rap legend Pusha T. Since then, Drake’s kid has gone on to share the spotlight with his famous dad and even release his music.
Drake’s one and only kid was born to former pornography star Sophie Brussaux in 2017. When first confronted with the reality of fatherhood, Drake allegedly denied paternity claims over Adonis before ultimately coming to terms with his new role as a dad. The specific details of Drake’s acceptance of his son are quite murky. According to some fans and insiders, it seemed like Drake was a deadbeat dad until Pusha T revealed his son to the world. Others have argued that Drake was present in Adonis’s life before the rap feud.
Drake defended himself against claims that he had been absent in his kid’s life on the 2018 track “Emotionless.” In the song, Drake elucidates, “Look at the way we live. I wasn’t hiding my kid from the world, I was hiding the world from my kid.” Drake also claims that he planned to reveal Adonis to the world as part of a partnership with Adidas back in 2018, though Pusha T ultimately spoiled the surprise.
Pusha T Name-Dropped Adonis On Wax
In May 2018, Pusha T released the earth-shattering diss record “The Story Of Adidon.” The track, which makes use of the instrumental from Jay-Z’s “The Story Of OJ,” is a direct response to Drake’s “Duppy Freestyle,” which name-dropped Pusha T’s at-the-time fiancée. “The Story Of Adidon” revealed a wide array of explosive secrets, though the biggest saw Push referring to Drake as a deadbeat dad, and revealing the identity of Adonis and his mother.
On the track, Pusha T raps, “A baby’s involved, it’s deeper than rap / We talkin’ character, let me keep with the facts / You are hiding a child, let that boy come home / Deadbeat mothaf***er playin’ border patrol / Adonis is your son, and he deserves more than an Adidas press run.” Drake never formally responded to this track, though he has gone on to publicly acknowledge his kid’s existence since “The Story Of Adidon” dropped.
Adonis Has His Own Song Now
Regardless of Drake’s previous alleged experience with his son, he is now a loving father, frequently seen co-parenting in Sophie Brussaux’s social media posts. Sophie has referred to Drake as an amazing father over the years. Adonis has been seen tagging along with the rap superstar at sporting events, music video shoots, and other public outings. In 2023, Adonis took a hands-on role with his father’s music, drawing the cover art for Drake’s For All The Dogs album.
Additionally, Adonis has released his own song, titled “My Man Freestyle,” which showcases the six-year-old boy rapping a stream of consciousness about sports, his dad, and accidentally breaking his iPad. The music video for “My Man Freestyle” prominently features Drake, standing by as a proud dad while his son plays youth basketball with a gang of friends.