Today (June 16) would have been Tupac Shakur’s 50th birthday. Many are remembering the late rapper on this milestone day, but Jada Pinkett Smith got started early yesterday by sharing a previously unreleased poem that Tupac wrote for her.
Filming the poem, which was titled “Lost Soulz” and written by Tupac on a sheet of lined notebook paper, Pinkett Smith says in a video, “Over the years, ‘Pac wrote me many letters and many poems, and I don’t think this one has ever been published, honestly. He had a song called ‘Lost Souls,’ on the Gang Related soundtrack, but I believe this was the original concept because he wrote this, I believe, when he was at Rikers [Island]. And I was like, I don’t think he would have minded that I share this with you guys.”
She then recited the poem, which reads:
“Some say nothing gold can last forever
And 2 believe this [I] need no proof
I have witnessed all that was pure in me
And be changed by the evil men can do
The innocence possessed by children
Once lived inside my soul
But surviving years with criminal peers
Has turned my warm heart to cold
I used 2 dream and fantasize
But now I’m scared 2 sleep
Petrified, not to live or die
But to awaken and still be me
It is true that nothing gold can last
We will all one day see death
When the purest hearts are torn apart
LOST SOULS are all that’s left
Down on my knees I beg of God
To save me from this fate
Let me live to see what was gold in me
Before it is all too late.”
Getting compared to Larry David is a great thing if you’re working in comedy, and perhaps not as great a thing if it’s in reference to your social skills. But for Lil Dicky, that kind of comparison is exactly what he’s been going for all along.
The rapper and brain behind the surprise hit Dave is known for a lot of things, all of them sort of referencing parts of his own life and the musical persona that first made him famous. His success with Dave only tightens the connections between his persona, his real life and the show’s plot points loosely including all of the above. And if that sounds a bit like David’s work on Seinfeld and Curb Your Enthusiasm, well, you’re not alone in thinking that.
In a GQ profile of Dicky, the Larry David connections are front and center in a very flattering way. Early in the piece his mother quite literally says “You’re no Jerry Seinfeld. But you’re funny” when describing Dicky (real name Dave Burd) and his big ambitions. Apparently he used to straight-up ask his parents if he was a comedic genius, though he didn’t like the answer he got:
His friend Benny, the producer and hitmaking songwriter Benny Blanco, remembers this too. “Oh my God,” he says. “He’d be like, ‘Mom, Dad, am I a genius?’ And they’d be like, ‘Eh.’”
With two seasons of Dave now under his belt, though, the comparison isn’t nearly as absurd. And one longtime David collaborator is willing to broach the subject. The piece discusses Burd’s creative process and OCD tendencies at length, exploring how he first learned he could make people laugh and the stress that introduced into his life. The juxtaposition between attempted genius and the mental strain of actually realizing that makes him a difficult person to work with at times:
At work, the neurosis has a name: The No Stone Unturned Method. This means he must try out every single possible version of something, whether it’s a lyric or a joke, before he’s satisfied. “He’s the worst person I’ve ever been in the studio with,” Benny Blanco tells me. “But also the best person.”
The flipside of his neurosis is stratospheric confidence. The co-creator of Dave, Jeff Schaffer, remembers the first time he met Burd: “He’s talking to me, a stranger, about how he’s going to be so huge. He’s telling me he’s going to be the biggest entertainer in the history of entertaining. And I’m like, Oh, he’s delusional. This is great. I love this.” Schaffer, who’s also worked on Seinfeld and Curb Your Enthusiasm, adds that he sees “a lot of Larry” (that would be David) in Burd.
That’s high praise for a guy many know from funny rap songs, though the perception of Burd is certainly changing with Dave. The show is funny, and very successful, and as we see more of Burd’s work, it makes all of his talk about a wildly successful career not just more reasonable, but an actual reality.
If you live for sneakers, skateboarding, Supreme drops, and all things hip-hop, you have late ‘80s and early ‘90s New York street culture to thank for that. And you’re probably going to love All The Streets Are Silent, a feature-length documentary debut from Jeremy Elkin that explores this still influential period of American youth culture. For the documentary, Elkin reached out to the kids (and Kids) who grew up in the scene — who better to document that golden age of style and music than the people who lived it?
Premiering today at New York’s Tribeca Film Festival as a documentary select, “All The Streets Are Silent” takes you on a deep dive into the streets of New York City, back to the days when skate culture and hip-hop were still rebellious expressions of street youth and not global commodities with rabid fan basesdominated by hype.
The film, which is narrated by Zoo York cofounder and Uproxx Style editor Eli Morgan Gesner uses archival footage and covers notable figures and locales of the era, including Harold Hunter, Club Mars, Supreme, and DJ Stretch Armstrong. The stars of the counterculture are in full effect but at its heart, All The Streets Are Silent is an examination of being a kid in New York City during a special time in pop culture. With guests like Rosario Dawson, Darryl “DMC” McDaniels, DJ Clark Kent, the late Keith Hufnagel, and Yuki Watanabe, “All The Streets Are Silent” offers an exploration of race, society, fashion, and street culture in a culturally significant era in New York City history wrapped in a Paris is Burning meets Kids aesthetic that oozes cool.
Elkin took this project seriously, in addition to linking up with Gesner, he also tapped the legendary Large Professor, the producer that brought us Tribe Called Quest’s “Keep it Rollin” to do the soundtrack. It doesn’t get more vintage New York than that. Check out the trailer for All The Streets Are Silent above and stream it on-demand until June 23rd for $15 here.
Netflix just dropped the first official trailer for We the People, an animated music video series created by Chris Nee and produced through a joint collaboration between Kenya Barris and Barack and Michelle Obama. Featuring a powerhouse set list of musical stars like H.E.R. and Janelle Monáe, the 10 episodes series will feature a collection of music videos that will hopefully inspire viewers to rethink their civic engagement. A “Civics Remix,” as the trailer calls it.
Here’s the official synopsis:
Combining music and animation to educate a new generation of young Americans about the power of the people, We the People is a series of 10 animated music videos that covers a range of basic U.S. civics lessons in not-so-basic ways. Set to original songs performed by artists such as H.E.R., Janelle Monáe, Brandi Carlile, Lin-Manuel Miranda, Adam Lambert, Cordae, Bebe Rexha, KYLE, Andra Day, and poet Amanda Gorman, with a groundbreaking mix of animated styles — each episode of We the People is an exuberant call to action for everyone to rethink civics as a living, breathing thing and to reframe their understanding of what government and citizenship mean in a modern world.
Action Bronson may have lost 140 pounds since last year, but he’s still got that unmistakable Action grin. It comes paired with a “smiling eyes” brand of warmth that’ll make you feel like you’ve known the guy for years. His vibe has always been to live loud. Smoke what you want, eat what you want, do what you want, and give yourself over completely to life’s pleasures. It’s part of what makes his personality so infectious and why people flock to catch his show F*ck That’s Delicious, currently airing on YouTube, which is literally just about Action eating at the places he likes to eat (now with more kettlebell squats!).
But if you were worried that the new, healthier Action Bronson might live like a monk, fear not. He’s still the same dude with the same passion for food and life. He just felt like the fast life was catching up to him and he needed an adjustment.
“I put it out there for people to be free and fat and this and that, and eat what you like,” he says. “But unfortunately, some people have genetics like me where it just fucking sticks to your ass. I wanted to make amends… I realized that I was a fuckhead and I should stop doing these things and change shit up.”
That realization came while the multi-hyphenate was working on his new self-help book, Fuck It I’ll Start Tomorrow, which Action admits began as an attempt to get a check before morphing into a genuine journey of self-examination. We linked up last week over Zoom to talk about writing the book, getting fit, eating plant-based, and how it will all affect Fuck That’s Delicious going forward.
***
Let’s talk a bit about your new book Fuck It I’ll Start Tomorrow. It’s positioned as a self-help book — what kind of lessons do you teach people in the book?
Deceit, lying, lying to yourself, coming to the realization that you’ve lied to yourself and you’ve lied to everybody else… you know all kinds of things. It’s experience-based, a lot of people can relate to some of the things I’m saying, but I wrote it with deceit in my mind. When I wrote the book I had no intention of putting my all into it, which is unfortunate because I only do things that I put my all into. This I did strictly because it was a check and a way to get to another cookbook, which I really wanted to do. I didn’t want to do a fucking self-help book because “I don’t fucking give a shit,” that was my attitude.
The bottom line is, this book was written with bad intentions but somehow it turned a mirror on me and I realized that I was a fuckhead and I should stop doing these things and change shit up. Never do anything that you don’t put your all into and this book taught me a lesson.
The book ended at the pandemic, it was a prequel to all the change that’s happened now, but it was a catalyst. The book was a catalyst unknowingly, I hated every second of it, you could ask Rachel Wharton the woman who wrote the book with me, James Beard award winner, two times New York best-selling author. She went through hell with me to do this shit, I feel terrible. At one point I called them up and was like “Yo, I’ll give you the money back I’m not fucking doing this.” It was a shit show, but I’m just glad everything worked out.
In the book, you could feel my pain and my joy.
This year has been a definite journey, you’ve totally changed your life and changed the way you eat. What has impacted you the most about transforming, not just the way you look physically, but your diet, which was originally built around excess?
I’ve always been able to eat right, I actually went to school and got a 100 in nutrition, I know what we’re supposed to eat. I know what we need to eat to be healthy, I know what not to eat, I know not to eat 10 desserts at one time, but I’m an addict.
You have to break through that addiction, but the mind is stronger than anything and I feel like my mind is ironclad. 140 pounds bro. That’s not easy, I was disgusted I had 140 to lose, I still got to lose another 20 to 30, it’s unreal. At least I’m at a normal weight now, before I was so abnormal, it was disgusting.
I caught some of the new episodes of Fuck That’s Delicious, and I noticed just because you’ve gotten healthy, you haven’t gotten soft, you’re rocking the kettle ball to the pizza joint, you’re still as passionate about food as you’ve always been. That’s particularly inspiring because you’ve changed your whole life around but you haven’t given up the joy, and I think that’s an important message to share with people. What was your thinking going into the new season?
My thinking going into it was pretty much trying to mix my new lifestyle with the show. Every time we do Fuck That’s Delicious, all this shit was made up because this is my life. It was chronicling my life with the homies, and that was it, we never put any stage shit on, it’s all just one take, put a camera on and we just lived. So I just put the camera on and lived again, and this is just the way I’m living now so we’re capturing this.
For so long, it’s been just “blast yourself with 45 meals a day and desserts. It’s okay, just laugh, drink your face off, and smoke your life away.” Yeah, cool. There comes a point where it catches up and it caught up heavy to me. I had to chill out but the love of food is always going to be there. It doesn’t mean you have to stop eating, it just means you have to stop being an animal.
You gotta know when to hold them and you gotta know when to fold them. I learned when to fold them. Before, I didn’t know how to fold them.
Right now you’ve got a partnership happening with Field Roast and their show Make Taste Happen, what should we expect out of that partnership?
Big things man, it’s exciting, I love doing things where it’s something I use organically and it’s not just some bullshit. I was once a little bit intimidated by food that was mimicking real food but is made with plants, but these things, they’ve made in an approachable way. I understand sausage, I understand the way it is, I understand what’s going on in the world now.
It’s innovative and delicious and healthy. It’s this canvas that allows you to make unbelievable things, not just from a taste angle alone. It allows you to imagine and take the mind places you’ve been in the past — some real nostalgia stuff.
What makes Field Roast different? Why partner with them?
Just in my own opinion, I’ve tried plant-based sausage and plant-based burgers, and the texture usually isn’t there. It’s grainy or the flavor is off. There are only a couple of brands that seem like they’re doing the right thing, and in my estimation, Field Roast has been the best product I’ve tried so far. It’s very versatile, it browns up the way it should, it tastes amazing, it’s a vehicle for all kinds of flavors.
If you just have a couple of items in your pantry it’s really all you need — you can create masterpieces.
What are some of your favorite things to prepare? You sent me a photo of you doing apple sausage, broccoli, onions — what are we cooking here?
See that’s a classic Italian dish, I believe it’s a Roman dish, when you do the sausage with the orecchiette, the little ear pasta, with the broccoli. I decided that I’m going to mimic a dish that I have and I love and make it ethnic as well and take you around the world and give you flavors that go “mmm.”
I made this unbelieved pistachio pesto [full recipe here] to top it with, you could eat it every day. Use a little bit of Sambal. People submitted some items that I should be using and they tried to trick me on some Chopped stuff but I just created a masterpiece.
Field Roast
What’s your secret to a plant-based meal?
Not treating it as if it’s something different. You don’t put white gloves on like “ooh its plant-based” you just hit it with hard flavor like you normally would. It’s all about flavor, good olive oil, good products, it’s still all about the products. Make sure you keep it nice and fresh and creative.
Lil Nas X has done it all in the less than two years since his 2019 breakout moment. The singer has two Grammy awards to his name, the record for most consecutive weeks at No. 1 on the Billboard singles chart, and the most certified single in music history.
Despite the long list of achievements and milestones, prior to this weekend, one thing that Lil Nas hadn’t done yet was appear on Saturday Night Live. All of that changed last night when the singer stepped onto the Studio 8H stage to perform “Montero (Call Me By Your Name)” and “Sun Goes Down.”
i know i do a lot of planned shit but ripping my pants on live television is not one of them
The singer kicked off the night with a performance of the ever-so-controversial “Montero (Call Me By Your Name).” Sticking with the fiery theme of the song’s music video, Lil Nas danced and sang in front of a backdrop of hell that even featured a stripper pole for him to dance on.
Unfortunately, as he danced on the pole, Lil Nas accidentally ripped his pants in what proved to be a funny SNL moment. Afterward, he spoke about the wardrobe malfunction on Twitter. “I know i do a lot of planned sh*t but ripping my pants on live television is not one of them,” he wrote.
Lil Nas X would push past this potentially embarrassing TV moment and return to the SNL stage to end the night with a performance on “Sun Goes Down.”
You can watch the performances in the videos above.
Issa Rae’s breakthrough show, Insecure, is coming to an end after its fifth and final season, but it’s clear she has more where that came from. Recently it was announced she’s helming the reboot of Project Greenlight, the IFC reality show from the aughts in which Matt Damon and Ben Affleck helped filmmakers make their dream projects (with lots of nightmares along the way, of course). Rae spoke about the revival during a recent profile with Vanity Fair, though she also shared a story about the late Nipsey Hussle.
According to the Insecure star, HBO initially thought Insecure should star not Rae but a woman of lighter skin color would be a better fit. When they suggested London, Rae took offense, but she later discovered that London, who was Hussle’s partner from 2013 until his death, heard about her complaint and even took offense.
But in 2019, at Diddy’s 50th birthday party in 2019, Hussle played mediator. “He was like, ‘You should just talk to her. Let me set it up,’” she said. “It actually sparked an amazing two-hour conversation. We had so much in common. She was like, ‘People don’t understand, I’m an awkward Black girl.’” She added, “In the same way that I was upset about the limited portrayal of Black women, she was like, ‘People do the same thing to me.’ I completely get that.”
Nipsey Hussle is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
It’d be inaccurate to label this stage of Chance The Rapper’s career as anything along the lines of idle or inactivity. The Chicago native is busy on the music side of things as he recently shared “The Heart And The Tongue,” as well as “Shelter,” a collaboration with Vic Mensa. He also premiered a new movie titled, Magnificent Coloring Book, to celebrate the fifth anniversary of his mixtape, Coloring Book, and he’s set to headline the Summerfest 2021 show with Jonas Brothers and Miley Cyrus.
While that’s an ample plate of tasks, the rapper is adding something else to the mix.
During an appearance on The Tonight Show Starring Jimmy Fallon on Friday night, Chance revealed that he’s working on a reboot for a particular classic movie.
“It’s a secret thing. I’m working on…I got this pitch for a Home Alone reboot,” he said. “As a lot of people know…I’m sure everybody here is a huge fan of Home Alone and John Hughes. Chicago guy, Macaulay Culkin, it’s a Chicago film. Since I was young, I always watched it and I was like, ‘What if there was a hood Home Alone?’ Or Hood Alone, if you will.”
He added, “Just a little more realistic story about what happens when people try to kick in the doors at the wrong house. Hilarity ensues. I can’t give you too many details, but yeah.”
You can watch him talk about the reboot in the video above.
Donald Glover resurfaced on Twitter early Tuesday morning where he fired off his thoughts on the current state of entertainment after seeing critics complain about reviewing “boring stuff.” While Glover certainly has an inside perspective on the inner workings of Hollywood thanks to his career that spans both network and cable TV, Star Wars, streaming, and more, his comments are less insightful as they are nebulous, particularly when it comes to his remarks on being “cancelled.” Via his Twitter:
“[S]aw people on here havin a discussion about how tired they were of reviewing boring stuff (tv & film)… we’re getting boring stuff and not even experimental mistakes(?) because people are afraid of getting cancelled… so they feel like they can only experiment w/ aesthetic. (also because some of em know theyre not that good)”
saw people on here havin a discussion about how tired they were of reviewing boring stuff (tv & film).
Numerous replies to Glover indicate people’s belief that he’s talking about “cancelled” in the “cancel culture” sense. As in no one is making “experimental mistakes” because they’re afraid of upsetting current sensibilities. However, it’s possible that Glover is talking about a fear of being literally cancelled, which has been a major problem in the streaming world, like it’s always been for network TV, so his remarks are cryptic and open to interpretation. Glover wouldn’t be the first creative to complain about the confines of “cancel culture,” so until he offers a clarification, no one can definitively say that he’s merely offering a musing on the constant struggle between art and commerce.
Glover is currently in the middle of an eight-figure deal with Amazon and working on a remake of Mr. + Mrs. Smith with Phoebe Waller-Bridge for the streaming service. So, he might simply be reflecting upon how creative teams fear being cancelled in the traditional sense (i.e. their show doesn’t make it the first or second season) because an audience demands more of the same, or as Glover states, the project is “not that good.”
(@LilNasX) 
