It was a full-circle moment when Snoop Dogg was able to buy Death Row Records, the label that jumpstarted his three-decade-long career. However, Dr. Dre and 2Pac’s catalogs were not included in the sale, and Snoop is reportedly still in negotiations to get the two artists’ Death Row catalogs.
According to Billboard, 2Pac’s All Eyez On Me and The Don Killuminati: 7 Day Theory albums were not included in the purchase and is”no longer on the label.” Similarly, Dr. Dre’s classic solo debut album The Chronic was no longer on the Death Row label but will be returned next year.
The report also states that the specifics of the cataloge portion of the deal are still “being negotiated,” and as for right now, MNRK Music Group and investment firm Blackstone are still the owners of the Death Row cataloges.
Having recently purchased Death Row Records, Snoop announced that the new Death Row will be the first ever NFT record label and will be included in the metaverse. “We will be putting out artists through the Metaverse. Just like we broke the industry when we was the first independent [label] to be major, I want to be the first major [label] in the Metaverse.”
However, it seems there are more aspects of the acquisition that still need to be finalized. According to Billboard, it appears that albums by Tupac and Dr. Dre won’t be included in the deal. A pair of Tupac’s Death Row albums, All Eyez On Me and The Don Killuminati: The 7 Day Theory, are “no longer on the label,” which means Snoop does not have access to them. Additionally, Dre’s 1992 debut album The Chronic, which was also released on Death Row, would not be returned to him until 2023. According to the report from Billboard, the specifics of the deal are still under negotiation, so until things are finalized, Death Row’s previous owners (MNRK Music Group and investment firm Blackstone) still have the rights to the label’s catalog entries.
“It feels good to have ownership of the label I was part of at the beginning of my career and as one of the founding members,” Snoop said after acquiring the label. “This is an extremely meaningful moment for me.”
This year’s hip-hop-focused Super Bowl Halftime Show — featuring Dr. Dre, Eminem, Kendrick Lamar, Snoop Dogg, Mary J. Blige, and 50 Cent — was generally well-received. It also managed to renew interest in some of the performers’ music, as the new Billboard 200 chart indicates: On the chart dated February 26 (which accounts for listening activity from February 11 to 17, while the Super Bowl was on the 13th), albums by Eminem and Dr. Dre have returned to the top 10 for the first time in years.
Eminem’s Curtain Call: The Hits (a former No. 1 on the chart) had a major rise, as it ascended to No. 8 this week, up from No. 126 the previous week. That’s thanks to about 31,000 equivalent album units earned, an increase of 256 percent. Meanwhile, Dr. Dre’s 2001 rose from No. 108 to No. 9 with about 30,500 units (a 220-percent increase). Its previous peak was at No. 2 on the chart dated December 4, 1999.
This is the first time Curtain Call has found itself in the top 10 since the chart dated March 11, 2006, when it was No. 8. The last time 2001 was in the top 10 was on the May 13, 2000, when it ranked No. 9.
Those albums were well-represented during the halftime show: Eminem performed “Lose Yourself,” while three 2001 songs — “The Next Episode,” “Forgot About Dre,” and “Still D.R.E.,” made the setlist.
Elsewhere on the chart, the smash hit Encanto soundtrack is once again No. 1, for a sixth total week. That ties it with Adele’s 30 for the third-most weeks spent at No. 1 in the last five years (since January 2017). Ahead of those LPs are Morgan Wallen’s Dangerous: The Double Album (ten weeks) and Taylor Swift’s Folklore (eight weeks).
This month’s Super Bowl Halftime Show turned out to be very beneficial for the artists that took the stage. Dr. Dre, Snoop Dogg, Kendrick Lamar, and Mary J. Blige, all saw an increase in their streams after their performance. On Spotify, Dre’s numbers went up 185 percent, Mary J. Blige’s “No More Drama” saw an increase of 520 percent, and Kendrick Lamar’s “Alright” went up 250 percent. Additionally, Dr. Dre and Snoop Dogg’s “Still D.R.E.” saw its streams go up 245 percent. But that wasn’t all.
“Still D.R.E.” also became Dre and Snoop’s first video to reach a billion views on YouTube. While the video for the song, which appears on Dre’s second album, 1999’s 2001, was released on the week ending October 3, 1999, the video was uploaded to YouTube on October 2011. In addition to Dre and Snoop themselves, the video, which was directed by Hype Williams, also features cameos from Eminem, Xzibit, Funkmaster Flex, and Warren G. As for the song itself, Dre and Snoop have been very open over the years about the fact that it was completely written by Jay-Z.
The new milestone comes after Dre revealed what words the NFL made him remove from the entire Super Bowl performance. The opening lines for Kendrick Lamar’s “M.A.A.D. City” (“If Pirus and Crips could all get along / They’d probably gun me down by the end of this song”) did not fly with the NFL, according to Dre. “They had a problem with that, so we had to take that out,” he said. “No big deal, we get it. But, all in all, everybody came in, we were professional, everybody was on time.”
Today we celebrate the birth of one of the most influential figures in Hip-Hop. Not only was this man the first rap billionaire, but he was also an instrumental part (literally and figuratively) in the creation of a new sub-genre of rap known as G-Funk. The living legend is described is none other than Dr. Dre.
Andre Romelle Young was born in Compton, California on February 18, 1965. He was the first child born to Theodore and Verna Young. His father had a history in music and was a member of an amateur R&B group called The Romells from which Dre gets his middle name.
In 1986, Dre met O’Shea Jackson aka Ice Cube while collaborating on some music for Ruthless Records. Ruthless Records was a famous record label founded by N.W.A. member Eazy-E and west coast rapper Ice-T. These two are widely credited with starting the gangster rap movement on the West Coast. This meeting and the addition of MC Ren birthed one of the greatest music groups of all time, N*ggaz With Attitude.
After a disagreement with Eazy-E, Dre decided to leave N.W.A. to build his own musical empire. Due to advice given to him by his close friend and fellow rapper, The D.O.C., and his bodyguard at the time, Suge Knight, Dre became the flagship artist of Death Row Records, a label started by Knight in 1992. On Death Row Records, Dre released his first solo album titled The Chronic. This album cemented Dr. Dre’s place as one of the top rappers out of California. While working with Death Row, Dre produced the majority of new artist Snoop Dogg’s music helping him in his rise to superstardom, along with tracks for 2Pac who was also a label member.
In ’96 due to a disagreement between Knight and Dre, Dre left Death Row to build his own label called Aftermath Records. This changed the path of Dre’s career forever. The growth began when the head of Interscope Records, Jimmy Iovine, suggested that Dre sign white rapper Eminem. The success of Eminem’s music made Dr. Dre not only one of the most respected rappers/producers in the game but also one of the more powerful moguls.
Dr. Dre was set to release his third album Detox in 2007 but decided to not and instead produce for other artists. Since then Dre has been mostly behind the scenes shaping the current state of rap music. Most recently he produced the uber-successful N.W.A. biopic Straight Outta Compton, which has created a rise in N.W.A. support from a new generation. His third studio album, Compton, was released shortly after the film and finally ended the long wait for more work from Dre.
The life and career of Dr. Dre is one that has been able to make Rap and Hip Hop what they are today. Without his influence, who knows where rap music would be today. From everyone at The Source, Happy Birthday Dr. Dre, may you have many more success filled years.
The Hip-Hop family tree of Dr. Dre was on full display during the Super Bowl halftime show. The Good Doctor was joined by Mary J. Blige, Snoop Dogg, Eminem, Kendrick Lamar, and the surprise guests of Anderson .Paak and 50 Cent. But was somebody missing? The Game seems to think so.
The Compton legend reposted a message from an associate reading “FYI: @losangelesconfidential Should’ve been on stage at the Super Bowl I’ll be first to say it.”
Game reposted the message to his Instagram with the simple message of “Shit brazy fr”
That message would follow some additional posts. Do you think that The Game should have been included?
Although it has been decades since Dr. Dre himself was at the center of any hip-hop controversies, there was some speculation and debate ahead of his recent Super Bowl halftime show performance that the NFL worried parts of the show could become culture war flashpoints. While the moments in question went off without a hitch, some folks did find plenty to complain about — even after the NFL offered notes on how to tone down potentially troublesome moments during the performance.
Dr. Dre revealed what “minor changes” the NFL made to the set during an interview with TMZ. While he did acknowledge the rumor that the NFL had barred his co-star Eminem from kneeling during his set, Dre said the real changes came during Kendrick Lamar’s portion of the performance. “Em taking the knee, that was Em doing that on his own, and there was no problem with that,” he said. However, regarding Kendrick’s song, “M.A.A.D. City,” the opening line “if Pirus and Crips could all get along” didn’t fly.
“They had a problem with that, so we had to take that out,” he said. “No big deal, we get it. But, all in all, everybody came in, we were professional, everybody was on time. Everybody felt the magnitude of what this thing was, and what we were going to be able to accomplish. It was a fantastic experience.” You can watch Dre’s interview below.
