Focus Features has announced the nationwide release of Back to Black on Friday, May 17th. Directed by Sam Taylor-Johnson and written by Matt Greenhalgh, the film dives into Amy Winehouse’s remarkable journey, chronicling her ascent to stardom from her early days in Camden to the creation of her groundbreaking album.
Executive producers Sam Taylor-Johnson, Anna Marsh, Ron Halpern, Joe Naftalin, and producers Alison Owen, Debra Hayward, and Nicky Kentish-Barnes have worked diligently to bring this story to life. The cast includes Marisa Abela, Jack O’Connell, Eddie Marsan, and Lesley Manville.
Back to Black delves into Winehouse’s lyrics and provides a glimpse into the iconic artist’s life, embracing the complexities that made her a legend. The film explores the tumultuous love story that served as the backdrop to one of the most revered albums ever.
With its focus on Amy Winehouse’s early rise to fame and the creation of her seminal album, “Back to Black,” the film promises to offer audiences an intimate and compelling look at the life and artistry of the beloved singer-songwriter.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of February below.
Paul McCartney & Wings — Band On The Run (50th Anniversary Edition)
UMe
The end of The Beatles was a sad moment for music, but the silver lining was that it led to Paul McCartney forming Wings, a band that enjoyed a beloved run of its own. The group’s defining third album, 1973’s Band On The Run, turned 50 recently, so now we have a new vinyl reissue of the album. The 2LP edition includes a treat for fans: an “Underdubbed” Mixes Edition of the album, of which McCartney himself explains, “This is Band On The Run in a way you’ve never heard before. When you are making a song and putting on additional parts, like an extra guitar, that’s an overdub. Well, this version of the album is the opposite, underdubbed.”
We lost Amy Winehouse far too soon, but the pair of albums she left behind is special. It all started with Frank in 2003 and the album turned 20 years old recently. To celebrate, we now have the coolest-looking version of the album, a lovely new picture disc vinyl pressing.
The Who — Quadrophenia (Reissue) and The Who By Numbers (Reissue)
UMe
The Who were masters when it came to making music that rewards close listening. Now, the sonic details of two of the group’s finest albums, Quadrophenia and The Who By Numbers, can be enjoyed better than ever with these new vinyl reissues, which got a half-speed mastering for the occasion.
As part of their Small Batch vinyl series, Craft Recordings has come through with an audiophile-friendly version of an Isaac Hayes classic, which features lacquers cut from the original tapes. Ultimately, Craft proclaims this release to be “as close as the listener can get to the original recording.” As the name of the reissue series suggests, this isn’t one to take your time with, as it’s limited to only 3,000 copies. The overall packaging of the reissue is also stunning.
Uproxx’s Grant Sharples wrote of the latest album from UK rockers Idles, “The Bristol post-punk band Idles used to operate in one mode: loud, abrasive, and often furious. Their sheer volume was their main signifier, but now they’ve partially softened up, adding more subtlety to their anthemic tunes. On Tangk, their fifth record, the intensity remains, but rather than going in a purely punk direction, they make their noisy guitars and unrelenting drums a bit more rhythmic.”
If that sounds good to you, the band is selling the LP in a number of neat-colored vinyl editions.
Reissue kings Vinyl Me, Please have an impressive new edition of the John Coltrane classic A Love Supreme. It’s one for completionists: The 8LP box set features the album itself, as well as “every live and alternate take.” If you wanted the ultimate experience of one of jazz’s most iconic recordings, this is it.
After some time away, Grandaddy has been back at it over the past few years. February yielded the indie favorites’ sixth album, Blu Wav, and the blue marble vinyl pressing is a gorgeous way to enjoy it.
Similarly, MGMT also pressed their latest LP on some vibrant vinyl colors, like the tangerine version seen above. In her review of the project, Uproxx’s Carolyn Droke wrote, “As a whole, Loss Of Life shows MGMT have gone full circle and come back to their foundations as an indie band, both sonically by shedding the dark melodies of 2018’s Little Dark Age in favor of a more buoyant sound, and literally by signing to an independent record label.”
Usher had a bigger February than anybody with his Super Bowl Halftime Show and his new album, Coming Home. The performance was the headline news, but if you’re not sleeping on the new LP, Usher has it available on slick clear vinyl.
Helado Negro has been consistently rock-solid for over a decade now, busting out a new album usually at least every couple years since 2009. His eighth LP, Phasor, arrived earlier this month, and you have options in terms of vinyl aesthetics. There’s the “coke bottle translucent green” pressing pictured above, or a standard black if you’re more of a tried-and-true traditionalist.
With every generation, there are a handful of artists whose talent, reach, and story mark themselves as timeless achievements and souls. Without question, Amy Winehouse is one of the 21st century’s most important exponents in this regard. Her influence ushered in revitalizations of vocal flair, vintage aesthetics, and raw, emotive storytelling and character portraits in popular music. The London singer encompassed so much: powerful songwriting, carefully crafted and intent-driven releases, production that is deeply appreciative of the wide-ranging musical canon, and a truly resonant voice in every way. So it’s no surprise that her love of hip-hop, and so many other genres, drove much of her artistry.
Furthermore, the culture certainly returned the favor, and continues to do so to this day. As recently as October 2023, U.K. rapper Skepta sampled Amy Winehouse’s vocals from her 2006 song “Tears Dry On Their Own” on his aptly titled house cut, “Can’t Play Myself (A Tribute To Amy).” So many rap subgenres and communities appreciated her work: classic boom-bap exponents, Atlanta trap pioneers, Long Beach genre-benders, and some of the biggest artists in the game in general. Across these six picks (in no particular order), the late legend’s legacy lives on through artists and art forms that she championed like few others.
“Tears Dry On Their Own” Dungeon Family Remix – Organized Noize (Released 2011)
Speaking of Skepta’s treatment of this Back To Black cut from 2006, frequent Outkast collaborators -– and some of the best producers out of the South -– also gave it a spin. Amy Winehouse’s vocals, instead of pairing with retro instrumentation with a peppier step, ride over heavy kicks, chopped-up piano melodies and background vocals, and sharp snares, crafting a DJ Screw-esque effect. Of course, this is exactly the type of beat that the Dungeon Family perfected back in the 1990s and 2000s. Despite the aesthetic change, the contralto vocalist’s croons and swells sound even more spotlit and passionate here.
Sure, the mixing quality of this version is a little off, probably because of how its distribution methods have aged. Big Boi originally posted this remix on a website after she passed, and YouTube re-releases of it hit your ears with a lot of fuzz. Bizarrely, though, it adds to the atmosphere of this Amy Winehouse reimagining in a contemporary context. Much like the soul and R&B that inspired so much of her greatness (and that she and frequent production collaborators Mark Ronson and Salaam Remi sampled), it sounds like an unearthed vinyl that becomes a gem for a crate-digger years later, crackling through the speakers with all the passion its performer holds.
“Kush Is My Cologne” – Gucci Mane ft. Bun B, E-40 & Devin The Dude (2009)
Moving over to one of the six-time Grammy Award winner’s most popular songs, Back To Black‘s opener, “Rehab,” is one of her most iconic hooks and instrumentals. Even Gucci Mane took a liking to it, and on his 2009 album The State vs. Radric Davis, he interpolated the chorus for one of his verse lines. “Kush, purp, strong dro, What I need cologne for? They tried to send me to rehab but I said ‘No, no I won’t go,’” he raps on the record. It’s certainly one of the most tonally conflictive but curious examples on this list.
However, we’d be remiss not to mention Jay-Z and Pharoahe Monch’s remixes of “Rehab,” each of which came out around 2008 and warrants a listen. Unfortunately, none of these tracks knew how Amy Winehouse’s career would tragically end. As such, it’s strong whiplash to listen to any version of this song today, yet it doesn’t take away from its potency, its resonance, and its quality as a composition and performance. Also, it’s a reminder that music can affect lives for many different reasons than why lives affected its creation, and few artists can ever transcend their context like this.
Here we have one of the most subtle instances of sampling on the list: a simple drum beat that’s distorted, echoed, and manipulated to make it a hazy, lo-fi driving force. Lil Ugly Mane doesn’t rap on “vpn,” as this is an album (2021’s volcanic bird enemy and the voiced concern) where he goes into more singing, trip-hop inspirations, and a lot of genre and timbre experimentation. So what’s the drum beat that he takes from? It’s from Amy Winehouse’s “You Know I’m No Good” (also off Back To Black), on which Homer Steinweiss is on the kit.
Perhaps the most important thing to remark about “vpn” as it relates to “You Know I’m No Good” is how it’s able to communicate the slightly despondent, melancholy, yet hopeful tone of the original. Lyrically, both artists play a lot with how their inner demons inform their relationships, and they make you feel that push-and-pull with their deliveries. Amy Winehouse’s contributions are as musical as they are personal, as many saw their own troubles reflected in her confidence and honesty. There’s also a great remix of the original featuring Ghostface Killah, which should be another gem for you to add to your queue.
“Half-Time” – Flatbush Zombies Ft. A$AP Twelvyy (2015)
Coming off the New York trio’s non-streaming 2015 EP expansion, Day Of The Dead, this track samples Amy Winehouse’s “Half Time” (with drums courtesy of none other than Questlove) released posthumously on the 2011 project Lioness: Hidden Treasures. With glistening keys, an easy-going but crisp drum beat, and dense staccato bass, this is a classic East Coast boom-bap treatment. Each MC on here flows incredibly well, and the dreamy instrumental evokes the original’s themes of a passion for music. We’re repeating ourselves here, but it’s the truth: few artists could represent this fervor more than the Frank superstar.
Not only that, but this is also one of the most musically complex examples on this list, albeit a simple technique in the grand scheme of things. “Half-Time” switches between loops of two different parts of “Half-Time” to build its progression. A slowdown towards the end makes the dream feel even woozier, and it makes us wonder what amazing collaborations could’ve come from Amy Winehouse and the contemporary lane of sample-based and genre-fusing hip-hop artists. Like everything that was ever great, it leaves us wanting a little more.
Now, for what might be the most unique sample choice here, we have Vince Staples’ excellent and experimental 2017 album, Big Fish Theory. On the frantically percussive but atmospherically calming cut “Alyssa Interlude,” the Long Beach MC -– rather, the track’s producer “Zack Sekoff” -– samples an Amy Winehouse interview with Tim Chipping from 2006. “That’s like a real drug, isn’t it?” she says of love. “So when it -– when it didn’t come together, I was just like… you know? It really hurt. But I needed enough distance from it so that it wasn’t, like, raw emotion anymore. But not enough -– enough distance that I’d forget. I’m quite a self-destructive person, so I guess… I guess I keep giving myself material.”
Emotionally, this is a powerful moment considering the English icon’s personal struggles with addiction and mental health. It also means a lot to Vince Staples, as she inspired his 2016 EP Prima Donna and uses this interview to complement his romantic feelings for someone who is no longer there. “A true artist can make you feel both their sorrow and their happiness,” he said of Amy Winehouse’s Back To Black, one of his favorite albums, during a TIDAL Magazine interview. “You feel all of these emotions back to back and transform them into these stories without noticing the shift. Definitely someone who was gone too soon. R.I.P.”
“Cherry Wine” – Nas Ft. Amy Winehouse (2012)
Yeah, we know this isn’t a sample, but we can’t talk about Amy Winehouse and hip-hop without bringing up her strong bond with Nas. He was her crush, as portrayed in her track “Me and Mr. Jones,” and they met up thanks to the producer of “Cherry Wine” and collaborator-in-common, Salaam Remi. This cut, released on Esco’s 2012 album Life Is Good, resulted from a lot of back-and-forth work together, of which they had a lot before she tragically passed. Eventually, the “Valerie” hitmaker’s demo vocals for the song surfaced (which technically makes it a sample), and the Queens legend could pay fitting tribute to his birthday twin. They were born on September 14 exactly a decade apart.
What’s more is that she had previously sampled his 2002 song “Made You Look” on her 2003 release “In My Bed,” both produced by Salaam Remi. Back to “Cherry Wine,” though, Amy Winehouse longs for her soulmate (whom many interpret to be the Illmatic lyricist), as he goes over what he wants in a woman. It’s tender, soulful, well-paced, sonically pristine, and an evocative display of chemistry and appreciation. “We’re just so thankful that her people were so understanding that, you know, this was our homie,” Nas told Power 106 in 2012. “They let us rock out with her music on the album. So, we got love for Amy forever. That’s our sister. Love her.” We’re forever thankful for what these artists did to honor Amy Jade, and even more thankful for what she saw in hip-hop.
The late Amy Winehouse’s father, Mitch Winehouse, has taken legal action against two former friends of the iconic singer, alleging that they unlawfully auctioned off his daughter’s possessions for personal gain. Documents obtained by The Daily Mail reveal that Mitch is seeking £730,000 (approximately $930,000) from Naomi Parry and Catriona Gourlay, who are accused of putting Amy Winehouse’s belongings up for sale at auctions in London in 2021 and 2022.
Mitch Winehouse argues that the items were listed “in their own names and on their own behalf,” leading to the conversion of Amy’s property for their benefit. The lawsuit alleges that Amy’s friends profited from the auction without proper authorization or explanation of how they acquired her possessions.
A statement from Amy Winehouse’s estate released last month stated, “Two individuals sold a number of items at that auction and have retained the proceeds: the items were all Amy related. The estate has questioned how these items came into their possession and has not had satisfactory answers. The estate has therefore launched a legal process to clarify the situation.”
If the lawsuit is successful, any monetary compensation received will be donated to the Amy Winehouse Foundation, a charity established by her estate with the mission to assist individuals struggling with drug and alcohol addiction.
Amy Winehouse, known for her soulful and jazz-influenced voice, tragically passed away at the age of 27 in July 2011 due to alcohol poisoning. Despite her untimely death, Winehouse’s music continues to resonate, and her legacy is celebrated by artists across various genres. Recently, UK artist Skepta paid tribute to Amy Winehouse with a house-fused single featuring a sample from her iconic track “Tears Dry on Their Own.”
The haunting and uptempo tribute showcases the enduring impact of Amy Winehouse’s artistry, emphasizing the timeless nature of her contributions to music. As the legal battle unfolds, the attention remains on preserving the legacy of a beloved artist and supporting initiatives that reflect Amy Winehouse’s dedication to helping others facing addiction challenges.
It has already been over 12 years since the tragic passing of the UK singer and songwriter, Amy Winehouse. She would have been 40 years old on September 14 and her iconic songs and spirit still live on to this day. Seeing as Skepta was also born and raised in the UK, he wanted to pay the ultimate respect to her by putting out a new single. He samples Amy’s popular hit, “Tears Dry On Their Own,” on “Can’t Play Myself (A Tribute To Amy).”
You may be wondering how Skepta pulls this off. Well, if you have not been able to keep up with the headlines in rap, the rapper has just created a new label. In fact, it was just a few months ago that he and Boy Better Know crewmate Jammer got this project underway. Más Tiempo is the name and its focus is on the house genre. In an interview with Mixmag, Skepta said, “Más Tiempo is a movement, from Africa to London, to Ibiza. We’re focused on production, DJs, and events — and the team is ever-expanding to bring a new flavor to house music.”
Listen To “Can’t Play Myself (A Tribute To Amy)” From Skepta And Amy Winehouse
Their first efforts together began back in April with a two-pack “Mas Murder” and “Touch Me.” Then, in June they put out another two tracks, “Touching My Body” and “Down Shovel.” There is no news if an album from Skepta and Jammer are on the way just yet. If you want to hear the UK grime rapper work with house beats, give this one a shot, it is a bop. Our continued thoughts and prayers go out to Amy Winehouse and her family and friends.
What are your initial thoughts on this brand new Skepta track, “Can’t Play Myself (A Tribute To Amy)?” Is this the best house song he has put out so far? Do you think Skepta and Jammer’s label Más Tiempo will be a hit or a flop? We would like to hear what you have to say about all of this. With that in mind, be sure to leave all of your thoughts and opinions in the comments section below. Additionally, always keep it locked in with HNHH for all of the latest breaking news around Skepta, as well as all of the hottest song releases.
Quotable Lyrics:
He walks away, the sun goes down He takes the day, but I’m grown (I’m grown) And in your way, in this blue shade My tears dry on their own He walks away, the sun goes down He takes the day, but I’m grown (I’m grown)
TikTok is truly the gift that keeps on giving. For every goofy dance or pointless challenge or oddball meme that’ll make you consider giving up on society, throwing away your phone, and moving to the wilderness to live off the land unencumbered by the society that creates such foolishness, there’s at least one magic moment that makes everything worth it. Today, that moment was provided by superproducer Mark Ronson, who used the ability to engage with his fans (a truly criminal mere 100,000) to offer a tiny glimpse of the late Amy Winehouse‘s genius musical process.
After introducing himself and explaining who he is — because TikTok is made up of mostly teens who wouldn’t really know, I guess — Ronson details how he wrote some of Winehouse’s most iconic songs, including “Back To Black.” “Amy came to my studio,” he begins. “And when we met for the first time, I instantly loved her. She played me all this great ’60s music and she left and I got very inspired and I came up with this piano.” After playing the chords from the song, Ronson then shares Amy’s raw vocals, which she sang after “scribbling” out the lyrics one room over after hearing the tune. Check out the videos below.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of May below.
Amy Winehouse — Amy Winehouse At The BBC
Island/UMe
Before her passing, Amy Winehouse was a mainstay at the BBC and gave many performances over the years. Now, they’ve been collected on one stunning vinyl collection, which includes the audio-only versions of performances previously heard on A Tribute To Amy Winehouse By Jools Holland and BBC One Sessions Live At Porchester Hall. Other goodies from Winehouse’s career here include her first-ever TV performances and her earliest BBC Radio sessions.
My Bloody Valentine — Isn’t Anything, Loveless, EP’s 1988-1991 And Rare Tracks, and mbv (Reissues)
Domino
My Bloody Valentine’s material isn’t necessarily always the easiest to track down, but Kevin Shields and company have finally treated their fans on that front. A couple months ago, they announced their signing to Domino and subsequent reissues of their entire discography, so everything from the debut album Isn’t Anything to the newer mbv can now be enjoyed on crisp new vinyl.
Paul and Linda McCartney — Ram (50th Anniversary Reissue)
UMe
Paul and Linda McCartney only made one album together on which they were both given primary credit, and to celebrate Ram‘s 50th anniversary, a fresh new vinyl pressing has been released. This release should be about the best this album has ever sounded, thanks to the half-speed mastering process the album underwent for this edition.
St. Vincent has been strongly pushing the 1970s aesthetic here in the Daddy’s Home era, so it’s only appropriate that the album gets a slew of different vinyl editions. Of them, the deluxe LP is the most fleshed out, as it includes treats like an iron-on patch, an 11″ by 22″ poster, and an exclusive 20-page photo zine.
Fountains Of Wayne — Welcome Interstate Managers (Reissue)
Real Gone Music
Following the death of Adam Schlesinger in 2020, Uproxx’s Jason Tabrys wrote of the now-newly reissued Welcome Interstate Managers, “What stands out most about Welcome Interstate Managers is the diversity of the material. Nothing sounds like ‘Stacy’s Mom,’ but none of the other tracks really sound like each other either. Instead, Schlesinger and Collingwood pull inspiration from Tom Petty, The Beatles, The Cars, The Beach Boys, Linda Rondstadt, Paul Simon, Leonard Cohen, U2, and even country music. The end result stands out as an interesting and evocative collection of songs that too many people shruggingly dismissed as the filler around a one-hit-wonder. Because we’ve always had more content than time to appropriately assess and appreciate it.”
Songs from Phoebe Bridgers’ album Punisher didn’t need to be re-worked by any means. That said, a handful of them took on a fascinating new life through her more string-focused Copycat Killer EP. In April, Bridgers announced the collection would be getting a vinyl release, and here in May, the Copycat Killer vinyl is out now.
As of 2021, Violent Femmes have been around for 40 years. What better way to celebrate than with a retrospective collection? Earlier this month, the band re-released the compilation album Add It Up (1981–1993). This time, though, they’ve added things like live recordings, demos, B-sides, interstitial voice recordings, and other rarities.
Angel Olsen — Song Of The Lark And Other Far Memories
Jagjaguwar
Angel Olsen’s two latest albums, 2019’s All Mirrors and 2020’s Whole New Mess, didn’t end up being released as a single double album as intended. The releases have been brought together, though, on a new box set, Song Of The Lark And Other Far Memories. But wait, there’s more: The collection also includes Far Memory, a collection of new songs, alternate versions, and remixes.
The Shins — Oh, Inverted World (Vinyl Me, Please Reissue)
Vinyl Me, Please
Vinyl Me, Please always comes through with the fantastic rereleases, and the aesthetics are always on point as well. Their repressing of The Shins’ classic Oh, Inverted World comes on a beautifully subtle but still standout “Coke Bottle Clear” vinyl, not to mention the lovely inverted cover art, which the record wonderfully pairs.
Ben Schneider and the rest of Lord Huron dropped their latest stunner, Long Lost, this month. They also released a vinyl edition of it that makes it look like the cover art was made with these colored pressings in mind. The album art features a head that looks like it’s been replaced with a sunset, and the “custard & blue sky” double vinyl pressing is a beautiful complement.
