E-40 Launches New Ice Cream Brand With Six Flavors Under “Goon With The Spoon” Food Brand

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E-40, the multi-platinum hip-hop artist and entrepreneur, has announced the launch of his new ice cream under the “Goon With The Spoon” food brand umbrella, which will be available in select stores and will come in six flavors: Cookie Dough, Bourbon Vanilla, Vanilla Bean, Strawberry, Mint Chocolate, and Salted Caramel.

The famed Bay Area hip-hop musician has been working on the “Goon With The Spoon” ice cream for four years. E-40‘s ice cream was created with solar energy and contains dairy that is free of the artificial growth hormone rBST.

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The news comes six months after E-40 introduced his new food brand, “Goon With The Spoon,” and launched it with a range of packed sausages and burritos. He also partnered with Justin Kinder (of Kinders Meats, Deli, and BBQ) to help launch several different sausage flavors for Goon with The Spoon, including Teriyaki Pineapple Chicken Sausage, Philly Cheesesteak Chicken Sausages, Hot Beef Sausages, Mild Beef Sausages, and Choices (Yum) Sausage Bundle, as well as Turf Burritos, as part of his expansion into the culinary industry.

E-40‘s song repertoire provided the inspiration for the “Goon With The Spoon” brand moniker, as you may know. In songs like “Back in Business” and “I Get Down (with B-Legit),” he rapped about being a “Goon With The Spoon” as an original metaphor to describe his entrepreneurial hustle and ambition.

E-40 is a chef, and his interest in the culinary arts originates from his inner-city upbringing. With his mother working three jobs, E-40 decided to teach himself how to cook and armed himself with the tools and recipes he needed to feed his siblings nutritious meals. He got a job at a high-end restaurant when he was a teenager, where he learned to create gourmet meals like chicken cordon bleu and sauteed mussels with wine sauce and butter, which sparked his love of cuisine to this day.

The ice cream is the latest addition to E-40’s burgeoning food and beverage empire. He launched two new wine varieties, Blueberry and Orangesicle, to his powerful “Earl Stevens Selections” wine brands last month, to add to his extensive portfolio of 15+ still and sparkling wines. In 2013, he released the Function Red Blend, which he called after his hit track “Function,” followed by the Sweet RedChardonnayMangoscatoMoscato and Tropiscato, among other wines.

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ICYMI: Megan Thee Stallion Eyes Next Move After Being First Female Rapper to Perform at the Oscars: “I Did That. Now What?”

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The Houston Hottie is continuing to push the needle. Megan Thee Stallion became the first female rapper to take the stage at the Oscars. Thee Stallion performed a verse in the world-premiere performance of “We Don’t Talk About Bruno” from the film Encanto. Thee Stallion performed alongside Becky G and Luis Fonsi.

“I was so nervous before I went out. And it was the first female rap performance at the Oscars ever!” Thee Stallion told Entertainment Tonight. “It feels like, ‘Yeah, I did that. Now what?’”

In case you missed her performance you can see it below.

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Dreamville Names Former Def Jam Marketing Exec. Chris Davis to Manager Of Product and Strategy

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Chris Davis, a former Def Jam Recordings marketing executive, has been named Manager of Product and Strategy for Dreamville Records, just in time for hip hop’s most anticipated event, “Dreamville Fest.” He will assist strategize and implement activations for both established and emerging talent in his new job. Davis plans the label’s marketing initiatives and links companies to artist campaigns. He will play a key role in the development of the Dreamville artist’s work. Davis previously worked on the marketing team at Def Jam Recordings, where he worked on Kanye West’s Donda, DMX’s Exodus, the soundtrack for Coming 2 America, Hit-Boys’ What You Expect, and many other projects.

Dreamville Records is an Interscope imprint formed by Grammy-nominated performer and producer J.Cole and is home to artists such as Bas, Ari Lennox, JID, EARTHGANG, and others. “Working for Dreamville has been nothing short of amazing. I’m truly blessed to be accepted into a family that I’ve been a fan of for over a decade,” said Davis. 

Before going to the New York region to pursue his passion for music, the Gary, Indiana native and member of Alpha Phi Alpha Fraternity obtained his MBA from Arkansas State University. His passion for community action and social justice fuels his ambition to advance up the business ladder.

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French Montana Releases “Push Start” Video with Coi Leray and 42 Dugg

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French Montana has dug back into his They Got Amnesia album to drop off a new video for “Push Start.” The new video features Coi Leray and 42 Dugg. Check out the video and behind-the-scenes images below.

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Back in December, French Montana made his return, releasing his new album They Got Amnesia.

Features on the album include John Legend, Rick Ross, Kodak Black, Pop Smoke, Lil Durk, Fivio Foreign, Fabolous, Coi Leray, 42 Dugg, Ty Dolla $ign, Latto, Lil Tjay and Moneybagg Yo.

“This album reflects my personal journey, so it’s the most special for me,” says French Montana. “God gave me another chance at life and this music healed me. I’m grateful to my collaborators and my fans for supporting me. I had to remind ‘em, ‘cause you know THEY GOT AMNESIA!”

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ICYMI: Will Smith’s Mom on Oscar Slap: “I’ve Never Seen Him Do That”

Will Smith's Mom on Oscar Slap: "I've Never Seen Him Do That"

Will Smith’s mother, Carolyn Smith, spoke with Sharrie Williams of WPHVI Philadelphia following the Oscars. When asked about the now-infamous slap, Smith acknowledged that it was uncharacteristic of her son.

“He is a very even, people person,” Carolyn said. “That’s the first time I’ve ever seen him go off. First time in his lifetime. I’ve never seen him do that.”

Beyond that moment, Carolyn Smith glowed about the Best Actor win. “I know how he works, how hard he works. I’ve been waiting and waiting and waiting. When I heard the name, I was just, ‘Yes!’”

You can hear it from Will’s mom below.

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Arrest Made in Lakevia Jackson Case After Surveillance Footage Captures Gun Battle In Bowling Alley Parking Lot

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Atlanta Police have made an arrest in the homicide case of Lakevia Jackson. Jackson, who shares a 14-year-old son with rapper Young Thug, was killed in a bowling alley two weeks ago allegedly over a bowling ball. Police Arrest Jackson Murder Suspect Atlanta Police announced on March 31st that they have identified and arrested 25-year-old Joshua […]

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Ari Lennox Sings Her Heart Out On Sticky Sweet Track, “Blackberry Sap”

For a while there, it seemed as though Shea Butter Baby hitmaker Ari Lennox may be retiring from the music industry, but after she delivered two incredible tracks on Dreamville and DJ Drama’s surprise D-Day: A Gangsta Grillz Mixtape, fans are far less worried about the R&B vocalist.

The Washington, D.C-born star lent her talents to “Coming Down,” which was produced by DZL and Wu, and our personal favourite, “Blackberry Sap,” which boasts production by J White, and was engineered by the late Owen Modamwen.

“Love y’all!!! Drama such a legend,” the “Pressure” recording artist wrote in a recent Instagram post promoting the compilation album. “What an honour to be on this beautiful tape. Dreamville you are everything.”

If you’re a fan of Ari Lennox, you’ll be happy to know that she’s been hard at work on her sophomore album, and even teased a lengthy tracklist a few weeks back – read more about that here, and stream “Blackberry Sap” below.

Quotable Lyrics:

Blame me
Blame it on me
I like the way you f*ck on me
I wanna feel it rain on me
Serve this like that
Black, blackberry sap
Drippin’ all down your neck
I got this shit you won’t forget

Dame Dash Reveals Cam’ron Was Shot Over “Paid In Full”

Back in October 2005, Dipset rapper Cam’ron was shot in Washington, D.C after a failed carjack. The Harlem-native was shot in both arms while at a red light on the way from a Howard Homecoming party per the Washington Post

Cam managed to drive himself to Howard University Hospital despited being shot. After he was released, he told reporters, “I got shot three times and my album comes out Nov. 22. It was a sloppy job on their part. They didn’t get anyting. I still got my car and my jewelry.”It was never discovered who shot the rapper, but Dame Dash gave some insight during a sitdown with SHOWTIME Basketballl’s All The Smoke

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On Thursday (March 31), Dame Dash claimed that Cam had been shot over his role as Rico in Paid In Full. Rico is a no-nonsense drug dealer that gave up information to the FBI to avoid a 25-year sentence. The 2002 Dame-produced film featured Cam’ron, Wood Harris, and Mekhi Phifer. The film was loosely based on the lives of Harlem dealers, Azie “AZ” Faison, Rich Porter, and Alpo Martinez. Dame is currenlty working on an official sequel. 

“Cam went through a lot, you know he got shot over that role in Washington,” Dame told the hosts. “Yeah that was over that. He’s never told his story, but there was times I hadn’t really realized what happened I was asking him to do another role once and he was like ‘yo bro I got shot over that role.'” Dame added, “There was a certain scene where he was like ‘I don’t wanna do that scene.’ So when I found out I felt a little responsible and I didn’t wanna put anybody in that position again. Cause people take this story really serious. So it has to be really dont completely correctly.”

Back in January, Dame announced that Paid In Full 2 was underway. 

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Documentary WE WERE HYPHY Captures Distinct Bay Area Sound and Culture

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Los Angeles may be known as the birthplace of gangsta rap, but just 500 miles away in northern California, the Bay Area boasts its own distinct hip-hop sound and culture in a vibe that can only be described as “hyphy.” While the hyphy movement never gained the same mainstream momentum as other musical genres, it simultaneously reflected and influenced culture and sound, not just in the Bay Area, but around the nation as well, albeit somewhat subtly. The documentary WE WERE HYPHY takes viewers on a journey through the unique Hyphy culture and sound, showcasing a movement that uniquely captured a special time and place in modern history. 

Through interviews with Bay Area artists including G-Eazy and Kamaiyah, journalists, industry professionals, and Bay Area legends, WE WERE HYPHY provides an intimate glimpse into the Hyphy culture and experience from two perspectives – through the eyes of the artists who created the iconic sound, and through Bay Area residents who grew up under the influence of hyphy’s uniquely charismatic spell.

Director Laurence Madrigal’s describes hyphy as a “testament to the power of the community” and uses the 84-minute movie to show how the hyphy movement started out as an underground movement that elevated the underrepresented voices of Bay Area youth and grew to a full-scale scene, with hit songs and albums, sideshows and ghost-riding, turf- and “going-dumb”-dancing, fashion trends, slang, and more.

Rooted in the counterculture of San Francisco’s Bay Area and Oakland in the late 1960s and 1970s, the Bay Area (or “the yay area” as some locals call it) has always been its own epicenter of a culture that has influenced many social movements and the sound that reflected both struggle and hope.

The film traces the sound from Too $hort’s early sound pioneering and describes how major Bay Area hyphy artists such as E-40, Mac Dre, Traxamillion, Rick Rock, and others created their distinct sounds. The documentary shows how each artist or producer brought their own flare such as Mac Dre’s 808 sound, Traxamillion’s addition of the triton keyboard, and Rick Rock’s addition of a southern Miami beat. However, the hyphy sound still had much in common: uptempo “mob” music, a lot of 808s, drums, and synthesizer sounds that is simultaneously high-energy and raw, creating an Intersection of distinct beats and wordsmithing that often borders on poetry- all with faster beats than the rap sounds of SoCal or the East Coast.

This uniqueness is one reason that G-Eazy describes the Bay Area in the documentary as an “unusual place.”

However, the film shows how hyphy extended far beyond music, both reflecting and creating community in and around Oakland through the dances, fashion, and sideshows.

An over-the-top aesthetic that mixed bling, mainstream sneakers, and airbrushed tees defined hyphy fashion while tricked out cars with state-of-the-art sound systems spun out in vacant lots and even major intersections on Friday and Saturday night, in a phenomenon that was known as “the sideshow.” Interviewees describe how the sideshows influenced hyphy culture and sound and how the sideshows reflected the energy of the hyphy attitude.

The documentary also describes how dance was the one element that truly defined the hyphy culture. Locals referred to hyphy dancing as “turfin,” dancing in a way that was unique to your “turf” or as an acronym for “taking up room on the floor.”

It also tells the darker side of the hyphy movement’s history, namely the impact that the untimely death of Mac Dre in 2004 had on the movement.

The documentary reflects how hyphy is “an energy, a feeling” and something “that you feel inside,” sampling from some of the genre’s top hits and using archived footage to create a vivid experience that transports viewers to a different time and place.

WE WERE HYPHY gets its world premiere as part of Cinejoy. The popular online offshoot of San Jose’s Cinequest film festival runs April 1-17, and comes well-stocked with world, national and Bay Area premieres, along with interactive events such as watch parties and spotlights. More information is at www.cinequest.org.

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