Don Toliver kicked off his Psycho Tour over the weekend in Portland, Oregon, and as a result, we now have the setlist for all those looking forward to the Houston rapper bringing his new moto-themed album Hardstone Psycho to an arena near them. According to setlist.fm, the vast majority of the setlist does come from his latest album, with only one song from its immediate predecessor, Love Sick; the second most songs are from his 2020 debut, Heaven Or Hell. You can check out the full setlist below.
10/10 — Portland, OR @ Veterans Memorial Coliseum
10/12 — Vancouver, BC @ Rogers Arena
10/13 — Seattle, WA @ WAMU Theater
10/15 — San Francisco, CA @ Bill Graham Civic Auditorium
10/18 — Phoenix, AZ @ Footprint Center
10/19 — Los Angeles, CA @ Crypto.com Arena
10/20 — San Diego, CA @ Viejas Arena
10/23 — Austin, TX @ Moody Center
10/24 — Rogers, AR @ Walmart AMP
10/26 — Houston, TX @ Toyota Center
10/27 — Dallas, TX @ American Airlines Center
10/29 — Atlanta, GA @ State Farm Arena
10/31 — Charlotte, NC @ Spectrum Center
11/02 — Columbus, OH @ Nationwide Arena
11/03 — Pittsburgh, PA @ PPG Paints Arena
11/06 — Philadelphia, PA @ The Liacouras Center
11/08 — Fairfax, VA @ EagleBank Arena
11/10 — Boston, MA @ Agganis Arena
11/11 — Brooklyn, NY @ Barclays Center
11/13 — Montreal, QC @ Bell Centre
11/14 — Toronto, ON @ Scotiabank Arena
11/15 — Detroit, MI @ Little Caesars Arena
11/17 — Chicago, IL @ Credit Union 1 Arena
11/19 — St. Louis, MO @ Chaifetz Arena
11/21 — Denver, CO @ Ball Arena
Kanye West has been dealing with Lauren Pisciotta (former YEEZY employee from 2021-2022) for a few months now. It seems like every other week we hear some new allegation as over this weekend that was the case. The sexual harassment/assault accuser recently alleged that she received some lewd text messages from Kanye West that he wanted to have sex with Bianca Censori’s mother. The alleged thread started with, “I wanna f*** your mum. Before she leaves,” to Bianca.
He then allegedly screenshotted that and sent it to Lauren, asking, “Before she leaves… Should I [add] I meant I want you to watch me f*** your mom.” Allegedly, Bianca never had a reaction to any of these interactions. If you have been keeping up with this debacle, these are not the only messages, videos, and phone calls, that Lauren has allegedly received from Kanye. It also includes an allegation that she was drugged and sexually assaulted at a Diddy party.
Things Seem To Be Awkward Between Kanye & Bianca Censori’s Mother
US rapper Kanye West attends the WSJ Magazine 2019 Innovator Awards at MOMA on November 6, 2019 in New York City. (Photo by Angela Weiss / AFP) (Photo by ANGELA WEISS/AFP via Getty Images)
But as far as this latest allegation goes, there’s an important update surrounding it. According to HOLLYWOOD UNLOCKED and Daily Mail, Alexandra Censori, the mother of Bianca, has broken her silence since this was made public. Both say that Daily Mail Australia were the ones who ran into the matriarch, and they asked about the allegation and sexual advances. The outlets say that she doesn’t want to be “drawn into the latest claims about her son-in-law.” She also asked for privacy at this time.
What are your thoughts on Bianca Censori’s mother’s response to the allegation that Kanye West wanted to hookup? Do you she may have had something without saying much at all? How do you see this entire debacle playing out? We would like to hear what you have to say, so leave your thoughts in the comments. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Kanye West and Bianca Censori. Finally, stay with us for everything else going on in the worlds of music and pop culture.
Jason Lee shared a fiery response to JAY-Z and Beyonce after alleging that the couple reached out to him in response to viral allegations about their friendship with Diddy. Speaking about the situation on his podcast, Lee claimed that he hasn’t even spoken on the matter and is thus confused as to why they’ve reached out to him.
“JAY-Z, I know you’re watching because you got people calling me,” he began. “Stop having people call me. You can call me yourself, you know how to get my number. You got people calling me. Call me yourself because this right here is gonna go viral,” Lee said, before reflecting on his past as a super fan of Beyonce. “I will tell you, to the audience, if I do come up missing, all the calls I’ve been getting have been about him…” He concluded by clarifying that he hasn’t actually received any threatening calls.
LOS ANGELES, CALIFORNIA – FEBRUARY 05: Jason Lee and Amber Rose attend the 65th. GRAMMY Awards on February 05, 2023, in Los Angeles, California. (Photo by Johnny Nunez/Getty Images for The Recording Academy)
If Lee has been receiving calls from JAY-Z and Beyonce’s team, he isn’t the only one in the media. Piers Morgan recently revealed that the legendary artists’ lawyer, Alex Spiro, contacted him about an interview he conducted with Jaguar Wright. Morgan then apologized for platforming her and admitted the allegations she made about the couple were baseless. “Editing interviews is not something we do lightly at a show called Uncensored but like the proverbial cries of fire in a crowded theater, there are legal limits on us, too. And we apologize to Jay-Z and Beyoncé,” he said on an episode of his show, Uncensored.
Jason Lee Speaks On JAY-Z & Beyonce
Check out Lee’s full comments on JAY-Z and Beyonce below. Be on the lookout for further updates on Jason Lee as well as JAY-Z, Beyonce, and Diddy on HotNewHipHop.
Jason Lee sends a message to Jay Z after he reveals that Jay & Beyonce’s people are reaching out to him after Diddy’s arrest and their allegations
“Jay-Z I know you’re watching because you got people calling me… you can call me yourself… to the audience if I do come up… pic.twitter.com/W6fYVaKys9
With a breakout hit as massive as “F.N.F.,” it would’ve been easy for GloRilla to just stick to that sound and appeal to get her bag as hip-hop’s most beloved new femcee of that year. To be fair, that’s kind of what she did in the following months, giving us single after single of some dirty Memphis bangers that she earned her fair share of hate for, along with every other woman rapper being just as hedonistic as the guys without that patriarchal benefit of the doubt. However, the Tennessee native clearly didn’t want to rush her studio debut, and now that GLORIOUS is here, we can easily see why.
On this new album, GloRilla amps up the regionality of her artistry with no need for excessive bells and whistles, makes the most out of her various flows and deliveries, and adds compelling flashes of topical focus that put the rest of her discography under a different context. Of course, it’s not all a hit, and there’s still some room for her to grow as an artist, lyricist, and performer. But Big Glo doesn’t just acknowledge this humbly on GLORIOUS. She also adds other sonic influences to emphasize and diversify her perspective in more explicit and consistent ways than many rap stars today tend to champion. Glo’s still the same person she’s always been, but pulling the veil back in this way results in more relatable and captivating affirmations on love, independence, faith, and conscientious identity that still go absurdly hard.
Starting with the beats, the most obvious auditory arsenal within GLORIOUS is two-fold: some orchestral and gospel-inspired instrumentals on one hand, and hard-hitting Memphis trap rhythms on the other. Mash them together and you have GloRilla’s catchy and to-the-point debut, at least holistically. The “INTRO” outlines this quite well with faint organs, warm bass, homages to T.I., and sharp snares. Overall, the drama and gravitas behind both of these styles inform and reinforce each other, so even string hits on singles like “HOLLON” come off as grand musical performances despite them landing on a club-ready track. GloRilla doesn’t consistently pick the most original beats, but even mild instrumentals on records like “STEP” with BossMan Dlow contain some interesting embellishments. In this case, it’s a slinky bassline and some stankface-inducing stomps.
The most consistently impressive production element here, though, is the brass. You already knew that thanks to GloRilla’s explosive lead single, “TGIF,” but there are plenty of examples of simple but effective uses of these timbres throughout GLORIOUS. One standout song is “LET HER COOK” and its contrast with light pianos, and “I AIN’T GOING” mixes those horns with an abundance of atmosphere and a more simple trap beat to create an almost rage-like feel. Still, almost everything on this album is distinctly Memphis despite its other employed styles. A lot of that is thanks to the 25-year-old’s delivery and lingo, but the percussion also carries heavily even in more poppy cuts like “I LUV HER” with T-Pain. Some choruses don’t ring as intoxicatingly as others, but with beats as impactful and larger-than-life as these, pretty much any refrain can become an anthem.
As for GloRilla herself on GLORIOUS, she remains as charismatic and confident as ever throughout almost every verse here. But the most interesting elements are when she deviates from that bravado, at least in part. Throughout this album, there are two main thematic focuses: the Memphis artist’s newfound fame and massive success in the hip-hop industry and her issues with toxic relationships with other men. “STOP PLAYING” switches things up with a soft drill tune, but more importantly, it assures her self-confidence regarding her journey to success and her self-respect regarding relationships. On “DON’T DESERVE,” Glo and Muni Long explicitly speak on wanting to see a friend leave an abusive relationship, an angle that you won’t find as directly in today’s rap landscape. But songs like “GLO’S PRAYER” show more vulnerability by admitting that she can’t bring herself to fall out of love with a problematic partner.
As such, many songs on here might share similar subject matter. Yet GloRilla is almost always diving into a particular aspect between these themes in a way that makes GLORIOUS feel more cohesive, carefully structured, and thematically progressive. By the time we reach more triumphant fare, such as the Megan Thee Stallion-assisted anti-drama anthem “HOW I LOOK” or the closer “QUEEN OF MEMPHIS” with Fridayy, we have a better understanding of her desires and what the next step in this journey is for her. What’s more, is that Glo relays this through a relatively small but, nonetheless, well-delivered set of flows. She sometimes sounds menacing, often fiery, occasionally conflicted, but always sharp and focused. Even though the album can feel like she’s spinning her pen’s wheels in place sometimes, these retreads don’t take away from the overall album experience.
Furthermore, you will still laugh at lines like “I’m half celibate, you can’t f**k, but you can eat this p***y” and be moved by confessions like “Got me feeling like a dummy when I know I’m smarter / The only man that showed me love correctly was my father.” GloRilla balances these moods out with grace, and if you need proof of that, listen to how passionately the album’s centerpiece, “RAIN DOWN ON ME,” with Kirk Franklin, Maverick City Music, Kierra Sheard, and Chandler Moore turned out. Speaking of guests, Latto and Sexyy Red both bring boisterous chemistry to “PROCEDURE” and “WHATCHU KNO ABOUT ME,” respectively. However, the featured artists never overshadow or outshine Glo’s vision on GLORIOUS, and she’s the one that links all its disparate elements together for a thematically well-realized experience.
Still, there are a few notes for improvement here and there, such as some generic instrumentals, non-rhymes, similar tempos and song structures, and some deja vu here and there. Fortunately, all that becomes moot by the time you finish GLORIOUS, as you have a hefty collection of grimy, bombastic, and raw trunk-knockers that don’t overstay their welcome, plus plenty of direct and fearless food for thought. With all this in mind, it’s not hard to see why GloRilla wanted to take her time with her debut album, both to mull over her own romantic struggles and to respond to the behavioral and industry-set expectations that her fame pinned onto her. It doesn’t feel forced, desperate, haphazard, or like it could’ve come from anyone else other than her. The Queen of Memphis now has her throne, and we hope that her next effort doubles down on her ideas here.
Brooklyn rapper Kaseem Ryan, known professionally as Ka, has died at the age of 52, according to a post on his Instagram profile. The statement reads:
We are heartbroken to announce the passing of Kaseem Ryan (1972-2024), the rapper and producer known as Ka, who died unexpectedly in New York City on October 12, at the age of 52. Born and raised in Brownsville, Brooklyn, Ka lived a life of service—to his city, to his community, and to his music. As a 20-year veteran of the New York City Fire Department, he put his life on the line to protect his fellow citizens. Ka rose to the rank of FDNY captain and was a first responder on September 11, 2001 during the attacks on the World Trade Center. He leaves an extraordinary legacy as a recording artist, including eleven remarkable self-released solo albums. Ka is survived by his wife, mother and sister. We kindly ask that the privacy of Ka’s family and loved ones be respected as they grieve this incalculable loss.
Ka was a staple of the underground, indie-rap scene, self-releasing nine solo albums since 2008 on his Iron Works label. Ka was not only known for his wordy flow and heady approach to lyricism, but also for being a down-to-earth example of the rap everyman who created music as much for the love of rap as for money. It was famously revealed in 2016 that he was a member of the New York City Fire Department; one of several underground rappers who openly admitted to keeping a “day job,” he was an example for those who didn’t necessarily want to make rap their “main” career but still loved rapping enough to make a career out of it.
Ka’s most recent output, with albums like A Martyr’s Reward, Languish Arts, and his sole 2024 release The Thief Next to Jesus, were critically acclaimed if not commercially well-known; his fans have been some of the most vociferously supportive, despite a relative lack of notoriety. His impact on rap is outsized, and as more fans come to discover his work in the coming weeks, months, and years, the loss to hip-hop will become more apparent every day.
Ashanti seemed to be having a blast in videos of her 44th birthday celebration over the weekend. In videos on social media from her night out over the weekend, she rocks a pink dress with Nelly by her side. The two appeared to go out for dinner and drinks.
When Live Bitez shared the video on Instagram, fans in the comments section showed plenty of love to the couple. “She’s just always a big ball of happy energy. Always smiling and always youthful,” one fan wrote. Another added: “Nelly don’t know what to do when the camera going around them! Ashanti understood the assignment.”
Ashanti & Nelly Pose Together During Usher’s “Coming Home” Album Release Event
ATLANTA, GEORGIA – FEBRUARY 14: (EDITOR’S NOTE: Image created using a star filter) Nelly and Ashanti attend Usher’s “Coming Home” Album Release Event on February 14, 2024 in Atlanta, Georgia. (Photo by Prince Williams/WireImage)
Ashanti and Nelly married last December and recently welcomed their first child together. Speaking with Entertainment Tonight, she reflected on the experience of childbirth. “He actually came a little early,” Ashanti said. “[His] dad had to fly in last minute which was awesome. Just all of these emotions happening at one time, just knowing that this is your person, this is your purpose, this is what it’s supposed to be. And the three of us together, we were all able to hold each other. It was incredible to watch just how confident and gentle and how soothing he is with his son. It was just an amazing, incredible feeling. It’s just an immense feeling.”
Ashanti Celebrates Her 44th Birthday
Check out the video of Ashanti’s birthday celebration on Instagram below. Nelly and Ashanti originally dated from 2003 to 2014 but split up for nearly a decade before reconciling. Be on the lookout for further updates on Ashanti and Nelly on HotNewHipHop.
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Aoki Lee Simmons, the daughter of Kimora Lee and the controversial Russell, is calling it quits on her modeling career. According to AllHipHop, the 22-year-old came to this realization that she doesn’t have the same destiny as her mom. The latter made a name for herself early on into her journey thanks to some appearances for the likes of Chanel, Fendi, and Valentino. However, it’s not like Aoki Lee has been struggling to find opportunities.
She’s been able to rack up some impressive accomplishments such as landing on the covers of Bazaar and Elle, for example. But all of her respective milestones are not enough to sway her to continue her modeling run. Aoki Lee revealed to her Instagram followers over the weekend that comparisons and being ruthlessly torn down were ultimately too much to bear. “I think I’m probably wrapping up modeling soon… It’s hard to go somewhere and get told over, over and over, ‘No, no, no, you’re not pretty enough,’ that’s not a fun time… it’s a hard industry,” she explained.
LOS ANGELES, CALIFORNIA – NOVEMBER 16: Aoki Lee Simmons arrives at the GQ Men of the Year Party 2023 at Bar Marmont on November 16, 2023 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for GQ)
Later, she would add, “It feels like one big fat comparison all the time. Like, okay, not as good. I get that. My mom is always going to be a way better model than me. But it’s just annoying to have that comparison sometimes,” Aoki candidly stated. It’s saddening to hear her speak in this manner, but we also applaud her for wanting better for herself, especially mentally. After making this known, she says she is looking forward to exploring a totally different career. For those unaware, she has a degree in international relations from Harvard. At this time, she’s looking at something in the government field.
What are your thoughts on Aoki Lee Simmons dropping her modeling career for the reasons she gave? Do you think this will turn out to be a financial mistake? Is working in her now former industry one of the most demanding in the job market? We would like to hear what you have to say, so leave your thoughts in the comments. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Aoki Lee Simmons. Finally, stay with us for everything else going on in the pop culture world.
Diddy’s pictures at Mel’s Drive-In Hollywood, which proudly displays photos of numerous celebrity visitors, have been removed in the wake of his recent arrest. As confirmed by TMZ, the iconic Los Angeles restaurant has taken down the two photos that featured the Bad Boy mogul. “We see everything going on in the news with Diddy and it’s not okay,” the manager told the outlet.
Authorities arrested Diddy in New York City, last month, charging him with allegations of sex trafficking and racketeering. He’s already pleaded not guilty to the alleged crimes but remains behind bars at the Metropolitan Detention Center in Brooklyn while awaiting trial. Additionally, several alleged victims have come forward with lawsuits against him. Attorney Tony Buzbee has claimed to know over 120 alleged victims of Diddy who plan to take legal action.
Justin Combs (2nd R) and Christian Combs (R), sons of rapper and music producer Sean “Diddy.” Combs, leave federal court after their father’s bail hearing in New York on September 18, 2024. Combs will remain imprisoned pending trial on racketeering and sex trafficking charges, after a judge denied his appeal on September 18. (Photo by TIMOTHY A. CLARY / AFP) (Photo by TIMOTHY A. CLARY/AFP via Getty Images)
In a statement provided to Rolling Stone, one of Diddy’s lawyers, Erica Wolff, previously denied the numerous allegations. “As Mr. Combs’ legal team has emphasized, he cannot address every meritless allegation in what has become a reckless media circus,” she wrote. “That said, Mr. Combs emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors. He looks forward to proving his innocence and vindicating himself in court if and when claims are filed and served, where the truth will be established based on evidence, not speculation.”
On Monday, one alleged victim identified as Jane Doe accused Diddy of raping her at a Manhattan hotel in 2004. In her lawsuit, she claimed she was just 19 years old at the time of the alleged incident. Check out the “Via” link below for pictures of Diddy at Mel’s Drive-In Hollywood. Be on the lookout for further updates on Diddy on HotNewHipHop.
The Kobe 6 Protro is known for its performance-driven design, offering exceptional cushioning and support for players on the court. With the “All-Star 2.0” edition, Nike successfully merges style with functionality, making it perfect for both collectors and athletes. The combination of sail and black adds a modern twist to the classic Kobe 6 silhouette. Set to release during the highly anticipated All-Star Weekend, the “All-Star 2.0” Kobe 6 Protro is expected to be a must-have. Sneaker enthusiasts and fans of Kobe Bryant alike will be eager to secure a pair of these iconic shoes when they become available next February.
The sneakers have a grey rubber sole and a coordinating sail midsole. The uppers are made of sail material, showcasing a star pattern throughout the design. Additionally, the shoes feature a black Nike Swoosh on the sides and the Kobe Bryant Mamba Mentality logo on the tongue.
Sneaker Bar Detroit reports that the Nike Kobe 6 Protro “All-Star 2.0” will be released on February 13th, 2025. Also, the retail price of the sneakers will be $190 when they are released. Further, make sure to let us know what you think about these kicks in the comments below. Additionally, stay tuned to HNHH for the most recent updates and news from the sneaker community. We’ll make sure to offer you the newest products from the most notable brands.
Diddy is now named in six lawsuits filed by Texas attorney Tony Buzbee, who claims to represent up to 120 alleged victims of the music mogul. Four of the lawsuits involve male accusers, bringing forth disturbing allegations of sexual assault.
One suit, filed by a man who worked for Ecko Clothing, claims he was assaulted by Diddy and his bodyguards in 2008 at Macy’s flagship store in New York City. The man alleges he was pistol-whipped and orally raped by Diddy after being ordered to “Suck my d***, Ecko.”
According to TMZ, in another case, a man hired to work security at Diddy’s 2006 White Party says he was drugged and sexually assaulted. He alleges Diddy overpowered and sodomized him in a van, leading to physical trauma from the alleged attack.
A third lawsuit involves a man who attended a Diddy party in October 2021. He claims he became disoriented after consuming a drink and woke up in a bedroom, paralyzed, where at least three men sexually assaulted him. The man alleges he saw a naked Diddy during the assault.
The fourth lawsuit comes from a man who claims he was just 16 when invited to Diddy’s 1998 White Party in the Hamptons. He alleges Diddy made inappropriate advances, telling him he could be made into a star. The man claims Diddy forced him to expose his genitals for an “inspection,” touching and squeezing them.
Diddy, who is charged with racketeering conspiracy, sex trafficking, and transportation to engage in prostitution, will go to trial in May 2025.
At a court hearing in New York on Thursday, the judge in Combs’ federal case set a trial date of May 5, 2025.
According to CNN, Combs, who has pleaded not guilty, was present in the courtroom, as were several of his family members. His ankles were shackled, and he wore a loose-fitting tan button-down shirt and khaki pants. Diddy also waved at his family as they sat in the second row.
Prosecutor Emily Johnson said the prosecution anticipates its case could last three weeks. Still, she added that a superseding indictment could affect the length of the trial, meaning additional charges or defendants could be added to the case. Diddy’s legal team, led by Marc Agnifilo, stated he expects the defense to take a week.
Last week, Diddy was visited by his twin daughters and mother at Brooklyn’s MDC. According to TMZ, the family shared time in the visiting area where they could embrace and have a conversation.
Insiders say the twins made the trip from California to see Diddy for the first time since his arrest.
The visit came ahead of a statement by Diddy’s mother, Janice Combs, who referred to his charges as a “public lynching.” Combs expressed her views in a conversation with Page Six.
“It is heartbreaking to see my son judged not for the truth, but for a narrative created out of lies,” Janice shared.
“To bear witness what seems to be like a public lynching of my son before he has had the opportunity to prove his innocence is a pain too unbearable to put into words. Like every human being, my son deserves to have his day in court, to finally share his side, and to prove his innocence.”
She added, “I am not here to portray my son as perfect because he is not. He has made mistakes in his past, as we all have.
“My son may not have been entirely truthful about certain things, such as denying he has ever gotten violent with an ex-girlfriend when the hotel’s surveillance showed otherwise.”
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