Rising rap sensation Yeat has released the official video for his track “FLYTROOP,” under Lyfestyle Corporation, Field Trip, and Capitol Records. The visual places him in a dark, aggressive landscape, enhancing the apocalyptic vibe of his latest album LYFESTYLE. With booming bass lines, pitch-bending synths, and Yeat’s powerful vocal delivery, the video is as chaotic and captivating as the album itself.
LYFESTYLE, released October 18, hit a major milestone last month by debuting at No. 1 on the Billboard 200, marking Yeat’s first chart-topping album. The 22-track project saw impressive first-week sales of 89,000 equivalent album units, making it his highest first-week sales to date. LYFESTYLE also became Yeat’s fifth top-10 debut in under three years.
Featuring big names like Lil Durk, Don Toliver, and Kodak Black, the album debuted at No. 1 on Spotify’s Top Album Debut chart worldwide and in the U.S., with tracks “GEEK TIMË” and “STFU” also trending. On Apple Music, LYFESTYLE is charting across 100+ countries.
Yeat may not be a superstar yet, but he’s a star. The rapper has really exploded over the last few years, thanks to his unique take on the rage sound. He’s showcased more finesse and range within this sound, as evidenced by his commercial breakthrough, 2093. Yeat’s latest album, however, sees him tamp down the experimentation in favor of bangers. LYFESTYLE is for the rap heads, and the feature list on the latest album make this game plan abundantly clear. Yeat linked up with Kodak Black and Lil Durk, and the brand new deluxe version features a collab with Quavo.
“5Brazy” is the very last song on the digital deluxe version of LYFESTYLE. It goes as hard as you think a Yeat and Quavo collab would go. The instrumental wastes absolutely no time setting up a soundscape as aggressive and hectic as the album cover. Backing vocals that evoke Future guide us into the first verse, which is handled by Yeat. The bars matter as much as they do for a typical Yeat song, which is to say, not at all. Yeat is all about vocal riffs and flows. Quavo is a bit more audible on the back end of the song, and he acclimates surprisingly well to Yeat’s more blown-out sound.
Let us know what you think of this brand-new track, in the comments section down below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.
Yeat And Quavo Showcase Radically Different Flows
Quotable Lyrics:
Shawty be ragin’, get these brazy kids out the streets (Ragin’) Elliot diamonds, this a different shine, this shit ain’t cheap (Shine) Brand new Mercedes, I go brazy in the Brabus (That’s brazy) Lil’ bro still outside, I call him rager (Rager, go brazy, gang)
Rising rap star Yeat has secured his first-ever No. 1 album on the Billboard 200 with LYFESTYLE, released via Lyfestyle Corporation, Field Trip, and Capitol Records. The 22-track project amassed 89,000 equivalent album units in its first week, marking Yeat’s highest debut sales to date. This achievement also adds to his impressive record of five top 10 debuts in less than three years, following Lyfë (No. 10 in 2022), 2 Alivë (No. 6 in 2022), AftërLyfe (No. 4 in 2023), and 2093 (No. 2 in 2024).
LYFESTYLE, released on October 18, features collaborations with Lil Durk, Don Toliver, Kodak Black, and more. The album also made waves on streaming platforms, debuting at No. 1 on Spotify’s Top Album Debut Chart globally and in the U.S. with two tracks, “GEEK TIMË” and “STFU,” landing on the U.S. Top Song Debut Chart. Globally, LYFESTYLE has made a strong impact on Apple Music, charting in over 100 countries.
Yeat’s first No. 1 album solidifies his place in the industry, with LYFESTYLE reflecting his rapid rise and strong fan base.
Rising rap star Yeat has released the official music video for “GO2WORK,” featuring Summrs, a standout track from his fifth studio album LYFESTYLE. The video, directed by Jack Rottier and Alex Edep, brings the two collaborators back together, switching between scenes of the duo rapping seamlessly and working at a 7-Eleven-style convenience store.
The release of the video was teased with clever marketing across Los Angeles, where bench ads featuring the phone number 1-800-GO2-WORK appeared, offering help for those “still broke?” or “in need of a job?” This playful promotion built anticipation for the visual, highlighting the track’s quirky energy.
LYFESTYLE, which dropped just last week, has already seen massive success. It debuted at #1 on Spotify’s Top Album Debut chart globally and in the U.S., with two tracks landing on the Top Songs Debut USA chart. The album is currently charting in over 100 countries on Apple Music, further cementing Yeat’s status as a significant force in modern rap.
The video’s release comes just after a high-profile performance, where Yeat joined Don Toliver on stage at Crypto.com Arena in Los Angeles to perform their new track for a sold-out crowd.
This year continues to be a breakout moment for Yeat, following the release of 2093 in February, which became his fourth album to land in the Top 10 within just two years. His previous albums include Lyfë (No. 10 in 2022), 2 Alivë (No. 6 in 2022), AftërLyfe (No. 4 in 2023), and 2093 (No. 2 in 2024). LYFESTYLE adds to his growing legacy, showcasing his unique style and cementing his place in the rap game.
Yeat is onto something. The rapper broke out in a big way with 2093, and now he’s back with a new batch of songs in less than a year. He confirmed to The Fader that LYFESTYLE was an attempt to lean into his rap side, and now that we have the album, we can confirm this is the case. Don’t worry, the wild rage elements that made Yeat such a sensation to begin with are still here. “SPEEDBALL” and “LYING 5 FUN” are peppered with the frantic synths and Autotuned riffs thats characterized 2093. The thing that helps distinguish LYFESTYLE, though, is the way Yeat plays off his collaborators.
The title track fuses a rage style instrumental with knocking drums more akin to a trap song. This blend of sounds is complimented by Yeat and Lil Durk swapping verses. These two do not really gel on paper, but they sound fantastic together. Don Toliver also shines on “NEW HIGH.” It turns out that Toliver really sounds like his mentor, Travis Scott, when his voice is given the distorted Yeat treatment. “NEW HIGH” has one of the best grooves on the whole album. On the solo front, “SO WHAT” and “GEEK TIME” are showcases for Yeek’s wildest vocal inflections. There’s a lot of music here, and fans are going to love it.
Let us know what you think of this brand new album, in the comments section down below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.
Yeat’s buzz is bigger than ever. The rapper has been steadily building his following up, and refining his sound. LYFESTYLE, his upcoming album, is poised to be his commercial breakthrough, though. All the information we’ve heard surrounding the album has only served to increase the excitement for what’s to come. Yeat recently sat down for an interview with The Fader, and he not only spoke on the sound of the album, but released the list of artists who will feature. It’s about time.
Yeat already released the tracklist for LYFESTYLE, which sits at 21 songs, but the features were initially hidden. It was assumed that we would all have to wait until the album dropped to find out who was on the album, and who wound up on the cutting room floor. Thankfully, Yeat took mercy on us and revealed who will appear. The list did not disappoint. Yeat will have guest features from rap superstars like Kodak Black and Lil Durk. There will also be hooks from Don Toliver and acts like Summrs and Lazer Dim 700. Yeat is known for his rage style, which often blurs genre lines, but he told The Fader that he’s going full hip hop this time around.
“LYFESTYLE [is] basically just my normal rap sh*t,” Yeat explained. “It’s not futuristic, it’s not like a whole different world. It’s the most polished I’ve ever came with the rap sh*t.” The features Yeat chose serve to support this narrative. Lil Durk, Kodak and Don Toliver are some of the most conventional rappers that he has worked with to date. Yeat has worked with stars like Drake before, but even then, the 6 God adapted to his rage style. It’ll be fascinating to hear how people like Durk and Kodak sounds on Yeat beats.
Those who prefer Yeat’s more experimental sound needn’t worry. The rapper told the outlet that his next album is already in the works. It will departure from LYFESTYLE in that it will sound like a refined version of 2093. “I don’t know when it’s going to come out, but it’s kind of like 2093,” he noted. “But a lot more refined. We’ve been spending a lot of time creating that sound in tandem with the LYFESTYLE sound for a couple months.” We can’t wait to hear it all.
Yeat announced his new album in style. The singular artist decided to spray paint a car with the title “Lifestyle” and upload it to social media. The video went viral, and the anticipation for new Yeat music is higher than ever. There was a song playing in the background of the video, but the artist failed to give the fans a title or an expected release date. Then, it happened. Yeat dropped “TURNMEUP” on September 19, giving fans a full version of the teased song. It somehow surpasses the expectations set by what we already heard. “TURNMEUP” is Yeat at his boldest and most catchy.
The instrumental is absolutely bonkers. It has a push and pull quality that’s addictive to listen to. Especially when paired with Yeat’s unhinged vocals. The artist has been getting increasingly more experimental, and like Playboi Carti before him, his boldest seems to go hand in hand with his success. Yeat being weird works. “TURNMEUP” is the rare instance of a song being wildly eccentric in terms of flow and delivery, yet filled with hooks. It’s any wonder this guy is getting calls to work with people like Drake. “TURNMEUP” is only available on SoundCloud, but Yeat fans should not sleep on this single. It spells out good things for the Lifestyle album.
Let us know what you think of this brand-new track, in the comments section down below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.
You ain’t good for nothing, yeah, you burnt and you lazy Every time we at the club, they jump, it’s gymnasium I just make my money then I go out, ’caused I hated ’em Talking in your bathrobe, you a baby
BNYX is officially beginning his solo catalog with collaboration track featuring nonother than Yeat called “GO AGAIN”. The track also features the alternative rock band Superheaven via a re-recorded sample according to Genius. This single has been highly awaited, and it dates back to 2023 when the Philadelphia, Pennsylvania producer began to tease the instrumental on TikTok. BNYX was trying to sample “Youngest Daughter” by Superheaven. However, the track went through some setbacks thanks to clearance issues.
The in-demand talent was not able to use the guitar, and it led to BNYX requesting Superheaven to re-record their vocals for things to work out. So, yes, the song did it takes it time getting here and we understand that, however, we feel that “GO AGAIN” is a bet of a letdown. It mostly has to do with Yeat as he doesn’t add much of anything to the cavernous and grungy instrumental. He’s never been a lyrical giy, which is fine, but he sounds barely alive and audible on the microphone. The good news is that BNYX is now starting the roll out for his debut album, so better songs could be ahead.
As most hip-hop fans are aware, Bando Stone and The New World is the last album Childish Gambino is going to release. It remains to be seen if Donald Glover decides to put out music under his government name. For now, though, supporters of the genre chameleon’s craft are enjoying this project for what it is in the moment. This soundtrack-to-be for his upcoming self-titled film is a melting pot of genres and soundscapes, which makes sense. There is a good chance that every track is included within the confines of the storyline in some capacity. However, the one that has us scratching our heads (for now) is the collaboration effort between Childish Gambino and Yeat, “Cruisin’”.
This tandem had been making some headlines over the last several months, as Yeat was sharing some ambiguous messages and pics of them working in the studio together. All of this was going on around the time that the rage specialist was getting ready to drop his album, 2093. In hindsight, it appears that all of that teasing was for the sake of their first-ever song together on Bando Stone. Regardless, we are happy it’s finally here.
Obviously, a track with Gambino and Yeat is something a lot may not expect. It makes sense, even with the former being such an experimenter. Overall, though, “Cruisin’” goes over very well, as the pace of the instrumental keeps you on your toes. It starts out fairly restrained and the tone is more lighthearted. Then, the beat swells up and it eventually dips down into the distorted and cavernous depths. Yeat makes the most of his six bars before Gambino returns and delivers some impassioned vocals on the track’s crescendo. Like a great action sequence, the thrills are at a constant high, and we surmise “Cruisin’” will be the perfect backdrop for an action-packed scene in Bando Stone as they fight to survive in their apocalyptic world.
When you almighty, all the Gods cry, all the Gods cry like— Babies walkin’ through the belly of the beasts, steady, all night Near sight and far sight, huh, aliens make ya (Uh) When you almighty, all the Gods cry, all the Gods cry, like Babies walkin’ through the belly of the beasts, steady, all night Babies walkin’ through the belly of the beasts, steady, all night
Childish Gambino is an experimental artist. He’s found incredible mainstream success, but at the end of the day, he likes to tinker with established formulas. It’s what makes him such a consistently engaging artist. Gambino is also smart about who he aligns himself with in the studio. He only works with people who generative creative sparks, as evidenced by the eclectic feature list on his new album. The most unexpected feature on Bando Stone and the New World has to be rage phenom Yeat. That said, the rapper claimed that Yeat was the one who impressed him the most.
Childish Gambino sat down with Apple 1 host Zane Lowe to discuss the new album. He touched on the album’s themes and aesthetic in detail. It was the topic of Yeat, however, that drew the most praise from the rapper. Childish Gambino and Yeat collaborate on the song “Cruisin,” which is wild blend of tempos and sounds. Lowe asked about the process behind the song, and Gambino heaped praise on his creative partner. “He’s a workaholic, he’ll make something so fast,” the rapper stated. “I’m just super impressed with him, and he loves music. He’s the man.”
Childish Gambino Was Impressed By Yeat’s Work Ethic
Childish Gambino elaborated on the making of “Cruisin,” and revealed that the collab came together in Paris. He recalled being shocked by how adaptable Yeat was to different working conditions. “We were in Paris working together,” he explained. “I’m just surprised by how resourceful he is.” Gambino was wowed by the fact that Yeat didn’t have to resort to plug ins or additional software to get the sound he wanted. “I was like ‘What are you using?’ and he’s using all the stuff that comes with the stuff,” the rapper stated. “He’s not getting like ‘Oh I need this plug in.’”
Childish Gambino is not the only one who has taken notice of Yeat’s talent. While him and Zane Lowe laughed about Yeat’s cult status among fans, the artist is slowly building up his profile. In addition to being on Bando Stone and the New World, Yeat has linked up with some of the biggest artists in the world. He scored a hit with the Drake collab “IDGAF” in 2023. He has also landed collabs with Gunna, Young Thug and Don Toliver. All signs point to him leading the new wave.