Is AI A Threat To Hip-Hop?

There’s no denying that AI has become increasingly prevalent in our lives. Self-driving cars fill the streets, threatening the future livelihoods of truck drivers. Restaurants are beginning to automate their food service process, leaving food service workers wondering if they’ll be out of a job in five years. Even in the corporate world, AI may seem able to automatically perform the tasks of accountants or financial analysts. Of course, we all know about the auto-generated Bored Ape NFTs that took over the internet in 2021. AI has seeped into our daily lives more and more over the past decade.

However, most creatives assumed this trend wouldn’t apply to hip-hop. Why would they? Creation is founded on emotion rather than logic, which is inherently the opposite of how automated technology works. The creation of art derives from past experiences, whether those experiences were traumatic or cheerful. This sentiment has been challenged, though, over the past year. AI has begun to create automated art, produce or mix songs, and automatically generate stories.

AI Will Change Musical Process For Producers & Engineers

More recently, talk has been about the increasing quality of AI-generated music. This has left producers and sound engineers wondering whether their jobs could soon be threatened. There are already plenty of downloadable online services that will easily auto-generate music for users. It’s becoming increasingly apparent that AI is here to stay in the hip-hop space. The question has to be, is AI here to threaten the livelihoods of people who work in music?

Will the jobs of creatives change? Absolutely, but not in a directly negative manner. Creatives who adapt to the technology to enhance their process rather than push against it will thrive. Many producers are already using its capabilities to streamline their production process. By utilizing AI, they do not have to spend as much time on the redundant mixing or mastering tasks associated with music production. As a result, producers can spend more time experimenting with genre-bending ideas.

However, there have been concerns about using our artist’s voices. AI-generated music of fake verses from Eminem, Kendrick Lamar, Jay-Z, and Kanye West has surfaced online. The sound is almost indecipherable, as the tracks sonically seem like the Rap icons were behind the microphone. This has caused a wave of concern within hip-hop, as Young Guru recently came forward with complaints. Others echoed his sentiment and questioned what the future of the music industry would look like.

AI Will Likely Create Jobs in Hip-Hop, Not Destroy Them

A quick peek into the past proves that new inventions create new jobs rather than eliminate existing ones. For example, the rise of the internet had many worried about the future viability of their work. However, the technology created millions of jobs. The Internet now comprises over 10 percent of the US GDP. Some sources claim that AI will have an even more substantial impact on the world GDP. A study by PwC found that “any job losses from automation are likely to be broadly offset in the long run by new jobs created as a result of the larger and wealthier economy made possible by these new technologies.”

Of course, there’s not only the question of how AI will affect jobs in the music space but how it will affect the quality of the music. For the time being, music that’s solely had the input of AI still sounds soulless. Take Kanye West’s self-titled project, Ye. It’s undeniably his most messy record to date. However, that very messiness and vulnerability have contributed to its timeless quality. Another example is Tyler, the Creator’s Igor. Oddball pitching and distortion fill the record. Like Ye, its messiness adds to its notoriety and critical acclaim as one of the better records of the past decade.

AI Could Enable Hip-Hop Artists To Be More Creative

Various artists have expressed reservations over AI. In an interview with Converse, Tyler, the Creator, stated, “None of the examples that I’ve seen are beautiful art. I’m fully not into it because you can’t NFT me looking at you in real life right now.” Tyler brings up a valid point, as many argue that the rise of AI will have people even further out of touch with their inherent selves. Iconic music producer Rick Rubin discussed this trend on the Tim Ferriss podcast: “As an end, it doesn’t strike me as interesting. However, as a means, it could be helpful.”

Rubin’s perspective seems to best describe the future of AI in music. It will streamline the creative process for artists, allowing them to formulate their baseline ideas for a piece of art more efficiently. This will allow creatives to spend more time throwing around ideas rather than revising and editing tracks in Ableton or Logic. In a genre that can be riddled with repetitive ideas, AI’s advancement should encourage hip-hop to be more boundary-pushing. However, the threat of how far AI will continue to progress looms for creatives.

[via][via]

Tyler, The Creator Had The Top Selling Vinyl Rap Album In 2022

Tyler, The Creator is one of the most successful artists of his era. Since first hitting the scene in 2011, Tyler’s eclectic style has won him fans the world over. His keen musicianship has also earned him numerous awards and accolades during a more than a decade-long career. However, there is one achievement the California native hadn’t accomplished until recently, a top-selling vinyl album.

Chart Data reports that The Creator’s album Call me If You Get Lost was the top-selling rap vinyl album worldwide in 2022. The news of Tyler’s latest feat shouldn’t exactly be surprising. The album, Tyler’s sixth, was released in June of 2021. The project was a smash hit with fans and critics alike, debuting at number 1 on the Billboard 200. Moreover, the album earned Tyler his second Grammy Award for Best Album after 2020’s Igor.

Tyler, The Creator Reaches a New Milestone

Meanwhile, Tyler’s legions of fans will now have even more to smile about. He recently took to Twitter to announce that he was releasing a new Deluxe album, Estate Sale Deluxe. This new project includes eight tracks that didn’t make the final cut. The 32-year-old explained that the original album was the first project in which a decent number of songs were left out. Tyler explained that the new version of the album will include eight tracks that didn’t make the final cut. “CALL ME IF YOU GET LOST WAS THE FIRST ALBUM I MADE WITH ALOT OF SONGS THAT DIDNT MAKE THE FINAL CUT,” he wrote. “SOME OF THOSE SONGS I REALLY LOVE, AND KNEW THEY WOULD NEVER SEE THE LIGHT OF DAY, SO IVE DECIDED TO PUT A FEW OF THEM OUT.”

These are busy times for the New Magic Wand rapper. Earlier this week, he released videos for his songs “Hot Wind Blows” and “Heaven to Me.” A third video, “Wharf Talk,” featuring ASAP Rocky, dropped last week. The new videos show growth in style and maturity for a man who has been in the rap game since he was a teenager. Tyler is an artist who you never quite know what he is going to do next. But whatever it is, you can always expect him to bring his usual irreverent style into the project.

[Via]

Tyler, The Creator Keeps The Visuals Coming With “HOT WIND BLOWS”

When Tyler, The Creator comes through with a new project, you can always count on him to give it his all. While the Grammy Award-winner isn’t moving on from his CALL ME IF YOU GET LOST era quite yet, he’s following up the 2021 release with The Estate Stale deluxe edition. It comes complete with eight new titles for fans. Along with several of those tracks, the Californian has been providing must-see visuals. The latest came on Tuesday (April 4) for “HOT WIND BLOWS,” in which he takes us on a picturesque trip to Switzerland.

Rather than directing this video himself, as he has with other recent arrivals, The Creator teamed up with Lazaro Rodriguez for the short and sweet project. As the song begins, we hear DJ Drama setting the scene while the 32-year-old mouths some of his words in front of the camera with a cheeky smile on his face. “Ladies and gentlemen, we just landed in Geneva, yeah, that’s in Switzerland,” the Generation Now founder informs listeners. “We on a yacht and a young lady just fed me French vanilla ice cream / We all got our toes out, too, call me when you get lost.”

Tyler, The Creator is in His Element

Tyler, The Creator attends the Red Carpet Premiere Event for the Sixth and Final Season of FX’s “Snowfall” at the Academy Museum of Motion Pictures, Ted Mann Theater on February 15, 2023, in Los Angeles, California. (Photo by Frazer Harrison/Getty Images)

Before long, Drama turns the mic over to Tyler, whose lyrical talents have only improved and matured through his many years in the game. “Out in Switzerland, travel with my bitch again, we kissin’, dawg / I love when she let me rub her like Michelin,” he spits in the middle of the first verse. “A hundred grand to sleep on the bird, the wings are whistlin’ like— / Man, they ain’t listenin’.”

Aside from today’s gorgeous visual, we’ve also recently seen accompanying footage for tracks like “WHARF TALK,” “DOGTOOTH,” and “SORRY NOT SORRY.” Check out the music video for “HOT WIND BLOWS” on YouTube above, or add the song to your playlist on Spotify/Apple Music. Afterward, tell us which of the new tracks on Tyler, The Creator’s deluxe album is your favourite in the comments. For more release recommendations, make sure to check back in this weekend for our Fire Emoji playlist update.

[Via]

Tyler The Creator’s Jet-Setting ‘Hot Wind Blows’ Video Relives His World Travels

For the past week, Tyler The Creator has been sharing videos from the deluxe edition of his Grammy-winning 2021 album Call Me If You Get Lost. For the latest release, though, he takes it back to the original, sharing a jet-setting video for the Lil Wayne-featuring sixth track, “Hot Wind Blows.”

As befits the lofty, luxurious subject matter of the track, the video is constructed of clips from T’s travels, meticulously edited to maintain the continuity of his raps from location to location while also showing off his breezy lifestyle. Tyler and his Odd Future pals visit exotic European locations, where they hike verdant forests and take relaxing yacht rides on glittering lakes. If Tyler’s living his best life, he makes it look even better.

In the run-up to the release of Call Me If You Get Lost: The Estate Sale, Tyler dropped videos for “Dogtooth,” “Sorry Not Sorry,” “Wharf Talk,” and “Heaven To Me,” all new songs appearing on the deluxe release that were recorded during the original sessions for the album but ultimately cut for various reasons. And although the release of a video for an original album track would suggest he’s emptied the clip, here’s hoping that he has one more left for “Stuntman,” his long-awaited reunion with Odd Future affiliate Vince Staples.

Watch the “Hot Wind Blows” video above.

Call Me If You Get Lost: The Estate Sale is out now via Columbia. Get more info here.

Tyler, The Creator Keeps It Simple In His “HEAVEN TO ME” Music Video: Watch

2022 was a relatively quiet year for Tyler, The Creator musically. His biggest contribution came in the form of “Cash In Cash Out” with Pharrell Williams and 21 Savage. Aside from that, the Californian laid relatively low, though the same can’t be said for 2023. After several months of silence, he surprised late last month with “DOGTOOTH. Along with that, he announced the deluxe edition of 2021’s CALL ME IF YOU GET LOST album.

Titled The Estate Sale, the project’s updated tracklist boasts eight new titles. Among them are previously unheard collaborations with Vince Staples, YG, and A$AP Rocky. Those new additions are called “STUNTMAN,” “BOYFRIEND GIRLFRIEND (2020 Demo),” and “WHARF TALK,” respectively. Following the project’s arrival last Friday (March 31), Tyler shared a music video for the latter joint effort. Today (April 3), he’s returned with another for “HEAVEN TO ME.”

Tyler, The Creator Welcomes Us to The Estate Sale

Tyler, the Creator performs on day 3 of Wireless Festival 2022 at Crystal Palace Park on July 03, 2022, in London, England. (Photo by Burak Cingi/Redferns)

In the self-directed footage, the “Goblin” hitmaker keeps it simple, singing for the camera in his home studio. Looking as cool as ever, Tyler donned a printed dad sweater and jeans for his casual day of filming, finishing the look off with a green and yellow cap, glasses, and suave brown dress shoes. “I like sugar, I like sweets, I don’t like the spicy eats / I need bridges in my beats and Campana Brothers seats,” he confidently rhymes while letting his bold persona shine through.

“The heaven part for me is knowin’ I can, wake up when I’m finished with my sleep, ain’t no kids to feed / No stress I bleed, I don’t got a boss, I go wherever and don’t care ’bout the cost (Nah) / Gas money was stark for me, uh / Now I got so many cars I could start up, we nappin’ in parks, we in the sun gettin’ darked up,” Tyler, The Creator’s lyrics continue as he reflects on a few of the luxuries fame has afforded him. Check out the “HEAVEN TO ME” music video on YouTube above, and revisit The Estate Sale album here.

[Via]

Tyler The Creator Shares His Dream Life In His One-Take ‘Heaven To Me’ Video

Tyler The Creator‘s latest video from Call Me If You Get Lost: The Estate Sale is a laid-back, stripped-down affair. Much like its song, “Heaven To Me,” the video is a one-take shot that sees Tyler rapping the lyrics from the unreleased track in his home studio before taking a walk outside — while he keeps rapping — to enjoy the sunshine, one of the themes of the reflective lyrics.

The song finds Tyler rhyming over the Kanye West-produced beat from John Legend’s 2006 single “Heaven.” In the first verse, he takes stock of his current blessings, and although he certainly has a few luxury items to flex, he seems to be appreciating the simple things as well. “We nappin’ in parks, we in the sun gettin’ darked up,” he grins.

The second verse is a hopeful look at T’s future, with a wife and a son, a big backyard, a yacht on the dock, and a helicopter to fly his mom in. But still, his number-one hope is something more elusive: “That’s really heaven at forty,” he asserts. “N****, havin’ good health.” The third verse is a nostalgic rumination of the things that made Ty happy in the past, such as “Peglegs, Ice Cream shoes, the Mr. Krabs watch,” but when he stumbles over the flow, he just keeps it going, showing that the fun is as much in the process as the product.

“Heaven To Me” is Tyler’s fourth video from the deluxe version of his Grammy-winning 2021 album, following “Dogtooth,” “Sorry Not Sorry,” and “Wharf Talk.”

Call Me If You Get Lost: The Estate Sale is out now on Columbia Records. Get more info here.

DJ Drama And Tyler The Creator Chemistry Continues With The Nostalgic ‘Legendary’

A big part of the reason Tyler The Creator’s last album, Call Me If You Get Lost resonated so powerfully with rap fans a couple of years ago is that it does double duty as both an album and a worthy installment to DJ Drama’s longrunning Gangsta Grillz mixtape series. For much of the past two decades Gangsta Grillzserved as a launching pad and rite of passage for many of rap’s biggest names.

So, of course, when Tyler wanted to get back to rapping as a craftsman, he tapped the curatorial talents of DJ Drama — to great effect, I might add. And their creative chemistry continues on DJ Drama’s own new album, I’m Really Like That, which dropped today. In fact, the album opens with “Legendary,” a nostalgic review of Tyler’s breakout from internet sensation to Billboard fixture and two-time Grammy Award winner.

In addition to Tyler’s spirited intro, I’m Really Like That also features posthumous features from Nipsey Hussle and Trouble, appearances from Drama’s Generation Now artists Jack Harlow and Lil Uzi Vert, and a veritable who’s-who of both grizzled vets (Gucci Mane, Rick Ross) and rising stars (LaRussell, Symba).

Listen to DJ Drama’s “Legendary” featuring Tyler The Creator above.

I’m Really Like That is out now via Generation Now and Atlantic. Get more info here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Tyler The Creator Goes On A Solo(?) Date In His ‘Wharf Talk’ Video With ASAP Rocky

On Tyler The Creator’s deluxe edition of Call Me If You Get Lost, subtitled The Estate Sale, the former demon child enters what Pitchfork is calling his “Munch era,” embracing the freedom and sincerity of falling in love on previously unreleased tracks like “Dogtooth” and “Sorry Not Sorry.” Honestly, it’s a good look on him, cementing his evolution from a talented but obnoxious enfant terrible to a dapper, forthright artiste.

His latest video from the release, “Wharf Talk,” keeps the good vibes flowing. On this one, Tyler’s in full loverboy mode, singing plaintively about how much he wants to spend time with this special lady over what sounds very much like some classic Neptunes production. When Tyler’s good friend ASAP Rocky shows up for a good, old-fashioned rap bridge — man, remember those? — he too sounds transformed by the affections of a good woman. It’s genuinely endearing and inspirational to see our boys really grow up. They’ve come a long way.

The video’s pretty clever, too, messing with the viewer’s perception as Tyler goes on a series of what appear to be solo dates: a picnic in the park, a day trip to the beach, and more. However, a bike ride through nature throws off this reading when one of the bikes propels itself — is Tyler dating The Invisible Woman, or what? (There’s some nifty commentary about how this makes his “keeping it low-key” approach to his relationship visual, but it’s also just fun to see him toasting what appears to be nobody.)

You can watch the “Wharf Talk” video above and check out Call Me If You Get Lost: The Estate Sale here.