TDE (Top Dawg Entertainment)

Thursday night (March 23), I went to the first evening of SZA’s sold-out Los Angeles tour dates at the Kia Forum where she performed songs from her No. 1 hit album SOS and her critically acclaimed debut album Ctrl. It was truly an ethereal experience filled with oceanic splashes of glowing reds, yellows, oranges, soft purples, and pretty pinks, intertwined with bright sparkling lights.

While many were in attendance to simply watch Solana perform “Kill Bill” or her soon-to-be-hit-record “Snooze,” I wanted to see how all the Easter eggs she’d been placing into her music videos since 2014’s “Babylon” video aligned with her show. Puzzles are my thing, what can I say?

This particular puzzle started on December 8, 2022, the day SOS was released. It was a full moon, which is said to be the perfect time to set intentions of releasing things that no longer serve you. That had to mean something, right?

The day she shared her tour dates, I immediately noticed that it was set to take place right in the bosom of Pisces season on February 21 while the new moon was in Pisces (her moon sign) and wrapping on March 19. The original final date of the tour was March 22, during the Aries full moon. The full moon is said to be the best time to manifest fresh intentions. From there I got lost in a rabbit hole of discovery.

Aware of these connections, I was better able to understand her tour performance — which could be seen as something like a Broadway play where SZA is acting out the journey of saving herself with help from the stars. When the show began, SZA sat on the ledge of a board, mimicking her cover art, as she rapped the unreleased “PSA.” Then, she took a dive into the ocean.

That moment reminded me of the “Babylon” video when she fully immersed herself in a lake, leaving behind $7 (a number that is significant for many reasons) and a note that read, “Gone fishin’,” an idiom for checking out of reality. Fishing for what? Wisdom.

As she got into “Seek & Destroy,” “Notice Me,’ “Love Galore,” and “Broken Clocks,” I noticed her performing on a boat dock.

It’s reminiscent of her “Broken Clocks” video where the kids from Camp SZA are shown running to a lake to hang out. TDE’s own Jay Rock is there too and he holds a lifesaver.

When she spit the words to her title track “SOS,” it looked like she was on the side of a ship or a submarine. Then she eased into, “Blind,” a song about discovering that everything you need to be great is already inside of you. ”It’s so embarrassing / All of the things I need living inside of me / I can’t see it,” she crooned. “It’s so embarrassing / All of the love I seek living inside of me/ I can’t see, I’m blind.”

Although there’s no music video, I peeped that the lighthouse she was singing in front of was from her Saturday Night Live performance. Lighthouses guide ships safely to the harbor, especially when the weather is difficult and dangerous.

Next up was the Darkchild-produced banger “Shirt,” a song that was well worth the wait — as was the live performance for it. Now, at the end of the “Broken Clocks” video, she gets beat up at a strip club, causing her nose to leak and putting a bloodstain on her shirt, while her friend yells “Sis! Wake up!” Jay Rock’s music plays in the background. In the “Shirt” video, she tells LaKeith Stanfield, “Color is light, light is energy, everything is energy.” Also, while she dissociates n another part of the video, we witness SZA attempting to grab a fish.

Following “Shirt,” she got into “Smoking On My Ex Pack” while impressively doing a full-on costume change. Then, boarded a ship named SOS, and on the back, it read “Ctrl Fishing Co.” Appearing in a flowy black outfit, a beautiful performance of “All The Stars” took place along with Ctrl goodie “Garden (Say It Like Dat).” So far, the ride on her ship appeared to be pretty tranquil even as she rocked out to “F2F” alongside her glorious, stand-out guitarist.

Suddenly the ocean wave patterns became turbulent with rain pouring down as she performed the choreography to “Low” upon the deck of her ship. After wowing us all with the splits, SZA disappears into a sea of darkness.

Then, a bright light circulated the stadium, and to my left, a lighthouse resurrected in the middle of the audience. My eyes followed the light until it landed on SZA, who was adorned in a fairy-like yellow dress and floating in an orange lifeboat while singing “Supermodel.” Fans below were blessed with a rain of flowers sprinkled over their heads. With each song she performed, the closer to the lighthouse she got.

Once she returned to the stage for performances of “Kiss Me More” and “Love Language,” however, she was underwater with fish and a large anchor. Then, a large red shipping crate appeared to emerge from the ocean at the beginning of her “Kill Bill” performance and into “I Hate U,” where streams of water cascaded behind her. According to an interview with Rolling Stone, SZA originally envisioned herself sitting atop a shipping crate for her cover art.

SZA wrapped with “Good Days.” Back into her golden fairy-like dress, she was peacefully seated on the same board from the start of the show but instead, she glowed with the sun. “Half of us chasin’ fountains of youth and it’s in the present now,” she sang as a final reminder to the thousands of supporters who came out in the rain to see her.

SZA’s SOS Tour was indeed an immersive experience based on the Easter egg hunt alone (and I didn’t even detail all of the eggs!). At the end of the show, she teased the visual for “Low” which is expected to drop “soon.” The way SZA utilized her power to steer herself into a massively successful album that has touched people across the globe coupled with holding down the No. 1 spot for 10 weeks straight and a sold-out tour is absolutely inspiring. And if my intuition is correct, SOS could be making a return to No. 1.