Lizzo’s ‘About Damn Time’ Keeps The No. 1 Spot On The Hot 100 Chart For A Second Week

Lizzo had a major career moment last week when “About Damn Time” climbed to No. 1 on the Billboard Hot 100 chart. Now, on the new Hot 100 chart dated August 6, we have a repeat on our hands as “About Damn Time” is on top for a second straight week. This makes “About Damn Time” Lizzo’s second song to spend multiple weeks at No. 1, after “Truth Hurts” had seven weeks on top in 2019.

Meanwhile, the next four spots on the chart are also all the same as last week: Harry Styles’ “As It Was” is No. 2, Kate Bush’s “Running Up That Hill (A Deal With God)” is No. 3, Jack Harlow’s “First Class” is No. 4, and Future, Drake, and Tems’ “Wait For U” is No. 5.

We have a couple noteworthy changes in the bottom half of the top 10, though. Beyoncé’s “Break My Soul” rises to No. 6, a new peak for the Renaissance single. Post Malone and Doja Cat’s “I Like You (A Happier Song)” also re-enters the top 10 at its previous high of No. 9, following the recent release of a fun new video for the track.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Why Are Beyoncé And Lizzo Removing ‘Spaz’ From Their Songs?

After some years away, both Beyoncé and Lizzo returned with new albums this year. Beyoncé’s newly-released seventh album Renaissance marks her first full-length effort since 2017’s Lemonade. Renaissance clocked in with 16 songs and features from Beam, Tems, and Grace Jones as well as additional contributors including Drake, Jay-Z, Syd, and others. On the flip side, Lizzo released her fourth album Special earlier this month and that arrived with 12 songs and no guest features. Renaissance and Special don’t share many similar qualities, but there is one thing they both have in common: they both have songs that were criticized thanks to their use of the word “spaz.”

Why Are Beyoncé And Lizzo Removing ‘Spaz’ From Their Songs?

Lizzo was the first to receive criticism for using the word “spaz” and it came after she released “Grrrls” from Special. In a line from the song she sings, “Hold my bag, b*tch, Hold my bag. Do you see this sh*t? I’mma spazz.” Beyoncé’s case comes more recently thanks to “Heated” from Renaissance. In that song, Beyoncé sings, “Spazzin’ on that ass, spaz on that ass / Fan me quick, girl, I need my glass.”

Merriam-Webster defines “spaz” as “one who is inept” and it categorizes the term as “slang, often offensive.” The word itself comes from “spastic” and “spasticity,” and according to a paper published by the National Library Of Medicine, the latter word “is a velocity-dependent increase in muscle tone and uncontrolled, repetitive, involuntary contractions of skeletal muscles.” With that being, the word “spaz” is viewed as an ableist term for those with cerebral palsy, also known as “spastic diplegia.”

As a result of the derogatory nature of “spaz,” Lizzo altered the line in “Grrrls” while a rep for Beyonce promised to do the same for the line on “Heated.”

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Atlanta’s Music Midtown Festival Was Reportedly Canceled Because The Venue Can’t Legally Ban Guns

There is no place for guns at music festivals. It seems obvious, right? Now imagine a world where going to a music festival comes with the uncertainty of whether or not one of your fellow attendees has a gun. This is what a number of Georgia gun rights groups are arguing for and is reportedly the main issue that Atlanta’s Music Midtown Festival organizers were faced with when making the decision to cancel the 2022 edition of the festival.

Slated to take place from September 17th – 18th, Music Midtown had a jam-packed lineup ready to rock that featured Jack White, Future, My Chemical Romance, Phoebe Bridgers, Phoenix, and Fallout Boy among the artists across the two-day festival. But now as Billboard reports, pressure from gun rights groups operating under the guise of Georgia’s Safe Carry Protection Act — which allows citizens to carry weapons on public land, which Piedmont Park is on — has crushed any hopes for a weekend of music, community, and celebration.

“Hey Midtown fans – due to circumstances beyond our control, Music Midtown will no longer be taking place this year,” a statement on the festival’s website reads. “We were looking forward to reuniting in September and hope we can all get back to enjoying the festival together again soon.”

While the details of the Safe Carry Protection Act don’t necessarily require the festival to allow guns into the festival, it does leave them open to being sued by gun-carrying ticket-holders who claim that their legal rights are being violated. It’s hard to imagine any scenario where an attendee would need a gun at a music festival. Given that earlier this year, reported gunshots at Lovers & Friends festival in Las Vegas led to a frenzied attempt to flee by attendees who feared for their lives, and that back in 2017, a shooter opened fire on a crowd at the Route 91 Harvest country music festival in Vegas, killing 50 people, the optics of this push by gun rights groups feels especially cruel.

All The New Albums Coming Out In August 2022

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in August. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, August 5

  • Bobby Shmurda — BodBoy EP (GS9)
  • Brijean — Angelo EP (Ghostly International)
  • Calvin Harris — Funk Wav Bounces Vol. 2 (Columbia Records)
  • Eminem — Curtain Call 2 (Shady Records)
  • Erika Sirola — Who? EP (Elektra)
  • Fireboy DML — Playboy (YBNL Nation)
  • The Flatliners — New Ruin (Dine Alone Records)
  • Generation Radio — Generation Radio (Frontiers Music Srl)
  • Healing Potpourri — Paradise (Run for Cover Records)
  • Heavy Gus — Notions (BMG Records)
  • Insane Clown Posse — Pug Ugly EP (Psychopathic)
  • The Interrupters — In The Wild (Epitaph Records)
  • John Calvin Abney — Tourist (Black Mesa Records)
  • Kal Marks — My Name Is Hell (Exploding In Sound Records)
  • Lee Bains + The Glory Fires — Old-Time Folks (Don Giovanni Records)
  • Lincoln — Repair and Reward (Temporary Residence Limited)
  • Liv Slingerland — Hey You (Righteous Babe Records)
  • Neil Young + Promise Of The Real — Noise & Flowers (Reprise)
  • Pussy Riot — Matriarchy Now (Pussy Riot))
  • T Bone Burnett — The Invisible Light (Verve Records)
  • Tomato Flower — Construction EP (Ramp Local)
  • WAAX — At Least I’m Free (Dew Process/Universal Music Australia)
  • Worthitpurchase — Truthtelling (Citrus City Records)
  • YoungBoy Never Broke Again — The Last Slimeto (Atlantic Records)

Friday, August 12

  • Ali Gatie — Who Hurt You? (Atlantic)
  • Alicia Keys — KEYS II (RCA)
  • Amythyst Kiah — Pensive Pop EP (Rounder Records)
  • Boris — Heavy Rocks (Relapse)
  • Cassie Marin — Lil 5i5 (Cassie Marin)
  • Claude — A Lot’s Gonna Change (American Dreams)
  • Danger Mouse and Black Thought — Cheat Codes (BMG)
  • Danny Elfman — Bigger. Messier. (Epitaph Records)
  • Easy Life — Maybe In Another Life… (Geffen)
  • Erasure — Day-Glo (Based On A True Story) (Mute)
  • Faye — You’re Better (Secretly Canadian)
  • Goo Goo Dolls — Chaos In Bloom (Warner Records)
  • Greg Loiacono — Giving It All Away (Blue Rose)
  • Guards — More Cover Songs (CGR)
  • Hollywood Undead — Hotel Kalifornia (Dove & Grenade Media/BMG)
  • Hudson Mohawke — Cry Sugar (Warp Records)
  • Kamikaze Palm Tree — Mint Chip (Drag City)
  • Kelsey Waldon — No Regular Dog (Oh Boy Records)
  • Kiwi Jr. — Chopper (Sub Pop)
  • Lil Zay Osama — Trench Baby 3 (Warner Records)
  • Maddie Zahm — You Might Not Like Her EP (AWAL)
  • Max Tundra — Remixtape (Domino)
  • Norma Jean — Deathrattle Sing For Me (Solid State Records)
  • Osees — A Foul Form (Castle Face)
  • Pale Waves — Unwanted (Dirty Hit)
  • Panda Bear and Sonic Boom — Reset (Domino)
  • Raffaella — LIVE, RAFF, LOVE (Act I) EP (Mom + Pop)
  • Sylvan Esso — No Rules Sandy (Loma Vista)
  • Tony Molina — In The Fade (Run For Cover Records)

Friday, August 19

  • Aitch — Close To Home (Capitol)
  • Andrew Combs — Sundays (Tone Tree)
  • Aubrey Haddard — Awake And Talking (The Orchard)
  • The Berries — High Flying Man (Run For Cover)
  • Cass McCombs — Heartmind (Anti-)
  • Charlie Burg — Infinitely Tall (Red Scare Industries)
  • Demi Lovato — Holy Fvck (Island Records)
  • The Feelings Parade — Let It Move You (Red Scare Industries)
  • Five Finger Death Punch — Afterlife (Better Noise)
  • Hot Chip — Freakout/Release (Domino)
  • Internet Money — We All We Got EP (Internet Money Records)
  • Johnny Orlando — All The Things That Could Go Wrong (Republic Records/Universal Music Canada)
  • The Last Artful, Dodgr — Hits of Today (Unsociable/Interscope)
  • Lauran Hibberd — Garageband Superstar (Virgin Music)
  • Loudon Wainwright III — Lifetime Achievement (Thirty Tigers)
  • Marketa Irglova — LILA (Overcoat Recordings)
  • Muna Ileiwat — Twenty-Seven EP (Fear of Missing Out Records)
  • No Win — Dodger Stadium (Dangerbird Records)
  • Oneida — Success (Joyful Noise Recordings)
  • Panic! At The Disco — Viva Las Vengeance (Fueled by Ramen/Warner Records)
  • Phoebe Green — Lucky Me (Chess Club)
  • Röyksopp — Profound Mysteries II (Dog Triumph)
  • Russian Circles — Gnosis (Sargent House)
  • Silversun Pickups — Physical Thrills (New Machine Recording)
  • Soft Pink Truth — Was It Ever Real? EP (Thrill Jockey)
  • SRSQ — Ever Crashing (Dais Records)
  • Tank — R&B Money (R&B Money)
  • Terence Etc. — Vortex (Brainfeeder)
  • Tink — Pillow Talk (Winter’s Diary/EMPIRE)
  • Watkins Family Hour — Vol. II (Family Hour Records)
  • Why Bonnie — 90 In November (Keeled Scales)

Friday, August 26

  • Alexander Ludwig — Highway 99 (BBR Music Group/BMG)
  • Antonio Sánchez — Shift (Bad Hombre Vol. II) (Warner Music)
  • Bandaid Brigade — Sex Is Terrifying (Xtra Mile Recordings)
  • Bastille — Give Me The Future + Dreams Of The Past (EMI)
  • Bibi Club — Le soleil et la mer (Secret City Records)
  • Blackbear — In Loving Memory (Columbia Records)
  • Butch Walker — Butch Walker As… Glenn (The Orchard)
  • Calypso Rose — Forever (Because Music)
  • Charles Lloyd — Trios: Ocean (Blue Note Records)
  • Cryalot — Icarus EP (AWAL)
  • Diamanda Galás — Broken Gargoyles (Intravenal Sound Operations)
  • Duncan Sheik — Claptrap (AntiFragile)
  • Elissa Mielke — Mouse EP (slashie/Mom)
  • Ezra Furman — All of Us Flames (Bella Union)
  • Francisco Martin — Manic EP (19 Recordings)
  • Ingrid Andress — Good Person (Warner Music Nashville)
  • Jim Lauderdale — Game Changer (Sky Crunch Records)
  • Julia Jacklin — Pre Pleasure (Transgressive Records)
  • Kaitlyn Smith — Let’s Turn It Into Sound (Ghostly International)
  • Kramer — Music for Films Edited by Moths (Shimmy Disc)
  • Laufey — Everything I Know About Love (AWAL)
  • Lonely Robot — A Model Life (Siren Records)
  • Marcus King — Young Blood (American Records/Republic Records)
  • Muse — Will Of The People (Warner Records)
  • Paisley Fields — Limp Wrist (Don Giovanni Records)
  • Pantha du Prince — Garden Gala (Modern Recordings)
  • Pianos Become The Teeth — Drift (Epitaph Records)
  • Rachika Nayar — Heaven Come Crashing (NNA Tapes)
  • Stella Donnelly — Flood (Secretly Canadian)
  • Syd Warwick — Sad Astra EP (Nevado Music)
  • Tedeschi Trucks Band — I Am The Moon: IV. Farewell (Fantasy Records)
  • Teen Suicide — Honeybee Table At The Butterfly Feast (Run For Cover)
  • Tommy McLain — I Ran Down Every Dream (Yep Roc Records)
  • Valerie June — Under Cover EP (Fantasy Records)
  • William Orbit — The Painter (Warner Records)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

People Are Upset That Beyoncé’s ‘Renaissance’ Has The Same Ableist Slur Lizzo Recently Removed From ‘Grrrls’

Beyoncé’s new album Renaissance is so far universally beloved, although some listeners have noticed one aspect of it they find troubling: In one section of the song “Heated,” Beyoncé says, “Spazzin’ on that ass, spaz on that ass / Fan me quick, girl, I need my glass.”

The use of the word “spaz” is particularly noteworthy since Lizzo just received criticism for including the word on “Grrrls” and promptly changed the song’s lyrics in response. Now, people are calling out Beyoncé, including Hannah Diviney, the writer and disability advocate whose tweet brought significant attention to Lizzo’s lyrical issue.

For those unfamiliar with the term, Merriam-Webster defines it as “one who is inept” and categorizes it as “slang, often offensive.” In 2007, Benjamin Zimmer, editor for American dictionaries at Oxford University Press, noted that in the US in the 1960s, usage of the word shifted “from its original sense of ‘spastic or physically uncoordinated person’ to something more like ‘nerdy, weird, or uncool person.’” The word is derived from “spastic” and “spasticity,” of which a 2015 paper published by the National Library Of Medicine notes, “Spasticity is a velocity-dependent increase in muscle tone and uncontrolled, repetitive, involuntary contractions of skeletal muscles. Spasticity presents as upper motor neuron symptoms in patients with central nervous system pathology such as stroke, spinal cord injury, brain injury, or multiple sclerosis.”

In response to Lizzo, Diviney explained the issue with the word, tweeting, “Hey @lizzo my disability Cerebral Palsy is literally classified as Spastic Diplegia (where spasticity refers to unending painful tightness in my legs) your new song makes me pretty angry + sad. ‘Spaz’ doesn’t mean freaked out or crazy. It’s an ableist slur. It’s 2022. Do better.” In a July 30 tweet in response to the Beyoncé song, she wrote, “So @Beyonce used the word ‘spaz’ in her new song Heated. Feels like a slap in the face to me, the disabled community & the progress we tried to make with Lizzo. Guess I’ll just keep telling the whole industry to ‘do better’ until ableist slurs disappear from music [broken heart emoji].”

Diviney expanded on those points in an opinion piece published on The Guardian today, writing in part:

“Beyoncé’s commitment to storytelling musically and visually is unparalleled, as is her power to have the world paying attention to the narratives, struggles and nuanced lived experience of being a black woman – a world I can only ever understand as an ally, and have no desire to overshadow.

But that doesn’t excuse her use of ableist language – language that gets used and ignored all too often. Language you can be sure I will never ignore, no matter who it comes from or what the circumstances are. It doesn’t excuse the fact that the teams of people involved in making this album somehow missed all the noise the disabled community made only six weeks ago when Lizzo did the same thing.

It doesn’t explain how millions of people have already heard this album and yet aren’t raising the issue, except to make fun of or degrade the disabled community.”

After the release of “Heated,” some took to Twitter and pointed out how Beyoncé wasn’t facing as much backlash as Lizzo did.

Meanwhile, others excused Beyoncé’s use of the word and argued it has a different meaning in the Black community.

Beyoncé has yet to publicly address the situation.

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Big Freedia Is Thrilled To Be Sampled On Beyoncé’s ‘Renaissance’ But Would Have Loved To Record New Vocals

Big Freedia’s 2014 track “Explode” is one of many songs sampled on Beyoncé’s new album Renaissance. She was excited from the beginning, making a post on Instagram once “Break My Soul” was out: “It feels surreal to be on the track with the Queen Beyoncé once again I’m so honored to be apart of this special moment I’m forever grateful lord. someone please catch me,” she wrote.

Today, she went on CBS Mornings to discuss the experience. When asked if she cared how “Explode” would be used, she said, “Not at all! It’s Beyoncé. You can use whatever you need, honey.” She was also asked if she would have wanted to re-record the “Explode” vocals for “Break My Soul.” She said, “Of course. If I’m there, I can do a whole lot more.”

She also touched on the what it was like writing that song initially. “At the time when I wrote ‘Explode,’ I was thinking about all of those things I wanted to release, and the things I do release when I get onstage,” she said. “All those things, I try to forget about those things and get into my zone. Sometimes you want to explode, all the things that you’re going through. So I wanted to release all those things.”

This reaction is the polar opposite of Kelis’, who is upset that no one notified her that she was sampled on Renaissance. “My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding,” she wrote.

Questlove Believes Beyoncé Has ‘Made Her ‘Off The Wall” With ‘Renaissance’

Beyoncé’s new album Renaissance has been out for about half a day now and people can’t stop fawning over it. Lil Nas X has some pretty intense thoughts about the LP and now Questlove, perhaps the most learned music historian/appreciator in the industry, has declared that Renaissance is something special.

In a post on Instagram, The Roots drummer gives the album a 4.5 out of 5 rating and writes, “I still maintain that a good 4 weeks has to go by before you give a rating. I definitely have walked back many a high rating album some 20 years after the fact. I listened 7 times. Which is 8 times more than the last time I listened to anyones record from start to finish. She definitely made her ‘Off The Wall’ with this one (dance album of the year———this being 2022 we can’t give her decade accolades but so far the mix, quality, etc are so dope. This will hold high in her cannon. Love the growth: made classics in her teens, her 20s her 30s & getting better.”

Off The Wall, of course, is Michael Jackson’s 1979 album that is widely considered one of the best music releases of all time, so comparing Beyoncé’s latest to it is a tremendously high honor and not something it seems Questlove would do without good reason.

B.J. Novak Reminisces About Usher Hating Him After A Rapping ‘Punk’d’ Prank

Today marks the theatrical release of B.J. Novak’s new movie Vengeance, in which he stars alongside Ashton Kutcher. It turns out Kutcher once gave Novak his big break on TV, as Novak appeared in a number of episodes of Punk’d in the early 2000s. Novak talked about that during an appearance on The Late Show yesterday and told a terrific story about pranking Usher.

Stephen Colbert mentioned the Punk’d connection and Novak noted Kutcher “changed my life with that show.” Colbert asked if the celebrities he helped prank ever got mad, and Novak was quick to respond, “Terribly mad, and here’s the problem: So I’m meeting all these celebrities for the first time, right? It’s thrilling for me. I’m meeting Missy Elliott, I’m meeting Usher; It’s the worst day of their life!”

He then got into the Usher prank that was on the Season 2 premiere (that aired on October 26, 2003), explaining the situation and how Usher acted after the reveal:

“My job once, I got to meet Usher, but my job was I was a store owner on Melrose and [Usher’s] little brother had been busted for shoplifting; he was in on it with us. And the only way I would let the brother go was if [Usher] recorded a rap jingle for my store, which I rapped for him. And he was like, ‘First of all, I’m not a rapper. Second of all, why does it refer to ‘Ice?” I’m like, ‘Well, we wanted Vanilla Ice.’ It’s a well-written show, I didn’t write the joke, it’s so funny.

So then he’s furious and then Ashton comes out and he’s like, ‘Bro!’ Like, it’s a huge hug. And I’m like [open arms gesture] and he’s like, ‘No no no no no.’ Like, your first impression of someone sticks, you know, so I have not run into Usher since. I don’t think he’ll be in my next movie.”

Watch the Novak interview above and find clips from the Usher Punk’d episode below.