Jaysse Lopez Talks Kanye Leaving Adidas, Favorite Shoes Of 2022, And Building A Sneaker Empire

Jaysse Lopez is a pioneer of the sneaker space. For those who may not know, Lopez is the creator of Urban Necessities. UN is a store located in Caesar’s Palace in Las Vegas, and it is one of the most impressive retail spaces you will ever see. Upon walking through the doors, you are immediately overwhelmed with rows upon rows of sneakers in every color. Leather, suede, and nubuck overpower your senses in an alluring way that will you have browsing each row for hours.

Appropriately, Lopez describes himself as Willy Wonka and his store is like the Chocolate Factory. If you can name the shoe and the colorway, chances are, Lopez probably has it somewhere in stock. Over 10 years, Lopez has been working with consigners and building trust. This trust has allowed him to become a one-stop shop for any person’s sneaker needs. Additionally, numerous athletes and celebrities have come to him to sell their collections. Simply put, he has touched shoes that you probably didn’t even know existed.

Jaysse Lopez
Jaysse Lopez (Right), takes a look at some sneakers while attending Sneaker Con (Image via Jaysse Lopez)

Much of Lopez’s success can be attributed to his YouTube channel, TwoJsKicks. Lopez started the channel as a way to advertise and bring attention to his brand. Eventually, the YouTube channel took off, and it quickly grew Urban Necessities into the empire it is today. Now, Urban Necessities is seeing upwards of 7000-8000 guests per day, all while boasting one of the most diverse selections of shoes in the world. 

Just like any great success story, there were some massive hardships along the way. Before opening Urban Necessities in 2014, Lopez experienced a bout of homelessness. Thanks to some hustling and just a bit of luck, he was able to overcome adversity and build what he has today. Luckily, we were able to speak to Jaysse for the latest episode of HotNewHipHop’s “12 Days Of Christmas” series.

During the interview, Lopez spoke to us about his come-up, his philosophy when it comes to retail, and he even gave us the rundown on some of his favorite shoes of the year. This is an interview you won’t want to miss.

This interview has been edited for clarity and length.


HNHH: for those who might be reading this and don’t know you or hearing about you for the first time, maybe just explain your background and how you came up in the sneaker game.

JL: So my name is Jaysee Lopez. A lot of people know me by twojskicks on Instagram. A couple of years ago, forever ago, I migrated from Jersey out west and made it to Vegas. In my first couple of months, I was homeless and used to panhandle on the strip and went from like panhandling and selling bottles of water to standing in line for shoes for people. Got myself in a Weekly’s job hopped a little bit, met a girl, lost a job, turned into sneakers, figured I’d buy some time till I found another job, I never found another job, right? And then, about eight and a half years ago, we opened Urban Necessities.

I joke now about the hood mall. And then we went from the hood mall to the good mall to the great mall. And this eight-and-a-half-year journey got us back to Caesar’s Palace, which is when I was homeless, I used to shower in the fountains in front of the place. So it’s kind of surreal, you know, the whole journey has been pretty wild man. And it’s a consignment shop. And what we focus on is getting people the items that they want in a safe and efficient manner. We’re getting our consigners paid, without having to go through the hardships of what is retail. Right? And, it’s been a lot of fun kind of growing this brand.

I was reading just about the growth of Urban Necessities really out of the gate. You were saying that you had sold $1 million worth of shoes in just the first three and a half months of the brand. Did that go above and beyond your expectations or did you know you would sell that much?

You know, it feels like I get asked that question a lot more now, right? Because the lights are a little different. But, you know, when I started looking at the business side of sneakers, and really trying to build something that I thought was, I could get to this, I always felt like what we were about to embark on from the very beginning was being approached so differently than everybody else. It was like, Hey, I’m opening a sneaker store. Like I didn’t want to just sell sneakers, I wanted to really get in the trenches of the culture and figure out what the best business practices are and figure out how to scale it. I’ve been in retail for so long.

And I’ve worked for some really big companies over the years with logistics and I just as I was unearthing and learning about sneakers, I just saw the flaws right like so many people that got into sneakers, like myself, it’s a passion it’s something that you like gravitate to because you’re like you know it helps you get away from whatever those deeper issues or whatever and that we all have right like to be a hoarder.

There’s got to be something wrong with you for you to just invest so much time. From day one, the first video I even put out that’s still on YouTube, where I was talking about some of my hardships in the community, I really felt like we were going to open and build something that was different. I’m thankful that as this passion project, stumbled on becoming a business, and went from small business and everybody looks at it as this big business that I’ve been able to put enough lipstick on my pig, to get people attached to what I’m doing to now turn it into a real business.

And it’s tough because the stuff that I used to love doing at the beginning, that was like, ‘oh, we could do this.’ I could just pivot and go in any direction. And so many of the ideas were so different at the beginning that they were really received well, and I’ve been so transparent with the growth and the lumps and like the hardships and the wins, and like the lessons that I think that we’ve been a really good ambassador for sneakers and the business side of sneakers for so many. I’m just really thankful for all of it. 

Jaysse Lopez attends the Art Basel art show in Miami (Image via Jaysse Lopez)

When I first started getting into sneakers, you were one of the first YouTubers that I was really watching. What made you specifically want to get into the YouTube game?

At the time, it was free marketing, which was more than 15 seconds on the platforms that existed. Especially at the beginning, I was so foot in mouth and didn’t understand like, this is forever, this is representing you forever. I just focused on that one moment. And I don’t have regrets about the content. But I just wish I would have had, I mean, can’t change anything. I’m not upset with the way anything played out. But I just wish I would have had a little bit more business acumen with it. And I know that I’m removing the emotion from it. And it’s not that I don’t care in that sense, because I really do. But like, if I even now I struggle with the consistency on it. Because I’m still running a business.

The guys and girls that are jumping into this, this is their passion project, right? It’s like, how do they get in this space, and they’re representing this culture. And we’re trying to be a voice for others. We’ve had some really cool videos and some monumental moments. We’ve had some ‘I wish I could have done that a little bit different’ moments with how I went with some of the business sides of it. But Instagram and YouTube and Twitter, like they all changed the dynamic of a brand. And like I feel like I’m putting out better content now. It’s just not as much, right? And yeah, man, the YouTube was extremely important and vital to my brand.

I’m sure you must get a lot of people who will just come into the store and who probably heard of Urban Necessities just through the YouTube channel, or just, you know, the YouTube algorithm pushing your videos because a certain release was happening. Speak on how those videos really helped with foot traffic.

Oh, yeah, I mean, there are so many videos. To this day, this one video, gets talked about, it’s almost nine years old, right? Like, my most viewed video is a sneaker collection I pulled from Mayor, right? It’s got three million views almost on it, right? And there are people still commenting, I’m still reading the comments. Like I get the email notifications. The shit mattered so much. And like it every single day. There’s somebody that it’s new to, right, and that’s why I haven’t deleted any of those ‘foot in mouth’ videos.

And you were mentioning how you moved into Caesar’s Palace and you’ve got the biggest space you’ve ever had 18,000 square feet. How has it been trying to manage a store that big for the first time?

Oh my Gosh, just the most overwhelming project. It almost took me out physically. When we went in we loaded up on staff way more than I think any resellers that are not corporate have. I think we had like 50 or 60 staff members and they were dropping like flies at the beginning. And it’s not that we were asking people to do traumatizing or overwhelming work. It was just that it was all hands on deck and it was coming at us from every different direction and like a slow day was 2000 guests and busy days were like 7000-8000 guests. It’s a lot of different emotions with a lot of different people. Imagine being stressed out and a moment being bigger than you and then like, what your reaction is to that moment.

Also, it’s retail…you’re lucky to get six months out of people, no matter what you tell them what you give them or how much you give that raise. There have been all these bottlenecks that you don’t necessarily foresee. There’s no manual that says, ‘Oh, hey, you sign up for an 18,000 Square Foot space.’ And because he did this, there’s like no algorithm that you can build to yank analytics at the beginning to say, ‘Okay, well, this is how you’re going to need to play. Here’s your playbook A to Z there.’ We’re still writing it. We’re now going on year two. I’m at peace with the data that we’ve pulled, I’m at peace with the processes that we’ve built between me and my new partners. And I trust my leadership, now more than ever, so like, ‘Hey, you got enough data and information to run this correctly?

Is it gonna run 1,000,000% efficiently and smooth, and it’s like, the best well-oiled machine in the history of sneakers?’ No. But I feel confident enough that I don’t have to micromanage it anymore. And so that’s allowing me to work on bigger projects, that when we first started selling sneakers we never even anticipated.

You see, we’re opening a store in Saudi Arabia in Riyadh. If you would have told me that, you know, day one, that I would have a store in Saudi, I wouldn’t necessarily think that that would be the second, like, try at something outside for me outside of Vegas. But I felt like I’ve always wanted something in the Middle East, I just felt like it was important to have something there. And I think we’re going to be doing a lot of cool stuff going forward that just people didn’t see. And it’s because of eight and a half years of lumps.

Now, understanding and having the business acumen to know, ‘okay, well, this is what I think I’m worth and this is what I struggle,’ and then finding the right people that can articulate and delegate and create and scale with the profits that you need to be able to keep adding layer after layer after layer. It is the American dream. So yeah, man, you can see why all the grey hairs are here.

Jaysse Lopez
Jaysse Lopez continues to expand his brand all throughout the world (Image via Jaysse Lopez)

You were saying that you’re sort of expanding into the Middle East, Saudi Arabia, stuff like that. Just off-rip, what have you sort of noticed in terms of the difference between the sneaker culture maybe here in North America and then in Saudi Arabia?

They’re pretty hip and most of the consumers that are asking or buying or hoarding products in those regions have the ability to travel. They’re on the internet way more than we are I mean, they’re, I don’t want to say they’re in the middle of nowhere, but it takes them a little bit longer to get to the product right? Because of the logistical issues for some of these brands, and then the taxes and duties, it’s just that like, it doesn’t really move the needle for them to feed them 100,000 of whatever, so they might get 1000 of something. So it’s the same, it’s the same diet, it’s the same appetite for what we’re selling.

You know, you see all the weird stuff that’s going on with certain individuals that are really tied to sneakers. And you’re like, ‘Hey, man is like, is there still an appetite for this product from this person?’ And the answer is yes. The tougher part, and setting up over there is finding partners that could represent your brand, in the same way, and intentions that you have to stick to your core values. And then how do you get the product over there? Those were the two bigger issues, but once we found our workarounds, we felt really confident about not only signing up to do this first store but multiple stores over the next couple of years. 

With the stores you have built in Vegas and now overseas…What is your philosophy when it comes to retail? Because you have so many shoes and streetwear pieces that it feels like you put a lot of stock into enhancing the in-store experience.

Retail, for it to work, and this, in my side of it, it has to be an experience that you’re there for greater than north of 30 minutes. And it’s not about necessarily getting you to buy something on the first row, but it’s more about planting the seed that says I gotta keep an eye on this on this spot. So the sneaker wall, that’s, you know, 15 rows, 156 feet, almost half a mile long, when you piece it all together. At its peak, it had over 5000 different pairs of sneakers. As we’ve gotten on, some of those one-offs that were on the wall have sold, and it’s not as many, and I’m sure my staff is thankful that it’s not over 5000 pairs anymore.

But you know, at any given moment, we have 50 to 60,000 pairs ready to sell thanks to the amazing network that we’ve built. And we do a little bit of clothing, which is Urban Necessities stuff. There are some brands that we’re going to start carrying in the store that I think are up-and-coming brands that are relevant, that are going to stay in the light for a little bit that I’m excited about carrying and that offer better margins for me to be able to keep the lights on. There’s an ice cream shop that we named after one of my Frenchies that we named BilliUN Flavors. It kind of got away from me a little bit, but we now have the time, energy, and effort to run it correctly. Imagine being able to buy candy, sneakers, and milkshakes, and win sneakers from buying candy and milkshakes.

Upstairs, I have a handful of master barbers. I have a handful of award-winning tattoo artists. And even that’s getting revamped. We’re probably going to be adding a bar up there for you know, private events and stuff. Harder-to-find stuff is going to be showcased a little bit differently. So think like the aquarium that I have. But there’s another aquarium with even crazier stuff upstairs. So it’s definitely a unique environment. I’m not playing music that you hear at H&M. It’s all rap but it’s all stuff that dates from the early 90s all the way to right now. And it’s like every direction. It’s equal east, west, north, and south. You know, I got a playlist that’s like over 6000 songs. And every Friday I’m adding new music to it.

Reggie Sergile (L), Jaysse Lopez and Esteban Sarmiento negotiate prices for sneakers valued at $8,000 – $25,000 presented by Sarmiento, Inc. during SneakerCon 2019 at Fort Lauderdale Convention Center on February 2, 2019 in Fort Lauderdale, Florida. (Photo by Sean Drakes/Getty Images)

You were noting how you have over 5,000 shoes in the store at times. This means multiple colorways of the same silhouette. Multiple sizes. How do you manage to bring in staff that can handle the legit-checking process? Fakes have gotten so good these days so how do you make sure everything that comes through the store is real?

That’s such a great question. Right? The reality of it is is no matter how well-versed someone is they don’t know everything, right? So you know, when I’m in the store, I definitely try to verse myself on stuff that’s coming in. I have a group of individuals that have been around me for a really long time. I’ve kind of shared some of my best business practices and what I’m looking for. The reality of it is if it’s something that pops up that we’ve never seen, or we’re unsure of the first thing we’re doing is run into the internet.

The second thing we’re doing is reaching out to the community, whether that’s another shop or resources that we’ve built over the years through the community. You know, truth be told, if we get one wrong, and we find out that we got it wrong, we’re doing everything, not only to make it right. We hold the moment. I’ve had a few scrapes. For the number of shoes that I’ve touched, I could count the [fakes] on one hand so to speak hand. The community’s done a great job of letting us know, ‘hey, this one wasn’t right.’ Or we caught it. It’s not like 1000s, but we’re catching probably 10 to 15 fakes a week. 

One thing I’ve noticed is that with sneakers becoming harder to cop, many are normalizing fakes. People will wear them with no shame like they might have done in the past. What are your thoughts on fakes and this current trend in the industry?

Well, I’ll say this, if you focus your energy on one thing, you’re going to find that or you’re going to notice that more than the other. I hope this doesn’t get taken out of context when I say it, but this is a part of the business that has to happen for the brands to understand where their flaws are. We have to do better educating the consumer where they know what these look like, what they feel like. Then the brands need to figure out a better way to create you know, CODs or the certificate of authenticity for these items. Whether that’s an NFT or RFIA, that’s where all of this is going.

I used to get really bothered by the fact that people would justify the expense or go out of their way. But I am also judging it with what I have in my pocket, judging it, assuming that everybody acts, thinks, and feels like I do. And that’s not necessarily the case. Right? So it needs to be an education. There are parts of the world where fakes is all they know. I’ve been to China for trade shows. There are facilities that the Nike and Adidas of the world were using them to create their work. But then these warehouses are left with all this machinery and employees, and they got to do something. I understand the positives and the negatives of it.

I really try to look at stuff without emotion. I’m not a fan of it personally, but it’s here and you can’t really ignore it. I just really feel that there’s a lot of people that are making these purchases without a full real understanding of why it’s wrong. But then I also understand that there are people that want to fit in so bad and need the attention because there are deeper issues there that they’re not comfortable talking about that gives them joy. It gives them a sense of belonging, and you can’t ignore or ridicule that either. Now more than ever, we have to be mindful of each other’s emotions. And I think now more than ever, we’re in a position where we can articulate it, and not feel bad about, ‘hey, this is why I’m doing stuff.’

Jaysse Lopez, owner of Urban Necessities, poses during SneakerCon 2019 at Fort Lauderdale Convention Center on February 2, 2019 in Fort Lauderdale, Florida. (Photo by Sean Drakes/Getty Images)

Shifting into sneakers from 2022 to now. Maybe just tell me what were some of your favorite sneakers from the past year so far.

Almost everything New Balance 2002. As I get older, those are easier on my feet. I was such a fan. I’m such a fan of that silhouette that Shoe Surgeon and I, our anniversary shoe for the store we themed it after 2002. Tom Sachs, I like that bigger sole. The colors were easy. I’m a big sucker for earth tones. The AMM [A Ma Maniere] Air Jordan 4s were a great shoe. The Crocs that Salehe [Bembury] did…If you look this year at sneakers then look back 5, 10, 20 years, some of the things that happened would have been considered blasphemy.

Using certain colors, using certain patterns, neck faces, and patches all over a shoe. That wouldn’t have happened 20 years ago.  Some of the imagery used, we would have been like, ‘Nah, man, we’re not using that.’ I think now more than ever, we’re at a point not just with sneakers, but just consumerism, where, like, if you can imagine it, it can be created. Right? I think it’s great. Now more than ever, you got people that don’t look the part they want to be the part and they’re more consumed with learning more so than the guy that looks the part. 

Just in terms of brands, which one do you think is the best in the game right now when it comes collabs, new silhouettes, and just pure execution?

Well, that’s sort of subjective right? I really like New Balance. I think they’ve found their seats, but I think they found a format that they could run for a little bit. But consumers get tired and everything man so you know what I mean? For a while there, Adidas was everything, and now, Adidas can’t get one out of the infield. So I’m curious to see where fashion is taken and where marketing takes some of this stuff and I can’t wait to learn and adapt and shift in whatever direction we need to continue providing the products in a safe and efficient manner for our guests.

You just mentioned Adidas and I wanted to touch on that for a moment. With Adidas dropping Kanye, how do you think that affects the brand, moving forward?

Oh, man, what, uh, what a touchy, crappy, weird, frustrating conversation that you wish you didn’t even have to acknowledge the elephant in the room. No matter what you do, you have to acknowledge it. So I’m frustrated that one of our heroes, one of our good guys is turning into the bad guy, right? But you do something long enough, sooner or later, you’re going to be the villain. So he’s the bad guy right now. It’s very frustrating to see him be so inconsiderate of so many emotions, with the type of people he’s talking about. You know, the religions and all that other shit.

Adidas doesn’t really have much of a choice. When you’re a brand that big, you have to scale so far in advance. Right from the second somebody says something from the second every department that’s attached to the green lighting of a project or an item. It’s like at least six months of production because it’s not being just fed into your town, it’s being fed to the entire world, which is, you know, billions of people. And in some cases, some of the silhouettes are in the millions, right? So how many items were already made before this ‘foot in mouth’ moment? It’s billions of dollars. I mean, how much of a percentage of the business was Yeezy?

No matter how you splice this they’re losing, but they also own the silhouette. And from a business, the show must go on? Are there gonna be the sneaker purists that are like, ‘oh, man, I can’t wear that no more. It doesn’t even have his name.’ Yeah, sure there’s gonna be a lot of those. Those are the tryhards that are going to talk about I can’t wear this anymore. Their affiliation is with Kanye, not Adidas, which is cool, fine, and respectable.

But there are also a gazillion people in the world that have absolutely no clue about anything Kanye is saying. And they’re in a region doing their own world, where they’re not paying attention to anything. They’re still going to be able to move those units like before. He revolutionized the group of individuals that were attached to that sneakers. They essentially created the new Jordan 1, the new Jordan 3. They’re here to stay those silhouettes.

Jaysse Lopez
Inshan Hassan (L) and Noam Attias negotiate a sale price for a sneaker collection valued at $8,000 with Jaysse Lopez (R), owner of Urban Necessities, who offered $5,000 for the collection during SneakerCon 2019 at Fort Lauderdale Convention Center on February 2, 2019 in Fort Lauderdale, Florida. (Photo by Sean Drakes/Getty Images)

Throughout the year, you’ve had so many people come through the store, whether it be consigners or buyers. What seems to be the shoe that you keep seeing over and over again?

Everybody’s favorite is the black-white tongue. Black-White Dunks have been selling wild man. We’re not tired and I don’t think we’ll ever be. We’re not tired of that silhouette and we’re not tired of that color pattern. Air Force One white on whites. I’m selling more Air Force One white on whites, there are times when we have we don’t have sizes, guests are asking us for sizes, and we’re walking right over to Nike and buying it for them. Tons of New Balances, though. Remember, Vegas is a hub and we’re seeing 2000 guests on a slow day. So let’s sat at least 14,000 people a week. The National conversion rate is like 7 percent, we’re a little bit higher than that conversion rate. So we’re selling a couple of hundred shoes a day. People from all over the world. It’s like, no, two people do sneakers the same.

At this point in your career, you have seen so many sneakers come through your door. Your collection has also grown quite a bit. It’s probably hard to be surprised or shocked anymore, but what is the one shoe that you saw that really blew your mind when it ended up in the store?

I’m Willy Wonka in the candy store, in the Chocolate Factory. I try my best. I love what I do. And I love the world that I’ve been able to create for myself. I was always into learning. History was my favorite class in school. Sneakers… it’s so new. It’s like a history class. And every single day, I’m seeing something that I forgot about, or never thought would come in. Forget the dollar amount, you know, but just the rarity of stuff. I’ve slowly become the guy that when you want to shed, you call me.

Those conversations always wind up being with people that have been pillars in their industries. A lot of rappers, a lot of athletes, and they’re seeded stuff you didn’t even know existed. So I geek out. Mike Bibby, Marshawn Lynch, some of these guys that I’ve worked with on pulling their collections. Guys that I’m about to work with.

The part that geeks me out the most when I’m talking sneakers with them is seeing which ones they nerd out on, or get those goosebumps or the hair standing up and then putting that shoe in their hand and then watching that reaction or emotion. There was a lot of them with Mayor, there was a lot of them with Joe. Like, for me, Paris Dunks… when I first started selling shoes, I never thought that I could even afford and they were only like 1000 bucks when I started selling now they’re like six figures, right?

So to have that shoe, see ‘em a few times knowing the sacrifices I had to make to buy a pair and I didn’t pay $1,000 for my pair, I paid way more. I could have bought a car. A nice car. That store has shoes from 100 bucks all the way to $300,000. And all of them are going to make you say, ‘Wow,’ in some shape, form, or fashion.

Jaysse Lopez
Jaysse Lopez attends Bootsy Bellows at SoFi Stadium on September 08, 2022 in Inglewood, California. (Photo by Cassidy Sparrow/Getty Images for Bootsy Bellows & The h.wood Group )

This goes into my last question which is, as someone who can pretty much get any shoe they want…

You know, believe it or not, I really still don’t feel that way. Like no matter how hard I try, there is still stuff I can’t get…

So would you say that there is still a grail out there that you want to get or do you have a grail that you finally got your hands on recently? 

When I opened my business, I wrote down five things I wanted in five years, and a couple of those were shoes I was able to touch. But like most people, there were still moments throughout my career, with my business where I was living outside my means. And sometimes you gotta let them go. Right? So Kanye Air Max 1, which I know he’s been very ‘foot in mouth’ but that was such a crazy shoe. At that point in my business, I had a partner and my wife and we tell each other, ‘alright, this is our Grail list. So no matter what we’re doing, we’re all chipping in and getting each other’s Grails kind of thing. I spent money we didn’t have for mine. Then there was a big moment in the business and you just got to let them go.

I’ve had two pairs of Wu-Tang dunks. I wish I could get that one again. I pray that I no longer have to make the sacrifices that make you cry kind of thing. But I sell shit man. So I’m really learning how to remove the emotion from it. When we moved to Caesars, you know, I was partnered with a really big brand. One of the conversations was about opening a store in Caesars and the dream was too big at the time. That dream required me to sell like 1400 of my personal pairs and timepieces and this and that and it really sucked to let them go. But I get to look at probably one of the coolest stores on the planet. And one of the most monumental parts of a mall that’s like iconic you know, like it’s a fair trade-off.

Yeah, absolutely. And I think that’s a really sort of poignant way to end. I just wanted to thank you so much for taking the time. I really appreciate you and what you’ve done for sneaker culture.

Thank you. I’m excited, you know. I think we’ve had enough practice over the last eight and a half years and I think the people that have been watching us up into this moment are really going to be proud and happy about the next couple of layers that are next. All of its getting more efficient, and I can’t wait to share it with the world, man. So I appreciate the platform and the opportunity tonight.

Desiigner’s Only Getting “Bigger & Bigger”: The Former G.O.O.D Music Signee Details Debut Studio Album, “Cruel Winter” Sessions, & Potential Christmas Music

The music industry can be taxing on everyone who partakes in it, from artists to journalists and everyone in between. Unfortunately, the Hip-Hop community deals with additional issues that can make the music business even harder to stomach. On November 1, we learned of Takeoff’s passing, and in a year that has also taken away artists like PnB Rock and Trouble, many rappers were understandably distraught. Desiigner was one of those rappers.

“Yo, I’m done, I’m done, I’m done,” Desiigner lamented in a video response to Takeoff’s death. “Why do we fucking do this? I swear this shit ain’t nothing. I’m done [with] rap. It’s done, it’s done, it’s done, it’s done. Not to Takeoff, bro. It’s done.”

Desiigner’s reaction was harrowing and, more importantly, representative of the pain that many of us have felt all year long. For a moment, it appeared that the 25-year-old artist was ready to call it quits on his rap career. Thankfully, he did not because he still has a role to play in the Hip-Hop community. Like it or not, Desiigner — once touted as the crown prince of GOOD Music — is in Hip-Hop’s history books. And that’s not up for debate. 

Thanks to the mid-2010s smash hit “Panda,” the New York-bred artist has a quintuple-platinum-certified record under his belt. In addition to those early career RIAA certifications, Desiigner also landed multiple appearances on Ye’s The Life of Pablo. His mentor heavily sampled “Panda” on “Pt. 2,” and Desiigner also appeared on the joyously chaotic “Freestyle 4.”

Desiigner’s presence on TLOP served as a huge co-sign from the artist formerly known as Kanye West. At the time, it was rare for Ye to feature GOOD signees, especially newer ones, on his albums. During his creative stretch from Yeezus to TLOP, Kid Cudi was the only recurring GOOD-affiliated artist on Ye’s solo efforts. Desiigner’s presence on TLOP broke that trend, and subsequently, his life changed forever.

(L-R) Desiigner and Pusha-T attend the FADER FORT presented by Converse during SXSW on March 16, 2016 in Austin, Texas. (Photo by Roger Kisby/Getty Images)

Bringing youthful energy to the seasoned GOOD roster, Desiigner teamed up with his labelmates for “Champions.” The sensational posse cut was the first and last single for the long-awaited Cruel Winter compilation album, and six years later, it’s still a poignant reminder of what could have been.

Nevertheless, Desiigner’s infectious hook work on “Champions” further made him a shoo-in for the 2016 XXL Freshman Class. As expected, Desiigner made it on the XXL cover, appearing alongside industry leaders such as Lil Uzi Vert, Kodak Black, Anderson .Paak, and 21 Savage. Surprisingly, Desiigner was able to dominate a significant amount of the 2016 XXL Freshman buzz thanks to his unforgettable freestyle. After going viral for his trance-like freestyle, Desiigner delivered “Tiimmy Turner,” and the success of that single paved the way for his debut mixtape, New English. A couple of years later, he followed that project up with his debut EP, Life of Desiigner. Unfortunately, his official debut studio album never materialized during his tenure on GOOD Music.

Years removed from the record label that helped make him a worldwide phenomenon, the New York-bred rapper is in a good place. However, Desiigner has his sights set on “Bigger and Bigger” things in 2023. Following a flurry of fiery fourth-quarter singles, Desiigner recently joined HNHH for an exclusive 12 Days of Christmas interview. Throughout our conversation, the Grammy-nominated artist discussed his long-awaited debut album, major lifestyle changes, and his deep love for Christmas music. Furthermore, he shared with us insane details about Cruel Winter, and he also revealed his fondest GOOD Music memories.

Scroll down for Desiigner’s full 12 Days of Christmas interview, edited lightly for length and clarity.

Image Provided By Publicist

Desiigner joins HNHH for a enthusiastic 12 Days of Christmas Q&A.

HNHH: Today, you dropped “Bigger and Bigger.” How are you feeling about that?

Desiigner: Yo! Feeling amazing. Word man, I’m just now waking up man from the strip club. Just now, man. It was a vibe. It was cool man. I’m happy to drop some more super shit for y’all, for real. And just keeping it going. We supposed to have the video coming up in the next couple of days. Getting that shot, making sure it’s prepped up for y’all. Get that up, word up.

Bet. So were they playing “Bigger and “Bigger” in the club last night?

Yeah, word. They played that thing a couple of times. We was in there vibing. No funny, it had to get ran back.

I’m really feeling that one. Of the four most recent ones that you just dropped within the last month, I think that was my favorite one. That one and “Kilo.” I really liked “Star In The Room,” too, but we’ll get to that. Let’s talk about “Kilo” with Slim Jxmmi. Tell me how that one came to be. How’d you two connect?

It was a situation where he was flying into town. He flew in LA, right as I was coming. So when I went to the crib, I told Kyle, KT, and everybody, ‘I’m on my way out.’ When I came back, they was already on the phone with Slim Jxm. They was like, ‘Yo, Slim on his way.’

So soon as I came in, you know, in the studio, I heard the beat. Beat sounded crazy lit, so I was like I need to jump on it. Once I jumped on it, Slim was already walking in the studio. He was tired, you know. Bro was mad tired. He fell asleep, and then out of nowhere, he just got up. Man was on a pen and paper, just writing and getting lit. We partied all night. It was a great celebration after that one. It was cool.

He came correct on that one. It was very reminiscent of the mid-2010s, like how he used to be. I guess since we haven’t had a lot of Rae Sremmurd music recently, it felt really good.

Word, no kizzy. Slim? He go hard, man. We’re working on a project right now. Slim got some shit, man. Definitely, definitely. I feel like he put put some shit on that verse, for sure for sure. That’s a vibe, you feel me?

Gotchu. Did he let you listen to any of Sremmlife 4 by chance?

Ah, nah. I listened to Sremmlife 4, man. But when he was in Saudi Arabia, he was talking about me and him coming back and working in Atlanta. We gon’ put some work in, you know what I mean. There might be Desiigner x Sremmlife vibes, I don’t know man.

That’s exciting. Y’all definitely both got that infectious energy. Well, let’s talk about the other singles. Like I mentioned you dropped four singles in a matter of a month. What inspired you to go on this run?

I just wanted to just give it to y’all. I feel like the game has changed. The game ain’t like when artists could just give the supporters one single and keep driving and pushing. I feel like the game has changed so much. Y’all just want to hear more music and hear your homeboys just dropping heat on a spree. I just love the idea of moving with my brand now. I wanted to have been doing that since the beginning, when I was with Def Jam. But when were you dealing with certain major labels, they just don’t see it like that. 

Like they ain’t understand the SoundCloud wave, when we were just going on SoundCloud and throwing that thing up. This was before they were doing the subscriptions, and you could be able to tap in with your supporters. Get a video out later on that week or whatever. Like you could just make sure you could keep it going for your shows and stuff. So definitely, getting back on this was something I always wanted to do. It’s super fun now, super fun. I’m moving like that rather than just trying to promote a record all day. I can promote it and let my people promote it, and then when I go to this club or go to my shows, I can keep banging ‘em non-stop.

I wanted to have been doing that since the beginning, when I was with Def Jam. But when were you dealing with certain major labels, they just don’t see it like that. 

Nah, definitely. It helps build up momentum. When I was going track by track, I was like yeah, ‘He’s getting into a groove.’ With that said, each of them has a different vibe to it, especially “Star In The Room.” I would say is the most different of all of them. 

Appreciate it bro. 

No worries, man. I was looking at the credits. I’m just like a nerd with the music stuff, so I be looking at the credits. You’re credited as a producer on “Star In The Room,” “My Brodie,” “Kilo,” and “Bigger and Bigger.” Have you been getting behind the boards more?

Definitely, man. Produced them, for sure for sure. Being able to put certain things and touches when we in the room and seeing how it’s gonna come out [is important]. I just got that type of air, and I love being part of the lyrics as well as being a part of the production.

Desiigner performs at It’s Time For Hip Hop In NYC: Brooklyn at Brooklyn Army Terminal on August 19, 2021 in New York, New York. (Photo by Jason Mendez/Getty Images)

Interesting. What made you get into production? Or have you been producing, and we just didn’t really know?

[Laughs] I did “Tiimy Turner” with Mike Dean. Y’all probably just don’t really know. Yeah, Mike Dean did the pianos and stuff at the end. He was dope, and he was impressed that I even had some beat cadence like that. Dean was like, ‘Yo, man, that was fire.’ He liked it. And so he was like, ‘Yo, bro, I ain’t gon’ lie — you go hard. But I’mma put some saucy on it for you.’ And from then on after “Tiimmy Turner,” we were locked. Our relationship built after that, from that creation we made.

That’s dope. Well, since you’ve already dropped these singles, what else do you have planned for the rest of 2022? Because I know you’re not finna stop.

Oh yeah, man. Nonstop. Word, what else we got planned? We got this video coming out, like I said for “Bigger and Bigger.” Definitely tryna hear about some merch. I’ll probably have some Christmas vibes or some coming up for y’all. Going into 2023, man, we just going hard. I’m thinking about restaurants I want to open up. Thinking of live centers with games where kids could come over there and stream live. I’m thinking about a whole bunch of things. I’m putting it together step-by-step, but it’s all gonna get accomplished.

New Color. The new album’s called New Color. I’m working on it right now.

Nah, for sure. Well, one of the things that I think a lot of people may be interested in is your debut album. You’re kind of like a path similar to Jay Electronica, with how it’s been a long wait for your debut. 

Yeah, word man.

New English was a mixtape.

Yeah.

Life of Desiigner was an EP.

Yeah.

So yeah, we’re waiting, man!

New Color. The new album’s called New Color. I’m working on it right now. It’s fire. I got some features on it already. It’s lit. I’m just putting it together. Shout out to a couple of great producers, like Rich Skillz, ATL [Jacob]. You know what I’m saying, people like that. 

New Color, you said, right?

Yeah, New Color, man.

Gotcha. And what has that process been like putting it together? Because it’s been a long time coming. Does it feel like you’ve got a lot of like weight going into it? Are you just having a good time with it?

Um, I feel like it’s cool. Even with me just thinking about the color, like the color of the cover. I’m really trying to bring out a new color, something that we haven’t seen before. Bringing that and making it aesthetically match with the music and having that paired with the music right is gonna be dope. 

Gotcha. Yeah, that sounds lit. Listening to you talk now compared to when I was watching interviews from when you first came out, I can see your growth. You’re 25 now, so how are you approaching the game differently from when you were 19?

I’m just approaching the game more comfortably, you feel me. P Diddy told me like, ‘Yo, it’s gonna take like five years before you get really comfortable in the shit.’ And word, it just took that. That and yoga, breathing, and understanding balance in life. When you get in the fast lane, you just got to understand that balance. It’s not the same as when you was a kid and you could just say, “Ayo, I’m outside. I’m gonna go turn up, and we will come to the crib and go to sleep.  You really got to have this shit organized. You got to make sure you got your stuff together. You’re growing up, maturing, and you are a business. So yeah, become more mature and understand that this is given. I’m appreciating it and knowing that it was given to me. I’m just moving like that, you feel me?

Yeah. So how did the transition from like Def Jam and GOOD Music to independence influence your maturity and music as well?

There were executive decisions that I had to make. I had to adopt the standpoint of whatever I’m saying right now, I’m standing on it. And I gotta make some out of it. I can’t it and then be going back to the hood. That ain’t gonna happen. I got to make sure whatever I’m doing right now is gonna push me 20 steps ahead. Thinking like that and knowing that I had to make decisions like that in my career and my life always kept me [focused]. Breathing. balance. Vibes like that.

NEW YORK, NY – AUGUST 28: Kanye West (L) and Desiigner attend the 2016 MTV Video Music Awards at Madison Square Garden on August 28, 2016 in New York City. (Photo by Kevin Mazur/WireImage)

Speaking on what you just said about saying stuff and standing on it, I have a question for you about the “Letter to Ye” song that you dropped last year. In that song, you rapped, ‘They let me through the doors/now it’s time to live it up.’ And you’ve been standing on that. You’ve definitely been going hard this year. But tell me about the whole idea and conceptualization behind “Letter to Ye.”

I really just wanted to speak about it. I felt like I never really got to talk to Ye at that time. We met each other, but we hadn’t really like met each other. We greeted each other, but we hadn’t really met each other, you feel what I’m saying? I wanted to meet him and really speak to him and understand each other. Because that’s the type of artist I am. Every artist works differently. I like to have conversations with people and build, and as we talk, I’m generating the song. It really wasn’t like that with him.

It was more like, I’m signed to bruh, and bruh was just like, ‘We in the stu, do what you do.’ I wanted to hear something, like bro, you’re Kanye West. I wanted to hear some of that Kanye vibe that’ll inspire me to [go off]. But yeah, moving with Ye, it’s helped me. It’s helped me focus on that thing that I got. Become more mature and know that I do have the executive decisions, again. I gotta make sure what I’m standing is straight because ain’t nobody around gonna lead you. You got to make sure what you’re doing is sturdy.

Yeah, absolutely. Like I said, you stood on what you said in “Letter to Ye.’ You went crazy this year. Even at the beginning, you dropped “BAKIN” with Slushii and DJ Whoo Kid. 

Word up, man. Shout out to Bob Saget. Yeah, RIP the goat.

How did that connection come about? I know Snoop was in the video, but like, was that connection really through Snoop Dogg?

Not that connection was through DJ Whoo Kid. Whoo Kid knew Bob Saget.

Oh, okay. I was not expecting that answer.

Yeah, it was a vibe man. Whoo Kid, Bob Saget, man it was all chill. He was over there turned up too, slapping the booty on a stripper and all that. [laughs]

Ah, RIP man.

Word up, man RIP the GOAT. Full House, man. If anybody don’t know Bob Saget is, if you’ve seen Full House, you’ve seen that guy man. 

Man, I used to watch that show all the time on Nick at Nite. It’s so crazy looking back. But someone else who we lost this is Takeoff. I mean, we’ve lost so many people this year, it’s really tragic. But with Takeoff, specifically, you had a reaction to his passing online. I know you’ve worked with Quavo on champions, but like I’m you’ve probably worked with all of the Migos behind the scenes and we just haven’t known it. So what was your relationship like with Takeoff?

Dope, bro. It was amazing. My first time coming out to Atlanta, I went to go see them. I took my niggas out there. We was chilling. It was a movie meeting bro. Next time, we always linked up. I can’t say every time, but bros know the vibes. Those were my boys before “Bad and Bougee” blew up. I was over there chilling with them, Teyanna and Shump. We all had that family understanding.

The Migos and Teyanna were like my go-to’s in the beginning of the game for me. Even towards the end of bro life, like at Hennessy’s birthday party. Me and Takeoff, we were over there chillin’ and talking about how we shrooming it. So yeah, it was that type of bond with my boy. Every time I seen my boy, it was good vibes. Sturdy, sturdy. Heavy in the A. And he was one to talk like, ‘Yeah, you got it twin. Yeah, you got it.’ 100%

Man, rest in peace to the Rocket for real.

No funny. We taking off forever.

Speaking of the connection between you and Migos, let’s go back to “Champions.” That song was just such a big moment. But on the real, was Cruel Winter ever actually close to becoming a real thing?

Yeah, honestly, it really was. Honestly, we was in studio, and we was working on it. Ty Dolla, all of us. Word, Nicki. Yeah, everybody was on that joint man. It was about to be dope. And Ye was just doing his thing. Ye had things, [grunts] other things he was working on at the time, and it just never got finished up. But word man, we still got our verses in our phones and a lot of verses in them studio files.

Ah man, it always sucks to hear stuff like that. I was kind of hoping you were gonna say, ‘Nah, it was just in the early stages.’

[Laughs] You just don’t know when it comes down to Kanye, man. Bro might just say, ‘Yo, let’s all get back in the studio for something.’

I don’t know for certain, but I think I was the first one to start with the seven, in the gang. I wanted to give y’all something with different vibes. Then when I heard bro was doing sevens, I’m like, ‘Yo, that’s crazy.’

Speaking of that — I’ve been having this theory for a long time as well — but was L.O.D. kind of Ye’s unofficial start to the album every week thing in 2018? Because that project, Valee’s project, and 070 Shake’s project were all like six or seven tracks like the rest of the GOOD albums that came out that summer. Was GOOD Music just obsessed with like, short projects at the time? Or what?

[Laughs] You know what it was, man? I don’t know for certain, but I think I was the first one to start with the seven, in the gang. I wanted to give y’all something with different vibes. Then when I heard bro was doing sevens, I’m like, ‘Yo, that’s crazy.’ The whole team was working on the same frequency. Since we’d be around each other so much at that time. We would just pick up each other’s things. Like I’m doing seven, and then you’ll hear that Kanye is dropping and doing an album with seven songs next week. It was like, ‘Okay!’ Everybody was just moving in that moment, and we was doing the same shit. It’s crazy how you can share ideas like that. 

Yeah, that’s really interesting. One more question about GOOD. When looking back at the entire experience you had with that label, what was your favorite memory?

That Summer Jam moment. I’m not gonna lie, bro. No cap. It was me Travis, and all of us on stage. We were supposed to have a GOOD Music tour coming. 

(L-R) Desiigner, Travis Scott, 2 Chainz, and Kanye West perform at Hot 97’s Summer Jam 2016 at MetLife Stadium on June 5, 2016 in East Rutherford, New Jersey. (Photo by Johnny Nunez/WireImage)

That would have been crazy.

Crazy. It was about to get crazy, but something happened where couldn’t do it. But them times when we were performing together were the best. Even that night after the time when we flooded out the city. Yo Gotti came out. Qua came out. Travis. Lil Yachty. They was talking about it on like Complex, how we just turned up and was jumping in the crowd. It was a movie, bro. To see all of us in one spot, but it’s just a whole nother party. 

That’s beautiful. You could probably write a book with all the stuff that you have witnessed and just how insane that whole time period was. I definitely feel like mid to late 2010s was a different time.

Word, man, it was. It was turnt. It was sturdy, man. No funny. It was good vibes with everybody coming out. We just wanted to turn up, man. We were more in the club action around that time.

Speaking of clubs. You appeared in the video for a very popular club song last year. “She Make It Clap.” When I was watching it for the first time — because I actually was writing about for work — I was like, ‘Is that Desiigner?’ So what’s the story behind that? How did you end up in that video?

Oh, that’s my brother, man. Me and Soulja be on Live frequently. We be talking, that’s my boy Draco. I had to pull up on my boy. We linked up, he hit me in the DM and was like, ‘Yo D, pull up on the video.” He’s been fucking with me since I was a kid. I’ve been fucking with him, of course, since we was kids. So I was like, ‘Aight, bet bro.’ It was like me and my older brother, just chilling out. 

He put me on things that he was doing. And it’s like, Soulja get bread bro. I ain’t even gon’ lie. He got so much shit he be doing. I like that shit. Being around bro, he be putting me on things.

No cap, I feel like he’s kind of like the rap Ray J. Both of them always got some type of venture going on.

You feel me? [laughs]

So with all these iconic artists that we’ve mentioned, who would you say are some of your favorite people that you like collaborating with? And who are you still trying to collaborate with in the future?

I like how me and Soulja be collaborating. Cause we be chilling. It be jokes, it be laughing. We can play the game all while making mad shit. And Jay Critch. Pharrell. I love me and Pharrell collaborated. Damn, Rick Ross. I got so many people, man, and I don’t want to miss any names. But heck yeah, I love when me and Swizz Beatz collaborate. The energy with Swizz Beatz was different. So many dope legends. When you’re around the legends and they’re working, it’s a whole nother vibe. I love being around the GOATs and the young up-and-coming artists. Lil TJay, that’s my lil bro. When I’m around the young guys, it feels good to see them being in the space where I was at right before I blew. Seeing that shit never gets old.

I wasn’t the kid who got everything on Christmas that I wanted. And I ain’t never asked for much because I didn’t think we could get it all. I was a kid with a little tree, big Christmas.

Gotchu, respect. Well, I got some Christmas questions for you since this is our 12 Days of Christmas thing. You celebrate Christmas?

Aye, word man. Little tree, big Christmas.

What are some of your favorite Christmas traditions?

Oh man, really just mackin’ out, being with my homeboys, being with family, and just chilling Like I said, I was a kid with a little tree, big Christmas. So just having that mindset of wanting to see us all chill. I wasn’t the kid who got everything on Christmas that I wanted. And I ain’t never asked for much because I didn’t think we could get it all. I just wanted to make sure I can just be happy and chill out.

No, I like that. This is the first time I’ve ever heard that — little tree, big Christmas. I like that though. Well, what’s your go-to when it comes to Christmas music? Like who are you playing first?

Oh man, son. [Sings “Jingle Bell Rock]. But we playing everything. Michael Jackson, we listening to that Mariah Carey. You know she gives the good Christmas vibes every year. Honestly, no funny shit, I listen to everybody, man. My house is old. My moms is 65, and pops is 66. So it’s just a vibe, you know.

Yeah, they got the best Christmas music to be honest with you.

You feel me! Word up. We was listening to the Isley Brothers, man. Before you know it, by the time it’s about six o’clock, Isley Brothers was on. Earth, Wind & Fire done got played!

[laughs] Then the James Brown creeps in.

The boy James Brown! Can’t forget the big stepper, the grandfather of this shit for sure.

Well, I’m curious. Since you have like a distinct voice, have you ever given any thought to like doing a Christmas song or Christmas album of your own? I’m thinking something like DMX’s “Rudolph the Red Nosed Reindeer” would be crazy.

I’ve thought about it, for sure. Definitely, after X put out that album for Christmas, I thought about something like that.

Gotcha. Well, what’s the word? Is it something that you think you’re gonna make eventually? 

Come on! Come on, man! I might just gotta put together right now. Drop a little something on the SoundCloud, take you back there real quick.

We can’t hoard everything, bro. We become hoarders and try to collect everything, thinking we’re like leveling up on material. But as a person, your mind and your mental is everything that you need.

LOS ANGELES, CALIFORNIA – NOVEMBER 02: Desiigner attends the boohooMAN x SwaeLee Launch Party at Casita Hollywood on November 02, 2022 in Los Angeles, California. (Photo by Momodu Mansaray/Getty Images for boohooMAN)

One more Christmas-related question for you. Even with all of the fun and festive stuff that comes with Christmas, this time of the year can also be really like sad for a lot of people. When watching some of your recent interviews, I noticed how you were talking about taking care of your mental health following Takeoff’s passing and your homies’ passing around the same time. What are some mental health practices, tricks, or resources that you would suggest for people who may be struggling mentally during this holiday season?

My advice for people at this time is to really enjoy your life beyond these material ‘needs.’ Really enjoy what you got and what was originally given to you, and that’s your fresh air, your breath, your legs. Really take the time to embrace that, you know what I mean. If you’re around people, hopefully y’all share that y’all care about each other that day. 

Tell each other how much y’all care about each other that day because — like you said, bro — we lost people towards the end of the year. We lost brothers; we lost friends. And it’s real. People need to understand that we got to share these times. When you with your homie, explain how dope bro is. Tell your friend that they’re smart, you know. Because you don’t know when the last time we might be able to see each other. Even with us having this conversation, it’s the last time we gon’ say it with this type of energy again, so just really appreciate things in time. 

We can’t hoard everything, bro. We become hoarders and try to collect everything, thinking we’re like leveling up on material. And you gotta just level up with your relationships, your time, you. Understanding yourself, and that’s when you can just tap back into this realm and be like, ‘I want this, I want that.’ But as a person, your mind and your mental is everything that you need. 

Respect. It’s been great talking to you, and I appreciate you taking the time. One more question before you go. What do you want fans to know about Desiigner going into 2023?

Oh, man, we go up. We getting [sings] “Bigger and Bigger!” Word man, we getting bigger and bigger man. So stay tuned. We got merchandise dropping, new jackets keeping us warm outside in Desiigner fabric. We got restaurants, like I said, dropping. I got gaming streaming libraries that I’m trying to open up for the kids so they can stream there and link up there. You know, more places where young men can go and get our knowledge and stuff. I feel like our knowledge gets lost. I’m tryna find ways to for men to learn something without trying to incorporate violence so much.

Preciate you again for your time, man. It really has been great. Stay safe and enjoy the holidays. 

Heck yeah, word up. Peace!

Omerettà The Great Details Desire To Dominate In Fashion & Music In “On The Come Up”

Her viral track may have introduced a new wave of fans, but Omerettà The Great has worked on her career for years. “Sorry Not Sorry” ushered in a new era for the Atlanta star as people debated who truly is a native of the ATL. Beyond her controversial release, Omerettà also highlighted aspects of her personal life in the Love & Hip Hop franchise. Her short-lived tenure on the series further pushed her into mainstream conversations.

For our On The Come Up series, we sat down with Omerettà to discuss her first years of fame. Like many other emerging artists of this generation, the rapper gained attention thanks to social media. More recently, the rising star delivered her Emotional Gangsta EP which hosted looks from Key Glock and Tink. At first glance, Omerettà’s petite frame and baby face don’t match her raw bars; however, her distinct sound and authentic delivery command attention when she grabs the mic.

Omerettà The Great, OTCU
Omerettà on HotNewHipHop’s “On The Come Up.” (Cam Kirk, Collective Gallery)

Although her music aspirations have her schedule filled, Omerettà revealed that she has bigger goals on the horizon. Fashion is an industry that she one day looks to dominate, because, as she told us exclusively, that’s where the real money is.

“That’s why Rihanna, she got her own thing,” said Omerettà. “You see Beyonce branching off to fashion because that’s where the real money at. Even when you think about basketball players like LeBron. What do they make—they make from, like, shoes and stuff. They all—Michael Jordon, he got shoes. Like, everybody in the entertainment business knows that fashion, clothes, shoes, and selling stuff is where the real money is at.”

Read more of our conversation with the rapper as she tells us about valuable lessons she’s learned, her inspirations, and earning respect from her hometown for carrying Atlanta on her back.

This interview has been slightly edited for clarity.

HNHH: Omeretta, how did you get into music?

I got into music when I was about six or seven years old and me and my sisters had a group called 3XD. I was also the songwriter of the group. So, I started writing music then.

Tell me more. What was the name of your first song?

[Laughs] It was called “The Lies Of So Many Years.” I think me and my big sister wrote that. It was: “The lies of so many years, got me nearly broke down in tears…” [laughs]. 

Who are some of your musical inspirations?

I feel like I’ve been inspired by Lil Wayne, Eminem, and Jeezy. I used to be a really big fan of Lucci, I love Rihanna. But right now, currently, I don’t listen to nobody. 

Who’s your G.O.A.T.?

Who the G.O.A.T is? Lil Wayne. Nobody is harder than Wayne.

What was the turning point that helped you realize you were on yourway to becoming successful?

My turning point was when I dropped out of college in 2015 and I hopped on the internet and I started—well my first rap on the internet went viral and that’s when I knew that I was gonna use the internet to be successful.

If a music fan were to discover you today, for the first time, what song would you suggest that they listen to?

I would suggest that they—to get to know me? I would suggest that somebody listen to my song called “Reality” because it basically kinda…it don’t tell my story but it would show them who I am as a person.

Tell us about us a valuable lesson you’ve learned during your come-up.

A valuable lesson that I’ve learned is not taking stuff personally. ‘Cause Ifeel like a lot of times in the game, new artists—well, artists period—well,just in life period, a lot of the things that happen, people, we tend to takeit personal when it’s in the business field. Also when you in this industry,it’s not personal. Like, when they do stuff to you, you just do it ’cause theygotta do it for themselves it ain’t really towards you for real.

Read More: Omerettà The Great Is Feeling Like An “Emotional Gangsta” On Her New EP

Summarize your debut project, mixtape, single, and what inspired you to create that.

I would probably say it was my—everybody say it’s a single, my song “SorryNot Sorry,” but it’s really not a single. It’s really a freestyle that turned into a single cause of how viral it went, but I wrote that because I was just bored. I just needed something else to write about so I figured I’d write about people not being from my city. And then that sh*t just like, blew up way more than I expected it to blow up. I also thought that people—I knew people was gonna be mad but I thought they were just gonna wanna go fight and stuff.

Did you have to lay hands on a couple of people?

Nah, I almost did, in the club. Girl was trippin, like…

How do you feel about that? Like, when people hear that song some people look to you now as the voice of Atlanta. How does that make you feel?

Good, that make me feel real good. Because it made me feel like I did something right. Like, I feel a lot of people in Atlanta that’s actually from Atlanta respected it a lot, ’cause a lot of us be saying the same thing all the time. Like, you got so many people down here now that’s from the outskirts and they swear that they from the city, but we actually from the city for real. Had to struggle here and go through all this different stuff. So, its disrespectful to come down here and say that you from here. I feel like a lot of people that’s actually from the city they like, “Respect, this shawty actually stood up.” ‘Cause ain’t nobody else standing up. I actually stood up and, like,put Atlanta on my back.

Where do you hope your music career takes you?

I hope my music career takes me far. I’m actually using music as like a stepping stone cause I want to do a whole lot of different other things. ‘Causemusic—like, I love making music, it’s my passion, but the music industry kinda weird and it’s kinda something that I don’t really see myself just absorbed in.So, it’s like, yeah, I make music and I wanna build my fanbase so that when I branch off and do other things ima have customers and stuff. But I still want to be big in the music industry. just cause I wanna be great at everything that I do. But I don’t really see myself getting wrapped up in it, for real.

Talk to me about some of that business right and where you wanna go with it. Run up the bag? What are you investing in? What do you see yourself doing in the next 10 years?

After music, I feel like—well it’s not that that I feel like, I know for a fact that I’ma get into fashion. I already been starting on my fashion line, and I’m finna go to school for fashion, ’cause I really love fashion. I feel like that is where all the money is. Like, music is money, but if you look at the richest people in the world, they sell stuff. So, you know what I’m saying?

Music, we’re selling stuff. Most music artists, they don’t make all the money from the sales of they songs. They make their money from touring and merch and all this different stuff. So, it’s like, we not even getting paid for our real—like, if we was getting paid for our real songs, music artists would be way richer. But the labels getting paid for that, so the labels is rich.

But that’s why Rihanna, she got her own thing. You see Beyonce branching off to fashion because that’s where the real money at. Even when you think about basketball players like LeBron. What do they make—they make from, like, shoes and stuff. They all—Michael Jordon, he got shoes. Like, everybody in the entertainment business knows that fashion, clothes, shoes, and selling stuff is where the real money is at.

Omerettà The Great, OTCU
Omeretta on HotNewHipHop’s “On The Come Up.” (Cam Kirk, Collective Gallery)

Gotta educate. A lot don’t know that. If you could create a dream song what would it sound like and who would feature on the track? This is with an unlimited budget, past or present artist. Who would you put on the track?

If I had a dream song it would be a Pop song for sure. I would have Rihanna and Adele on that because both of them are just like, they fire. And I really like them.

If you could give one piece of advice to an up-and-coming musician what would be that advice?

My advice to an up-and-coming musician would be to basically just always continue to be themselves. ‘Cause following trends, you will literally crash out trying to follow a trend ’cause trends die. And basically, continue to put out your work, put out your content. Don’t be scared to put out content, know the people around you, and know that everything is good.

‘Cause a lot of times, when artists are blowing up and money start coming in, they just start thinking, “I’m lit, I’m getting money.” But they don’t even know all the money that they missing out on. They don’t know that people doing stuff on the backend. And they don’t know that they spending more than what they making. So, just being aware of everything that’s going on and just continuing life. Be yourself in the process.

On The Radar’s Gabe P Ranks Top 10 OTR Freestyles Of 2022

On The Radar became the go-to platform in 2022 for up-and-coming rappers to show and prove. At first, many of the mainstays of New York’s drill scene began appearing on the platform. Not only dropping bars but also, providing some of their most compelling interviews. However, what was initially limited to regional acts during the pandemic quickly spread into a worldwide affair.

Gabe P is the mastermind behind On The Radar, who launched the platform in 2022. Since then, the platform’s helped break plenty of artists, like Ice Spice. At the same time, they garnered the attention of the biggest acts in the genre, like Drake and Nicki Minaj. This year, On The Radar leveled up with the number of freestyles and interviews, many of which have gone viral. DThang’s freestyle helped attract new eyes in late 2021 but the momentum continued to build throughout 2022.

On The Radar host Gabe P via @youleeseas
On The Radar host Gabe P via @youleeseas

“Expansion is key,” Gabe told HotNewHipHop during a November Zoom call. “We’ve been blessed this year to really host people from all over. We’ve had Skillibeng on the show. We did GloRilla’s first interview in New York City, her very first interview in New York City.”

Artists like GloRilla, Ice Spice, and Skillibeng are a few who graced the OTR microphone before their mainstream success. However, it was largely a stepping stone for what’s in stores in 2023. Gabe has plans to take it global – not just bringing the world to New York City, but bringing On The Radar on the road with him.

“Next year, we’re going to take the show on tour. Right now, we’re aiming to hit I think 4 or 5 cities,” he revealed. “Memphis, Miami, Atlanta, and L.A., I think are our first couple of stops. So obviously, we’re always going to be near our base, we’re always going to do what we got to do for the city, but On The Radar is so much bigger than that. It’s an expanding ever-expanding music platform and you know, we’re going to be the biggest music platform in the world.”

From Ron Suno’s shirtless freestyle to Bizzy Banks’ first day-out freestyle, On The Radar produced some incredible moments. So, it was only right that we caught up with Gabe P for 12 Days Of Christmas to rank his favorite OTR freestyles of 2022 and share the stories behind them.

Check out our interview with Lola Brooke for 12 Days Of Christmas here.

This interview has been edited and condensed for clarity.

Top 40 Hottest Hip-Hop Albums Of The Year

It’s that time of the year to break down, discuss, and debate, which artist earned the coveted title of Album Of The Year. Since the beginning of 2022, plenty of artists, rappers or otherwise, have made up for the time lost during the pandemic so there certainly wasn’t a shortage of heat to choose from.

The trinity of Kendrick Lamar, J. Cole (via Dreamville), and Drake emerged to critical and commercial glory throughout the year. At the same time, the next generation preceding them claimed their stake in hip-hop, from J.I.D., Lil Baby and NBA Youngboy. However, it’s also a year when plenty of veteran MCs came through with extraordinary bodies of work showcasing the timelessness in their pens (i.e. Nas, Pusha T, Black Thought). 

Whether it’s an artist like Denzel Curry, whose Melt My Eyez See Your Future defies expectations through strong wordplay and versatile production, or the hedonistic trap god Future, who reminded fans of his innate ability to craft hit records with the release of I NEVER LIKED YOU, 2022 had something for everyone.

As difficult as it was, we ranked the top 40 albums of 2022. Scroll through HNHH’s picks and sound off in the comments with your thoughts on our Album of The Year.

40. Armani Caesar – The Liz 2

39. Nigo – I Know Nigo

38. Central Cee – 23

37. Babyface Ray – FACE

36. Boldy James & Futurewave – Mr. Ten08

35. Rome Streetz – Kiss The Ring

34. billy woods – aethiopes

33. redveil – learn 2 swim

32. Kodak Black – Back For Everything

31. Action Bronson – Cocodrillo Turbo

30. Flo Milli – You Still Here, Ho?

29. EarthGang – Ghetto Gods

28. Benny The ButcherTana Talk 4

27. Westside Boogie – MORE BLACK SUPERHEROES

26. Yeat – Lÿfe

25. Dreamville – D-Day: A Gangsta Grillz Mixtape

24. Megan Thee StallionTraumazine

23. Lil Baby – It’s Only Me

22. Earl Sweatshirt – SICK!

21. Conway The Machine – God Don’t Make Mistakes

20. Tee Grizzley – Chapters Of The Trenches

19. Jeezy – Snofall

18. Westside Gunn10

17. Black Thought x Danger Mouse – Cheat Codes

16. Quavo x Takeoff – Only Built For Infinity Links

15. NBA Youngboy – The Last Slimeto

14. The Game- DRILLMATIC Heart Vs. Mind

13. Metro Boomin – Heroes & Villains

12. SminoLuv 4 Rent

11. Joey Bada$$ – 2000

10. Future – I Never Liked You

9. Drake x 21 Savage – Her Loss

8. GunnaDS4EVER

7. Vince Staples – Ramona Park Broke My Heart

6. Nas & Hit-Boy – King’s Disease III

5. Freddie Gibbs – $oul $old $eparately

4. Pusha T – It’s Almost Dry

3. Denzel Curry – Melt My Eyez See My Future

2. J.I.D. – The Forever Story

1. Kendrick Lamar – Mr. Morale & The Big Steppers

Top 40 Hip-Hop Albums of 2022

It’s that time of the year to break down, discuss, and debate, which artist earned the coveted title of Album Of The Year. Since the beginning of 2022, plenty of artists, rappers or otherwise, have made up for the time lost during the pandemic so there certainly wasn’t a shortage of heat to choose from.

The trinity of Kendrick Lamar, J. Cole (via Dreamville), and Drake emerged to critical and commercial glory throughout the year. At the same time, the next generation preceding them claimed their stake in hip-hop, from J.I.D., Lil Baby and NBA Youngboy. However, it’s also a year when plenty of veteran MCs came through with extraordinary bodies of work showcasing the timelessness in their pens (i.e. Nas, Pusha T, Black Thought). 

Whether it’s an artist like Denzel Curry, whose Melt My Eyez See Your Future defies expectations through strong wordplay and versatile production, or the hedonistic trap god Future, who reminded fans of his innate ability to craft hit records with the release of I NEVER LIKED YOU, 2022 had something for everyone.

As difficult as it was, we ranked the top 40 albums of 2022. Scroll through HNHH’s picks and sound off in the comments with your thoughts on our Album of The Year.

40. Armani Caesar – The Liz 2

39. Nigo – I Know Nigo

38. Central Cee – 23

37. Babyface Ray – FACE

36. Boldy James & Futurewave – Mr. Ten08

35. Rome Streetz – Kiss The Ring

34. billy woods – aethiopes

33. redveil – learn 2 swim

32. Kodak Black – Back For Everything

31. Action Bronson – Cocodrillo Turbo

30. Flo Milli – You Still Here, Ho?

29. EarthGang – Ghetto Gods

28. Benny The ButcherTana Talk 4

27. Westside Boogie – MORE BLACK SUPERHEROES

26. Yeat – Lÿfe

25. Dreamville – D-Day: A Gangsta Grillz Mixtape

24. Megan Thee StallionTraumazine

23. Lil Baby – It’s Only Me

22. Earl Sweatshirt – SICK!

21. Conway The Machine – God Don’t Make Mistakes

20. Tee Grizzley – Chapters Of The Trenches

19. Jeezy – Snofall

18. Westside Gunn10

17. Black Thought x Danger Mouse – Cheat Codes

16. Quavo x Takeoff – Only Built For Infinity Links

15. NBA Youngboy – The Last Slimeto

14. The Game- DRILLMATIC Heart Vs. Mind

13. Metro Boomin – Heroes & Villains

12. SminoLuv 4 Rent

11. Joey Bada$$ – 2000

10. Future – I Never Liked You

9. Drake x 21 Savage – Her Loss

8. GunnaDS4EVER

7. Vince Staples – Ramona Park Broke My Heart

6. Nas & Hit-Boy – King’s Disease III

5. Freddie Gibbs – $oul $old $eparately

4. Pusha T – It’s Almost Dry

3. Denzel Curry – Melt My Eyez See My Future

2. J.I.D. – The Forever Story

1. Kendrick Lamar – Mr. Morale & The Big Steppers

2022 Apparel Trends

In any given year, you can expect apparel trends to be wildly different than the previous year. This is ultimately because tastes are constantly changing and fluctuating. Additionally, influencers are oftentimes doing their own thing, and then eventually, others follow suit.

Throughout 2022, there is no doubt that the trends were peculiar, yet interesting. Every single year, Alias comes out with its Seller Report, which comes with a plethora of unique data points on consumer trends. Subsequently, we now know that fashion trends such as Barbiecore, Y2K, Utility, and Vintage were all the rage this year.

Apparel
Image via GOAT

Moreover, there were some big brands that stole the show. For instance, Jerry Lorenzo’s Fear of God Essentials has proven to be the biggest apparel brand in the entire world. This is based on two metrics: want, and sales.

Furthermore, Sp5der is receiving a considerable amount of praise this year as it is growing at an extraordinary rate. According to Alias’ report, the brand is seeing a 918 percent increase in sales, year over year. Needless to say, it is good time to be getting into Sp5der.


What Is Barbiecore?

First off, you may be asking yourself, what even is Barbiecore? Well, what do you think of when you picture a Barbie doll? Pink probably immediately comes to mind. By making a few simple deductions, you would come to the conclusion that Barbiecore is all about pushing an unrelenting bright pink aesthetic. Hot pink is especially popular within this style, and throughout 2022, consumers couldn’t get enough of this look.

If you need an example of what this aesthetic looks like, look no further than this pink hoodie from Sp5der. The piece features some loud graphics on the front, while the base of the hoodie has a hot pink hue. Overall, it is a cool piece that is available in numerous sizes.

Image via GOAT

Y2K Apparel

The term Y2K is typically associated with that bizarre time period in which we thought the new millennium would kill us all. Of course, nuclear annihilation never happened, however, the fashion trends were quite unique. The 2000s brought forth this desire to jump into the future, while also maintaining 90s sensibilities. As a result, Y2K apparel is typically loud yet baggy. Moreover, it can also be shiny, which speaks to futuristic sensibilities.

Overall, 2022 has proven to be a huge year for the Y2K look. After all, it has been 20 years since the turn of the century. For those of you out there who want to get in on this trend, these wide-leg jeans from Marni are a great start. They are currently available in a wide variety of sizes.

Apparel
Image via GOAT

Utility

The utility trend is one that certainly speaks for itself. We have seen this coming over the years as numerous brands continue to add utilitarian elements to their clothing. One could just look at the Travis Scott Air Jordan 1 and 6 to see what we are talking about.

Additionally, another new aesthetic is called gorpcore. Jason Chen of The Cut actually popularized the phrase, which meant to be short for “good ol’ raisins and peanuts.” The point here is that now, hiking gear and “outdoorsmenship” have gone high fashion. Numerous brands are coming through with their own takes on gorpcore, including Supreme and The North Face who came through with a unique Gore-Tex Fleece. Currently, this piece is selling on the secondary market for prices between $1,000 and $1,800.

Image via GOAT

Vintage Apparel

Speaking of trends that also speak for themself, we finish off this list with some good old vintage. According to Alias, vintage letterman jackets have seen a year-over-year desire increase of 96 percent. Furthermore, vintage tees have increased in sales by 312 percent.

These pieces are characterized by their large graphics, unique color schemes, and references to pop culture. Anything that harkens back to the past can be considered “vintage.” One notable piece of vintage is this BAPE x Mitchell & Ness Yankees jacket from 2018. The blue colorway is gorgeous and will complement any fit nicely.

Image via GOAT

Let us know your favorite 2022 apparel trend, in the comments down below.

Baby Money Cites Biggie, Babyface Ray & Doughboyz Cashout As His Influences In “On The Come Up”

Baby Money bubbled through Detroit’s underground before joining the Quality Control roster alongside Lil Baby, City Girls, and more. The hustler energy that seeps through his music is why QC’s VP of A&R Wayno Clarke described Baby Money as a resemblance “of Jeezy in a space of motivation.”

The Detroit atmosphere that bred hustlers and rappers alike shaped Baby Money in his formidable years. He witnessed his older brother’s efforts as a member of the local group which taught him the fundamentals of verse structure. 

Baby Money on HotNewHipHop’s “On The Come Up.” (Cam Kirk, Collective Gallery)
Baby Money on HotNewHipHop’s “On The Come Up.” (Cam Kirk, Collective Gallery)

Then, he began rapping at 12 years old before gaining a strong grip on the city in his teenage years. Slowly, he became a defining face of the current generation of Detroit’s street rap. He’s an embodiment of the D-Boy (Detroit Boy), integrating influences from the past and present. He cites Biggie and Jay-Z as his musical inspirations along with homebred talent like Babyface Ray, Blade Icewood, and Doughboyz Cashout, who were pivotal in his leap into music as a child.

“My hometown influences my music,” he tells HNHH of Detroit’s impact on his creative approach on the latest episode of On The Come Up. “Everybody knows when you come to Detroit, it’s about money. Back in the day, it was minks, ya feel what I’m saying? Nowadays the young n****s in the 550s, too. So ain’t nothing changed so it motivated me a lot.”

Like any hustler, he understood that results take time. His early videos would score 10,000 views through an organic buzz. Those numbers would increase with each subsequent video until finally he finally hit 1,000,000. “I feel like I was doing something right, you feel what I’m saying?” he says. 

From songs like “Moncler Bubble,” which currently sits at 2.5 million views on YouTube, and a string of potent mixtapes, like Young N***a Old Soul and September’s New Money, Baby Money is bringing his own take on Detroit’s swagger to the rap game with each release. He sat down with HNHH on the latest episode of On The Come Up to discuss his beginnings, his dream collaboration, and the Detroit hustle.

Lola Brooke Wants To Make Jay-Z Proud: The “Don’t Play With It” Rapper On Brooklyn Drill, Kim Kardashian & Pusha T Co-Signs & More

It’s Christmas time, again. It feels like we were ringing in 2022 yesterday but it feels like time is moving at an unfathomably rapid pace these days.  As we’ve done in the past, HotNewHipHop returned with our annual 12 Days Of Christmas series where we chop it up with some of your favorite rappers, musicians, athletes, and entertainers about their annual highlights. 

Kicking off the series is one of the most exciting new voices out of New York City this year, Lola Brooke. Like many of her contemporaries, the Bed-Stuy native had her big break off of TikTok with the success of “Don’t Play With It.” The adrenaline-pumping production and her charismatic delivery became a hit after her “From The Block” performance began to garner attention. However, once TikTok got a hold of the record, it formed a life of its own. Cardi B, Kim Kardashian and North West are among Hollywood’s elite of the strength of “Don’t Play With It.” At the same time, she’s landed on the radars of formidable MCs like Pusha T and Meek Mill, who’ve shown her nothing but love in recent times. 

“I used to say, when I put the song out, I said to my team, ‘Don’t Play With It’ could really be a thing.’ I just thought it could be a thing on TikTok. Like, imagine kids playing with things they not supposed to be playing with. Things that are dangerous. Don’t Play With It, Don’t Play With It, Don’t Play With It,” she told HotNewHipHop.

Lola Brooke. Photo Credit: Felicia Abban
Photo Credit: Felicia Abban

What really sold people was the authenticity of Brooklyn that seeps through each bar. The night before our interview, Lola Brooke performed at the Barclay’s Center during the Wizards vs. Nets halftime show – the same night Ab-Soul linked up with Jay-Z. As a Bedford-Stuyvestant native, that performance stands as a highlight of her year. If not for performing in one of the biggest stages in her borough, then for being able to showcase her talent in front of the biggest export out of Bed-Stuy.

“When he sees you, remind him of where he came from. And he be proud that he came from where he grew up from,” she recalled telling herself during her performance. 

For the first installment of 2022’s 12 Days Of Christmas, we chopped it up with Lola Brooke to discuss co-signs from Pusha T & Kim Kardashian, embodying Brooklyn, and so much more.

This interview has been edited and condensed for length and clarity.

Metro Boomin “Heroes & Villains” Album Review

Hip-hop’s obsession with grading, categorizing, and sweeping statements can be as burdensome as it is flattering, especially when the consensus is that you’re one of the finest in your field. 

As soon as you’re dubbed the “greatest” of an era, time frame, or particular movement, the pressure that this accolade exerts is immense. Suddenly, great is no longer good enough and slip-ups are all but unfathomable to those who believe you have the recipe to make seminal music with every outing. Saddled with this kind of pressure, it’s understandable that many people will wilt. Coupled with the decreasing hunger and tenacity that comes with success, gaining such a degree of reverence too soon can actually be destructive. Suddenly, you’re operating from a vastly different airspace than the one in which you initially thrived. Yet for those who can never lose sight of how and why they embarked on their creative journey in the first place, the added sense of occasion that’s hard-wired into every body of work is anything but demotivating.

In the case of Metro Boomin, the fact that he’s been assigned such subtitles as “the most trusted guy in rap” and the defining producer of a generation since his early 20’s has done nothing to deter him from seeking to continually deliver work that is not only of the highest standard but quite literally alters perceptions of what is sonically possible within his own universe.

A man who leads with the heartening ideology of Why would I wanna do something that I did?, Metro Boomin isn’t a producer who’d off-handedly release any product to the world in order to flood the market. After all, this is a guy who’d already obtained a platinum-selling solo project by age 25 with Not All Heroes Wear Capes. Perhaps, most impressively of all, this is the very same St. Louis-born man who besieged ATL to the extent that his sound practically became the thudding heartbeat of its music scene. 

ATLANTA, GA – DECEMBER 02: Metro Boomin attends Metro Boomin “Heros & Villains” Official Album release Party on December 2, 2022 in Atlanta, Georgia.(Photo by Prince Williams/Wireimage)

So, while it’s fair to say that Metro has very little to prove at this point and could coast by making beats from time-to-time, that doesn’t mean he doesn’t still have the desire to create and realize his own vision in long form. Five years on from his debut standalone project and two years after the release of Savage Mode II, Metro’s latest record, Heroes & Villains is inherently bittersweet and was almost derailed entirely by the tragic death of his mother. Suddenly bereft of his biggest supporter, a talk with his aunt reaffirmed his faith in the power of music. 

“[She] was just like, ‘Everything you’re feeling right now, you could channel that”, Metro Boomin recalled her telling him. “That’s when a lot of the most impactful art and music has ever been made.’”

The result was Heroes & Villains. Although it was made under the all-encompassing shadow of sorrow, it’s safe to say that Metro followed a proud hip-hop tradition of turning tragedy into triumph on this blockbuster, tour-de-force of a project. 

Metro Boomin is best known for his contributions to the world of trap, but his a persistent desire for him to push his sound in recent years has done its part to prevent any stagnation. “As the ambassador-representative of what’s going on, I look at it like a real responsibility,” he recently informed GQ. It’s no exaggeration to say that he certainly lived up to that manifesto with his production across the project. 

Opening with “On Time”, the magnanimous tones of A$AP Rocky signal Metro’s re-entry into our solar system. Built on exultant vocal harmonies as John Legend plays the lead in his very own choir, a sample of a speech from embattled Homelander of The Boys speaks to the duality of man that resides at the heart of the project. 

Lines such as “you need me to save you, I am the only one who possibly can” not only speaks to the gravity of Metro returning as a conquering hero but acts as a symbolic nod to the ingenuity that he brings to the game. He may relish the power that he wields yet knows that what he does is for the greater good of hip-hop’s creative climate.

Segueing with style to spare into the Pluto-led “Superhero”, its 808s and intimidatingly distorted horns permit Future to float like he’s been catapulted back to the days of DS2. 

It’s clear that phoning it in couldn’t have been further from Metro’s mind. Across Heroes & Villains near 50-minute runtime, Metro maximizes the efficacy of every hi-hat and recurring synth motif without ever making them outstay their welcome. Aside from what he’s physically doing behind the boards, the project is also the site of Metro pushing artists into new terrain in one instance, while providing a sleek new take on their trademark style in the very next breath. 

For Travis Scott, “Raindrops” invokes the psychedelically-subdued cloud-rap sound of his Rodeo days, before “Trance” sees him and Thugger do battle with poignant violin stabs. The pulsating four-on-the-floor beat on “Trance” forces La Flame to edge closer to the work of frequent Daft Punk collaborator Romanthony on the outro than anything we’ve heard from him in the past. 

Elsewhere, the reverberating, poised piano of “Umbrella” gives 21 Savage the chance to resummon the macabre energy of the Savage Mode team-up, alongside a highly complimentary verse from his cousin Young Nudy. By no means is this 21’s only guest appearance but it’s a testament to the mutual respect and trust that the two have in each other. Metro Boomin later crafts a foreboding soundscape for 21 to unabashedly flex on with “Walk Em Down (Don’t Kill Civilians) — accented with the mournful vocals of Mustafa — that will live on as one of the project’s surefire defining moments. 

Metro expertly aligns The Weeknd’s pained, transcendent vocals with Mario Winan’s “I Don’t Wanna Know” and the famed sample of Enya’s “Boadicea” that gave The Fugees one of their biggest hits on “Creepin.” He opts to keep the integrity, sparseness, and ambiance of the original R&B classic while updating it for a new generation, a welcomed surprise that left every listener pleasantly dumbfounded on the first listen. At the same time, 21 pushes himself out of the austere street storytelling into a place of vulnerability which is not only thrilling to witness but hard to imagine him undertaking for anyone else but his close collaborator. 

Metro Boomin’s capacity to coax greatness out of his core acts is well known, but it’s still encouraging to see that he hasn’t lost his knack for tampering with an artist’s DNA as if they were born to be on his beats. Among the typically exhilarating turns from his tried-and-tested platoon of talent, Don Toliver is one man who seizes every moment that he has on the project. So, when it came time to take the lead on the mesmeric, spacious world of “Around Me,” it’s no surprise that he brought his A-game and continued to steadily switch up as the beat evolved. 

Metro’s trunk-rattling production and infectious refrains make his approach clear on the project. Any track could conceivably be a single, but the album is just as thrilling in its linear setting. Where many producer albums are intended to be fragmented, Metro was set on sequencing and sustaining a vibe that eventually brings listeners to a crescendo. 

INDIO, CALIFORNIA – APRIL 16: 21 Savage and Metro Boomin perform at the Sahara Tent at 2022 Coachella Valley Music and Arts Festival weekend 1 – day 2 on April 16, 2022 in Indio, California. (Photo by Matt Winkelmeyer/Getty Images for Coachella)

In recent interviews, he has claimed that the project was modeled by Dr. Dre’s 2001. The similarities register in both the production’s cinematic gravity to the tight-knit crew of collaborators that make up the album. However, one critique that’s been leveled at the album is that he should’ve incorporated some newer talents into the roster. But, to make this argument is ultimately to overlook the thematic underpinning of the project. Heroes & Villains is devised in much of the same way as a movie, complete with its protagonists & antagonists. The features on the project act more like an ensemble cast rather than a random assortment of names picked from a hat.

Naturally, many of the all-stars of his career are accounted for. Future, 21 Savage, and Young Thug are essentially his de facto Avengers or Justice League. Meanwhile, Travis Scott, Don Toliver (who Metro has claimed is akin to the Nate Dogg of the project) & ASAP Rocky are the newer recruits to his crack team, appearing as if from another franchise entirely. 

On the subject of Jeffery, his delivery over the thunderous “Metro Spider” is almost unrivaled across the project. A track that features one of his most fired-up verses in years can’t be anything other than heartbreaking to hear Thug proclaim, “If anything happens, my kids got Ms so everything’s alright.”

But while the rappers naturally take a lot of the limelight, they aren’t the only ones who are allowed to stunt with their versatility and technical know-how. Case in point, the seamless transition from “Metro Spider” to “Can’t Save You” with Future & Don Toliver is one that shows the length & breadth of Metro’s imagination. Then, the scintillating guitar strains of “Lock On Me” with Trav and Future prove that he’s finding ways to work within the existing confines of trap without rehashing what’s been done before. It’s these moments that reaffirm that there’s just nobody doing it like Metro. 

As forward-thinking as the project is, it no less ends on a nostalgic, almost dewy-eyed note. Metro leads “Feel The Fiyaaah” through a deft re-envisioning of an old Peabo Bryson joint á la pink polo Kanye. Meanwhile, Flacko’s opening verse is authoritative without ever threatening to overwhelm the instrumental nor detract attention from the man whose moment this really is. It’s almost fitting that Takeoff’s first posthumous track is one that shows off his exemplary and often overlooked rhyming ability in all its glory. Though he was initially slated to be on three tracks on the album before his untimely passing, the late, great Rocket Man enlists an alphabetical flow and propulsive pattern on “Feel The Fiyaaah” that would have MF DOOM or Grand Puba tipping their caps to his dazzling wordplay. 

On his sophomore solo project, Metro Boomin and his all-star cast make it clear that the hero is back to reinvigorate trap music. And what’s more, he did it in style. A project which delivered on all of its promise and pomp & circumstance, its consistency and replay value certainly won’t slow down the GOAT producer calls, either. If anything, this is an album that has sufficient range and consistent quality that will undoubtedly intensify them.