Nas has been on a creative high recently. The rapper’s collaborations with Hit-Boy has reinvigorated his career and proved that he’s more lyrical than ever. His relevancy is such that he doesn’t have to rely on his old catalog to attract listeners. Unless, of course, the album in question is Illmatic. The 1994 classic will always be Nas’ high-water mark, and the rapper chose to reflect on the making of the album ahead of its 30th (!) anniversary.
Nas hopped on Instagram to post throwback photos of the men who helped shape his project. The photos are grainy, which the rapper alludes to in the beginning of his caption, but the faces are so iconic that they’re recognizable anyway. Nas can be seen standing alongside New York legends like Pete Rock, DJ Premier, Large Professor, LES and Q-Tip. The second photo sees Nas post up next to his friend and Illmatic‘s lone feature, AZ. “Grainy pictures for grainy times,” the Queens emcee wrote.
“I had a dream I could get my favorite producers to produce on my debut album,” Nas continued in the caption. “I knew exactly what I wanted and how it should be. On April 19 we smashed s**t. Even tho the album leaked months before the release date we still are apart of music history.” The “One Love” rapper then proceeded to shout out each of the men pictured. “Thank you to everyone involved,” he added. “Friday is the albums 30th. 2 The Listeners- ONE LOVE.”
Nas has had to contend with every subsequent release of his being compared to Illmatic, but the rapper actually feels like the album has transcended his catalog. He views it as a separate entity in some ways, as he told Clash in 2014. “It’s interesting because that’s bigger than me,” he asserted. “It’s something that I look at and it trips me out a little bit. I just think about it and, with certain artists that I like, I like some of their works more than the others and I only want to hear certain albums. It’s just the way things are.” Regardless of Nas’ sense of authorship, Illmatic remains his magnum opus.
On this day in Hip Hop history, Queens legendNas released the video for his hit single, “Hate Me Now.” Although the song may be a fan favorite, the video came with a lot more controversy than any music video should. Shot by Hype Williams, the video features the crucifixion of Christ with Nasir himself playing the role of Jesus. Diddy, who was then known as Puff Daddy, was featured on the track, was also cast as one of the criminals on a cross beside Nas.
Conflict arose on April 15, 1999, when the video was premiered onMTV’s TRL. Diddy, who is a devout Catholic, had requested his image on the cross be removed from the cut of the video that was to air nationally. Whether it was an honest mistake or done intentionally is unknown; but, the fact of the matter is the request was ignored and the full video was broadcast across the country.
The events that followed could be deemed as outlandish by some. Diddy’s reaction to the lack of consideration of his religious views turned violent when he stormed into Nas’ manager, Steve Stoute’s office with several bodyguards and allegedly attacked Stoute by smashing a bottle of champagne on his head. The assault led to a suit that was settled out of court.
When asked about the incident and the inspiration for the video Nas explains,
“There’s a play in New York where a Black man played Jesus, and caught a lot of flak. I think, even the mayor at the time, Giuliani, was against it. So my thing was I wanted to be crucified like Jesus in the video, to get back at all those people that don’t want to see a Black man doing his thing. Me and Puff got hammered to the cross, but after Puff expressed his religious beliefs and spoke to his pastor, he wasn’t ready to take that stance, so it was really my idea anyway, so we took his part out. For some reason, I think Steve Stoute let it fly with Puffy still being crucified to the cross, so there was that fight at the office, where Puff jumped on Steve or some s*it like that. Both of them were friends of mine, so I squashed the whole thing, and it’s all in the past. Just growing pains. We were all growing up. That brings back a lot of memories. Even when I throw it on onstage now, it still kills.”
Released by Columbia Records, Nas’ third album, I Am, debuted at #1 on the Billboard 200 chart. The album sold 470,000 copies in its first week and was certified double platinum in the United States. The album was nominated in 2000 for Best Rap Album at the 43rd Grammy Awards.
Originally intended to be a double album titled I Am…The Autobiography, the album was arguably Nas’ most honest and poetic project at the time. Although the additional tracks were scrapped due to bootlegging of the original sessions, the intention for the theme and tone of the project can still be felt on the released single-disc LP.
Nas’ cover art has always been an iconic staple of his work. Usually consisting of his face superimposed over his native Queens, each cover has served as a visual representation of Nas as an artist. Famed portrait photographer Danny Hastings shot this particular cover. To create the image of Nas’ face in the Pharaoh mask in a pre-Photoshop world, Hastings made a clay mold for Nas’ face (which, in fact, almost killed him when clay got lodged in his nostrils, nearly suffocating him).
This album wasn’t only popular in the United States. I Am… made appearances on music charts in Australia, Canada, Norway, France, Germany, Sweden, Switzerland, and the United Kingdom. The two official singles from this project claimed spots on the Billboard Hot 100 chart. “Nas Is Like..” peaked at #86, and “Hate Me Now” climbed a little higher to take the #62 spot.
After the release of this album, Nas released seven more solo albums and two collaborative projects. Nas continues to perform and is known as one of the most prolific rappers of his or any generation. Take some time today to listen to this album appreciate the career of a living legend.
GRAMMY-Award-winning rap icon Nas unveils the music video for “I Love This Feeling” from his latest album, Magic 3.
Directed by Leff, the video captures the introspective essence of the track, showcasing Nas’s reflective journey while imparting wisdom to aspiring artists. With poignant visuals and lyrical depth, Nas inspires both self-reflection and admiration for his enduring legacy in hip-hop.
The annual Festival d’été de Quebec unveiled the lineup for 2024, with no shortage of talented acts. This year, Post Malone, J Balvin, Jonas Brothers, 50 Cent, Nickleback, Zac Brown Band, Mötley Crüe, The Offspring, and more will be headlining the festival when it runs from July 4 to 14.
Other performers on this year’s stacked bill include Carly Rae Jepsen, Uproxx cover star Ava Max, Rise Against, Killer Mike, Jessie Murph, Fleet Foxes, Future Islands, Seether, Nas, Mt. Joy, Killswitch Engage, Ben Howard, and many more genre-spanning acts.
Tickets for the Festival d’été de Quebec are currently on sale now. The General Admission pass started at CA $150 (about $110 US) but is currently sold out. Those interested in attending will have the chance to purchase other ticket tiers starting on April 4 at noon.
The Silver Front Stage Zone pass starts at $560 ($413 US) and includes closer access to the stage, along with “exclusive bathrooms.” The Bell Signature Zone pass starts at $640 ($472 US), providing a top-of-stand view of the Bell Stage.
The Gold Stage Front Zone ticket starts at $970 ($715 US). This includes access to the viewing area directly in front of the Bell Stage. Finally, there are single-day tickets through Jardin Air Canada that start at $75 ($55 US) and will increase in price, depending on which day and headliner you choose.
For additional information, visit the Festival d’été de Quebec’s website.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
In a bold move that could reshape the landscape of New York City’s entertainment scene, rapper Nas has unveiled a $5 billion proposal to transform Resorts World Casino New York City into a state-of-the-art casino complex in his hometown of Jamaica, Queens.
Partnering with Resorts World Casino, Nas aims to revitalize the neighborhood while creating new opportunities for local residents. The ambitious project includes plans for a multi-functional casino featuring a 7,000-seat capacity entertainment venue for hosting events and concerts. Additionally, the development will encompass park space, housing, hotels, restaurants, and upgraded transit options to JFK Airport and Manhattan, promising to generate an estimated 5,000 union jobs.
“This is an ambitious project that will give new opportunities to the hard-working families who call Queens home, attract top-tier talent, and build up the next generation of leaders,” Nas expressed during the unveiling, as reported by Rhyme Junkie. “It’s an honor to be here, to be a part of this with Resorts World, realizing the future, seeing what this can be and what it will be.”
The announcement comes as Nas’ proposal competes with fellow hip-hop icon JAY-Z’s bid for a NYC casino license. JAY-Z, through his entertainment company Roc Nation, has partnered with SL Green and Caesars Entertainment to propose a boutique-style casino at the iconic 1515 Broadway office tower in Times Square.
“New York is the epicenter of culture. We have the opportunity to create a destination at the heart of the true crossroads of the word,” JAY-Z stated in a press release. “My partnership with SL Green and Caesars has all the promise and commitment to economic opportunity, growth, and enrichment for the community and everyone that visits the Empire State.”
The competition for the coveted casino license underscores the potential economic impact and cultural significance of these projects. Nas and JAY-Z are not only vying for the license but also aiming to shape the future of entertainment and hospitality in New York City.
“When we stood here more than a dozen years ago to break ground on Resorts World New York City, our vision extended well beyond that already-ambitious original plan — today, that vision can soon become a reality,” remarked Robert DeSalvio, president of Genting America East, in a statement.
As both Nas and JAY-Z present their visions for the city’s entertainment landscape, the decision on the casino license remains in the hands of New York City officials. With their respective proposals, these hip-hop moguls are not only competing for a business opportunity but also aiming to leave a lasting impact on their communities and the city at large. The stakes are high, and the outcome will shape the future of entertainment in the Big Apple.
The acclaimed Roots Picnic festival, a beacon of musical excellence and cultural celebration, is back for its 2024 edition, promising an unforgettable two-day experience. Presented by GRAMMY® Award-winning hip-hop icons The Roots and Live Nation Urban, the event will occur at The Mann in Fairmount Park, Philadelphia, PA, on June 1-2, 2024.
Launching the excitement, Roots Picnic alumni presale tickets will be available starting Tuesday, February 20th at 10 AM ET, followed by general on-sale beginning Friday, Feb. 23rd at 10 AM ET.
The festival lineup boasts an impressive array of talent, with GRAMMY® Award-winning legend Lil Wayne headlining alongside The Roots, treating audiences to a journey through decades of hits and a special tribute to Lil Wayne’s hometown of New Orleans, featuring guests PJ Morton and Trombone Shorty. Joining the bill is powerhouse Jill Scott, captivating audiences in her hometown with her soulful style.
The festival’s spirit of collaboration continues with performances from Victoria Monét, André 3000, Gunna, Sexyy Red, Tyla, Smino, Babyface, Adam Blackstone featuring Fantasia & Muni Long, Cam’ron, Nas, Wale, Robert Glasper featuring Yebba, Tasha Cobbs Leonard, and more.
Roots Picnic 2024 promises to be a cultural landmark, bringing together generations of artists and fans for an unparalleled celebration of music and community. Don’t miss out on this extraordinary event in the heart of Philadelphia.
In the entertainment world, drama often takes center stage, and few things ignite excitement like a good old-fashioned feud. Hip-hop stars aren’t exempt, and over the years, there have been many rap beefs between artists. From the most brutal diss tracks to heated Twitter exchanges, these conflicts captivate audiences and fuel tabloid headlines. However, amidst the chaos and clamor, some feuds have left fans questioning their authenticity. In detail, fans dissect lyrics, analyze social media interactions, and pore over tabloid gossip, reading between the lines and fueling conspiracy theories. While the authenticity of many hip-hop beefs is neither confirmed nor denied, the fans’ speculations often make sense, especially since some notable rap beefs have ended. Here are some of the hip-hop beefs that fans think were fake.
Eminem And Machine Gun Kelly
One notable Hip Hop clash recently between Eminem and Machine Gun Kelly. The origin of the conflict can be traced back to MGK’s tweet in 2012 where he commented about Em’s then-16-year-old daughter, Hailie. In the tweet, MGK said Hailie was “hot as f*ck,” and later events proved Eminem didn’t take the comment lightly. Subsequently, MGK alleged that Eminem had had him blacklisted from several radio stations because of the tweet. Afterward, in 2018, MGK threw shade at Slim Shady in the Tech N9ne song, “No Reason.” Interestingly, Em’s album, Kamikaze, was set to drop just a few months later.
On “Not Alike,” the Detroit rapper directly addressed MGK’s comment on his daughter. While some fans commended him for it, other listeners’ brows were raised at how convenient it was for him to respond at that time. With a new album out, many speculated that it was a promotion tactic to fan the flames of a beef that was actually nonexistent.
In 2015, Meek Mill started a fire on Twitter when he wrote that Drake “don’t write his own raps.” As expected, this comment quickly got under Drizzy’s skin. In fact, he got so heated that he responded with the diss track “Charged Up,” a warning shot to test the waters of their feud. However, it was the release of “Back To Back” that proved Drake didn’t need to rely on anyone else’s pen to get his bars off.
Following the release of “Back to Back,” Meek Mill finally released “Wanna Know,” replying to Drake. Meek Mill’s diss track did not garner the same level of attention and acclaim as Drake’s disses. However, it was enough to rile people up and make theirs one of the most talked about Hip Hop beefs at the time. Subsequently, their feud continued until 2018 when Drake called for Meek’s freedom. Then, they publicly commemorated the end of their beef when Drake brought out Meek Mill on stage during a concert in Boston. For something that seemed to be so serious while it lasted, fans thought it ended way too easily. This made many suspect that maybe the beef was never really authentic.
In November 2015, Metro Boomin took to Twitter to express his frustration with artists releasing too much music without proper quality control. While the producer didn’t mention any names, Young Thug caught the sub, believing Boomin was indirectly addressing him. Subsequently, the two got into an interesting back-and-forth Twitter spat that was almost believable. However, the pair had a collaborative mixtape that was set to drop soon, so their feud just seemed performative. Over time, it seemed to fizzle out, and the two continued to work together. Many Hip Hop beefs over the years have been as real as real can get. However, this one between Metro Boomin and Young Thug just didn’t feel authentic to fans.
Undoubtedly one of the biggest Hip Hop beefs in recent times, Cardi and Nicki have been at loggerheads for years. However, despite how authentic this feud seems, even getting physical once, some fans still have their doubts. Sometimes, perceived animosity between artists attracts more traffic than unity. Considering how much media coverage their beef gets, some fans believe that the two rappers continue to fan the flames just to remain on the headlines. Additionally, some have also noted that right before a major release from either rapper, something seems to go down between the two. While we can not confirm this theory, it is certainly an interesting one, and holds some plausibility.
Yes, these two Hip Hop legends have also contributed to the history of rap beefs over the years. However, many fans and critics believe that Nas and Jay-Z’s long beef was more of a strategic move to generate publicity. Building from a slow burn in the late ‘90s to a raging fire in the early 2000s, this feud utterly captivated audiences. It spawned many iconic diss tracks from the two, including “Takeover,” “Ether,” and “Supa Ugly,” among others. However, all good things come to an end. The curtains were drawn on this legendary feud in 2005 when the two publicly ended their beef at Jay’s I Declare War concert. If the speculations were right, then the two MCs won because they were both hot throughout the period of their beef.
