TDE’s MixedByAli Launched His Own Record Label And Said His First Artist Reminds Him Of Kendrick Lamar

At the end of last year, TDE’s in-house engineer Derek “MixedByAli” Ali announced that he purchased Death Row Records, the iconic studio where rap legends like Snoop Dogg, Dr. Dre, and Tupac Shakur recorded classic records. He renamed it NoName Studios, after his newly-launched label, NoName Recordings, and quickly signed his first artist: Malik Moses, who recently released his new single, “Show Me Something” with Bas. Fresh off the singing, Ali explained what he liked most about his new artist.

“The way he was able to really catch my attention with his selection of beats, the way his production was laid out, the way his songwriting and just how he carried himself sonically, that reminded me of working with Kendrick [Lamar] and working with Thundercat and Terrace Martin,” Ali told Rolling Stone. “It gave me that same feeling instantly as soon as I heard the first four bars of his music, and that’s rare nowadays.”

Ali also spoke about his overall vision for NoName Recordings. “We just want our label to be that safe place where artists can create, artists can have that creative freedom,” he said. “I don’t hear of too many audio engineers starting ventures like this, so it’s a different perspective to bring into the industry, the perspective from somebody who’s in the trenches understanding how it works and the grind that it takes to really be successful.”

You can listen to Morris’ new single and read the full Ali’s full interview with Rolling Stone here.

An LGBTQ Organization Says They Were ‘Grossly Misquoted’ About Approving DaBaby’s Recent Set At Rolling Loud

This past weekend, 50 Cent served as the headliner for the opening day of Rolling Loud’s New York Festival. 50 Cent brought out DaBaby during his headlining performance, a move that proved to be controversial, coming just three months after he made homophobic comments during his performance at Miami’s edition of Rolling Loud. Many raised an eyebrow at DaBaby’s appearance, but TMZ claimed a number of LGBTQ organizations have approved of it. However, one of the organizations said this is far from the case.

The publication claimed that Gwendolyn D. Clemons, CEO of Relationship Unleashed, which is an LGBTQ nonprofit organization, said that she and her fellow representatives approved of DaBaby’s appearance, as well as any other concerts he performs at in the future. TMZ added that Clemons said that she believes DaBaby understands the harm behind his comments after she met with him and more than a hundred organizations that advocate for the LGBTQ community. But in posts on Relationship Unleashed’s Instagram page as well as an interview with The Unleashed Voice Magazine, Clemons is saying she was “grossly misquoted.”

“Our organization stands on strong principles of being defenders of the LGBTQIA Community and nothing has changed,” the post read. “We will never normalize ‘trash TV or trash news stories!’ Today we were [engulfed] by the news outlet in a fire we did not start! Our comments to a brief question was grossly misquoted and intentionally framed in a click baiting headline to drive traffic to TMZ.”

They added, “We have written and repeatedly spoke with the News [Editor] @jacobwasserman to retract, correct, or delete this erroneous story. As of this time some modifications have been made but not enough to our satisfaction. We vehemently deny this assertion and the reporting does not align with our values or mission.”

Clemons’ full comments through The Unleashed Voice Magazine can be read here.

Cardi B Clarifies Her Comments About Lean And Weed Making Hip-Hop Repetitive

Cardi B has stirred up a bit of controversy with her recent comments about hip-hop. During an Instagram Live conversation, the rapper confidently declared that her music is what “n****s is missing in the club.” She added, “Cause when I go to the club, that’s what n****s wanna hear. I feel like we keep hearing the same song over and over and over again.” She also explained how she believed weed consumption by some of her fellow rappers negatively affected the overall landscape of hip-hop.

“These rappers nowadays, all of them wanna die,” she said. “They all wanna die. All these n****s need to stop doing lean and smoking weed. You know, this the thing about these rappers, right? They get money and they start buying too much muthafu**in’ weed, and too much lean and they make that slow sh*t.”

Cardi later returned to Twitter to clarify her comments.

“I just want a balance sorry if I worded things wrong,” she wrote. “I just love music that drop hard and turn the club up like dreams & nightmare & First day out by tee grizzly. A perfect balance of rap and turn up.”

Meanwhile, Cardi is preparing to perform at the upcoming 2021 AMAs as well as guest appear on Summer Walker’s upcoming album, Still Over It.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Estate Of Tupac Shakur Announces A Tupac Museum Experience

Within the last month alone, immersive experiences dedicated to Prince and David Bowie have been announced. Now, a creative collaboration between The Estate of Tupac Shakur, The Rock And Roll Hall of Fame and others has announced a contemporary art museum style experience dedicated to the life and work of Tupac.

Tupac Shakur. Wake Me When I’m Free, is a multi-sensory experience that showcases the late rapper’s music, poetry, and artifacts in a 20,000 square foot space that is set to tour around the world. The museum will have surround sound spaces that use technology to present rarities, photos, writings, etc. that represent the creative compositions that marked Tupac’s life. A press release said that “WMWIF will delve into the greater meaning of his activism, music, and revolutionary art.” Even Tupac’s influential activist mother, Afeni Shakur is said to be incorporated throughout.

Set to open on January 21st, 2022, the global touring exhibit begins at The Canvas at L.A. Live in Downtown L.A. and will move through select U.S. and international cities over the course of the next few years. Rock and Roll Hall of Fame Chief Curator & Vice President of Curatorial Affairs, Nwaka Onwusa led the curatorial efforts, along with Creative Director Jeremy Hodges of Project Art Collective. Hodges added his thoughts on the endeavor in a statement:

“It is a privilege to be a part of such a monumental project”, Hodges said. “Tupac Shakur was my Malcolm; he was my Martin, and to build an experience that honors such a prolific man, cannot be summed up in words. We wanted to create a memorable experience that will inspire you to be better than when you walked in, all while leaving you with the knowledge that he was a true revolutionary spirit.”

A “front of line” pre-sale goes on sale 11/09 at 10 am PT on wakemewhenimfree.com and general tickets go on sale 11/12 at 10 am PT.

J. Cole Is Secretly One Of Rap’s Most Stylish Artists

Before launching his currently running Off-Season tour, J. Cole made a statement with his performance at the iHeartRadio Festival. It wasn’t a political statement, or even an announcement, though. It was a fashion statement. Rocking a tie-dye shirt, sweatpants, and black Crocs, Cole captured the attention of social media. While he’s far from the only rapper to endorse the Broomfield, Colorado shoe brand’s signature chunky, no-effort clogs, it was notable that he did so during such a high-profile performance. However, it shouldn’t be surprising; J. Cole has always secretly been one of rap’s most stylish artists.

I know what you’re thinking: “J. Cole? Stylish??” And I get it. If you’re online in any way, you’ve likely seen the Fayetteville, North Carolina rapper getting roasted for seemingly putting minimal effort into his performance fits — see the aforementioned Crocs instance. He’s never been one to shout out name brands or construct elaborate ensembles with glittering accessories dangling from his neck or wrists. He’s the ultra-regular rapper whose almost extreme relatability gets him clowned for not being flashy enough either in content or presentation.

Let’s get a few things clear, though. Fashion and style are two different things. As Cole’s mentor Jay-Z once said, “I can’t teach you my swag / You can pay for school but you can’t buy class.” Just donning a stack of expensive items bearing the brand marks of Italian designers doesn’t equate to having style; anyone can buy their way into fashion icon status with enough money. Having style means having a signature look, an ethos behind what you’re wearing besides showing off your bank account. It’s about showing people who you are. Plenty of rappers are arguably more fashionable than J. Cole but while designers’ names pop off of individual pieces, their ensembles often look like they got dressed in the dark with their stunner shades on.

Cole knows exactly what he’s going for with his looks, opting for comfort over name recognition. And yes, he too flaunts established rules about color matching and fit, he usually turns out to just be ahead of a coming trend rather than out of style. Consider his ultra laid-back looks of late. Some may consider them frumpy or lazy, but who among us didn’t give up on jeans during the pandemic in favor of layabout fits better suited to our new working from home lifestyles (I mean, those of you who didn’t already work from home)? Even his adoption of Crocs as performance wear reflects the foam clogs’ newfound popularity and cultural cachet. Industry peers like Justin Bieber, Nicki Minaj, and Post Malone have collaborated with the brand with pieces so highly demanded they’ve sold out within minutes of availability.

Maybe Cole hasn’t become a fashion icon because his simple, cozy fits reflect his down-to-earth persona a little too well. Just look at Kanye West, who’s gotten away with leather kilts, retro puffer vests, cultural appropriation (those keffiyehs didn’t bother anyone else?), and all types of other outlandish sartorial choices — including his own lazy-boy, dad-life-inspired Yeezy brand — almost solely because he presents himself as a fashion maven, going to designers’ shows and pitching fits (no pun intended) about his perceived lack of support from those in the industry.

Say what you want about Cole’s love for tie-dye and baggy joggers, at least his looks have a lot of personality. Yeezy seasons 2-6 were roundly ridiculed for being bland and lackadaisical, with Kanye seemingly re-pitching the same shapeless, earth-tone pieces year after year. Cole may not have his own brand, but his style has an identity; he isn’t just mashing together designer pieces for the sake of Frankenstein-ing the most expensive outfit for the sole purpose of flexing. You can even see how his — and Yeezy’s — respective influences have begun to spread. More and more celebrities like Bieber and Billie Eilish have already embraced the cozy lifestyle dressing for comfort over Vogue approval… And fans have naturally reciprocated. Being outside after the past year is anxiety-inducing enough; why not at least be warm (or well-ventilated), mobile, and free from worries about showing off the quarantine 15 many of us picked up after a year of UberEats (or Postmates, or DoorDash) and suspended gym memberships?

If you ask me, J. Cole always had the right idea. He’s always just dressed like himself, even as he strove to be a superstar rapper. If anything, that’s the most hip-hop thing he could’ve done. Remember when the Beastie Boys tried to dress like rappers, with their matching Adidas sweatsuits? Russell Simmons saw right through them; they looked ridiculous. Instead, he told them, they should be themselves — that would endear them far more to the culture than looking like outsiders trying to dress the part. It seemed like that would be the rule forever, but somewhere along the way, that rule got lost. Keeping it real wasn’t enough; you had to look like you were rich — which, to the newly wealthy artists of the platinum era, meant wearing all the money they were “making,” even if they were just wasting their advance money to look cool by someone else’s standard.

From the moment he arrived on the scene, J. Cole offered an antithesis to the money-hungry image often associated with major label rap acts. Sure, for a while, he got caught up in the hype himself (hello, “Mr. Nice Watch”), but in time, he grew into his status and embraced his own way of doing things. His style is a reflection of his music, which is a rejection of rap’s status quo — or maybe just a reclamation of its roots. Yes, the pioneers of the culture wanted to be fly, but they wanted to be fly their way, to show the world who they were without frills or having to code-switch to fit in. Cole doesn’t switch up for anyone else’s approval, which is really what hip-hop is all about. For that alone, he should be considered not just a style icon, but one of rap’s role models for redefining the rules and showing the world that style and substance don’t have to be opposites. Like Cole’s intricate rhymes and his mainstream success, they can counterintuitively go hand-in-hand.

Anderson .Paak Is Launching A New Label Called Apesh*t

In a hilarious faux press conference posted earlier today on Instagram, Anderson .Paak announced that he’s launching a brand new label. Dubbed Apesh*t, he explained that the name is partly an acronym for “Anderson .Paak Empire” and a reference to the fact that “we on some other sh*t.”

A press release indicated that Apeshit is indeed a partnership with Universal Music Group and that Paak’s focus is on “no gimmicks, no button-pushing, just raw talent.” An unusual success story himself, this effort definitely feels like he’s trying to find other multi-talented artists that have gone undiscovered the way he was until he broke through on Dr. Dre’s Compton album in 2015, and then with his own album Malibu in early 2016. “I’m looking for artists that can captivate an audience,” he elaborated in the Instagram video. “I want musicians. I want people that can play instruments and perform at the same time.”

Apesh*t has a website up already proclaiming itself as “A disruptive platform for the most captivating talent in the world,” as well as a new Instagram account with upwards of 6,000 followers on its first day of existence. “Do you plan on signing artists from Korea?” one of the actors in the Instagram clip asked in Korean. Paak replied in Korean with “Yes lawd!”

It feels like strategic timing to introduce Apeshit to the world as An Evening With Silk Sonic, Paak’s album with Bruno Mars as Silk Sonic, is set to arrive on November 11th. As the video comes to a close, he looks at the camera and delivers a parting thought on the venture: “The game is crazy man. This industry can be like a jungle. Snakes, tigers, rainy days, hot days…What I’m trying to say is look: If the industry is like the jungle? Well, I guess we got no choice but to go APESH*T!”

Jay-Z’s Rock & Roll Hall Of Fame Speech Makes Dame Dash Amenable To Reconciliation

For years, former Roc-A-Fella Records partners Dame Dash and Jay-Z have been on shaky, uneven footing stemming from the label’s contentious split in 2005 when Jay-Z walked away from the partnership for a position as President of Def Jam. However, it seems that Jay holds less ill will toward his former partners than many of them hold toward him, as he gave a series of shout-outs during his Rock & Roll Hall Of Fame induction speech, including to third Roc founder Kareem “Biggs” Burke as well as Dame.

“Shout-out to Dame,” he said. “I know we don’t see eye to eye, but I can never erase your accomplishments. And I appreciate you and I thank you for that.”

That proverbial olive branch has apparently prompted Dame to consider reconciliation according to Page Six, which he told, “I’m glad he said it for the culture. We need to squash everything. So hopefully if that was an extended [olive branch], I’ll spin one back.”

However, the feisty mogul did set one condition for a possible reunion. “I have no beef with [him] if [he has] no beef with me,” he elaborated. “Let’s get the lawyers out of it then. Let’s talk like men, but I definitely appreciate it.”

Of course, the lawyers were introduced to the mix earlier this year when Dame reportedly attempted to sell Jay’s debut album Reasonable Doubt — the point of contention in the initial Roc split (although Dame blames other factors) — as an NFT. However, as it turned out, Dame was more interested in off-loading his stake in the now-defunct brand, which Jay tried to buy at a price Dame “deemed unacceptable.” Jay still sued to stop the sale, saying in court records, “Dash can’t sell what he doesn’t own. By attempting such a sale, Dash has converted a corporate asset and has breached his fiduciary duties.

The original trio of founders met over the summer to try and hash out their differences after a judge denied Dame’s request to block the meeting, but as yet, it appears they still haven’t buried their respective hatchets. Jay’s shout-out could be the first step toward getting the brash Harlem hustler back to the negotiating table.

It Sure Looks Like Kanye West — AKA Ye — Has Now Shaved Off His Eyebrows

Kanye West’s latest string of attention-grabbing stunts continues. Just a week after legally changing his name to “Ye,” the mercurial producer started wearing a playful but deeply unsettling Halloween mask for public appearances, then debuted a strange, seemingly self-styled haircut — but it doesn’t stop there. As photos from Kanye’s latest Sunday Service on October 31 emerged online, fans noticed yet another new change that will certainly raise a few eyebrows. Not Kanye’s eyebrows, though… because it appears he’s shaved them completely off.

It’s as yet unclear why he would do such a thing — other than, y’know, the whole Kanye of it — but fans have already noticed and begun sharing their impressions.

The move certainly appears to have been inspired in part by the controversial guest Kanye brought to the latest edition of Sunday Service, Marilyn Manson. Kanye seems to have developed a soft spot for the disgraced rocker over the past few months. After Manson was accused of sexual assault and several other musicians distanced themselves from him in the wake of his arrest for that assault, Kanye brought him out to the third Donda listening event in Chicago along with DaBaby, who was also under fire for making homophobic comments at Rolling Loud in Miami. Ye even added Manson to the final version of his album, and now, it looks like he’s even starting to take on some of Manson’s styling tips — for better or worse.

Summer Walker’s ‘Still Over It’ Tracklist Features Cardi B, SZA, Pharrell, And More

The wait for the follow-up to Summer Walker’s breakthrough 2019 debut Over It has been a roller coaster, one that’s now reaching the top of the climb before that final freefall that everyone looks forward to. First, Walker projected confirmation of the album’s November release timeline on the side of a building outside of the BET Awards, giving off heavy Yeezus guerilla marketing vibes. Then came a trailer announcing the November 5th official release date for Still Over It. That was followed by a tracklist teaser with an announcement for her next single, “Ex For A Reason,” featuring JT of City Girls, which dropped three days later.

Considering Over It broke Beyoncé’s record for the largest streaming week ever for an album by a female R&B artist, the build-up here is warranted. And now, today, Walker tweeted out the album cover along with the entire tracklist, and it’s stacked. Aside from “Ex For A Reason,” highlights include the album’s opening track, “Bitter,” with narration Cardi B, “No Love” featuring SZA, “Dat Right There” featuring Pharrell, plus tracks with Lil Durk, Ari Lennox, and more.

Check out the full Still Over It tracklist below.

1. “Bitter (Narration by Cardi B)”
2. “Ex For A Reason” Feat. JT from City Girls
3. “No Love” Feat. SZA
4. “Throw It Away”
5. “Reciprocate”
6. “You Don’t Know Me”
7. “Circus”
8. “Insane”
9. “Constant Bullsh*t”
10. “Switch A N***a Out”
11. “Unloyal” Feat. Ari Lennox
12. “Closure”
13. “Toxic” Feat. Lil Durk
14. “Dat Right There” Feat. Pharrell
15. “Screwin” Feat. Omarion
16. “Broken Promises”
17. “Session 33”
18. “4th Baby Mama (Prelude)”
19. “4th Baby Mama”
20. “Ciara’s Prayer (Narration by Ciara)”

Still Over It is out 11/5 via LVRN/Interscope. Pre-order it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Taylor Swift And Saweetie Are Set To Perform On ‘Saturday Night Live’ In November

So far, it’s been a big day in Saturday Night Live musical guest news. This morning, Ed Sheeran revealed that he will be able to perform on the show as planned following his positive COVID test. Now, not only has SNL confirmed the news, but they’ve also revealed their next two musical guests after Sheeran: Taylor Swift and Saweetie.

Swift will guest on the November 13 episode hosted by Jonathan Majors, while Saweetie will perform on the Simu Liu-hosted episode on November 20.

This will be Saweetie’s first time on the program. As for Swift, she’s an SNL veteran. Her first stint as musical guest came in 2009, and her upcoming performance will be her fourth. In her second 2009 episode, Swift had the rare honor of serving most as host and musical guest.

Beyond SNL, both Swift and Saweetie have been thriving lately. Swift is fresh off her first performance at the Rock And Roll Hall Of Fame, where she was on hand to induct Carole King. As for Saweetie, she recently had her own McDonald’s meal and her Netflix special Sex: Unzipped premiered just a few days ago.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.