A Deep Dive Into Wonderbrett, One Of LA’s Most Beloved Weed Brands

The cannabis industry loves a good origin story. A story like Wonderbrett’s. The brand is named for Brett Feldman, a grower whose flavorful indoor-grown weed inspired a phrase heard around Los Angeles weed circles during the late ’90s and early 2000s — “You got that Brett?”

Equally important to the brand’s foundation is Feldman’s collaborator, Cameron Damwijk, also a master cultivator. The duo formally launched Wonderbrett in 2014, back during the Prop 215 (medical-only) days in California. Before that, Feldman and Damwijk were legends in Los Angeles music, street, and weed culture.

The quick story goes a little something like this: Back in 1997, Feldman was given a cut of OG Kush by Josh D, who along with another storied grower, Bubba, first brought the now-iconic strain to California from Florida in 1992. This may seem quaint now, but back then, this was before OG Kush was a thing outside of very select circles. Feldman went back and forth from the Bay Area, re-upping his supply of the newly in-demand strain for the Los Angeles market. Eventually, it became clear that this wasn’t the most efficient way of getting poundage in the hands of buyers, so Josh D bestowed upon Feldman a clone and basically said “have at it.”

The Brand:

Wonderbrett Review
Wonderbrett

Recognizing he had something special, Feldman took time to learn how to properly grow the strain in order to “not fuck it up,” he said while we toured his now 80,000-square-foot indoor grow facility in Long Beach. “When Kush was given to me, I had to figure out how to grow weed immediately,” he says. “I couldn’t kill the plants!”

And learn to grow he did. Due to the surging demand of OG Kush in Los Angeles during the late ’90s, Feldman soon found himself in the company of hip-hop’s biggest stars: Xzibit, Snoop, B-Real, and Dr. Dre among them. He was even invited to come chill in the studio during recording for Dr. Dre’s album, 2001. B-Real confirmed to me in a separate interview that it was Feldman who introduced him to Kush way back when.

Today, that legacy has turned into Wonderbrett, a full-fledged cannabis and lifestyle brand that maintains roots in the music community — Poo Bear, who is a recording artist and producer for Justin Bieber, Lupe Fiasco, Skrillex, and many others, is one of the brand’s major investors. In fact, Feldman, who is also a visual artist and the man behind the weed’s packaging design, recently released a new album of his own, “Wonderbrett: Volume 2,” which is a vibey, ethereal mix of beats perfect for — what else — smoking weed.

In addition to flower, Wonderbrett also makes solventless rosin gummies, pre-rolls, and dabs.

The Grow

Wonderbrett Review
Wonderbrett/Uproxx

Wonderbrett’s Long Beach indoor cultivation site is massive. The brand grows with a 22,000-square-feet canopy footprint across 36 individual grow rooms. Altogether, it’s about 30,000 plants. Even at his highest capacity back in the pre-legal days, Feldman says he could never have imagined producing at such scale, and that while scaling has gone well for them, it remains the number one challenge.

“On a small grow, it’s easy to have control,” he says. “You’re always going to be able to be the guy who is there all the time, who sleeps at the grow, right? This is different.”

Nowadays, they have 14 proprietary cultivars in rotation, which are selected according to a number of characteristics that make Wonderbrett weed what it is. The brand’s slogan is “flavors on flavors,” and all it takes is one whiff of a jar to see why — to paraphrase Darth Vader, the terps “are strong with this one.” The focus on this aspect of weed makes a strong point often lost in today’s shopping landscape: THC percentage is merely one part of the equation, and not necessarily the most important one.

Wonderbrett Dispensary Review
Wonderbrett/Uproxx

“If you buy weed on THC alone, you’re a dummy,” Feldman says.

It’s also about the terpenes and flavonoids, which is why it’s been so damaging to consumers to not be able to smell the weed they’re considering purchasing. Smelling it tells a massive part of the story. That’s not to say Wonderbrett’s weed isn’t strong — I am puffing on a 34.06% THC sample of the brand’s Pineapple OG as I type — but it’s true that THC potency is skewed as being the dominant marker of quality.

Walking into a Wonderbrett grow room with towering fat buds mere days away from completion makes an even finer point. I was smacked with smell every time I opened a door, whether that be an actual Peach smell in the Peach OZ room or the straight gas emanating from Black Orchid. The vividness matches the brand’s marketing strategy, which is to match dominant terpenes and flavonoids with the strain name as much as it makes sense — making an actionable connection in the customer’s mind. If someone is buying a strain with the word “peach” in the name, might it be a good idea to then pheno hunt for a variety that displays those very characteristics? Feldman says, “Yes. I’m glad you noticed that.” He offers an intentionally cartoonish laugh. “It means my strategy is working.”

The Weed

Wonderbrett Review
Wonderbrett/Uproxx

Feldman told me early in my tour — and I can confirm, after seeing it firsthand — that at Wonderbrett they dry trim only, which preserves trichomes, most importantly. Those are the little crystals that contain the fun cannabinoids, like THC, that make us high. He dries and cures for two weeks only. In general, from the day the weed is harvested, then tested, then dried and cured and finally packaged, Wonderbrett’s turnaround is about one month from harvest to package.

Wonderbrett’s jarred eighths aren’t cheap — they average for about $60 — and because they are constantly churning out new buds from their stratified and well-timed grow rooms, their customers are getting as fresh bud as one can possibly get on the legal market. The smell that lingers in the jars confirms this, though the bud is sometimes a bit dry. That’s more of the fault of legalization than any one individual grower.

I walked away from Wonderbrett’s facility with my head swimming in flavor, which is their intent. But does the bud stack up? I tried six: Black Orchid, Pineapple OG, Cherry Trop, Grapes of Wrath, and Chomp, which is the brand’s collaboration with rapper Russ.

The Strains

Pineapple OG

Wonderbrett Review
Wonderbrett

Retail Price: $60

Strain: Indica

THC: 34.06%

CBD: 0.08%

Dominant Terpenes: Limonene, Myrcene, Linalool, Caryophyllene

Easily considered a signature cultivar of the brand, Feldman told me Pineapple OG’s roots go back to 2008, though 2014 is the first time anyone could buy it legally. These are the buds Wonderbrett led with once they could sell in the medical market. He also said it’s been one of the most consistent producers of high THC — the batch I tried, which clocked in at 34%, was no exception.

It’s gassy, redolent of its OG roots, and boasts flavors of sweet and sour fruits, like pineapples, guavas, and passionfruit. It’s easy to see why people love it, and it’s would be a solid go-to in any experienced smoker’s repertoire. Feldman also mentioned it’s a “hardy” cultivar, ideal for breeding, which he has done for other Wonderbrett strains, like Orange Banana.

Black Orchid

Wonderbrett Review
Wonderbrett

Retail Price: $65

Strain: Hybrid

THC: 22.70%

CBD: 0.05%

Dominant Terpenes: Limonene, Caryophyllene, Linalool, Humulene

Another favorite of mine is Black Orchid, which is a much more functional smoke than Wonderbrett’s other options, owing to its more balanced cannabinoid profile and dense flowers. THC is registered at 22%, which is a “Goldilocks” percentage for me — not too much, not too little, but just right. There are higher percentages of CBG and CBGA, as well, which is said to aid in relaxation. Limonene, Caryophyllene, Linalool, and Humulene are the dominant terpenes, which means this cultivar has a little bit of everything I like: citrus, earth, flowers, and a hint of gas, which one would expect from an OG Kush and Gelato cross.

Peach OZ

Wonderbrett
Wonderbrett

Retail Price: $60

Strain: Sativa

THC: 30.0%

CBD:0.01%

Dominant Terpenes: Caryophyllene, Linalool, Limonene, Humulene

The buzz that results from a Peach OZ smoke is definitely suited for daytime, but 30% THC suggests a daytime activity like taking a leisurely stroll in a beautiful location or sitting on the beach rather than anything that requires serious motor skill function. The smell and flavor match up on this one: peach, sweet citrus and a hint of vanilla round out this cultivar, which was made by Peach Rings and OZ Kush, a pheno gifted from Cannabis by Corey, which originally came from Dying Breed Seeds.

Chomp

Wonderbrett Review
Wonderbrett

Retail Price: $60

Strain: Hybrid

THC: 26.91%

CBD: 0.07%

Dominant Terpenes: Limonene, Humulene, Linalool, Caryophyllene

We already reviewed Chomp, which is a collaboration with the rapper Russ timed to release alongside his EP by the same name. It’s a heady strain, much more suited for cerebral activities – like, say, recording a rap album — which I attribute to Limonene as the dominant terpene.

Grapes of Wrath

Wonderbrett Review
Wonderbrett

Retail Price: $60

Strain: Hybrid

THC: 27.65%

CBD: 0.07%

Dominant Terpenes: Limonene, Linalool, Humulene, Caryophyllene

Put simply, this is pool weed, a hybrid of Jet Fuel Gelato and Grape Pie. The high is heavy, befitting 27.65% THC, but uplifting, owing to the strong Limonene and Linalool content. It’s euphoric, something that would be greatly aided by listening to music, especially. This sounds weird, but it tastes like grape cake.

I’m not exactly sure what that means in reality, but a strong grape flavor accompanied by a yeasty, bready undertone makes sense to me here. The genetics are from Compound Genetics, purveyors of some of the hypest fire California’s breeders have to offer.

Cherry Trop

Wonderbrett
Wonderbrett

Retail Price: $60

Strain: Hybrid

THC: 26.43%

CBD: 0.06%

Dominant Terpenes: Caryophyllene, Limonene, Linalool, Humulene

One of the grow rooms that displayed some of the most beautiful bud, in my opinion, was Cherry Trop, which popped with deep purples and even reds, depending on the light. It’s a hybrid mix of Cherry Cookies and Trop Cookies, which came from a seed pack by Relentless. The overall flavor is fruit: stone fruits and citrus, redolent of a sunny day spent eating sour candies. At 26% THC, it’s strong, but it won’t knock you on your ass. This is a stimulating daytime smoker for any activity that requires movement and focus but not too much intellectual brainpower.

Wonderbrett’s music connection is still strong

Wonderbrett Review
Wonderbrett

In addition to trying some of Wonderbretts current cultivar offerings and palling around with Feldman, I also got to talk to Poo Bear, who puts his money where his mouth is, as far as Wonderbrett is concerned. He said he was initially drawn to the brand through its highly stylized packaging — the brand’s signature color-blocked boxes – which struck Poo Bear as “very professional” in an era when weed was anything but. In the end, it’s really all about the weed and the man behind it, though.

“Brett always had the best product, you know, so when the opportunity came about to come in as an investor, I was like, ‘I would love to.’ I was investing in Wonderbrett because I just believe in him so much,” Poo Bear says of Feldman.

Poo Bear is also a major believer in Los Angeles weed culture, which he says isn’t just having a moment now – it’s always been quietly dominant. It’s just that people are finally starting to understand and recognize its greatness.

“I think LA took over awhile ago,” Poo Bear says of California’s mostly friendly competition between regional cannabis cultures. “You know, the Bay always had their purps, the things they were famous for. But L.A. has always been pushing it with these different flavors. It was probably like five or six years ago, scientists and growers just really started pushing the envelope in L.A. and I started to hear less and less about the Bay and L.A. just started filling that gap with consistency and variety. You see it with all the cannabis cups — L.A. wins all the cups. It’s definitely the cannabis capital.”

It goes without saying that Poo Bear thinks Wonderbrett was instrumental in making that happen and that the brand will be a staple of L.A. cannabis culture to come. After seeing their operation firsthand and smoking through the line, I’m ready to say I agree.

Students Going Crazy As Jack Harlow Visits His Old High School Is The Energy We Need Today

Jack Harlow cut his teeth at Atherton High School. The Louisville native started rapping as a teenager and even filmed now viral videos of him rapping in the halls of the school. He’s been showing a lot of love to his hometown lately in the midst of the “No Place Like Home” Tour that takes place at five different venues in Louisville, and recently announced that he’ll be spreading his wealth by making contributions to five local non-profits.

But what he did this morning, by visiting his alma mater Atherton High School is just good vibes all around. The energy from the students as Harlow walked into the school is so pure as they welcome back one of their own. Harlow posted a couple clips of the moment on Instagram:

Talk about a hero’s welcome. The sea of cellphones and the dozens of huggers that immediately embrace Harlow is a reflection of the good spirits and positivity Harlow is letting flow back into his hometown. Good on you sir.

Check out Harlow’s remaining No Place Like Home Tour Dates and next year’s Crème De La Crème California tour dates below.

12/17/2021 — Louisville, KY @ Mercury Ballroom
12/18/2021 — Louisville, KY @ Old Forester’s Paristown Hall
01/07/2022 — Los Angeles, CA @ The Novo
01/09/2022 — Pomona, CA @ The Fox Theater
01/10/2022 — San Diego, CA @ The Observatory North Park
01/11/2022 — San Luis Obispo, CA @ Alex B. Madonna Events Center
01/13/2022 — San Jose, CA @ San Jose Civic Center Auditorium
01/14/2022 — Oakland, CA @ Fox Theater
01/15/2022 — San Francisco, CA @ The Masonic
01/16/2022 — Sacramento, CA @ Ace Of Spades

Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Gucci Mane Slides 1017’s ‘So Icy Christmas’ Compilation Into Rap Fans’ Stockings

Well, half his label is going to be locked up come Christmas, but somehow that still hasn’t stopped Gucci Mane from feeling the holiday spirit and continuing his longstanding season tradition of releasing a holiday-themed compilation album. While previous years have seen new iterations of the trap pioneer’s East Atlanta Santa mixtapes (most recently in 2019), this year’s project is, like his October 2021 release So Icy Boyz, a compilation project showcasing the talents of his 1017 signees such as Bic Fizzle, Big Scarr, BigWalkDog, Enchanting, and Hot Boy Wes.

Unfortunately, two of the label’s biggest stars, Foogiano and Pooh Shiesty, are not on the compilation despite being the consensus standouts of last year’s So Icy Summer and having massive breakouts earlier this year as a result. Both rappers are locked up facing various federal charges after a series of shootings; Foogiano, in custody for skipping bail to attend a funeral a state away from his native Georgia, was indicted for a South Carolina club shootout that left two dead, while Pooh was accused of not only shooting a security guard at a Miami club but also playing Grinch during a driveway sneaker sale, shooting the seller in the buttocks and stealing the shoes (but forgetting to collect all his cash in the getaway).

Apparently, Gucci won’t let their dilemmas bring down the rest of the team, slinking down rap fans’ collective chimneys and dropping off this 17-track celebration of the season. While only a handful of the tracks seem to be actually about Christmas — namely, the ones Gucci himself is on — it’s still a worthwhile addition to his quasi-annual tradition, bringing some cheer to a December capping a year that desperately needs it.

So Icy Christmas is out now via Atlantic. Get it here.

Boldy James & The Alchemist Sneak In One More Release Before The Year Is Over With ‘Super Tecmo Bo’

Less than a minute to go, game on the line and Bo Jackson proceeds to just run circles around everybody for the win. Boldy James and The Alchemist have delivered their best NES Bo Jackson impression by sneaking in one final heater of an album in 2021 with the just-released Super Tecmo Bo. Earlier in 2021 the pair dropped one of Uproxx’s Best hip-hop Albums of the year in Bo Jackson. Our Aaron Williams ran those very same Bo-Jackson-like circles in describing it when he said: “Boldy stacks syllables like Jenga blocks, building precariously teetering constructs of assonant vowel sounds to the point you wonder how the whole thing supports its weight.”

Super Tecmo Bo picks up where its predecessor lets off and it’s streaming everywhere now. Listen to it here, check out the tracklist and NES cartridge-inspired album artwork below. Also check out Boldy James & The Alchemist’s Tour dates with Earl Sweatshirt and Action Bronson below.

Boldy james
Boldy James

1. “Level Tipping Scales”
2. “No Laughing Matter”
3. “Hot Water Tank” (with Icecoldbishop)
4. “Bumps and Bruises”
5. “Great Adventures”
6. “Moth In The Flame”
7. “300 Fences”
8. “Guilt”
9. “Francois”

01/29/2022 — San Diego, CA @ The Observatory North Park
01/30/2022 — Hollywood, CA @ Hollywood Palladium
02/01/2022 — San Francisco, CA @ The Warfield
02/05/2022 — Seattle, WA @ Paramount Theatre
02/06/2022 — Vancouver, BC @ Harbour Event Centre
02/09/2022 — Denver, CO @ Mission Ballroom
02/11/2022 — Chicago, IL @ Riviera Theatre
02/12/2022 — Minneapolis, MN @ Fillmore
02/14/2022 — Toronto, ON @ History
02/16/2022 — New York, NY @ Terminal 5
02/19/2022 — Washington, DC @ The Anthem
02/22/2022 — Atlanta, GA @ Tabernacle
02/23/2022 — New Orleans, LA @ Fillmore
02/25/2022 — Houston, TX @ House of Blues
02/27/2022 — Dallas, TX @ The Factory in Deep Ellum
03/03/2022 — Tempe, AZ @ Marquee Theatre

Earl Sweatshirt is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Super Tecmo Bo is out now via ALC.

Lil Nas X Says He Has COVID And Symptoms Include Sneezing On His Penis While Watching Porn

A few days ago, Lil Nas X was forced to pull out of iHeartRadio’s Jingle Ball Tour after members of his team tested positive for COVID. Now the rapper says that he himself has COVID and he’s dealing with it how he deals with most things: by joking.

Nas tweeted today, “now that i’m sure i won’t die from covid i will now begin making mildly funny jokes about having it.” He then fired off his first gag by referencing the Omicron/Omarion jokes that were making the rounds recently, writing, “i’m not sure whether i’ve had the omarion or alicia keys variant of covid but this has not been a fun journey.”

He continued, “i only talk to people who have covid now. u non-covid b*tches need to stfu. us coviders run this sh*t!” He then shared one of the symptoms he has experienced so far, tweeting, “covid really sucks. last night i was tryna watch porn then i sneezed snot all over penis lmao.”

All of the aforementioned tweets, aside from the sneezing one, have since been deleted.

Lil Nas X COVID tweets
@LilNasX/Twitter

Aside from COVID and the snot mishap, things have been good for Lil Nas X lately: He was named TikTok’s top artist of 2021 and Barack Obama included “Montero (Call Me By Your Name)” on his list of favorite songs of the year.

RZA And Flatbush Zombies Spin Cinematic Rhymes On ‘Quentin Tarantino’

Last week, two New York fixtures came together at last on RZA and Flatbush Zombies’ “Plug Addicts.” The video took a page out of Quentin Tarantino’s Reservoir Dogs, with RZA’s beat on the track hearkening back to an important project in his career. “I’ve had my eyes on the Flatbush Zombies for sometime now,” RZA said in a statement last week. “Their style of dark hip-hop lyricism is reminiscent of my days in the Gravediggaz. This type of collaboration was overdue.”

Today, they’ve doubled-down with the as-promised track entitled “Quentin Tarantino” and it’s an overt homage to the iconic director. The track is a vintage RZA production that sounds like it could’ve come out of the Jackie Brown soundtrack. Flatbush Zombies Meechy Darko, Zombie Juice, and Erick “Arc” The Architect carry the torch on the mic on this one, with Arc’s flow packing in a slew of Tarantino films:

“They killin’ us all, but we endure, Reservoir Dog
I’m Mr. Orange, so since we sparrin’, I put my all in
Your whip be stallin’, unchained, unhandled, Django is dormant
They pat me down, nigga you don’t know? You better ask around
It’s been half an hour, blast the sound, where’s Jackie Brown?”

The video has nods to Kill Bill and heavy Pulp Fiction vibes, with the Zombies driving around in the same style of Chevy Nova that Jules and Vincent Vega drove in the film. There’s even a briefcase motif and RZA punctuating the hook asking about the age-old Tarantino film geek mystery: “What the f*ck’s up in that briefcase?”

Watch the video for “Quentin Tarantino” above.

Ye’s Failed Presidential Campaign Was Reportedly Secretly Run By The Republican Party, Violating Federal Laws

In a departure from many of his hip-hop peers and forebears, Kanye West has always been a controversial figure, but never really a criminal one. While other rappers often recounted their experiences in gang life, detailing shootouts and illicit pharmaceutical sales, Ye mostly stuck to reminisces about his days working at The Gap and obsessing over fashion.

However, according to a new report from The Daily Beast, Ye may be in violation of federal campaign finance laws after his ill-fated Presidential campaign last year. Although West supposedly ran as an independent, third-party candidate, recent disclosures revealed that his campaign may well have been secretly run by the Republican Party (or an offshoot thereof) in a bid to splinter support for the GOP’s opponent Joe Biden. Republican Party advisors apparently funneled money into Kanye’s campaign, receiving their own payments for services rendered, all while disguising or hiding the transactions in their reports to authorities to keep their associations secret.

Of course, it was already long postulated that Ye’s campaign was just a smokescreen for Trump’s own bid for reelection — which turned out to be unsuccessful anyway — but Ye always denied such speculation. Now, it seems, there’s proof with Common Cause vice president Paul S. Ryan telling The Beast, “The importance of disclosure in this matter can’t be overstated. It’s no secret that Kanye West’s candidacy would have a spoiler effect, siphoning votes from Democrat Joe Biden. Voters had a right to know that a high-powered Republican lawyer was providing legal services to Kanye—and federal law requires disclosure of such legal work.”

The full report goes into further detail, but in summary, it describes the Kanye campaign securing legal services from firms linked to Trump, the Republicans, and voter fraud conspiracy theorists. This lines up with a recent Reuters report that Kanye had previously employed a publicist who traveled to Georgia to harass and threaten a poll worker Trump accused of ballot stuffing. Those claims have long since been proven baseless and false, but that hasn’t stopped his fanatics from harping on a supposed fraud in the 2020 elections, which he lost by a significant margin.

What does that mean for Kanye in the future? That probably depends on how much Kanye himself knew about the firms he was hiring — but the entire situation looks suspicious, considering the campaign almost exclusively employed Republican firms which had ties to Trump himself. For what it’s worth, it seems that either way, he didn’t really seem to know what he was paying for, issuing six-figure payments to advisors way after he was effectively out of the race. His previous violations of fundraising standards were reported, so it seems that the campaign’s reputation for disorganization was well-founded.

You can check out the full story here.

Tyler The Creator Introduces His New Golf Le Fleur Luggage With The Cheeky ‘Globetrotter’ Short Film

Tyler The Creator doesn’t call himself “Bellhop” for nothing. His fascination with bags and luggage has been at the forefront of his Call Me If You Get Lost rollout. However, while he loves to show off his designer trunks — just check out the video for “Lumberjack” to see an example — from this point forward it seems likely that those trunks will include some from his own brand, Golf Le Fleur.

After introducing a line of nail polish — also something he showcased during the rollout — and a fragrance — maybe someone who’s spent some time in his proximity can confirm if this one was part of the album promotion — Tyler has unveiled the latest Golf product and in all honesty, it really might be his best to date. The Golf bags come in three sizes: the 9″ London Square handbag ($1,395), the 14″ Mini Attache ($1,695), and the 20″ Trolley trunk ($2,095). All are made from Vulcanized Fibreboard with leather corners and handles featuring neutral colors with Golf’s signature pops of pastel. They are kind of gorgeous.

In typical Tyler fashion, he introduced the new products with yet another self-directed short film titled “Globetrotter.” It’s semi-inspired by French New Wave cinema and has a quirky, tongue-in-cheek plotline that gives his bag a goofy origin story that seems like a bit of a satirical, daydream-y nod to his own absentee pops.

In addition to the bags themselves, the latest drop also includes stickers, a luggage tag, and a leather passport case. All are also luxury prices but then again, they also come in luxury quality. You can check out the full drop here.

LeBron James Trolls His Friends Maverick Carter And Rich Paul For Being Adele And Jay-Z’s Chargers Game ‘Plus-Ones’

There was quite a stir on the internet when British singer Adele “debuted” her new beau Rich Paul after months of low-key “hanging out” (as he put it in an interview in The New Yorker in May), with fans flabbergasted (or outright confused, for the singer’s fans who don’t watch the sportsball) by the seemingly unlikely pairing. Paul, of course, is the agent of NBA superstar LeBron James, who it turns out isn’t above teasing his friend’s PDA with the “Easy On Me” singer, as he did on Twitter last night during the Thursday night football game between the Los Angeles Chargers (still feels weird to type) and the Kansas City Chiefs.

Adele, Paul, and LeBron’s other right-hand man Maverick Carter were all caught on the broadcast along with James’ mentor and favorite rapper Jay-Z, and he couldn’t resist taking the opportunity to troll his friends for being less famous than their companions. “Who the heck are Jay-Z and Adele’s +1s????” he tweeted, adding a monocle emoji for extra effect.

Of course, Mav and Rich are likely used to drawing just a little less attention after growing up with LeBron in Cleveland and helping to manage his career since he was drafted straight out of high school in 2003. Nearly 20 years later, it seems they’re as tight as ever — and enjoying the benefits of it, hanging out not just with LeBron, but with two of the biggest names in entertainment as well.

Oh, and the Chargers lost. Sigh.

Little Simz May Be At The Start Of Her Own, One-Woman British Invasion

From the epic opening strains of “Introvert,” the introductory track on Little Simz’s sweeping, eclectic new album Sometimes I Might Be Introvert, you know you’re in for something special. The album is equal parts fantasy storybook and intimate journal marked all the way through by the London native’s wit and vulnerability. It’s no wonder that it has been so highly regarded, perching neatly near the top of so many publications’ 2021 year-end lists. Her broad-ranging and nigh universal critical acclaim could be the first step toward her gaining and maintaining a toehold on the public’s attention stateside.

Such a feat would put her in rare company; while there have been several British rappers to develop cult followings in the US, few of them ever did so while maintaining such a stark, British outlook on the art form. Going back to the 1980s, rappers like Monie Love and Slick Rick switched up their accents to fit in — you’d hardly know they weren’t from New York’s concrete jungle hearing them rap alongside contemporaries like Queen Latifah and Doug E. Fresh. In the ’90s and 2000s, MF DOOM earned a stranglehold on the city’s underground scene, but again, there were many who were unaware of his origins until his visa issues in 2010.

Hell, even 21 Savage was unaware of his own British citizenship until recently, and his struggles to remain in the country in which he grew up have highlighted this nation’s archaic and byzantine approach to immigration policy. For all intents and purposes, he’s an Atlantan at heart and sounds like it. And while there was a minor grime explosion here in the US, it was largely spearheaded by another immigrant, Drake, who made a point of collaborating with artists like Skepta and Headie One. However, their popularity on their own feels limited to their joint works with artists who already hold a certain degree of social capital.

Simz is different. Her growing popularity on this side of the pond has come organically, without the help of flashy local features, which she has mostly eschewed since her signature 2017 project Stillness In Wonderland, on which the first inklings of her fantastical flourishes began to sprout. 2019’s Grey Area continued in much the same vein, showcasing the Brit’s verbal virtuosity and singular approach to left-of-center production. Unlike many of her countrymen, she seems distinctly disinterested in integrating popular local sounds — there’s no trap and nothing that could be counted as classic boom-bap either.

Nor does she employ the glitchy, sometimes off-putting digital sounds that have distinguished grime and drill, the two main British exports in rap-focused music, although she has dabbled in them from time to time. Instead, the production on SIMBI (it’s her name, see) is organic, pulsing with the living energy of the score from an epic, swords-and-sorcerers film series like Lord Of The Rings or Game Of Thrones. There is that regal-sounding intro, the Blaxploitation big band feel of the soul-baring “I Love You, I Hate You,” the militant funk of “Standing Ovation,” and the moody ballad, “How Did You Get Here.”

She also sticks close to her roots, incorporating West African rhythms into tracks like “Point And Kill” and “Fear No Man.” And despite the similarity of their titles, Simz’s approach to the praise of her gender on “Woman” is a far cry from Doja Cat’s, backed by a slinky beat and loungey instrumentation supported by Cleo Sol’s lilting chorus. Through it all, Simz’s poised flow anchors the wide-ranging production, drawing listeners in with its conspiratorial quiet. Though she rarely raises her voice, she still wields it like a dagger, whirling and flashing in dextrous patterns with the cool of concrete at twilight.

While hip-hop and rock-and-roll are cousins with unsurprisingly similar origins and parallel trajectories over the course of their respective eras of dominance in global pop culture, there’s one area in which they diverge. After rock swept the globe, the US was visited upon by the acts it had inspired, like The Beatles and The Rolling Stones, who were met with an equally fervent enthusiasm to the one that brought these acts to our shores seeking their fortunes here. While rap has been met with just as much excitement around the world, that love has rarely been reciprocated by Americans who’ve kept international hip-hop acts at arm’s length.

Ironically, as I write this, the Disney+ streaming service hosts a documentary about The Beatles, their process, and their popularity called The Beatles: Get Back which stitches together close to eight hours of footage of the Liverpool band noodling around and creating some of their beloved works. It’s hard to say whether we’ll be watching a similar show about any British hip-hop acts in 50 years — after all, times, they have a-changed — but right now, Little Simz is at the cusp of starting her own British Invasion, one that could prove to be every bit as fascinating and influential as the original.