Jay Rock Says New Album Is All Hits: “No Skips”

Jay Rock is almost ready to drop hit latest rap album, which has been five years coming. Why has this album taken so long? According to Jay, speaking with Bootleg Kev at BET Weekend on Saturday, “…I’m tryna do an album like my last one where you ain’t gotta skip sh*t. No skips.” (The pandemic is also a solid excuse.) He understands the fans clamoring for more music, but Jay Rock is a perfectionist and wants to release good tunes, not mediocre vibes.

He’s looking to drop a major album that screams quality, something Jay Rock fans can appreciate. He released his first single from the tracklist, “Eastside,” earlier today. While that’s a little taste of what’s to come, it slakes the thirst of those waiting for the follow-up to 2018’s Redemption. That album had features from Kendrick Lamar, J. Cole, Future, Jeremih, and SZA. It also debuted at number 13 on the Billboard 200 and one track, “King’s Dead,” won the Grammy for Best Rap Performance in 2018. Therefore, there’s plenty of expectation surrounding the new album.

Read more: Jay Rock Confirms New Album On Reason’s “At It Again (Remix)”

Jay Rock New Music… Finally!

Despite the release hiatus, the TDE rapper is keeping busy. Top Dawg Entertainment, the independent record label, houses an entire family of rap kings and queens. Back in 2019, Jay Rock mentioned how all of their success raises each of their ships. “We came up from the ground up,” he said. “We built this thing from the ground up, so why would one of us be bitter [at] one another?” With Kendrick, SZA, and ScHoolboy Q running the TDE show with Jay, they’re just getting started with taking the rap industry by storm.

While we wait for Untitled Jay Rock Album, at least he’s getting out of the house and gracing us with his presence. He went to the 2023 BET Awards. Plus, he featured on multiple records for other musical artists. With friendly competition and hard work, he’s stayed in the conversation. But now, a new album full of Jay Rock music is just what the doctor ordered.

Read more: Kendrick Lamar, Punch & Jay Rock Detail The Perpetual Crisis Of Existence In “Untitled 05”

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Jay Rock Returns From A Five-Year Hiatus With A Rowdy Hometown Anthem, ‘Eastside’

Jay Rock hasn’t released a solo single since his 2018 album Redemption, but he’s back to put on for the “Eastside” with a rowdy new hometown anthem. Produced by frequent TDE collaborator Kal Banx, “Eastside” is full of allusions to Jay Rock’s rough upbringing in Watts, California, from blaring sirens to lyrical references to the shootouts his place of origin is all-too-well known for.

Although it has been a while since we last heard a song where Jay Rock is the lead artist, he’s infrequently popped up on tracks from labelmates and local peers over the past couple of years. Last summer, he appeared with fellow TDE artist Reason on “Is What It Is,” while in 2020, he lent an assist to Eastside neighbor Problem on “Nothin’” with Jack Harlow and fellow California native Anderson .Paak for a remix of “Lockdown” featuring Dreamville rapper JID and Chicago indie star Noname.

Also in 2020, Rock noted that his next album is “80 percent finished,” although a long delay before release can be typical with his label. Although Top Dawg artists don’t often release with the frequency of other indie acts, the wait is always worth it; Ab-Soul, Isaiah Rashad, Kendrick Lamar, and SZA are all among the acts on the label that had a five-year gap between releases and all of their new albums were well-received last year.

Listen to “Eastside” above.

11 Of Rap’s Best Political Anthems

Political rap songs are a timeless staple in the genre. The roots of it continue today as tales are told of the Black experience in a myriad of ways. With political rap songs, rappers have used poetry to detail struggles and inspire those going through them. These songs are meant to bring attention to situations many already know, but some may not be. As the years have passed, rappers have created political rap songs with various perspectives, atmospheres, and styles. Some opt for an energetic and positive approach while others craft aggressive ones, but both often become anthems. They force the listener to look at the world around them and realize that many things are wrong, but something can be done. We’ve gathered 11 of the best political rap songs in this list.

11. “Kill Us All (K.U.A.)” – Meechy Darko (2022)

This political rap song touches on the black experience in America and America overall. Meechy Darko is from the trio Flatbush ZOMBiES and they have had multiple verses/songs where they speak on the corruption of America. In this solo cut, Meech handles all aspects of his commentary. His hook is almost an anthem as the background vocals shout and echo it as he delivers it.

The song’s subject matter includes multiple topics like government corruption and the hypocrisy of America. He speaks from a place of observation and hope as the hook reiterates no matter the situation, there will still be Black people who can rise up and change it. Meech’s unique raspy delivery style helps all of his words stand out, and he covers so much that pressing rewind to catch it all is entirely understandable.

10. “The Bigger Picture” – Lil Baby (2020)

This is a political rap song with strong ties to the COVID-19 Pandemic. Lil Baby is not an artist most people associate with songs like this, so it surprised his listeners once it dropped. It helped reshape his image in a big way. The authenticity behind the lyrics and the song itself contributed directly to this. The song opens with soundbites of news coverage of the protests happening all over America at the time. Lil Baby proceeds to give his commentary on the state of the black experience in America. However, in his vulnerability, he admits he may not have all the answers to solve it and his perspectives are not all-encompassing. He also speaks directly to anyone who may disapprove of the song because of his other music. He shares that all that matters is that a change happens.

9. “Lockdown Remix” – Anderson .Paak feat. JID, Noname, & Jay Rock (2020)

This is a political rap song that centers around two topics in American history: The COVID-19 Pandemic and the protests that were happening during it. However, this track does not sonically sound like the other protest anthems on this list. It’s much more relaxed, which shifts the tone but also brings attention to the lyrics.

With minimal drums and melodies, everyone’s verse sticks out and focuses on their chosen delivery as they comment on what’s happening in the world around them. Each featured artist discusses the overlapping subject matter, but how they approach it is what sets them apart. J.I.D’s verse is more confrontational, while Noname’s has her connecting metaphors. Jay Rock’s verse is filled with questions about the country and its people as he shares events that involved them. .Paak’s hook is the through-line for them all as he discusses the state of protests during the pandemic.

8. “LAND OF THE FREE” – Joey Bada$$ (2017)

This is a political rap song that doesn’t sound aggressive, but its impact is still strong. In this song, Joey discusses the hardships and trials of the Black experience in America. He views himself as someone who has the power to make a change and lead and inspire others to do the same. However, he is a victim of the same situation as those he wants to empower.

The music video for this song is one that makes the message stand out even more. It features white men in police uniforms shooting unarmed People Of Color. In the same scene, Joey stands in between them and blocks the bullets. In one of the final scenes, members of the KKK are depicted, and they remove their hoods and put on police hats.

7. “The Blacker The Berry” – Kendrick Lamar (2015)

This is one of the more aggressive-sounding political rap songs on this list. It sounds threatening and ominous because Kendrick speaks from a place of frustration. Guitars and almost militaristic drums blare from the production while its final moments contrast with peacefulness. His verses pair with the hook from Assassin well.

The hook has double entendres that connect two different generations of the Black experience in America. Meanwhile, Kendrick’s verses focus on the current generation and the many trials that come up with it. His delivery echoes the anger felt by many Black Americans, and it’s easy to tell Kendrick is pulling from his own experiences, too. His third verse dives into the stereotypes placed on black people and concludes with a purposely hypocritical and thought-provoking question.

6. “Tonz ‘O’ Gunz” – GangStarr (1994)

This political rap song is another one whose relevance remained throughout all the years since it was originally released. This time the message is an anti-violence one for the Black community. Guru speaks on the gun-based crimes going on in communities of all kinds and how it needs to stop. His verses are accurate to the multiple facets of why it happens in the first place.

He speaks about people feeling empowered but also feeling the need to protect themselves amidst the situation itself. His delivery, however, is relaxed as usual, as if he’s conversing with the listener, not lecturing them. DJ Premier’s production adds some siren-like screams which echo the type of sounds one would hear during and in the aftermath of a gun violence-based crime.

5. “F*** Tha Police” – N.W.A. (1988)

This is another iconic political rap song. The song’s title tells the message behind it in the most direct way possible. No creative allegories here. N.W.A. never sugar-coated their messages, and this is one of the biggest examples of that. Once again, the message in this song is still relevant today because the police are still killing innocent Black people. In this song, the group recounts the hostility the police had towards them and their responses to it. They all discuss how the police feel empowered with their guns but N.W.A. knows the situation would be different if they shot back. There are skits sprinkled throughout the song, with the final one depicting a policeman being convicted for his racist acts. 

4. “Ladies First” – Queen Latifah feat. Monie Love (1989)

This is a political rap song that focuses on women’s empowerment. While women are critically acclaimed in rap today, this was not always the case. Queen Latifah and Monie Love were two of the most popular women in the rap game of their time. In this track, they detailed exactly why they were at the level they were at. This song focuses on their importance in the rap game and empowers women. Their verses describe the importance of women in society throughout the years and in their own lives. They trade verses as the song progresses, with some call-and-response moments and other fun exchanges. The song’s hook is simple but reinforces its theme with its harmonious repetition.

3. “Changes” – Tupac (1998)

This political rap song holds a mirror up to the state of America. In this song, the sample is a hook highlighting the connecting thread of Tupac’s verses. As he raps, he discusses the Black experience in America and the results of how these problems didn’t affect him when he was younger. He also speaks on how the country treats Black people and how Black people treat each other and finds issues with both. Sharing his takes on both of these gives the song multiple layers. Tupac takes an observational stance on most topics but delves into empowerment in his third verse and what he wants to do personally to combat the oppression. The song has a certain lightness provided by the sample, but Tupac’s three verses still stand out with timeless relevance and importance. 

2. “Self Destruction” – The Stop The Violence Movement (1989)

This is a political rap song centered on a message of anti-violence. While the original Stop The Violence Movement was a supergroup formed only to release this song, other reiterations have formed as the years passed. It was a direct response to a series of violent situations at rap shows in the late 1980s and the death of Boogie Down Productions member Scott La Rock. KRS-One founded the collective and brought together over ten artists for the track. These artists included Public Enemy, Heavy D, Kool Moe Dee, Doug E. Fresh, MC Lyte, and more. Each member shares a message about how violence in the Black community has no positive outcome. The song came at a pivotal moment when the media scrutinized rap and hip-hop and showed the world that it had several positive aspects.

1. “Fight The Power” – Public Enemy (1989)

This is one of the most popular political rap songs of all time. It was released in 1990, but its relevance is still high today. This is sad because it shows how many of the issues mentioned in the song are still happening. Yet, that’s exactly what makes the song timeless, too. The song’s titular hook has become an anthem for those taken advantage of, harmed, or exploited.

Public Enemy discusses the trials of the Black experience in America. Chuck D’s first two verses focus on the unification and empowerment of Black people to stand up for their rights. While it’s not quite a violent or aggressive stance, it certainly is a confrontational one. His third verse condemns figures from white culture and how Black figures should be celebrated like they are.

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Schoolboy Q And Jay Rock’s Returns And Doechii’s Debut Album Are On TDE’s Album Release Schedule For 2023

Kendrick Lamar might have completed his Top Dawg Entertainment record deal, but TDE isn’t done yet. If anything, it looks like the Southern California-based label will be doubling down on its remaining roster and increasing its album release cadence this year. Top Dawg himself revealed as much today on Twitter during a fan Q&A that found him addressing everything from a potential Black Hippy project to which of the label’s artists have tours planned this year.

When one fan asked which albums are on the docket, Top Dawg reeled off a list including new acquisitions like Doechii, Ray Vaughn, and Reason, as well as longtime mainstays Jay Rock, Schoolboy Q, and Zacari. However, he also mentioned a condition that needs to be met: “if everybody do their part,” he wrote. “when they turn them in I will release em.”

We’ve seen that process take upwards of four years — just look at Ab-Soul’s last project, as well as Isaiah Rashad’s and SZA’s — but even so, that gives TDE fans plenty to look forward to in 2023. Some of the roster’s newer additions could use the extra exposure and momentum from a potential compilation, while the veteran members’ fans have been waiting a while to hear from them (Jay Rock’s last album, Redemption, was in 2018; Q’s was 2019’s Crash Talk).

Anthony ‘Top Dawg’ Tiffith Teases That A Black Hippy ‘Album Or EP’ Could Be In The Works Soon

Top Dawg Entertainment has come a long way since 2012 when the above photo was taken at SXSW. Kendrick Lamar has since won a few Grammys and a Pulitzer Prize, Schoolboy Q has taken up golf, Ab-Soul has survived depression and anxiety, and Jay Rock… is still Jay Rock, I guess. He keeps to himself a lot.

But collectively, there’s one thing we never really got from Black Hippy: A full group project. That may change soon, despite their vocal reticence throughout the years, if the man who started their label has his way. Anthony “Top Dawg” Tiffith teased a potential project from them during a Twitter Q&A session with fans.

When one fan asked whether the group would ever do a remix of “Vice City,” Top’s favorite Black Hippy track per a previous answer, the label head went one step further. “I think they will…” he replied. “They owe y’all an album or EP.”

Now, whether such a thing will come to fruition remains to be seen. As mentioned above, it seems very much like at least two (maybe three) members of the collective are halfway retired as it is, Kendrick is busy with PgLang and his cousin Baby Keem’s career, and three-quarters of the group have kids — which can really change the calculus for album release strategies. Hopefully, they can carve out some time to get into the studio together, though, because as a group, their chemistry was always unmatched and extremely enjoyable.

Ab-Soul And The TDE Crew Are On Top Of Their Game In His New ‘FOMF’ Video

On the heels of his new album, Herbert, Ab-Soul has shared the video for “FOMF,” which is short for “f*ck out my face.”

On the song, Ab-Soul is affirmed in himself as he makes a grand return to the rap game after a six-year break between albums.

“I’m in a league of my own / Y’all need to leave it alone / I’ma just eat everything / I’ma just leave you the bones / Call it an even exchange / There ain’t no need to explain,” he raps on his opening verse.

In the song’s music video, Ab-Soul is seen taking over a baseball field with his Top Dawg Entertainment labelmates Jay Rock, Isaiah Rashad, Zacari, Reason, and Ray Vaughn. Fans cheer the rap crew on from the seats in the baseball stadium.

Ab-Soul, along with Rashad and TDE labelmate Kendrick Lamar have all been outspoken about seeing a therapist. In a recent interview with Vulture, Ab-Soul shared how his therapist has helped him over the past few years.

“I felt like she understands,” he said. “It wasn’t the commercialized version of how therapy goes. ‘So how does that make you feel?’ She’s still my therapist to this day. That goes back to how our people are turned off with the mental-health conversation, going to therapy. It means you’re crazy, all of the stigma that we’ve been taught. But I feel it becoming more of the norm for people who don’t want to go to therapy, who want to go try to be their best self. I feel it. It’s happening.”

Check out the video for “FOMF” above.

Herbert is out now via Top Dawg Entertainment. Stream it here.

Reason Teams Up With Jay Rock For ‘It Is What It Is,’ A Humble New Song

Last month, Reason returned with his take on Jack Harlow’s Drake collaboration “Churchill Downs” with “Churchill Downs Freestyle.” Now, he’s teamed up with Jay Rock for “It Is What It Is.”

An instrumental by Hollywood Cole serves as a cinematic, pulsating backdrop while the pair break into flows about their hardships, with Jay Rock posing serious questions: “Now would you rather go, hard or ballistic? / Keep it realistic / Nothin’ really move but that money, would you risk it? / I was broke and hungry, itchin’ to kill to somethin’, my ribs touchin’,” he raps.

Meanwhile, Reason recently had some beef cleared up with fellow rapper Logic, who was thought to be dissing Reason in his track “Vinyl Days.” “Hey bro @reasonTDE my boy @thisisrory said you thought I dissed you on my song Vinyl Days,” Logic tweeted. “If I was going to diss you, I’d diss you. I love you, you’re my brother. Let’s get ice cream together some time.”

Fans thought Reason had instigated a feud with Logic due to some of his lyrics on the 2020 track “The Soul (Pt. 2),” but Reason denied that he dissed Logic, saying, “It’s just small wordplay, and reasoning is close to logic. That’s really as deep as I thought about it. It’s really just a lesson learned that we’re in a different day and age, and rap is different. It’s a little bit more sensitive.”

Listen to “It Is What It Is” above.