This morning, January 5, the Recording Academy announced which musical icons will be honored with this year’s Lifetime Achievement Award, as relayed by The Hollywood Reporter: Nirvana, Ma Rainey, Slick Rick, The Supremes, Nile Rodgers, Bobby McFerrin, and Ann Wilson and Nancy Wilson of Heart.
The publication additionally pointed out that the awards will be given posthumously to Rainey, Nirvana’s Kurt Cobain, and The Supremes’ Mary Wilson and Florence Ballard. Diana Ross was previously given the Lifetime Achievement Award as a solo artist in 2012. Ross is also nominated for the Best Traditional Pop Vocal Album category for Thank You, released in November 2021 as her first solo release since I Love You in 2006 and first original material since 1999’s Every Day Is A New Day.
The Special Merit Awards Ceremony is scheduled for Saturday, February 4 at Los Angeles’ Wilshire Ebell Theatre.
The 2023 Grammys will air live on CBS (and stream live on Paramount+) from LA’s Crypto.com Arena on Sunday, February 5.
“A lot of what I would suggest is what I’ve heard [Recording Academy CEO] Harvey [Mason Jr.] talk about: trying to create a Grammys where the music reflects the awards show and the awards show reflects the music,” Noah told Billboard of what he would change about the Grammys. “Oftentimes [with] award shows, there may be a disconnect between the general public who are consuming music and the people who are voting on the music. It’s important for every award show [that] wishes to maintain its relevance to understand that difference. The audience isn’t wrong in having different tastes or a preference on whom they wish to see. I think in music as a whole, you have to acknowledge that, and the Grammys has, albeit slowly.”
Spotify Wrapped filled everyone’s social media feeds at the end of November, shortly following the popularity of the Instafest app that turned a user’s listening history into a festival lineup. Now, Spotify is introducing a new feature for music lovers to play around with: Playlist In A Bottle.
Playlist In A Bottle invites users to make playlists that will be locked until January 2024 — a sonic time capsule. It’s only available until the end of this month, so it’s time to get curating. Users will also be given choices of time capsules, such as a bottle, a jean pocket, a gumball machine, a lunch box, a teddy bear, and an acorn. Prompts will help the user pick songs, including a song you’d pay to hear for the first time again, a song you want to hear live this year, a song that won’t make any sense a year from now, and more. The feature is live on the Spotify app now.
The Instafest app was so successful last year that the realistic nature of the fake festival flyers fooled many fans on Twitter into thinking they were real. “Found out these musical festivals are just generated by oomfs spotifys why I looked up how to buy tickets….” one user wrote in a viral tweet.
2022 was one heck of a year for new music. Following a relative lull from the pandemic, last year saw new album releases from everyone from Beyoncé and Kendrick Lamar, to Bad Bunny and Big Thief. Which brings us to the question of what the most anticipated albums of 2023 are? We’ve got you thoroughly covered with a breakdown of upcoming and rumored releases in pop, hip-hop, indie, R&B, and more. And once you’ve scoped out all of our most anticipated albums of 2023, you can judge for yourself on whether 2023 will be even bigger than the year before.
Monsta X – Reason
January 9
Monsta X are coming back in January with their twelfth mini-album, Reason. After months of a brief hiatus, fans still got to catch the group during their spring US tour, but globally, others are ready to hear the brand-new songs. – Lexi Lane
Låpsley – Cautionary Tales
January 20
Låpsley has fuzed her elegant, contorting vocals with electronic-leaning production across two stellar albums thus far. Now the steadily climbing Brit is coming back with Cautionary Tales of Youth, a cathartic release of tunes that were inspired by her time locked down in South Africa during the early days of the pandemic. The latest single “Hotel Corridors” melds her evocative delivery interlaced with a smoky, tight-knit beat in the shape of Jamie xx and Fred Again.. – Adrian Spinelli
Ava Max – Diamonds & Dancefloors
January 27
Teased with early singles “Weapons” and “Million Dollar Baby,” Ava Max is taking on 2023 with a vengeance. Her January album is just as shimmery as the title suggests. “It’s like a new wave of pop music, and it was needed. I love it,” she told Uproxx last year about her distinct disco-inspired sound. – L.L.
Sam Smith – Gloria
January 27
Sam Smith’s fourth album, Gloria, arrives next month and will build on the momentum of their chart-topping “Unholy” collab with Kim Petras. Other features include Ed Sheeran, Koffee, and Jessie Reyez, as Smith aims to document a motivational journey of self-discovery. – L.L.
The Arcs – Electrophonic Chronic
January 27
The retro soul-minded supergroup led by Dan Auerbach of The Black Keys are returning with their first album in eight years. Along with Auerbach, Big Crown Records boss Leon Michels, Menahan Street Band’s bassist Nick Movshon, and Dap Kings drummer Homer Steinweiss will honor their late band member, the indie-titan producer and multi-instrumentalist Richard Swift (who died in 2018.) Singles like “Keep On Dreamin’,” Eyez,” and “Heaven Is A Place,” find a nifty balance between psychedelic soul and spirituality that Swift would have adored. – A.S.
Samia – Honey
January 27
The Baby, Samia’s 2020 debut, was praised for its visceral lyricism matched with a delicate, sweet sound. Singles like “Sea Lions” and “Kill Her Freak Out” have previewed refined songwriting and a bigger sense of intensity for the next effort; “You said when I come on the radio it makes you wanna die / Well if I shut up can I come inside?” she sings on the unforgettable piano-driven ballad “Sea Lions.” – Danielle Chelosky
Raye – My 21st Century Blues
February 3
Raye decided to bet on herself after leaving her record label to become an independent artist, and the results have paid off tremendously. Her debut, My 21st Century Blues, drops in February, featuring her viral lead single, “Escapism.” – L.L.
Young Fathers – Heavy, Heavy
February 3
On “Geronimo,” the Mercury Prize-winning trio Young Fathers deliver a powerful harmony on the hook, singing: “I’m on the verge of something divine that’s gonna keep me alive!” It sets the stage for the long-awaited follow-up to 2018’s Cocoa Sugar, where the Scottish band have a lot to get off their chest. Heavy, Heavy is the result of intentionally insular sessions, where they honed in on an outpouring of pent-up emotions over the course of their pandemic-shackled years. – A.S.
Of all the albums on this list, Kelela’s Raven is the only one that we actually have a set release date for. The D.C. singer will share her long-awaited sophomore album on February 10 which comes five and a half years after the release of her celebrated Take Me Apart debut. Kelela has described Raven as a “15 track deep-dive into facets of dance music that have always excited me” and her “first breath taken in the dark, an affirmation of black femme perspective in the midst of systemic erasure and the sound of our vulnerability turned to power.” – Wongo Okon
Andy Shauf – Norm
February 10
Andy Shauf has a knack for concept albums that linger in the listener’s mind long after they’ve finished, like his 2016 cult classic The Party. He’s preparing for the release of his fifth studio LP, Norm, about which he explained, “The character of Norm is introduced in a really nice way. But the closer you pay attention to the record, the more you’re going to realize that it’s sinister.” These themes have been teased in the compelling singles “Wasted On You” and “Catch Your Eye,” especially the latter, which calmly plays with the intensity of longing and desire against a tranquil sonic backdrop. – D.C.
Narrow Head – Moments Of Clarity
February 10
There are tons of bands getting in on the grunge revival right now, but Narrow Head are one of the most notable. Their EPs and albums have been magnetic and ferocious, packed with blaring guitars and unsettling textures that bring to mind alt-rock veterans like Smashing Pumpkins or Hum. Moments Of Clarity retains their forceful energy, as proved by the single “Gearhead,” a destructive, distorted anthem about isolation: “Alone again is time well spent / Alone, forever falling.” – D.C.
Paramore – This Is Why
February 10
Paramore’s last album was 2017’s bombastic After Laughter, which contained one of their biggest hits, “Hard Times.” Fans have been begging for new material since then, and the announcement of This Is Why was an exhilarating one. The singles “This Is Why” and “The News” have exceeded expectations; both possess the band’s catchy, explosive personality, leaning into new wave and not holding back on the sass. – D.C.
Caroline Polachek – Desire, I Want To Turn Into You
February 14
Caroline Polachek officially pulled fans into her next era this month with “Welcome To My Island,” one of the singles off her second solo endeavor. Arriving on Valentine’s Day, Polachek experimented with a range of producers and genres, including flamenco (“Sunset”) and bouncy electropop (“Bunny Is A Rider”). – L.L.
Pile – All Fiction
February 17
In four words to Uproxx, Pile described their sound as, “Noisy rock but also…” This sums up the mystique of Pile. The singles previewing All Fiction have an unnameable, disturbed quality to them, something brewing beneath the surface. The haunting instrumentation, detached vocals, bleak lyricism — especially on the off-kilter “Poisons” — create a dark, dreary world that has a strong gravitation pull. – D.C.
Runnner – Like Dying Stars, We’re Reaching Out
February 17
Noah Weinman’s sprawling Always Repeating was a preface to his discography as Runnner. His forthcoming debut Like Dying Stars, We’re Reaching Out is the official kickoff, and the movement is swift and strong, not unlike a gut punch. The lead single “I Only Sing About Food” showcases his knack for disarming, intimate scenes of feeling: “I’m an idiot, I cried in your car / When I couldn’t find the words I was looking for / I overanalyze, I never let it feel good / I only think about death / I only sing about food,” he sings. The following single “Bike Again” soars with a dreamlike, glimmering instrumental that communicates more than words ever could. – D.C.
Gorillaz – Cracker Island
February 24
The singles from Gorillaz’s forthcoming album Cracker Island have been enticing previews. From the colossal title track featuring Thundercat to the mesmeric earworm “Skinny Ape,” the LP is looking like a special experience. To make it even better, it’ll feature artists like Stevie Nicks, Beck, Bad Bunny, and Adeleye Omotayo. – D.C.
Fever Ray – Radical Romantics
March 10
Radical Romantics is Fever Ray’s first album in over five years. “What They Call Us” was a bewitching comeback single, seething and soaring with sporadic, haunting sounds like a sonic collage. Karin Dreijer, the face behind the project, seems to address the hiatus in the song: “It’s a common misperception, this is not a band, ready for a dissection / Now mommy’s gotta work, see the land.” The whole record is sure to be a trip. – D.C.
Lana Del Rey – Did You Know That There’s A Tunnel Under Ocean Blvd
March 10
Lana Del Rey is returning to her California roots on the breezy upcoming album. Boasting a song titled “American Whore” and collaborations with Bleachers, Jon Batiste, and more, she is setting the bar high for the Did You Know That There’s A Tunnel Under Ocean Blvd era. – L.L.
100 Gecs – 10,000 Gecs
March 17
Just recently, 100 Gecs unleashed the chaotic EP Snake Eyes, which contained the ridiculously infectious track “Doritos & Fritos.” They’re already gearing up for their next album, fittingly titled 10,000 Gecs to follow-up their critically acclaimed debut 1000 Gecs. “As I’ve been exploring my voice more, I’m like, ‘I can do this,’” Laura Les said. “And also I’m sick of worrying about it. If I don’t just fucking do it, then I’m just a scaredy cat. And I don’t want to be a scaredy cat.” – D.C.
Smashing Pumpkins – Atum
April 21
Smashing Pumpkins are not playing around. They’re going to be unveiling Atum next year, a rock opera in three acts made up of 33 songs. It will serve as the sequel of 1995’s Mellon Collie And The Infinite Sadness and 2000’s Machina/Machine Of God. Pronounced “Autumn,” the LP’s first single is the electrifying “Beguiled” which came with a cinematic music video. The “1979” group is creating a whole world with this record, and it’s gonna be good. – D.C.
6lack
today marks 6 years since #FREE6LACK — and the last anniversary before we get into Season 3
My thought throughout the year was that 6lack would deliver his third album at some point during 2022. However, with just days until the year comes to an end, it’s clear that it’ll arrive in 2023. It’s only been two years since 6lack’s last project 6pc Hot was released, and ever since then, the Atlanta native has made sure not to go too long without treating supporters. 6lack stepped into the world of others through songs with Lil Durk, Lil Tjay, Eli Derby, Jacquees, Jessie Reyez, and others that made their way into our ears over the past couple of years. In 2023, we look forward to seeing 6lack create a world for himself and invite others into it for his third album. – W.O.
Anitta
Getty Image
While Anitta already dropped her fifth album, Pieces Of Me, in April, fans are anticipating even more from the beloved Brazilian singer. Plus, she’s up for a Best New Artist nomination at the 2023 Grammys, giving her all the more reason to possibly release some new music. – L.L.
ASAP Rocky – Don’t Be Dumb
It’s been a minute since we last heard from ASAP Rocky with 2018’s Testing. Since then, he’s become a father, he’s been a hilarious meme, he’s expanding his acting credits, and he’s even starred in a video game. After dropping the new single “Sh*ttin Me” and teasing more Metro Boomin contributions, he finally announced that the album was done with just a few weeks left to go in the year. With a lot to talk about (cough, cough, Sweden) and what sounds like a lot more focused musical direction with Metro’s involvement, Don’t Be Dumb could very well return the Harlem rapper to the top of the charts and reveal new facets of his personality. – Aaron Williams
The most mysterious of the bunch, Keem’s the only one who hasn’t outright announced an album. That hasn’t stopped Keem fans from sniffing out any and every available clue that he could be working on one. And given his and cousin Kendrick’s tendency to surface suddenly and without warning, that could be all the reason to be on the lookout for a follow-up to The Melodic Bluesometime in the next 12 months. – A.W.
Baby Rose
Baby Rose’s last project arrived in 2021 with To: You (A Holiday Joint), but the D.C. soul singer hopefully has something in store for us next year. Her captivating voice was most recently used in October for her double-sided single “Go B/W Fight Club” which arrived two years after her stellar debut album To Myself. There’s no telling what kind of music will get on Baby Rose’s sophomore album, but at the very least, we hope it arrives sometime in 2023. – W.O.
Beyoncé
Before Twitter goes down, instead of making you follow me somewhere else, I’ll just tell you what I’ve heard about the other 2 acts of Beyonce’s 3-part “Renaissance” project
(2nd act is an acoustic album, 3rd act is a collaboration with Jay-Z)
Sitting atop many year-end best albums lists, Renaissance saw Beyoncé lean fully into dance music subcultures. But lost in the shuffle for many, is that Queen Bey indicated that Renaissance is merely the first installment in a trilogy of albums. Fearing the potential death of Twitter this past November, a New York Times reporter went on record while he still could, to say that the, “2nd act is an acoustic album, 3rd act is a collaboration with Jay-Z.” Could we get either or both of these in 2023? Commence freaking out now. – A.S.
Billie Eilish
Billie Eilish wraps her Happier Than Ever world tour this week, and then, it seems, her third album cycle will begin. She and Finneas confirmed they had started the writing process last winter. Between the stadium-made rock ballad of her previous album’s title track, “Happier Than Ever,” and the calming quality of 2022’s Guitar Songs EP, Eilish is constantly surprising fans with an unpredictable direction. – L.L.
Blink-182
So much happened this year that we barely got time to process the return of Tom Delonge in Blink-182. While the releases the band offered with Matt Skiba were pleasant and enjoyable, fans never stopped begging for the original vocalist and guitarist to come back. The song “Edging” is the perfect mischievous entrance back into the scene. They confirmed an album is on the way, and the fact that their tour has openers like Turnstile and The Story So Far proves that they’re keeping in touch with current blazing rock. – D.C.
Blondshell
Blondshell was one of the most alluring emerging artists this year. From the haunted reckoning of a detrimental relationship in “Olympus” to the cathartic spurt of alt-rock in the latest song “Veronica Mars,” 25-year-old Sabrina Teitelbaum has managed to keep up the momentum with every release, and hopefully these tracks are fragments from a bigger project coming soon. – D.C.
Boygenius
Lera Pentelute
Besides being spotted recreating a famous Nirvana photoshoot in LA recently, the official word on a new Boygenius album has been realtively quiet. But it’s largely believed that the indie supergroup of Phoebe Bridgers, Julien Baker, and Lucy Dacus are gearing up to drop the follow-up to their 2018 debut EP this year. And insider rumors also indicate that other equally buzzy indie gals could be joining them… – A.S.
It’s been two years since Bryson Tiller made his grand return to the music world following a three-year absence that featured little to no music. That return was Anniversary, and with that project’s release, came the announcement that a previously-mentioned effort, Serenity, would see the light of day soon. At the top of 2021, Tiller said that Serenity would be a triple disc release with a pop, rap, and R&B side. Tiller certainly has the versatility to pull this off, as his recent releases “Outside” and “Gotta Move On” suggest. It’s just a matter of time until we as listeners can be the judge of that. – W.O.
Cardi B
Cardi was one of the artists that fans most looked forward to hearing from in 2022, but aside from some inflammatory singles, it wasn’t to be. She did give us “Hot Sh*t” with Kanye West and Lil Durk, which was well-received, but given Kanye’s issues and an inability to promote the song the way she wanted, Cardi moved on from the single fairly quickly. She had better luck with GloRilla’s “Tomorrow 2,” which offered an instant classic Cardi verse, but she later admitted that she’s been feeling a lot of anxiety and pressure from the potential reception of her long-awaited follow-up to Invasion Of Privacy. She did say she wants to get that album out in the new year, though. – A.W.
Chlöe has been hard at work on her debut solo album Chlöe ever since Chloe x Halle impressed the world with their sophomore effort, Ungodly Hour. Chlöe’s own body of work will be a bit different from what we heard on Ungodly Hour as her “Have Mercy,” “Treat Me,” “Surprise,” and “For The Night” singles depict both contextually and sonically. While it still remains to be seen who will guest beside Chlöe on her album, we do have an idea of what Chlöe will sound like. “In the beginning, you can tell that [the person] who is singing is like a bird with broken wings,” she said in an interview with Allure. “As time went on, you can hear me finding my strength and confidence.” – W.O.
In 2022, afrobeats had one of the strongest years in its modern era. Artists like Wizkid, Rema, Burna Boy, and Asake contributed to the genre’s greatness over the course of the year. A notable name that was missing from the mix was Davido who will soon enter his third year without a new album following 2020’s A Better Time. With ear-pleasing tunes like “Champion Sound” and “Stand Strong” out as possible previews of what’s the come, there’s no doubt that Davido will take the helm to show off afrobeats’ continued and undeniable growth. Plus, with a promise to return in March, we may not have to wait too long to see it all unfold. – W.O.
Doechii
After an impressive breakout in 2022, TDE’s latest signee still remains a refreshing question mark for the new year. Her EP, She/Her/Black Bitch, showed some promising signs that she’s got a clear direction and isn’t afraid of taking creative risks. And the response to singles like “Persuasive” and “Crazy” indicates that fans may wind up being a bit more receptive to her left-field mashups of hip-hop and house than they were ten years ago when “212” was dominating playlists and sync licensing placements. If nothing else, she’s got the TDE machine on her side, which means that when she does drop, she’ll have the full support of her label, something not every artist gets to enjoy. – A.W.
Doja Cat
im not doing a german rave culture album you guys i was pranking the outlet that interviewed me about it
After an absolutely explosive 2021 thanks to Planet Her and its seemingly endless string of fan-favorite hit records, anticipation was high for Doja to follow up her debut. Doja herself was more than happy to feed into that feeling from fans, teasing permutations of the project that included a 9th Wonder-produced rap LP, an R&B album, and even a euro-house edition. However, she was unable to do much recording after having throat surgery, which forced her to pull out of The Weeknd’s After Hours stadium tour and confined her to home for recovery. The content she did share – namely, a lot of selfies of her new bald look – has ironically generated even greater fervor for new music, since she’s clearly feeling newly freed and more creative than ever. – A.W.
Dove Cameron
Dove Cameron has delivered some serious dance anthems ahead of her debut album. A rising pop star to watch, she channeled her inner Charlie’s Angel on the Y2K bop “Girl Like Me” and calculated relationship risks on “Bad Idea” throughout this year. – L.L.
While it might be difficult for Dua Lipa to follow her Future Nostalgia era (and one hell of a pop record), she does have a plan to try. “It’s like I’m coming into my power and not afraid to talk about things,” Lipa told Vogue. It also has a title — but Lipa is keeping it a mystery… for now. – L.L.
Boy bands and girl groups are more or less a thing of the past nowadays, but the British singing trio FLO is using the open space to stand out. The female group comprised of singers Stella, Jorja, and Renée released their debut EP The Lead in 2022, and now have plans to share their debut album in the near future. Speaking of that future, it seems to be very bright for FLO as they’ve already made their television debuts in both the US and UK in addition to being the first British group to win the Brit Award for Rising Star, an honor previously received by Adele, Sam Smith, Jorja Smith, Florence and the Machine, and Ellie Goulding. The sky is the limit for FLO. – W.O.
Frank Ocean
Getty Image/Ralph Ordaz
In all honesty, there hasn’t been a true sign that Frank Ocean will drop music in 2023. However, there are enough clues for us fans who’ve been waiting since 2016 to have just enough hope that he will. Frank is set to headline Coachella in 2023. He shared a nine-minute track on Christmas Day in 2021, effectively proving that he’s indeed in the studio — even if it’s sporadically. He even cleared out his Instagram posts which artists have often used as a rollout before the rollout in a sense. Nonetheless, these examples mean nothing just as much as they could mean something. So with that, we’ll just have hope that Frank returns with a body of work that is as artistically captivating as Channel Orange and Blonde, so much so that it joins the debate of which out the three is truly his best output. – W.O.
The Gaslight Anthem
In our conversation with The Gaslight Anthem bandleader Brian Fallon, he offered an estimation to when a new record may come, guessing around “early next year, early spring,” depending on how his writing goes. The band reunited this year; their last LP was 2014’s Get Hurt, though Fallon has put out solo material since. What led to this comeback isn’t very surprising: “During quarantine, I had gotten so bored,” he admitted in that same interview. Their recent tour was a great way to increase the anticipation, and now we wait. – D.C.
Rap’s undisputed rookie of the year exploded in popularity thanks to her summer smash “F.N.F. (Let’s Go),” but unlike plenty of other viral favorites, she was able to maintain her momentum with follow-ups like “Tomorrow 2” and the … Anyways, Life’s Great EP. Now, more than anything, fans want to see whether her natural charisma can carry a full-length project. She’s got more than enough viral moments over the past year to keep her name red-hot (and comfortingly uncontroversial) and with one of her hometown’s biggest stars giving his backing, it’ll be interesting to see where she ends up next. – A.W.
Halsey
Fans have started speculating that Halsey is working on her fourth album. As the alt-pop star only dropped a radio single this year, it seems they’re intending on a full-length 2023 drop. Particularly, one that’s been theorized to be shoegaze-inspired and in the style of 2020’s Manic. – L.L.
Jennifer Lopez — This Is Me… Now
Jennifer Lopez seems to be reflecting on her past and present on the upcoming This Is Me… Now album. The record will feature the viral “Dear Ben Pt. 2” — a follow-up to the 2002 romantic track she wrote for the Dunkin’ king. Don’t be fooled, this album is not a sign to text your ex. – L.L.
Ice Spice
If GloRilla took the crown for the year’s biggest breakout, it’s only because Ice Spice didn’t manage to get her project out under the wire. Like Glo, she saw much of her impact come from the TikTok popularity of a single song: “Munch,” which launched seemingly a million memes and almost got the Cardi B treatment as well. It also drove attention to prior Ice Spice videos like “Name Of Love” and “No Clarity.” The resulting hunger for more of the Spice life led to a follow-up, “Bikini Bottom,” and the New York rapper being put on the fast track to stardom, with Rolling Loud appearances and homage tracks from other artists galore. – A.W.
J. Cole – The Fall-Off
While Cole has seemingly returned to his self-imposed hibernation from the rap game following a few stints of professional basketball, I don’t think for a second he’s forgotten about his commitment to deliver the magnum opus promised a few years ago at the end of KOD. He’s even said The Off-Seasonwas more of a warm-up (if only he hadn’t already used that name) or practice session, sharpening his tools before attempting to sum up his incredible, decade-long career. – A.W.
Janelle Monáe
Lately, Janelle Monáe has been the talk of the town for her fantastic acting role in Glass Onion: A Knives Out Mystery. The always technologically-advanced Monáe has promised that a new album is on deck because she has a clone of herself working in the studio right now. The archandroid queen has even fired a friendly shot at Donald Glover, saying that she’s a better” triple threat” than he is. Spoiler alert: She kinda is. – A.S.
Jhené Aiko
Dante Nicholas
Jhené Aiko’s last album Chilombo was her most celebrated and critically acclaimed album. It gave her three Grammy nominations, topped R&B album charts, and landed on multiple year-end lists. A lot has happened to Jhené since then. She gave birth to her second child and first with Big Sean. She launched her own record label Allel Sound through Def Jam. Nonetheless, there’s a decent chance that Jhené gives fans some music in 2023. It could be her fourth album or her long-awaited second album as one-half of Twenty88 with Big Sean. We’ll just have to see which one, if either, gets released next year. – W.O.
Kali Uchis
My third album & the next are both finished, one is an English album one is a Spanish album ¿what my kuchis want first ?
In April, Kali Uchis revealed that she has not one, but two albums (in English vs. in Spanish) at the ready… It just depends on what the fans want first. “I just want to show all the different sides to me and that I’m multi-dimensional,” she shared. – L.L.
Kiana Lede
When this album actually drops you guys better be givin this same energy I’m gettin now while you all are askin for it
Kiana Lede has one of the best voices in R&B today, it’s just unfortunate that we haven’t heard from her in some time. Don’t fret though, that reminder will surely be delivered in 2023 when she arrives with her second album and follow-up to 2020’s KIKI. Her eagerness to release this project has been made clear on social media multiple times over the past few months. She even dropped an EP, Unfinished Business, on SoundCloud to hold fans over and give them a taste of what’s to come next year – and based on that EP, what’s next is definitely worth the wait. – W.O.
Maisie Peters
Maisie Peters posted she turned in her second album on the same day the snow fell in London — a situation that feels like pure fate. She put out a handful of singles this year, between the addictively biting “Not Another Rockstar” and a love song for her best friend’s sibling with “Cate’s Brother.” If this is just a glimpse of Peters’ LP2, we can only imagine how impressive the rest will be. – L.L.
Mariah The Scientist’s sharp pen is about this put on full display when she releases her third album at some point in 2023. Recent examples of her songwriting were noticeable through the viral “Spread Thin” which was housed on Buckles Laboratories Presents: The Intermission and “Aura” from Ry Ry World. It’s these tender lovelorn songs that have made Mariah The Scientist so enjoyable, and together with fun records like “Stone Cold” and slightly darker submissions like “Bout Mine,” there’s enough to look forward to for album No. 3. – W.O.
Masego
Before I fully get into the season of promoting my own music, this is what I’ve been on lately. pic.twitter.com/3Z00LYXYkX
There’s no telling what Masego has in store next for his fans. It could be a traditional R&B and jazz release like his 2018 debut Lady Lady and it could be more flavorful like his 2020 Studying Abroad EP. Regardless, there’s no doubt that the multi-talented artist will deliver an equally impressive and intricate body of work for his second album. There’s already a collection of performances in place thanks to his You Never Visit Me Tour set to kick off in March, which is a pretty good sign that his new album could arrive bring the official start of spring. – W.O.
Meet Me At The Altar
the writing and recording process of our debut album has made me fall in love with music ALL over again. i’m SO in love with music and the things that come with being an artist & being in a band. writing the songs, creating the visuals, recording, etc. i really live for it all <3
Bombastic EPs, crazy tours, signing to the one and only Fueled By Ramen label — Meet Me At The Altar are obviously on the verge of something big. The pop-punk group have been raging since before the whole revival spearheaded by Machine Gun Kelly started, and they’re obviously in it for the relentless energy, which all of their songs burst with. Their debut is sure to be a big deal. – D.C.
Michael Stipe
While Michael Stipe said in 2021 that R.E.M. will “never reunite,” the singer is set to release his first ever solo album in 2023. He’s said that there will be a number of collaborators involved in the project and if last year’s Brian Eno-produced “Future If Future” (the first ever vinyl released on bioplastic) is any indication, it’ll definitely lean towards the experimental. – A.S.
Miley Cyrus ended 2022 with a bang by singing a duet of “Wrecking Ball” with her godmother Dolly Parton on their nationally broadcast New Year’s Eve special. Cyrus wasted no time revving up what’s in store for 2023, with a New Year’s Day announcement that her next single, “Flowers,” is due out on January 13th — which also happens to be her ex-husband Liam Hemsworth’s birthday. It’s a juicy advancement for what will presumably start the cycle of Cyrus’ next album, the follow-up to 2020’s Plastic Hearts. – A.S.
My Chemical Romance
The long-awaited return of My Chemical Romance was postponed due to the pandemic, so this year was a relief for their fans. Their tour was nothing short of anyone’s expectations; beloved bandleader Gerard Way sported a dress onstage, performing timeless hits like “Teenagers” and “Helena” as well as deep-cuts from their debut, pleasing the whole audience every night. Their comeback song “The Foundations Of Decay” captured their singularly theatrical, explosive essence, and there simply has to be an album on the way — it’s been over a decade since Danger Days. – D.C.
The National
In a conversation with NME last year, The National’s Bryce Dessner described the songs on the band’s next album as “vulnerable and direct like on Boxer, but with experimental moments like Sleep Well Beast and raw moments like Alligator.” Talk about a thorough representation of their many eras. They already debuted a few new songs on tour last May and in August released “Weird Goodbyes,” a collaboration with Bon Iver. – A.S.
Nicki Minaj
Nicki Minaj maintained a chokehold on the hip-hop discourse this year by sheer force of will (and the efforts of her ever-dedicated fanbase), and with a few strategically-placed singles and guest appearances. In the first half of 2022, she joined forces with rising star Coi Leray on “Blick Blick” (seemingly an extension of her 2021 strategy of teaming up with Doja Cat and finally ending her self-imposed moratorium on collabs with up-and-coming female rappers). Then, she dropped “Super Freaky Girl,” harkening back to her “Anaconda” era to garner her first-ever solo No. 1. She even dropped a remix with a whole peck of rap girlies, extending her influence and driving curiosity to see what other new avenues remain to this venerated veteran. – A.W.
Normani
Fans of Fifth Harmony have been begging for Normani’s solo album since the band dissolved in 2018. Things seemed promising with 2019’s “Motivation,” but the singer’s music has long been speculated to be at a standstill due to label issues. Here’s hoping she finally gets to release her full-length LP. – L.L.
Building off the massive success of 2021’s Sour, Olivia Rodrigo has returned to the studio with the album’s producer, Dan Nigro, with plans for her sophomore return. Given the global reach that “Drivers License” had to make her a household name, only time will tell if she’s able to recreate it — or will go in a different, rock-influenced direction. – L.L.
PARTYNEXTDOOR
Just like he did after 2017’s Seven Days, PARTYNEXTDOOR’s activity in the music world after his fourth album PARTYMOBILE has been sparse. A single here, a feature there, SoundCloud songs put on streaming services here, and a post giving fans some hope of something new on the way there. Time says that PARTYNEXTDOOR’s next album is likely to arrive in 2023, more so than it was in 2022. However, with just two projects to his name in the last five years, it’s clear that PARTYNEXTDOOR moves on his own time and when he’s ready, he’ll pop back up with something. Let’s just hope it’s in 2023. – W.O.
Rihanna
Contributing two songs (“Lift Me Up” and “Born Again”) to the Black Panther: Wakanda Forever soundtrack, Rihanna’s fans finally rejoiced after getting their first new music from her in years. As she’s also scheduled as the Super Bowl halftime performer in February, it seems there are more surprises in store. – L.L.
Romy
1/3 of The xx, Romy Madley-Croft has been teasing her debut album for nearly three years. 2022 was especially fruitful for Romy, with her releasing multiple tracks produced by Fred Again.., including “Lights Out,” which also included HAAi and was among Uproxx’s Best Songs Of 2022. The other 2/3 of The xx, Oliver Sim and Jamie xx, already have solo albums under their belt, so it seems as if it’s Romy’s turn to be in the spotlight in 2023. – A.S.
As a track runner in high school, Saweetie probably knows all about having to recover from false starts. Although anticipation for the project may have waned after so many delays, it doesn’t look like Saweetie has given up on herself yet – and that’s the true test, in many ways. In any event, I’m sure there are still plenty of folks who want to hear just what exactly she has had in store after nearly three years of teases. If the new single “Icy Girl, Icy World” is any indication, she could be back on her Sample Saweetie kick, which could mean a return to prominence is just one starter pistol away. – A.W.
Selena Gomez
Selena Gomez is tired of singing “sad girl” songs, she teased on a recent Tonight Show appearance. Instead, Gomez is going full pop icon. “I’m ready to have some fun, and I think people are going to like it,” Gomez hinted. – L.L.
Seventeen
Seventeen are confirmed to be dropping a new album in early 2023, although the title and tracklist are still TBD. The 13-piece band increased their global impact this year, earning their first Top 10 album on Billboard‘s albums chart. – L.L.
Sky Ferreira
Sky Ferreira has found herself on every anticipated album list for, well, a decade since her debut, Night Time, My Time. However, 2023 does look somewhat more promising on the heels of her summer single, “Don’t Forget.” – L.L.
Tems
Btw I never stopped producing. I just wasn’t ready to share it. I told @GuiltyBeatz give me all the beats that I will NEVER do in this life. And the result was IF ORANGE WAS A PLACE.
My Debut Album is packed with my production. And I’m 100x better than I was 3 years ago.
For someone who didn’t release a project this year, Tems had a big year in 2022. It came in large part through profiles that gave us a closer look into her life, moments with huge stars like Rihanna and Beyonce, and contributions to the Black Panther: Wakanda Forever film. On this music side of things, it hasn’t been long since Tems dropped a project with her most recent being 2021’s If Orange Was A Place which followed her 2020 breakout For Broken Ears. The year “off” for Tems was well-deserved, but it comes with a promise for more and lots of exciting things in 2023. – W.O.
Just about the only rapper whose album we know anything about this year is Travis Scott, who has been quietly biding his time in the wake of the Astroworld Festival disaster last summer. He actually began the rollout for Utopia during Coachella, putting up massive billboards on the way to and from Indio extolling the upcoming project. However, he kicked his promotional efforts into high gear more recently, joining Pharrell on “Down In Atlanta” and making multiple appearances on Metro Boomin’s Heroes & Villains album and SZA’s SOS. While he hasn’t overtly dropped anything from Utopia yet, it looks like he’s building himself back up and testing the waters to make sure it gets just as warm a reception as its predecessor. – A.W.
Victoria Monet – Jaguar II
I’m SO READY TO PUT THIS MUSIC OUTTTTT learning patience myself for real but sheesh
I won’t know what to do myself if I have to endure another year without a Victoria Monet project. Her excellent Jaguar EP probably shudders when I storm to it for the umpteenth relisten. Realistically though, Monet hasn’t completely disappeared from the music world and her songwriting contributions to Ariana Grande’s Positions, for example, are an example of that. Nonetheless, we hope that Monet sees that it’s time that she returns with her previously announced Jaguar II EP. Until then, it’s back to Jaguar with occasional stops at “Coastin’” and “F.*.C.K.” – W.O.
Wednesday
Wednesday’s Twin Plagues was one of the most stunning records of 2021, seamlessly blending immersive, staticky shoegaze with an endearing twang, made all the better by Karly Hartzman’s hypnotizing soprano. In September they released the 8-minute ripper called “Bull Believer” and deservingly signed to the iconic label Dead Oceans, which is a good sign that an LP may be on the way. The new track signals a direction that digs deeper into their grit; it even features an unrelenting scream from Hartzman, giving the song the texture of a horror movie. – D.C.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Cardi B channeled her inner emo kid as she appeared at a massive party at Miami’s E11even nightclub to ring in the new year.
While she gave a solo performance of her hit collab with Megan Thee Stallion, “WAP,” she also took some time to reminisce on some songs of years’ past. After all, they don’t call it Rockin’ Eve for nothing.
“Anything you wanna hear, ’cause that’s just who I am this week,” Cardi sings to the crowd with a glass of champagne in hand. “Lying in bed, next to the mausoleum.” While she didn’t get exactly all the words right, the video is so fun that you can’t help but acknowledge her effort.
Fans greatly enjoyed the wild crossover too. “Cardi B singing Fall Out boy is so real I love her,” one person tweeted.
Back in September, Cardi posted some throwback pics of herself in high school, and claimed that she while she might not have called herself emo, she was close with them. “The emo kids in school were actually really cool and will give me free cigarettes,” she wrote.
Ghetto teenager……fun fact -The emo kids in school were actually really cool and will give me free cigarettes pic.twitter.com/K44qpr75Yh
Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in January. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.
Friday, January 6
Anti-Flag — Lies They Tell Out Children (Spinefarm Records)
Iggy Pop — Every Loser (Gold Tooth Records)
Kathleen — Live From Highland Park EP (Warner Records)
Friday, January 13
Banners — I Wish I Was Flawless, I’m Not EP (Nettwerk)
Billy Nomates — CACTI (Invada Records)
Circa Waves — Never Going Under (Lower Third/[PIAS])
Crooks & Nannies — No Fun EP (Grand Jury Music)
feeble little horse — Hayday (Julia’s War Recordings)
James Yorkston, Nina Persson, And The Second Hand Orchestra – The Great White Sea Eagle (Domino)
Joesef — Permanent Damage (AWAL)
Joshua Radin — though the world will tell me so, volume one EP (Nettwerk)
Juni Habel — Carvings (Ba Da Bing)
Leila Moss — Internal Working Model (Bella Union)
Margo Price — Strays (Loma Vista Recordings)
MOLLY — Picturesque (Sonic Cathedral)
Rozi Plain — PRIZE (Memphis Industries)
The Subways — Uncertain Joys (Alcopop! Records)
Velvet Negroni — Bulli (4AD)
Ville Vale — Neon Noir (MG/Spinefarm)
Friday, January 20
abracadabra — shapes & colors (Melodic)
The Bad Ends — The Power And The Glory (New West Records)
Beauty Pill — Blue Period (Ernest Jenning Record Co)
Brainiac — Predator Nominate EP (Touch & Go Records)
The C.I.A.– Surgery Channel (In The Red)
Celestial Wizard — Winds Of The Cosmos (Scarlet Records)
Dave Rowntree — Radio Songs (Cooking Vinyl)
Fran — Leaving (Fire Talk Records)
Glyders — Maria’s Hunt (Redeye)
Guided By Voices — La La Land (GBV Inc Records)
Half Life — Like A Jungle (Club Inferno)
J.T. IV — The Future (Drag City)
Jadu Heart — Derealised (VLF Records)
John Cale — Mercy (Double Six Records)
Kali Malone — Does Spring Hide Its Joy (Ideologic Organ)
Ladytron — City Of Angels (Cooking Vinyl)
Lukas Graham — 4 (The Pink Album) (Warner Records)
Måneskin — Rush! (Epic Records)
The MOSS — Insomnia EP (S-Curve/Hollywood Records)
The Murder Capital — Gigi’s Recovery (Human Season Records)
New Found Glory — Make The Most Of It (Revelation Records)
Oddisee — To What End (Outer Note Label)
Siv Jakobsen — Gardening (The Nordic Mellow)
Spice World — There’s No I In Spice World (Virgin)
We Are Scientists — Lobes (Masterswan Recordings)
Friday, January 27
The Arcs — Electrophonic Chronic (Easy Eye Sound)
Ava Max — Diamonds & Dancefloors (Atlantic Records)
Dhafer Youssef — Streets Of Minarets (Back Beat Edition)
Electric Mob — 2 Make U Cry & Dance (Frontiers Music S.r.l)
Elle King — Come Get Your Wife (Sony Music Nashville)
Fucked Up — One Day (Merge)
H.C. McEntire — Every Acre (Merge)
Half Gringa — Ancestral Home EP (self-released)
Heavy Blanket — Moon Is (Redeye)
Joe Henry — All The Eye Can See (Earmusic)
Jonah Yano — Portrait Of A Dog (Innovative Leisure)
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out the best vinyl releases of December below.
It’s been over 50 years since Crosby, Stills & Nash released their beloved self-titled debut album and now it’s lovingly been given a deluxe vinyl reissue. This edition was mastered from the original tapes and the packaging is similarly detailed, featuring special foil-stamped jackets and other intricacies that make this UltraDisc One-Step 180g 45RPM 2LP collector’s edition the version of this album to own.
Speaking of the CSNY squad, Neil Young’sHarvest turned 50 this year. So, he’s given the iconic album a big box set that comes with, along with the beloved original album, three studio outtakes and a previously unreleased 1971 BBC solo performance, as well as a hardbound book and fold-out poster.
Bo Burnham’s Inside (The Songs), consisting of tunes from his Inside comedy special, was an unexpected hit, as it became his first top-10 album in 2021. Now there’s a new limited edition box set, a 3-LP release that includes everything from Inside as well as the later supplementary release, The Inside Outtakes. Target and Urban Outfitters have their own exclusive versions, too, pressed on opaque white and crystal clear vinyl, respectively.
Paul McCartney die-hards: this one’s for you. Earlier this month, Macca dropped The 7″ Singles Box, which features a whopping 80 7-inch singles. In total, there are 163 tracks making up over ten hours of music and a 148-page book (that features writing from McCartney and Rolling Stone‘s Rob Sheffield), all housed in a wooden crate. Only 3,000 copies have been produced, too, so if you’re interested, it’s one to scoop up quickly while it’s still available.
Idles — Five Years Of Brutalism (Anniversary Reissue)
Partisan
For Idles, it all started with 2017’s Brutalism. Half a decade later, the band has given the LP a fresh coat of paint with Five Years Of Brutalism. This anniversary rerelease is pressed on cherry red vinyl, comes with alternative artwork designed by the band’s Joe Talbot, and is limited to just 10,000 copies worldwide.
Alabama Shakes — Boys & Girls (10th Anniversary Deluxe Edition)
ATO
It’s been ten years since Brittany Howard established herself as one of music’s most powerful vocalists with the release of Alabama Shakes’ debut album, 2012’s Boys & Girls. To mark the occasion, there’s a new reissue that is packaged in a foil-board gatefold jacket and comes with a bonus 12-track KCRW radio session from January 2012.
Karma is an enduring classic from 1969 and if the Pharoah Sanders album isn’t in your library yet, here’s a terrific opportunity to add it. This reissue was mastered from the original analog tapes and was pressed on 180-gram vinyl, which is housed in a high-quality tip-on deluxe gatefold jacket. The release comes after the jazz icon’s death, which came in September at 81 years old.
Yusuf/Cat Stevens — Catch Bull At Four (50th Anniversary Edition)
A&M/UMe
If you own Catch Bull At Four on vinyl, it was pressed when the LP was originally released back in 1972. Now, though, the Yusuf/Cat Stevens album has been reissued in vinyl for the first time since then. It’s also been newly remastered and is available in both 180-gram black vinyl and limited edition 180-gram orange vinyl editions.
Queens Of The Stone Age — Like Clockwork and Villains (Reissues)
Matador Records
Queens Of The Stone Age have kept their output relatively minimal over the past decade, as their two most recent albums are 2013’s Like Clockwork and 2017’s Villains. If you need to get caught up, though, the band has given those two LPs new reissues. Like Clockwork was recut from the original master tapes and comes with alternate artwork, while Villains comes pressed on limited edition leaf-green transparent vinyl and with a new poster.
Wu-Tang Clan has spawned a number of beloved solo albums, including Inspectah Deck’s 1999 debut Uncontrolled Substance. This new Vinyl Me, Please reissue is actually the first time the project has ever been re-released and this 2-LP edition comes pressed on understated but lovely “cop car blue” vinyl.
If 2022 has heralded any large-scale trends in the music industry, then the prominence of the double album is a surefire contender. Over the course of this year, we’ve had double albums from indie stalwarts like Beach House, Wilco, and Big Thief, plus the likes of King Gizzard & the Lizard Wizard, Kendrick Lamar, Johnny Marr, Jeff Parker, and even two from Red Hot Chili Peppers. You could count Jack White’s two complementary albums this year, too, if you want. These sprawling, ambitious records have become a noteworthy staple, a major fixture of 2022 that’s become especially apparent as year-end coverage reaches a fever pitch. We’re aware this phenomenon exists, but why does it?
Double albums are not something new. They were particularly important in the 1970s, including seminal titles like Led Zeppelin’s Physical Graffiti, Fleetwood Mac’s Tusk, and the Clash’s London Calling, to name just a few. But, they were spread throughout an entire decade. This year alone has seen a concentrated abundance of them. It’s a fruitless task to highlight only one reason for this surge, but the pandemic has likely played a significant role. Tom Schick, who co-produced Wilco’s twangy Cruel Country, mentions it. “With the pandemic, a lot of artists were able to get in a room together for a long time,” he says during a phone call. “There was just a lot of creative energy that was pent up, and the double album is just a natural result of that, at least in Wilco’s case.” Once frontman Jeff Tweedy and co. hit the studio, the music “naturally flowed out of them,” as Schick puts it.
Peter Standish, the Senior Vice President of Marketing at Warner Records (with whom Uproxx shares a parent company, WMG), worked on both of the Red Hot Chili Peppers albums from this year, and he echoed Schick’s rationale. “A lot of the recording occurred during the pandemic,” Standish says. “Maybe people have a lot more time on their hands to write and record.” Still, the SoCal funk rockers had another factor at play. It was their first time writing with guitarist John Frusciante since 2006’s colossal Stadium Arcadium, and the quartet was thrilled about the reunion. “John’s tenacious focus on treating every song as though it was equal to the next helped us to realize more songs than some might know what to do with,” goes one of the band’s quotes from the Return Of The Dream Canteen press release.
Even though touring is still highly infeasible for many artists today, it was completely put on hold during lockdown. This opened up more free time than usual for artists to write new material. It makes sense why so many of these massive albums are appearing just now, considering vinyl supply chain issues affecting the production process. At the time of this writing, Cruel Country is still unavailable on vinyl; it’s slated for a January 20 release date. “It takes forever for when you finish the record for the actual vinyl to come out,” Schick says. “[Cruel Country] came out in the summer. We’re still waiting on the vinyl; I think we might get it this week, which is just crazy.”
Johnny Marr, however, intended to create a double album from the outset. Surprisingly, he had never made one before Fever Dreams Pts. 1-4. Once he realized that, the influential English guitarist charted a course for his foray into more conceptual territory. Making a double LP appealed to him in the sense that it rejected the playlist-based streaming culture we currently inhabit. To Marr, this represents a sense of artistic freedom that’s often scarce.
“Generally, I think people like the idea of taking on something that’s a little less fiercely commercial,” the former Smiths guitarist explains over Zoom. Even in mainstream circles, that notion applies, as he cites prominent, critically acclaimed filmmakers like Wes Anderson and the Coen brothers. “I think Kendrick’s album is a really good example of it. Right out of the gate, it appears to be conceptual and expresses a bigger idea than just how many streams it can hit up.”
A double album can also allow for more expression. While some artists may use brevity as a tool to convey their ideas in a short-form capacity, a long-form project provides ample space to explore a wide variety of styles they may not have otherwise tried. Dragon New Warm Mountain I Believe In You, for example, shifts from ebullient alt-country (“Red Moon”), to spacious post-rock (“Little Things”), to MPC-driven lo-fi (“Heavy Bend”).
“I can try not to sound immodest, but I think what it suggests is people being inspired,” Marr says. Referencing fellow Odyssean efforts like Once Twice Melody, Mr. Morale & The Big Steppers, and Cruel Country, “I quite like the company that I’m in with this. I think it’s a really healthy inspiration and a healthy disregard for crass commercialism. Hopefully, that’s true.”
Artists’ reasons aside, however, why have listeners been gravitating toward these notoriously lengthy endeavors? The streaming industrial complex, after all, begets a single- and playlist-focused economy, one that doesn’t prioritize unified experiences like a deliberately sequenced, front-to-back album. Schick points toward a deeper connection with fans.
“For the fans and these artists, it’s exciting to see,” Schick explains. “To be able to sit with it [for a longer time], it’s just a more intimate thing. The double record is ambitious, and it’s exciting. It’s fun for the fans, and it’s fun for music-lovers.”
Length, though, isn’t always the definitive trait of a double album. Kendrick Lamar’s Mr. Morale & The Big Steppers, for example, is shorter than 2015’s To Pimp A Butterfly. Sonic Youth’s influential Daydream Nation, which clocks in at just under 71 minutes, is a paltry appetizer compared to the seven-course meal that is Smashing Pumpkins’ gargantuan Mellon Collie And The Infinite Sadness, whose original vinyl pressing is over 128 minutes long. To put it another way, the qualifications for a double LP are as nebulous as they are malleable. What constitutes an EP vs. an LP, a regular album vs. a double album, has been a long-standing curiosity. Some EPs, like Sufjan Stevens’ hour-long All Delighted People, are much longer than some LPs, such as Pusha T’s 21-minute Daytona.
If 2022 marked such a momentous time for the double album, then can we expect it to fade out of view in 2023? It’s a difficult metric to predict, one that Schick also agrees is inconclusive. “I can speak only from my experience and the people who I’ve been working with, like Jeff Tweedy and Wilco,” he says. “ But I wouldn’t be surprised to see the quadruple album, just from the amount of playing and writing that they’re doing. On my end, I don’t see that slowing down, but maybe it’s a different situation for other bands and other artists.”
As of now, the only major 75-minute-plus record slated for next year is Smashing Pumpkins’ “three-act” statement, ATUM. Maybe this is an ongoing trend we’ll see for the next year or two, or maybe 2022 has simply been an auspicious time for these enormous projects. If it continues, then 2022 has proven that double albums don’t have to be stuffed to the brim with filler. They don’t have to be tedious, monotonous experiences that we listen to all the way through exactly once. As incredible records like Dragon New Warm Mountain I Believe In You, Mondays At The Enfield Tennis Academy, and Once Twice Melody demonstrate, an album’s length can easily be justified. The primary draw of a double LP, to begin with, is how different songs resonate with different listeners; seldom is there a steadfast consensus on the absolute best track. Part of that harkens back to what Schick mentions as a crucial raison d’etre for music writ large: human connection.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Ticketmaster is not having the most pleasant run this holiday season. While they’ve very publically endured the wrath of the Swifties, who have filed two lawsuits since the disastrous pre-sale for Taylor Swift’s Eras tour, several other fanbases have jumped on the “Ticketmaster is cancelled” train.
Earlier this month, Bad Bunny fans in Mexico were distraught to find that Ticketmaster had allegedly sold them fake tickets through their official sales outlets, resulting in them being turned away at the entry point.
The sales for Death Grips’ upcoming tour, their first in four years, were also handled by Ticketmaster. But like the presale for Swift’s upcoming tour, several fans alleged that many of the Death Grips presale tickets went to bots and resalers.
Tickets for Bruce Springsteen And The E-Street Band’s were going for over $5,000 in some cities. While Springsteen defended the prices, he promised fans who weren’t satisfied on the way out of the tour that they could have their money back.
Some of the issues fans have been having with Ticketmaster date back to last year, when Olivia Rodrigo fans were unable to purchase tickets for her Sour tour due to technical difficulties.
But these recurring issues have fans nervous going forward. Recently, tickets for SZA’s SOS tour with Omar Apollo proved to be rather pricey. And although Beyoncé has yet to formally announce her Renaissance tour, the prices for SZA tickets prompted fans to start saving, so they can be ready for when Bey finally does make the announcement.
As a late Christmas gift, country singer Zach Bryan decided to give the gift of live music to his fans, so they wouldn’t have to pay Ticketmaster prices. The album is appropriately titled, All My Homies Hate Ticketmaster.
Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
TikTok users love to be a part of the latest trends, and one of the newest ones is a bit dark but also funny for the right audience. As people visited home and otherwise spent time with their families over the holiday weekend, they read fake headlines about the death of a relative’s favorite celebrity, filming all the while to capture their reactions.
A video from TikTok user @stevescooche compiles some of these clips and has racked up about 10 million views since yesterday. The first clip is focused on an older couple as the person behind the camera fraudulently announces, “Oh my god: ‘Cher Dead At 81.’” Some in the room look up and offer a shocked, “No!” A man then yells, “My Cher?!”
Another user said in their video, “Oh my god: ‘Bon Jovi Dead At 60.’” Their shocked relative looked up before quickly summoning further research, saying as the video cuts off, “Alexa, did Bon Jovi…” Somebody else used Jon Bon Jovi for their video, too, and in that clip, after hearing the fake news, a woman urgently puts down her drink, gets up, and exclaims, “F*ck! Sorry, excuse me.” Of that video, a commenter cracked, “The Bon Jovi lady at the end got up like she is the executor of the will or something.”
Beginning his career in alternative R&B, Lacy shifted to an indie rock-influenced sound with his breakout single, “Bad Habit.” When asked by journalist Shaad D’Souza about this genre blending, Lacy replied, “I’ve always loved doing that — if I have a rocky beat, putting a soulful melody on it. Like ‘Dark Red’ and all those types of songs. It’s a way to play and introduce new ideas into things that we know already.”
He later added, “Growing up playing [the video game] Guitar Hero put me on to a lot of rock and guitar music. As I got older, artists such as Paramore raised me. Mac DeMarco, Dirty Projectors, Vampire Weekend. Even Weezer’s ‘Undone’ is one of my favorite songs ever.”
The singer did not hold back from gushing about Paramore’sHayley Williams, sharing, “Hayley’s voice and melodies are crazy because she takes the rock thing and makes it soulful.”
As for what he loves about Weezer, Lacy said, “With Weezer, I love the wit and humor. The dissonance of the chord progression of ‘Undone’ is truly just weird. For something like that to exist was super important for me in my musical journey, to be, like: ‘Oh, wow, you can make this sound fun and dope.’”
Other muses of Lacy include late musical icons Prince and Jimi Hendrix. “When I make music, I take a small piece of everything that I love – I’ll take certain melodic approaches from Prince, but I’ll play it as if someone else was mimicking Prince, like if Jimi Hendrix tried to be Prince,” he said. “But I like to mix different approaches together. It happens naturally. I’m never doing it all purposely. It’s just inside of me.”
Lacy concluded his inspiration list by shouting out about indie act Faye Webster, calling her “dope.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
NEW ALBUM RAVEN OUT EVERYWHERE FEB 10! 
(@GloTheofficial) 
edith – victoria 
| 
ICYGRL (@Saweetie) 
learning patience myself for real but sheesh
