Wu-Tang Clan is undeniably one of the most iconic groups in the history of hip-hop and rap music.
The supergroup‘s legacy continues to live on through their timeless music. Additionally, the ongoing Hulu show is actively telling the story of its members and the history of the crew.
Hulu premiered Wu-Tang: An American Saga‘s first season in 2019. Executive-produced by members RZA and Method Man, along with Alex Tse and Brian Grazer, the show is a dramatized biographical look into the Clan’s formation. Season two subsequently premiered in September of 2021.
The new third and final season will follow the Wu-Tang Clan‘s five-year plan and the various challenges that come along with it. Furthermore, it will also explore the group members’ solo careers. RZA is responsible for rallying together the black men to turn to music rather than the streets. As a result, the “Grits” rapper struggles to stay on top of things.
The TV series took to its official Twitter account to reveal the first look at the show’s upcoming third season. The photos show the cast filming on set in various locations. It’s also set to be the show’s final season. “First look at the new season[.] The Final Season of Wu-Tang: An American Saga premieres February 15. #WuTangOnHulu,” reads the tweet.
The final season’s first three episodes will be available to stream on February 15. New episodes will premiere every Wednesday afterwards.
Will you be tuning into Wu-Tang: An American Saga‘s third and final season? Comment down below. Finally, make sure to stay tuned to all of HNHH for all of the latest updates in music and pop culture.
For those who have not yet seen the show, Ghostface Killah and Raekwon’s characters are depicted as deadly adversaries. In the first season, Raekwon even participates in a violent act that puts Ghostface’s entire family in danger. Since Rae and Ghost famously teamed up for one of the most celebrated rap albums of all time, many casual fans couldn’t believe that they were originally mortal enemies. According to one of Ghostface Killah, fans were right to be skeptical.
Ghostface Killah denies ever having beef with Raekwon
In a recent interview on the Outside with Gorilla Nems podcast, Ghostface Killah denied the validity of the show’s depiction of his beef with his Only Build 4 Cuban Linx… collaborator. When asked how they were able to work so closely together after beefing, Ghostface denied ever having beef with Raekwon.
“Me and Rae never had beef. That’s what I told you,” Ghostface Killah explained. “Yeah, me and Rae never had no problems. It was the way them characters got switched around. It’s TV.”
“I don’t laugh about that shit ‘cause that shit ain’t my story,” Ghostface continued. “But Rae my bro. I love him. We just had great chemistry. We had chemistry. Like he taught me a lot of shit.”
In an exclusive 2013 interview with HNHH, Raekwon admitted that there was beef and tension within Wu-Tang from the beginning. In a 2021 interview with VladTV, Raekwon confirmed Ghostface was beefing with one of his friends. That tension eventually led to Ghostface’s home getting shot up.
Do you think Ghostface Killah is being completely honest? Or do you think the depiction of Ghostface and Raekwon’s tensions in Hulu’s Wu-Tang show may have some merit? Let us know what you think in the comment section and stay tuned to HNHH for more news.
The podcast-to-streaming-docuseries pipeline has proven quite lucrative over the past several months/years, so with Spotify branching out, it only makes sense that the music streaming giant would partner with television streaming giant Hulu to produce a docuseries about one of its own most popular podcasts, RapCaviar, titled RapCaviar Presents. According to The Hollywood Reporter the show will “explore major cultural topics from the perspectives of some of today’s top hip-hop artists.”
Those top artists include familiar names like Doja Cat, Jack Harlow, Megan Thee Stallion, Roddy Ricch, Saweetie, and Tyler The Creator. The director behind the Tekashi 69 docuseries Supervillain: The Making of Tekashi 6ix9ine, Karam Gill, is billed as executive producer and creative director, along with Av Accius (Murder In The Thirst) and Marcus A. Clarke (Blood Brothers: Malcolm X & Muhammad Ali).
Spotify’s RapCaviar playlist is credited with boosting the careers of new artists whose names appear on it alongside more established stars, including many of the focus artists of the upcoming series. Meanwhile, select artists have also performed at live shows bearing the playlist’s title and the indie label LVRN even performed a group cypher for the RapCaviar vertical.
And while those artists’ stories may very well offer fertile ground for a documentary or two, let’s not get carried away. While the podcast-to-streaming-docuseries process almost inevitably turns out a scripted series, I’m not sure anybody needs to see their stories dramatized by Emmy-baiting, peak TV-style directors and directors. Except me. As soon as I wrote that, I wanted it. Give it to me. NOW.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Khloe Kardashian and Tristan Thompson are expecting their second child together via surrogate — TMZ reports. The news arrives days before the birth, which marks Khloe and Tristan’s second child together, but the Chicago Bulls basketball player’s fourth child. The timeline reveals that the two planned and arranged for a second child together prior to the break-up following news of Tristan cheating on the Kardashian, which resulted in the birth of his third child with fitness trainer Maralee Nichols in December 2021.
Khloe and Tristan split last summer following the reveal and public apology from Thompson. The revelation of Thompson’s infidelities was showcased on the new season of Hulu’s The Kardashians. The two have been seen spending time together as a family recently.
In the new season, Khloe and Tristan have discussed expanding their family and rekindling their love at its foundation. Khloe and Tristan were on hand for the proposal of Khloe’s sister Kourtney and rock star Travis Baker in Malibu, California last year.
Hulu shares the official trailer for their upcoming eight-episode scripted series from director Steven Rodgers (I, Tonya), “Mike,” that transforms lead actor Trevante Rhodes (Moonlight) into the iconic former heavyweight boxing champion Mike Tyson. The limited series will show an unauthorized and no-holds-barred look at the controversial Hall-of-Fame boxing legend’s life. Watch the official trailer below.
Mike Tyson (50-6-44KOs) became the youngest heavyweight boxing champion ever at 18-years-old in November 1986 when he knocked out Trevor Berbick in the second round. Tyson was one of the most famous athletes of the 80s and 90s. The series tells the dynamic moments of his life, like knocking out fighters in seconds, shocking losses, high-profile relationships, lavish life, prison stint, and triumphant return to fame.
Produced by 20th Television, Trevante Rhodes stars and serves as one of the series’ executive producers. Karin Gist serves as the series showrunner. Alongside Rhodes are cast members Russell Hornsby, Harvey Keitel, Laura Harrier, and Li Eubanks.
“Mike” is a biographical series that will lead to more sports stories being told by Hulu. Last year President of ABC Entertainment and Hulu Originals Craig Erwich told Deadline the following: “Biographical pictures are a fan favorite and a staple of the movie and television business and frequently the subjects are not involved. We have a strategy of taking a modern lens and applying it to stories and figures of popular culture of the past. We’ve had a lot of success doing that, and I think it reveals interesting things, not just about where we’ve been but where we are, so we’re looking forward to continuing the creative conversations behind Iron Mike.”
The existence of the Hulu documentary Look At Me: XXXTentacion is sort of perplexing. XXXTentacion was an artist who was almost excessively documented. Blogs, magazines, and newspapers covered what seemed to be his every move — starting with the move that kickstarted his infamy. Oddly enough, with all that documentation, it seems the enormity and repugnance of that initial move were never truly reckoned with, despite the Florida-born artist emerging at the height of an era in which nearly everyone can obsessively and thoroughly document their own lives, in real-time for audiences of thousands (the film seems pretty disinterested in doing so, as well).
Against those circumstances, the new documentary raises more questions than it answers, and the one hovering over all of them is: Who is this for? Produced by XXXTentacion’s manager, his mother, and the co-founder of The Fader magazine, the two-hour production functions at first as a biography. There are interviews with pivotal figures in X’s early career such as his former manager and friends like Ski Mask The Slump God. However, early problematic behavior like beating up another young man for a live stream on Periscope is characterized as simply marketing tactics or the reckless behavior of an exuberant personality. That’s the first sign of which way this documentary seems to be heading.
The tension increases upon the introduction of Geneva Ayala, the young woman who dated X shortly after some of his initial success — and who he nearly beat to death in horrific instances of alleged domestic abuse that were again recounted in lurid detail in court documents that surfaced in the years-long case that was never resolved. Ayala describes herself as “lost” as she continued her troubling, controlling relationship with XXXTentacion. It takes nearly an hour for the film to finally address the elephant in the room, and then strategically placed title cards seem to cast doubt on Ayala’s assertion that she was pregnant when X attacked her. She also admits to infidelity, which you can’t tell me isn’t another strategic move to undermine Ayala as a victim.
This is where XXXTentacion’s story highlights the grotesque of the entertainment industry. As X languishes in jail but receives heightened attention as a result of the gruesome charges against him, labels come calling, looking to capitalize on the publicity — no matter what it implies about their prospective partner. And while scenes recounting his record deal negotiations rightly reflect X’s business acumen at such a young age, they also — perhaps unintentionally — indict those who looked at him as a cash cow rather than a troubled young man who needed a different kind of help.
The movie reverts back to an examination of his album recording process for 17 and the album’s resulting success. Throughout the course of this act of the documentary, recordings are dredged up to reflect XXXTentacion’s fractured mind state — his paranoia, depression, and anxiety. It’s almost like the film is begging for sympathy for him, as if his talent and his mental illness could justify or excuse his behavior. While the filmmakers never shy away from the things he did or deny them, it’s hard to shake the sense that the producers — the people closest to him, who benefitted from his career the most, even as they likely had the most responsibility to get him into counseling or encourage him to restore his victims — are bargaining for absolution for themselves.
That sense comes through strongest in a round table scene toward the tail end of the film in which X’s aunt laments that X’s abuse hung over his head and defined him as much as his music. “How do you fully redeem yourself if every time, on every corner, it just keeps popping up?” his mom wonders. An off-screen interviewer counters, “How do you redeem yourself without ever admitting that you did something wrong?” The answers are as vague as X’s own responses on the issue; a focus on judgment, on his sense of personal accountability, the potential of his lost life. X’s mom offers her belief that he would have changed if he’d only gotten the chance — but would he? And what does it say about his fame that so many were so willing to excuse him if he didn’t?
That’s the true tragedy of a life cut as short as XXXTentacion’s was: We’ll never know. Yes, with more time, he could have turned his life around, perhaps in prison, perhaps on probation, perhaps years or even decades later after much therapy and self-reflection. But the flip side of that, the one this movie and X’s fans and the whole entertainment apparatus that benefitted from covering his blowups, his meltdowns, his triumphs, his failures, and yes, even his untimely demise can’t seem to acknowledge is that he could have stayed the same. He could have gotten worse. That’s the “complex” part of having a “complex legacy.” Look At Me, which seems to be as much for Jahseh’s closest associates to salve their guilty consciences as anything else, never really wants to look at that.
The trailer for the long-awaited documentary, Look At Me: XXXTentacion, has arrived. First announced in 2019, the documentary will finally land on Hulu on May 26, moving the date up by several weeks. The documentary promises to delve into not just the late rapper’s meteoric rise to fame but also the fallout from his abuse of ex-girlfriend Geneva Ayala. In the trailer, those who knew him best — his mother, his manager, and his friends — weigh in on the elements of his personality that made him both charismatic and self-destructive.
XXXTentacion’s death at 20 years of age in 2018 left behind a complicated legacy. Obviously, lots of people loved his music and felt as though he spoke for them. Equally as obviously, he’d done plenty of harm in even the short time that he had, from a homophobic attack on a cellmate to the horrific abuse he inflicted on Ayala. The polarizing rapper was never held to account for that abuse, with his case getting closed as a result of his death. That leaves some pretty heavy questions hanging over his name and image — questions that many will look to this documentary to resolve. While they may not find the answers they want, there’s little question that they’ll be tuning in.
It’s not always feasible to put a weekend aside and get out to a major music festival, but now three of the biggest will be more accessible than ever, at least for the next couple years: It was announced today Hulu will be the streaming home of Bonnaroo, Lollapalooza, and Austin City Limits (all events put on by C3 Presents) for the 2022 and 2023 events, in partnership with Live Nation.
The next of those festivals is Bonnaroo, which is set to go down from June 16 to 19. Then it’s Lollapalooza from July 28 to 31, followed by two weekends of ACL, from October 7 to 9 and 14 to 16.
Hulu president Joe Earley in a statement, “Hulu and Live Nation are both committed to delivering exceptional entertainment to fans, so we are thrilled to be collaborating with them, again, as we expand our offering to include these three legendary festivals. Each event is unique, but all three bring people together for incredible music, artistry, and experiences, which we are fortunate to be able to share with Hulu subscribers.”
C3 Presents’ Charlie Walker also noted, “The demand for live music is at an all-time high and the live experience has never been more connected to digital. By expanding our partnership with Hulu, even more fans will be able to tune into each of these incredible festival experiences in real-time and enjoy live performances from their favorite artists with the fans on-site.”