Jay-Z Explains Why He Doesn’t See Cancel Culture Going Away Anytime Soon

Although it’s widely accepted among reasonable folks that “cancel culture” isn’t necessarily as dangerous as some people with big platforms have made it out to be, it does seem apparent that social media call-outs for problematic behavior have become the new de facto status quo. In a new interview with Sunday Times in the UK about his recent partnership with Puma, Jay-Z addressed the question of whether he foresees an end to the present state of affairs: No way.

“You can’t give someone a microphone for 24 hours a day and [have them] not think they have to use it!” he explained. However, he expressed sympathy for younger social media users who may not have the best grasp of the situations they’re being asked to address. “These kids, it’s unbelievable. Imagine having a microphone and you’re asked about social justice questions at 18 years old? It’s like, ‘What? I’m meant to know the answer, and if I don’t answer the correct way, if I don’t say everything right, even if my intentions are right, and I don’t say the same right thing, it’s going to be everywhere.’”

He doesn’t think he’d be on social media much, even if his rise had come along 20 years later. Meanwhile, he expressed his own views on some of the most pressing social issues being debated online. “As a human race we’re still on basic things,” he said. “We’re still on Stop Asian Hate. We can’t sit and cry over spilled milk, but we do have to acknowledge that there’s milk, right?… it’s very frustrating. Are we here today? No. Are we further than 50 years ago? Yes.”

You can read the full interview here.

A Mac Miller Book With Stories From His Friends And Collaborators Has Been Set For Release This Fall

Nearly three years have passed since the death of Mac Miller and this fall, a book remembering his life and music is set for release via Permuted Press. Pre-orders have already put the The Book Of Mac: Remembering Mac Miller, written by DJBooth veteran Donna-Claire Chesman, on the Amazon Best Sellers lists, where it’s currently No. 3 in Books, and No.1 in both Rap & Hip-Hop Musician Biographies and Rap Music (Books). Chesman announced the project after completing her Year of Mac editorial series on DJBooth, which compiled personal essays, interviews, and other features to commemorate Mac’s legacy over the course of 52 weekly dispatches throughout late 2018 and 2019.

The Book Of Mac will likewise be comprised of intimate interviews with those who knew Mac best, including friends and collaborators like Just Blaze, Kehlani, Syd, Thundercat, Wiz Khalifa, and more, with commentary and critique on his musical releases by Chesman.

Mac Miller passed away at the age of 26 in 2018, the result of an accidental overdose while on tour. Since then, his estate has released one album, Circles, completed with the assistance of Mac’s collaborator Jon Brion, while fan-favorite mixtapes like KIDS and Faces have found their ways to DSPs in the years since. Two new songs were released in August last year.

Due on October 26, 2021 you can pre-order The Book Of Mac on Amazon.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Questlove Says He’s Quit The Roots While Recording Every Album But Two

To most folks, Questlove is the heart and soul of The Roots — or at least the member most can be readily called upon to identify with any degree of accuracy (although, that doesn’t necessarily hold true all the time). However, according to Quest himself, there have been many times where that was almost not the case. In a new interview with Jemele Hill, the afroed drummer — who also dabbles in writing books and directing movies — said that he’s temporarily walked away from the band while recording every album but two.

The first, obviously, was their 1993 debut Organix, which they released independently, generating enough buzz to sign to grunge label DGC for the release of their second album, Do You Want More?!!!??!, in 1995. However, despite receiving plenty of critical acclaim, the project underperformed by the group’s standards, prompting Black Thought and the late Mailk B to seek out new production styles on their third album, Illadelph Halflife, spawning an unofficial Roots Crew tradition of Questlove threatening to quit the band for a few weeks while recording all of their albums.

Asked by Hill, “What’s the closest The Roots have come to breaking up?” Questlove breaks into peals of laughter before explaining that the recording of their upcoming project, Endgame, is the first in a while that he’s broken his habit on. “I hold the record for the longest [streak of quitting]… After three records, then it’s like the little boy who cried wolf. It’s like, ‘Yeah, he’ll be back next month. Don’t worry about him.’”

“At the beginning of Illadelph Halflife,” he continues. “I was the last to know that Tariq and Malik desired to rhyme over a more traditional hip-hop backdrop. After a while, it was like, ‘Wait a minute, am I the bad guy here? Did I kill my own group?’… I took it mad personal.” He further explains how the rest of the band sprung “Clones” on him after a failed excursion to the Million Man March in Washington D.C., prompting Quest’s first walkout. However, he has always come back to help finish each project, and over time, The Roots have earned greater public appeal and a regular gig as the house band on The Tonight Show, so it’s probably better that he stuck around.

Listen to Quest’s full interview with Jemele Hill here.

Things Between Lizzo And Chris Evans Have Progressed Since She Sent Him Drunk DMs

Lizzo delivered a delightfully fun story last week when she shared that after a few drinks, she found herself in an impaired state and decided to send a message to actor Chris Evans on Instagram. To recap how that went down, Lizzo sent him three emojis: a puff of air, a woman playing handball, and a basketball, implying that she was “shooting her shot.” Evans was a good sport and responded, “No shame in a drunk DM [kissy face emoji] god knows I’ve done worse on this app lol [facepalm emoji].”

Now, the saga continues, as Lizzo has offered an update on how the situation has evolved. On TikTok, Lizzo shared a video responding to somebody who asked how things are going on the Evans front, and she responded by sharing a screenshot of their chat, only making it visible for a few quick frames of video.

@lizzo

Reply to @tuana612 Update on Jamal

♬ Follow me song is Too much FYOTP YT – 🦈

The messages are visible when the video is paused, though, and Lizzo responded to Evans’ message with, “Well.. they say u miss 100% of the shots you never take [side-eye emoji] (and even tho I unsent it like a dork [facepalm emoji]) I’m glad u know I exist now [heart face emojis].” Evans responded, “Of course I do! I’m a fan! Keep up the great work!! xxx.” The two most recent messages after that are partially blocked and can’t fully be seen, but as BuzzFeed speculates, it seems Lizzo mentioned something about doing a shot and Evans responded by saying he’d buy it.

Check out a screenshot of Lizzo and Evans’ DMs below.

@lizzo/TikTok

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Justin Bieber Joins Jimmy Fallon And The Roots For A Classroom Instruments Version Of ‘Peaches’

In March, Justin Bieber earned his seventh No. 1 single when the Justice single “Peaches” debuted on top of the Billboard Hot 100 chart. The track is still doing quite well, as it is No. 3 on the Hot 100 that was revealed yesterday. Now he has put a new spin on the song by joining Jimmy Fallon and The Roots for their longstanding Tonight Show series of “classroom instruments” performances.

Bieber starts out by playing the track on a toy piano, which actually adds a charming element to the track. From there, he is joined by Fallon and The Roots, who sport instruments like shakers, bongos, xylophones, buckets, paper bags (to tear), and other things of that ilk. Giveon and Daniel Caesar, who feature on the original track, were not involved with this performance.

Justice isn’t Bieber’s latest release, as on Easter, he dropped a surprise EP, Freedom, which features collaborations with Pink Sweats, Tori Kelly, Judah Smith, Beam, Brandon Love, Chandler Moore, and Lauren Walters. He’s also fresh off appearing in Earth Day! The Musical, a Bill Nye-hosted event that also featured Jack Harlow, Maluma, Ben Platt, Charli and Dixie D’Amelio, Cody Simpson, Steve Aoki, Tori Kelly, Zac Efron, Desus Nice and The Kid Mero, and Nick Kroll.

Watch Bieber, The Roots, and Fallon perform “Peaches” above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The Weeknd Hints At New Music: ‘Made So Much Magic In The Small Quarantined Room’

The Weeknd isn’t quite done with the After Hours era yet, considering he just released a new remix with Ariana Grande. He does seem to be thinking about what’s next, though, as last night, he took to Twitter to seemingly tease new material.

He began by tweeting last night, “it’s the night-time that matters…,” followed hours later by a GIF of Bugs Bunny laying in bed, unable to sleep. He then added, “what is real?” After that, he got to teasing, writing in a trio of tweets, “made so much magic in the small quarantined room,” “nothing’s ever random,” and “now just piecing it all together… it’s so beautiful.”

Those tweets seem to suggest that something new is in the works, and a fresh album from The Weeknd in the not-so-distant future wouldn’t be a surprise, given that he discussed the possibility months ago. A Rolling Stone profile from September revealed that The Weeknd has spent time working on new music in a makeshift studio in his condo, with The Weeknd himself saying, “I might have another album ready to go by the time this quarantine is over.” He continued, “I’m guilty of wanting to outdo my last album, but it’s never like, ‘I’ve got to do the same type of song.’ I’m so happy I’m not like that. My palette is so wide. […] I’m trying to find a perfect balance with the film and the music, and so far it’s going really well. I think I might have cracked the code.”

The Team Behind ‘Framing Britney Spears’ Is Tackling The Janet Jackson Super Bowl Incident

When the documentary series Framing Britney Spears bowed on HBO back in February, it caused an avalanche of support to come the singer’s way. Long a target of condescending press coverage — not to mention still legally under the control of her domineering father — Spears found the public finally rallying to her side, hoping to correct years of unfair coverage. Now the team behind the doc look to be trying to do for Janet Jackson what they did for Britney.

According to US Weekly, Left/Right TV, who produced the Spears doc, are at work on a movie about the infamous halftime show at Super Bowl XXXVIII, in 2004. That’s the one where a performance by Jackson and Justin Timberlake resulted in a “wardrobe malfunction,” in which the latter ripped off part of her costume, exposing one of her breasts for half a second. The incident led to a massive fallout. The FCC tried, and failed, to fine CBS for over half a billion dollars, while some accused the two of staging it, with Jackson receiving more vitriol than Timberlake.

Neither Jackson nor Timberlake are involved in the movie, though the former is working on a documentary about her own career to coincide with the forthcoming 40th anniversary of her debut album, Janet Jackson. Timberlake, meanwhile, has come under fire over the last couple years, as the public has begun viewing his treatment of both Jackson and Spears, who he once dated, with a more critical eye. Indeed, after Framing Britney Spears debuted, he issued a formal apology to both parties.

“I specifically want to apologize to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed,” he wrote in an Instagram post. “Because of my ignorance, I didn’t recognize it for all that it was while it was happening in my own life but I do not want to ever benefit from others being pulled down again.”

(Via US Weekly)

Polo G Enjoys A Second Straight Week At No. 1 On The Hot 100 Chart With ‘Rapstar’

Polo G made history last week when his hit single “Rapstar” became just the 52nd song to ever debut in the No. 1 spot of the Billboard Hot 100 chart. Now his run of prosperity continues: On the Hot 100 chart dated May 1, “Rapstar” stays at No. 1 for a second consecutive week. Of all the songs to ever debut at No. 1, “Rapstar” is just the 22nd of them to spend its second week on top.

After “Rapstar” debuted at No. 1 last week, Polo G shared his excitement, writing on Instagram, “It’s Crazy I really Manifested this sh*t. I got a long list of goals imma b scratchin off just this year alone…Only 52 ppl ever debuted @ #1 on the billboard hot 100 & I’m part of that group U can’t tell me I ain’t chosen I done really beat the odds fr From A Place where n****s like me b the 1st to die who woulda thought I’ll go #1….thank y’all Mann. I can’t stress that enough Ik I work hard asf & y’all work just as hard supporting me We gone keep goin up fr REAL #rapstar Album comin sooooonnnnnnn.” He also added on Twitter, “#1 song On the billboard Charts. Thank u God & Everybody Supportin me This sh*t don’t even Feel real. Naw like gang I really just went #1 wtf [crying emoji].”

Other noteworthy activity from this week’s chart is Dua Lipa and DaBaby’s “Levitating” revisiting its peak position of No. 5 and Silk Sonic’s “Leave The Door Open” jumping back up to No. 2.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Eminem Explains Why He Paid Over $500 For A Copy Of Nas’ ‘Illmatic’

How much would you spend for a copy of a hip-hop classic? For Eminem, the going rate is somewhere between $500 and $600, as he revealed during a discussion on the popular voice chat app, Clubhouse. While the burgeoning community on Clubhouse has been known for causing controversy in the past, this past weekend, fans of the Detroit rapper held a celebratory “Shady Con” in his honor, with guests including his manager Paul Rosenberg and DJ Whoo Kid. Em himself stopped by to share some stories as well, telling fans about the time he just had to spend a little extra on his hero Nas’ seminal debut Illmatic to feed his collection habit.

As Em explained, I’ve been collecting since I was a kid, everything from comic books to baseball cards to toys, as well as every rap album on cassette I could get my hands on. Not much has changed for me as an adult.” When he found an unsealed cassette copy of Nas’ game-changing classic, his mind was blown. “I think it’s backstock from what records stores had in the back storage,” he said. “The tapes that never sold and they just kept them. That’s the only thing I can think of. Cause nobody’s going to have a f*cking Illmatic tape and not open it.” He also good-naturedly compared the value of his own debut The Slim Shady LP — which was a culture shifter in the vein of Illmatic, for sure — under similar conditions, saying it’d draw a tidy sum of “twelve cents.”

For what it’s worth, it’s not the worst way to spend money — which Em has more than enough of. An unsealed copy of a classic album on a discontinued format is exactly the sort of ultra-rare find that has wannabe collectors including Eminem going NFT crazy these days — and it also sort of shows the difference between a physical piece of owned art and the idea of owning a certificate of a jpeg or whatever.

Listen to Eminem’s amusing anecdote above.

Young Thug And Gunna Paid Bail For 30 Fulton County Jail Inmates

While riding high on the streaming success of their recently released compilation album Slime Language 2 and collaborative single “Ski,” Young Stoner Life Records rappers Gunna and Young Thug performed a little community service over the weekend, paying bond for 30 inmates of the Fulton County Jail according to Atlanta local news. The two Atlanta natives shared a video of former inmates being reunited with family members as they were released; most were being held on minor charges but didn’t have enough to post bond.

As Thug explained, “This is where we are from. We just woke up and went to the jail with the lawyer and DA’s and the prosecutors, the bonding companies, and just got as many people as we can out.” Gunna echoed, “You never know what somebody been through. There was people sitting out three or four years and couldn’t get out on a bond. If they did the crime, then they can do the time, then it’s all right. But it’s like you’re giving them a bond higher than what they stole.”

According to WSBTV, the jail was 400 inmates over its 2,500 inmate capacity just two months ago — during a global pandemic(!) — and a city councilman described the conditions as the worst he’d ever seen. And although the rappers didn’t know how much money they spent on this photo opportunity — yes, the scenes will be part of an upcoming music video — they also promise it’s not going to be a one-time event, encouraging their peers to follow their lead.

Other music videos from the compilation — which debuted at No. 1 on the Billboard 200 this week — include Thug and Unfoonk’s “Real.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.