Kendrick Lamar, Burna Boy, Adele, And More Artists’ Music Blocked By YouTube Amid SESAC Dispute

Kendrick Lamar is among several artists who have had some of their music blocked on YouTube amid the company’s legal dispute with the performing rights organization SESAC. Other artists affected by the situation include Adele, Burna Boy, Mariah Carey, Bob Dylan, Green Day, Nirvana and R.E.M, among many others. Adele’s “Hello” and “Someone Like You,” as well as R.E.M.’s “Losing My Religion,” are all unavailable.

In a statement to Billboard, a YouTube spokesperson said: “We have held good faith negotiations with SESAC to renew our existing deal. Unfortunately, despite our best efforts, we were unable to reach an equitable agreement before its expiration. We take copyright very seriously and as a result, content represented by SESAC is no longer available on YouTube in the US. We are in active conversations with SESAC and are hoping to reach a new deal as soon as possible.”

Read More: Dionne Warwick Reveals Why She Didn’t Enjoy Kendrick Lamar’s “Not Like Us”

Kendrick Lamar Films “Not Like Us” Music Video

Watts, CA – June 22: Kendrick Lamar dances during the music video shoot for “Not. Like Us” at Nickerson Gardens on Saturday, June 22, 2024 in Watts, CA. (Michael Blackshire / Los Angeles Times via Getty Images)

Additionally, The Hollywood Reporter noted that the TeamYouTube X (formerly Twitter) account has been posting the following message for fans having trouble accessing the songs: “Our music license agreement with SESAC has expired without an agreement on renewal conditions despite our best efforts. For this reason, we have blocked content on YouTube in the US known to be associated with SESAC – as in line with copyright law … We understand this is a difficult situation and our teams continue to work on reaching a renewal agreement.”

The SESAC drama comes after Universal Music Group and TikTok endured a similar dispute, earlier this year, that left many popular songs off of the social media platform. It appears that Kendrick Lamar’s latest single, “Not Like Us,” is unaffected by the dispute. Be on the lookout for further updates on Kendrick Lamar and YouTube on HotNewHipHop.

Read More: Adin Ross Walks Back Los Angeles Beef After Receiving Threats From Kendrick Lamar Affiliates

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Kanye West Slammed By New Owner Of His Malibu Home For “Destroying” The “Architectural Masterpiece”

Kanye West is coming under fire from California-based real estate crowdfunding firm, Belwood Investments, and the company’s CEO, Bo Belmont. The businessman discussed the controversial renovations West made to his since-sold Malibu home during an interview with The Los Angeles Times. Belwood Investments reportedly bought the property from West for far less than he originally paid for it, three years ago, after he made massive renovations to the Tadao Ando-designed space.

“That was a really dumb move. Really no purpose,” Belmont told the outlet of the changes. He added: “He single-handedly destroyed this architectural masterpiece. My goal is to make it as though Kanye was never there. The house will be restored right back to what it was. It would have required extensive review… There’s a process to it and he does things his own way, and the city of Malibu, they don’t care who you are they’ll hold you accountable.”

Read More: Kanye West Officially Sells Malibu Mansion After Alleged Failed Bomb Shelter Conversion

Kanye West Performs During “Vultures” Event In China

HAIKOU, CHINA – SEPTEMBER 15: American rapper Kanye West performs during his Vultures Listening Experience at Wuyuan River Stadium on September 15, 2024, in Haikou, Hainan Province of China. (Photo by Luo Yunfei/China News Service/VCG via Getty Images)

After purchasing the property, Belmont said in a statement: “This is not just a phenomenal real estate investment; it is an opportunity to revitalize and preserve an architectural gem by the renowned Tadao Ando, ensuring it remains a jewel of Malibu. This acquisition exemplifies Belwood Investments’ commitment to transforming properties with historical and architectural significance while delivering exceptional returns for our investors.”

According to The New York Post, West removed windows, doors, electricity, and plumbing while making various other strange adjustments, such as trampolines and a slide. In other news, West recently confirmed that he’s working on a new solo album titled Bully, in addition to a third Vultures project. During a listening event in Haikou, China, last week, he debuted the single, “Beauty and the Beast.” Be on the lookout for further updates on Kanye West on HotNewHipHop.

Read More: Kanye West Loses An Eye-Watering $36 Million After Selling Malibu Home

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SOURCE SPORTS EXCLUSIVE: Former A’s Catcher Says Owners Allowed Closing Of Oakland Coliseum

Screenshot 2024 09 29 at 11.21.31 PM

Screenshot 2024 09 29 at 11.21.31 PM

As it has been sadly reported, the Oakland Coliseum, the place that the AL West Oakland A’s baseball team have called home since 1968, has closed its doors for good and many fans and baseball critics have made it known that no one is happy about it. Some of the most interesting perspectives have come from Oakland A’s players themselves, both past and present, who feel like the move to Las Vegas was more about money than the game.

The A’s, who they will now be called when they move the show to Sacramento, played their last game in the Oakland Coliseum this past Thursday in a win against the Texas Rangers, but the bittersweet win was overshadowed by the loss of the stadium, with fans taking bases and bottles of dirt from the field as tearful pieces of memorabilia. Oakland, where legendary players such as Reggie Jackson and Rickey Henderson once called home, closed the doors to the Coliseum where the Athletics have played since 1968. The A’s followed the lead of the Raiders, who left Oakland for Las Vegas just three years ago.

Fans turned up at the Coliseum early in the day in full green and gold regalia. Chants of “Let’s go, Oakland” soon roared throughout the stadium, as did some chants of “Sell the team” in a reference to Oakland A’s owner John Fisher. Despite reportedly being instructed to leave the field immediately following the game, players stayed to honor and pay homage their fans.

Some of the players, current and former, were not at all thrilled or surprised by the move from Oakland and former A’s catcher Bruce Maxwell believes that the move to Vegas will literally hurt the morale of a city that is still reeling from sports team losses.

“Removing the A’s from Oakland is ripping the heart out of Oakland!” exclaims the German-born 33-year-old who made his MLB debut in Oakland in 2016. “So much history that belongs to Oakland. Your goal is to win in sports and if that is not your goal, you shouldn’t be allowed to own a team,” Maxwell says referencing Fisher. “Ownership has shown that they are more focused on saving money than winning. It’s sad for the people of Oakland that it’s happening like this.”

The A’s will be moving to Sacramento for three seasons to Sutter Health Park, home of the Triple-A Sacramento River Cats, starting in 2025, with an option for a fourth season, the team announced in April. In the spirit of the Raiders, the plan is to move the A’s organization to Las Vegas by 2028. As for closing the doors to the Coliseum, Maxwell echoed the sentiments of the A’s fans. “It’s bad for Oakland and it’s bad for baseball.

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Kim Porter’s Father Speaks Out Amid Diddy’s Arrest: “The Truth Will Come Out”

Kim Porter Was Reportedly Battling Pneumonia for Weeks, Treated With Saline and Vitamins Before Death

Kim Porter Was Reportedly Battling Pneumonia for Weeks, Treated With Saline and Vitamins Before Death

Jake Porter, the father of the late Kim Porter, has broken his silence following the recent arrest of Bad Boy Entertainment CEO Sean ‘Diddy’ Combs. In an exclusive interview with The Daily Mail, the 78-year-old shared his thoughts on the swirling rumors surrounding his daughter’s death and her relationship with Diddy.

Speaking from his home in Georgia, Porter addressed the arrest, saying, “The truth will come out. It always does in the end.” Although he declined to comment directly on the charges against Diddy, he acknowledged that he was “aware of them from the news.”

Porter was particularly candid when discussing a video showing Diddy’s alleged abuse of former girlfriend Cassie Ventura, which resurfaced after the mogul’s arrest. “When I saw the video of what he did to Cassie, I was disgusted,” Porter stated. “I don’t really have much to say beyond that.”

Regarding growing calls for the investigation into Kim Porter’s death to be reopened, Jake Porter dismissed the previous investigation as “a load of c**p.” Kim Porter, who passed away in 2018 at the age of 47, was found to have died from lobar pneumonia, and her death was ruled natural.

While Jake Porter did not explicitly call for a new investigation into his daughter’s passing, his comments reflect a lingering distrust in the original findings. For now, he remains resolute, waiting for what he believes to be the inevitable unveiling of the truth.

As rumors continue to swirl around Diddy’s legal troubles and the circumstances surrounding Kim Porter’s death, her father’s words add another layer to the ongoing saga.

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Dro Kenji Endures An Challenging Relationship With His New Song, “Evil Twin”

Dro Kenji continued his prolific output with another new single on Friday with the track, “Evil Twin.” On the song, he raps about his partner being his “evil twin” and compares sex with them to a drug. Across the emotionally devastating chorus, he remarks: “This sh*t won’t be over if we keep f*ckin’ / I can’t fake no love, is that too cold or somethin’?” It’s the latest of several impressive releases from Kenji, following “HEARTLESS” in May and his 2023 project, WISH YOU WERE HERE.

“Evil Twin” comes as Kenji continues to prepare for his next project, which doesn’t have a release date as of now. In the comments section of his YouTube post, fans shared theories about when it could be dropping. “Ight y’all so last year arsonist came out in April, over an over in June, and then the album in August. We got Heartless in May this year, and now in September we got evil twin so probably November or December the album,” one top comment reads. Others praise the quality of the new song. “Love you so much Dro your a big heart guy with great tones out here,” one fan remarks. Another adds: “This one went f*cking crazy. This album about to be insane bro Im gonna lose my sh*t.” Check out Kenji’s “Evil Twin” on YouTube below. Be on the lookout for further updates on Dro Kenji on HotNewHipHop.

Read More: Dro Kenji Gets Brutally Toxic On “HEARTLESS”

Dro Kenji Vents About His Relationship On “Evil Twin”

Read More: Dro Kenji Comes Through With 17-Song Album “WISH YOU WERE HERE”

Quotable Lyrics:

Uh, you my evil twin, yeah
Can we f*ck again, yeah?
That sh*t like a drug to me, yeah, Percocets and Xans, yeah
If I’m out of line, f*ck it, we don’t do no lines anyways
I hear that you like to turn me sideways

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Al B. Sure Sends Cease-and-Desist Over Alleged Kim Porter Diary on Amazon

Screen Shot 2024 09 29 at 10.17.59 PM

Screen Shot 2024 09 29 at 10.17.59 PM

Last week, R&B singer and songwriter Al B. Sure spoke out against the controversial book claiming to be the late Kim Porter’s memoir, slamming it as “calculated fiction” and “fabricated BS.” Now, the “Nite and Day” singer has taken legal action, sending a cease-and-desist letter to both the book’s publisher and Amazon.

According to Page Six, Al B. Sure, born Albert Joseph Brown III, is attempting to block the sale of the self-published book titled Kim’s Lost Words. The book, allegedly written under the pseudonym “Jamal T. Millwood” — which conspiracy theorists have speculated could be an alias for the late rapper Tupac Shakur — was published by Todd Christopher Guzze and quickly became a best-seller on Amazon.

The cease-and-desist, issued by Sure’s attorney Robert J. Hantman, claims the book falsely portrays Brown in a defamatory light, particularly accusing him of engaging in sexual relations with Kim Porter and her ex, Sean “Diddy” Combs. In the letter, Al B. Sure demands that the book’s sale be halted, and that Guzze, Amazon CEO Andy Jassy, and Amazon founder Jeff Bezos issue a public apology.

The letter also warns, “Should you fail to comply with these demands within ten days, we will have no alternative but to pursue all legal remedies available, including filing a lawsuit for defamation.” Sure expressed his disgust, calling the allegations “the most disgusting, heinous lie I have ever heard of in my life.”

As Al B. Sure seeks to clear his name, the saga surrounding Kim’s Lost Words continues to draw attention.

Thoughts?

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Doja Cat Draws Attention To “Suffering” In Palestine, Ukraine, And More With Passionate Global Citizen Festival Speech

Doja Cat used her platform at the Global Citizen Festival on Saturday night in New York City to draw attention to injustices taking place in Palestine, Ukraine, and several more countries across the world. In doing so, the Scarlet rapper called on her fans to continue using their voices to raise awareness for those in need of help.

“Right now, millions of men, women and children in Gaza, Ukraine, Sudan, the Congo and all across the world, are suffering. In times like this, it is important to remember that we have the power to bring change, love light and hope to those who need it most,” Doja said, as caught by Billboard. “I join forces with Global Citizen to help people in areas of conflict and crisis, and I know so many of you join me in taking action to earn your tickets to be here tonight. But we can’t stop now. Please keep using your voice to help those fleeing violence get the food, shelter and education they need and very, very much deserve. There is a beauty in strength in all of you who are watching this, and who choose to be here tonight. This is our time to put it into what matters most, and that is life.”

Read More: Doja Cat Left Speechless By Man’s NSFW Interruption During Instagram Live Session

Doja Cat Performs During Global Citizen Festival

NEW YORK, NY – SEPTEMBER 28: Doja Cat performs in concert at the Global. Citizen Festival in Central Park on September 28, 2024, in New York City. (Photo by XPX/Star Max/GC Images)

Doja is far from the first artist to speak out on the situation in Palestine. Macklemore recently made headlines for shouting “F*ck America” during a performance at the Palestine Will Live Forever Festival. He eventually got dropped from Neon City Festival in the wake of the move. He also released the song, “Hind’s Hall 2,” earlier this month.

Doja Cat Speaks Out

Check out Doja’s full comments on injustice in the world below. She also used to opportunity to deny rumors that she’s secretly married to Joseph Quinn. Other performers at the event included Post Malone, Jelly Roll, and Rauw Alejandro. Be on the lookout for further updates on Doja Cat on HotNewHipHop.

Read More: Doja Cat Delivers NSFW Message While Clubbing: “My Throat Bored”

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Hispanic Hip-Hop Heritage: Hispanic DJs and producers who have significantly influenced the hip-hop sound

Hispanic Hip Hop Heritage Hispanic DJs and producers who have significantly influenced the hip hop sound

Since its birth over 50 years ago, hip-hop has undergone a series of transformations, largely in part due to the many musical and cultural influences that have impacted it. While Hispanic artists have naturally had a great deal of influence on hip-hop music, so have the DJs and producers that have used their sound to influence hip-hop or utilized key elements of hip-hop in their sound. In honor of Hispanic Heritage Month, below are some of the well-known and up and coming Hispanic DJs and producers.

Sinego

Sinego, from Bogotá, Colombia, gained recognition with his house bolero songs, revitalizing traditional Latin sounds in tracks like “Verte Triste” and “No Soy De Aquí.” Collaborating with artists like Sofi Tukker and Bomba Estéreo, he aims to push Latin EDM with his upcoming album, Alterego, which blends bolero, cumbia, samba, tango, and mambo, along with a techno-influenced “Noche” version. Sinego describes Alterego as a sonic journey merging Latin traditions with electronic music’s possibilities.

Gordo

Gordo is bridging Latin and electronic music, gaining traction in both English and Spanish markets. After collaborating with Drake on Honestly, Nevermind, he’s returning Spanish tech house to its roots with tracks like “Hombres y Mujeres” featuring Feid and “Parcera” with Maluma.

Deorro

Deorro blends his Mexican American heritage in music, performing globally at major festivals like Coachella and Lollapalooza. His album Orro features regional Mexican influences, collaborating with artists like Los Tucanes de Tijuana and Eslabon Armado. He values collaboration for inspiring new sounds.

The Martinez Brothers

The Martinez Brothers, DJs and producers from The Bronx, are renowned for their long residencies in Ibiza and Miami as well as their performances at major festivals such as EDC and Tomorrowland. Named Mixmag’s DJs of the Year in 2014, they blend house, techno, and hip-hop. Their musical journey began in church, leading to mentorship by Dennis Ferrer and a thriving international career.

Coco & Breezy

Coco & Breezy are another set of siblings making splashes on the charts. The twin sisters Corianna and Brianna Dotson, have expanded their eyewear brand into a lifestyle, DJing at festivals and producing music that blends house, R&B, and pop influences.

Bizarrap

Argentina’s Bizarrap launched his BZRP Music Sessions in 2018, initially featuring freestyle rap over hip-hop beats. Recent sessions highlight pronounced house elements which have put him on global charts across multiple genres.

Des & Del

Des & Del, friends for over five years, began playing techno and house shows in Miami, quickly gaining support from artists like Michael Bibi and Cloonee. Their standout track “Like This” and their party concept “Groove State” showcase their unique blend of Jackin’ House and progressive techno influences.

Mareels 

Mareels, a Spanish DJ and producer, has rapidly risen in the music scene within just a year, earning support from artists like Wade, Cloonee, and Michael Bibi. His sound resonates at major festivals worldwide, including EDC, ElRow, and Amnesia.

Juan Dileju

Juan Dileju from Cali, Colombia, transitioned from a childhood fascination with drums and piano to creating electrifying Tech House beats. Signed to major labels like Spinnin’ Records, he’s gaining international recognition, supported by DJs such as Armin van Buuren and Hardwell.

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Top Collaborations Between Hispanic and Non-Hispanic Hip-hop and Pop Artists

Top Collaborations Between Hispanic and Non Hispanic Hip hop and Pop Artists

Hip-hop celebrated its 51st birthday in August and it’s fitting that it is shortly followed by Hispanic heritage month. While hip-hop has most of its roots in African-American culture, the sound has been influenced by Hispanic artists and culture as well almost since its inception. The last five decades have seen dozens of explosive partnerships between Hispanic music legends and non-Hispanic hip-hop and pop artists, showcasing how these trailblazing collabs have broken cultural boundaries, creating chart-topping hits, and redefining the music scene.

“Despacito” by Luis Fonsi, Daddy Yankee, and Justin Bieber: “Despacito” was a global reggaeton sensation blending Latin rhythms with pop influences. The song tied for the longest run at number one on the Billboard Hot 100 chart in 2015.

“Taki Taki” by Ozuna, DJ Snake, Selena Gomez, and Cardi B: “Taki Taki” brought together an international assembly of talent including Latin sensation Ozuna, French producer DJ Snake, Selena Gomez, and Cardi B for what was arguably one of the catchiest songs of 2018.

“Never Leave You (Uh Oooh, Uh Oooh)” by Lumidee featuring Busta Rhymes and Fabolous: Possibly the catchiest song back in the summer of 2003, this track seamlessly blended Lumidee’s melodic voice and Fabolous and Busta Rhymes’ punctuated raps, resulting in a timeless hit.

“Give Me Everything” by Pitbull and Ne-Yo (with honorable mentions): In 2004, Pitbull made his debut to the music scene alongside several established hip-hop artists releasing hit tracks such as “Culo” and “Roma” with Lil Jon and “That’s Nasty” with Lil Jon and Fat Joe. He would again team up with Lil Jon three years later on “The Anthem,” which sampled the 1970s Latin single “El Africano” by Sonora Dinamita (E-40 made an appearance in the music video as well). Pitbull would team up with dozens of other pop and hip-hop stars over the next decade including Chris Brown, T-Pain, Akon, Lloyd, Christina Aguilera, Kesha, and more- including collabing with Ne-Yo multiple times, most notably for “Give Me Everything” in 2011. The song, which also featured Dutch DJ Afrojack and American singer Nayer, was the first Billboard Hot 100 number one single for all of the artists except for Ne-Yo.

“I’m Real” (remix) by Jennifer Lopez featuring Ja Rule: Before Pitbull made his worldwide debut as Mr. Worldwide, the remix of “I’m Real” was a 2001 hit that blended R&B and hip-hop sounds, culminating in a chart-topping track, known for its catchy melody and playful lyrics. The song marked a pivotal moment in Lopez’s music career, showcasing her versatility and solidifying her presence in the pop and urban music scene while further propelling Ja Rule’s dominance of the music scene in 2001.

“Mia” by Drake and Bad Bunny:  “Mia” by Bad Bunny featuring Drake is a bilingual reggaeton hit where Drake sings in Spanish (how well is a different topic of debate). However, the infectious track blends Latin rhythms with hip-hop, celebrating love and culture, and was generally met with positive audience reception, working its way onto club and party playlists throughout 2018.

“Bailando” by Enrique Iglesias ft. Sean Paul, Descemer Bueno, Gente De Zona:   “Bailando” was a vibrant, danceable anthem blending reggaeton, Latin pop, and dancehall, celebrating love and passion with infectious energy and becoming a top dance hit of 2014 (fitting as “bailando” means dancing in Spanish).

“Vato” by Snoop Dogg and B-Real: Long before he was the face of America at the Olympics, Snoop paired with the Cypress Hill frontman for “Vato,” a song that infused the talent of both superstars. While some criticized the video for making fun of Hispanic culture, both artists said that the song (and video) were meant to address issues of racial conflict between Blacks and Hispanics, especially in Los Angeles (this became more evident when the song’s video was released).

“Did it Again” by Shakira and Kid Cudi (with honorable mentions): Since bursting onto the American pop music scene in 2001, Shakira has spent over two decades rising to a global sensation, teaming up with American hip-hop and pop stars including Rihanna (“Can’t Remember to Forget You”), Beyonce (“Beautiful Liar”), Wycleff Jean (“Hips Don’t Lie”), Black Eyed Peas (“Girl Like Me”), and Cardi B (“Punteria”). However, “Did it Again” with Kid Cudi might be one of both artists’ most underrated songs that deserves more credit than it’s been given.

“Como No” by Akon and Becky G: “Como No” (which means “of course” in Spanish), which was the lead single on Akon’s Latin debut album El Negreeto, was met with positive global reception, especially in Europe where the duo performed it at the 2019 MTV Europe Music Awards.

“Todo Para Ti” by Shakira, Thalia, Ricky Martin, Carlos Santana, Gloria Estefan, Michael Jackson (and others): “Todo Para Ti” was originally recorded in English as “What More Can I Give” by Michael Jackson and a superstar lineup that included Mariah Carey, Mya, Brian McKnight, Luther Vandross, Usher, and more following the September 11th attacks in 2001. It was recorded later in Spanish as “Todo Para Ti.” While some non-Hispanic artists appeared only on the English version and some Hispanic artists appeared only on the Spanish version, Shakira, Thalia, Ricky Martin, Carlos Santana, Gloria Estefan, Mya, Mariah Carey, Luther Vandross, Jon Secada, Celine Dion, Anastacia, and Brian McKnight all appeared on both versions.

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The Evolution of Latin Hip-Hop

The Evolution of Latin Hip Hop

The late summer months of August and September celebrate both the anniversary of hip-hop as well as Hispanic heritage, a fitting combination since Hispanic culture and sound have had a significant impact on the evolution of not just Latin Hip-Hop, but hip-hop in general, in a story that tells a dynamic journey reflective of the interplay between cultural identities, socio-political contexts, and musical innovation.

Emerging in the late 1980s and early 1990s following the introduction of rap and hip-hop into mainstream music, Latin hip-hop as we know it today began as a powerful voice for Latino communities in the United States, not just in New York City and Los Angeles, but throughout the country and the world.

While the original roots of Latin hip-hop can be traced to the influence of pioneering African American hip-hop artists, Latino artists, inspired by the burgeoning hip-hop culture, began to incorporate their unique cultural elements, such as Spanish lyrics and traditional Latin rhythms, into their music. This fusion gave birth to a distinct genre that resonated with Latino youth, who saw it as a means to express their experiences and challenges.

Early Latin hip-hop artists like Mellow Man Ace and Cypress Hill played a pivotal role in popularizing the genre. Mellow Man Ace’s 1989 hit “Mentirosa” blended English and Spanish lyrics, showcasing bilingualism as a signature of Latin hip-hop. DJ Charlie Chase, the DJ for the hip-hop group the Cold Crush Brothers, fused elements of salsa with hip-hop in New York in the 1980s. In 1992, Mesanjarz of Funk was the first Spanish rap group signed to a major label (Atlantic Records).

As the genre evolved throughout the 1990s, a new wave of artists emerged, diversifying Latin hip-hop’s sound and reach. Like hip-hop in general, Latin hip-hop didn’t have a uniform sound. While each region and artist had their distinct sound, all of the artists were instrumental in shaping the Latin American hip-hop scene, addressing social issues and personal struggles through their music.

Oakland-based group Lighter Shade of Brown adopted a distinct Bay Area sound, while artists such as Frost, Cypress Hill, and others from Southern California had a distinct LA sound. Chino XL of New Jersey made a splash with his unique sound influenced by Cypress Hill and East Coast hip-hop artists of the mid-1990s. In 1998, New York’s Big Pun became the first Latin solo artist to reach platinum sales for his 1997 album Capital Punishment, which included the classic hit “Still Not a Player.” Jennifer Lopez further brought elements of Latin music into the hip-hop and pop genres, solidifying herself as one of the most successful Latina musical artists in the United States.

The evolution of Latin hip-hop wasn’t limited to the continental United States. Acts like Control Machete from Mexico and Vico C (often known as the “father of Spanish rap”) and Lisa M (sometimes referred to as “the queen of Spanish rap”), both from Puerto Rico, introduced regional styles and narratives, broadening the genre’s appeal. In Puerto Rico, Tego Calderon was also one of the first artists to blend hip-hop and reggae elements, paving the way for artists such as Daddy Yankee and giving rise to reggaeton. This genre fused hip-hop, dancehall, and Latin rhythms. Lego Calderon and Daddy Yankee’s success quickly demonstrated Latin urban music’s commercial viability on an international scale- especially when the internet quickly allowed culture to transcend global boundaries.

In the 2010s and beyond, Latin hip-hop continued to evolve, embracing new influences and technologies. Artists like Mochakk, Jessica Audiffred, Geo, Carolo, ARTIX!, and more have pushed the boundaries of the genre, integrating EDM into their distinct sounds. Snow the Product established herself as one of the most versatile female artists in the genre, while Becky G established a strong crossover presence on both the Spanish charts and mainstream American Top 40 charts. These artists have achieved massive global success, breaking language barriers and solidifying Latin hip-hop’s place in the mainstream music industry.

Today, Latin hip-hop reflects a rich tapestry of influences and is a powerful medium for storytelling, cultural expression, and social commentary. Artists such as Karol G, Peso Pluma, Bad Bunny, and more continue fusing Latin and hip-hop elements into mainstream American music. In contrast, international artists from Central and South America continue to build global fanbases. Through it all, Latin hip-hop stands as a testament to the resilience and creativity of Latino artists. It will likely continue to evolve, remaining a dynamic and influential force in the global music landscape.

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