ICYMI: Viola Davis on Comments About Her Role as Mrs. Obama: “Critics Absolutely Serve No Purpose”

Viola Davis on Comments About Her Role as Mrs. Obama: “Critics Absolutely Serve No Purpose”

Viola Davis stars as Michelle Obama in the new Showtime series The First Lady. Her work as Mrs. Obama has received criticism online, most notably for her facial expressions throughout the series.

While speaking with BBC News in the promotion of her memoir, Finding Me, Davis stated it is “incredibly hurtful when people say negative things about your work.”

She added a moment in self-reflection in how you move on, citing “you have to.” Davis added, “Not everything is going to be an awards-worthy performance.”

But to those critics, Davis had a response: “Critics absolutely serve no purpose. And I’m not saying that to be nasty, either.”

Davis would add more of her opinion on the social media messages about her portrayal of Mrs. Obama:

“They always feel like they’re telling you something that you don’t know. Somehow that you’re living a life that you’re surrounded by people who lie to you and ‘I’m going to be the person that leans in and tells you the truth,’ so it gives them an opportunity to be cruel to you. But ultimately I feel like it is my job as a leader to make bold choices. Win or fail it is my duty to do that.”

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‘The Batman’ Sequel Confirmed with Matt Reeves at Warner Bros.

'The Batman' Sequel Confirmed with Matt Reeves at Warner Bros.

Director Matt Reeves has begun writing a sequel to The Batman, which he and Dylan Clark will also produce, according to Warner Bros. Pictures. The announcement comes after the current film’s global box office total surpassed $750 million. Toby Emmerich, Chairman, Warner Bros. Pictures Group, and Reeves, who joined Emmerich onstage during his opening remarks at the Warner Bros. Pictures presentation at CinemaCon in Las Vegas, made the announcement today.

HBO Max has announced a new series starring Colin Farrell as The Penguin, which is based on the world created by The Batman. On the new animated series “Batman: Caped Crusader,” Reeves is reuniting with J.J. Abrams and DC world veteran Bruce Timm. The massively popular “Planet of the Apes” franchise, the acclaimed fantasy horror picture “Let Me In,” and the sci-fi horror smash “Cloverfield” is among the filmmaker’s previous projects. Reeves’ other credits include “Felicity,” a famous TV show he co-created with Abrams, as well as “Ordinary Joe,” “Lift,” “Mother/Android,” “Away,” “Tales from the Loop,” and “The Passage,” among others.

According to Deadline, to date, The Batman has pulled in $750 million worldwide and had 4.1 million first-day viewers on HBO MAX.

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Viola Davis on Comments About Her Role as Mrs. Obama: “Critics Absolutely Serve No Purpose”

Viola Davis on Comments About Her Role as Mrs. Obama: “Critics Absolutely Serve No Purpose”

Viola Davis stars as Michelle Obama in the new Showtime series The First Lady. Her work as Mrs. Obama has received criticism online, most notably for her facial expressions throughout the series.

While speaking with BBC News in the promotion of her memoir, Finding Me, Davis stated it is “incredibly hurtful when people say negative things about your work.”

She added a moment in self-reflection in how you move on, citing “you have to.” Davis added, “Not everything is going to be an awards-worthy performance.”

But to those critics, Davis had a response: “Critics absolutely serve no purpose. And I’m not saying that to be nasty, either.”

Davis would add more of her opinion on the social media messages about her portrayal of Mrs. Obama:

“They always feel like they’re telling you something that you don’t know. Somehow that you’re living a life that you’re surrounded by people who lie to you and ‘I’m going to be the person that leans in and tells you the truth,’ so it gives them an opportunity to be cruel to you. But ultimately I feel like it is my job as a leader to make bold choices. Win or fail it is my duty to do that.”

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Lil Baby, Machine Gun Kelly, The D.O.C. Features Set to Premiere at 2022 Tribeca Film Festival

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The roster for the 2022 Tribeca Film Festival has been released, and it includes feature and short narratives, documentaries, and animated films. This year’s festival runs from June 8 to 19 and contains everything from indie shorts to feature films worldwide.

The features program includes 109 feature films and 16 online premieres from 150 filmmakers from 40 countries and is divided into ten categories: narrative competitions, topical documentaries, and anticipated new films. There are 88 world debuts, two international premieres, seven North American premieres, two US premieres, and eleven New York premieres on the roster. 32 directors return to Tribeca with their most recent work, and 50 newcomers. Female, BIPOC, and LGBTQ+ filmmakers direct more than 64% (81) of feature films, including 46 percent (58) female directors, 34% (43) BIPOC directors, and 8% (10) LGBTQ+ directors.

A series of exciting live conversations and performances are planned, including a performance by Grammy Award-winning rapper Lil Baby following the world premiere of Untrapped: The Story of Lil Baby; a special appearance by Colson Baker (AKA Machine Gun Kelly) after Taurus; and a performance by Of Monsters and Men after TU.

Films about the careers of Marc Bolan, The D.O.C., Leonard Cohen, and the previously announced Jennifer Lopez feature, which will start this year’s festival, are among the music documentaries that will have their world premieres at Tribeca.

You can get more information on the 2022 Festival here.

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Charlamagne Tha God Ads Graphic Fiction Projects to His Black Privilege Publishing Company

Charlamagne

Lenard “Charlamagne Tha God” Mckelvey has declared plans to expand his media empire by creating new graphic novels and comic book series lines. Charlamagne Tha God has enlisted the help of famous creative and comic book pro Kevin Grevioux to pen an original graphic novel project called Darkstorm, published by Charlamagne’s Black Privilege Publishing, a Simon & Schuster brand. In addition, Charlamagne and Grevioux have collaborated on original comic book series with AWA Studios, an independent creator of daring and relevant stories from the world’s most exceptional artists, authors, and crafters.

Darkstorm Cover Art

“If you know anything about me, then you know how much I love comics. I’m the guy who got Wolverine holding a microphone tattooed on his arm when he was 17 because of my love of comics. Partnering with Kevin Grevioux to present this new universe, filled with Black and Brown GOD Level superheroes is a dream come true. A lot of the black superheroes I loved growing up were street level and that’s cool but I want to see Omega Level superheroes that look like me and people around me and that’s exactly what we are giving you with Darkstorm and The Vindicators,” said Charlamagne. “I AM Blessed and excited to continue the important work with my Black Privilege imprint on Simon & Schuster and begin partnerships with comic book veterans like Bill Jemas, Axel Alonso and the whole team at AWA Studios. It’s collaborations like this that help to build an empire and I’m grateful to have found good ones.”

Charlamagne and Grevioux are working on original IP that will be adapted into graphic novels and comics. Grevioux is a seasoned entertainment industry veteran with decades of experience as a writer, producer, director, actor, and comic book expert. He is most known for creating the Underworld film franchise and just made his directorial debut with his screenplay King of Killers, based on his graphic novel. He graduated from Howard University. Grevioux brings a wealth of experience to the relationship, having written for Marvel and DC Comics.

Kevin Grevioux 1
Kevin Grevioux 1

“I feel blessed to be working with a guy that is as successful as Charlamagne, a one-of-a-kind cultural icon with global reach,” said Grevioux. “He also has an incredible genre IQ for science fiction, comics, and fantasy. So, I truly believe that he is the absolute perfect partner for these ventures. The world’s really not ready for what we have in store.”

Charlamagne and Grevioux’s first collaboration will be a hallmark superhero epic series called Darkstorm, published and distributed under Charlamagne’s imprint, Black Privilege Publishing. With art by KEN LASHLEY, the comic novel will tell the story of a PTSD-affected and hesitant superhero who is portrayed as an anti-hero by everyone except those who know him best. Black Privilege Publishing’s objective to promote Black and brown perspectives will be reflected in the stories recounted in this initiative.

Lashley added, “When you get the opportunity to work on some great characters you jump at the chance. l am drawn to strong characters of color, and there are not many in mainstream comics, but Darkstorm is just that. It’s also created by Kevin Grevioux who is a very talented writer and created another powerful character in The Blue Marvel, so it’s a win-win… it’s very exciting.” 

Vindicators Cover Art
Vindicators Cover Art

In addition to the Black Privilege graphic novel series, Charlamagne has signed an agreement to develop original comic book series with AWA Studios, the rising comic entertainment firm headed by former Marvel execs Bill Jemas and Axel Alonso. The first series under creation, The Vindicators, is a new and fascinating take on a diverse superhero team, with an uber-realistic origin story that is accessible even against the backdrop of a dystopian future, albeit a gloomy one.

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Report: The Academy Pushes Up Meeting to Discuss Will Smith’s Punishment to Friday

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Will Smith will soon know his fate after his shocking slap at Chris Rock at this year’s Oscars. According to Variety, The Academy Board of Governors will meet this Friday, April 8, to come to a conclusion on punishment for the King Richard star.

The meeting was originally set for April 18, but a letter called for an early session.

“I am calling a board meeting for this Friday morning, April 8, at 9:00 a.m. PT, rather than the previously scheduled April 18 meeting, to address possible sanctions for Will Smith in response to his actions during the Oscars broadcast on March 27,” the letter from Academy president David Rubin reads.

“Following Mr. Smith’s resignation of his Academy membership on Friday, April 1, suspension or expulsion are no longer a possibility, and the legally prescribed timetable no longer applies. It is in the best interest of all involved for this to be handled in a timely fashion.”

You can see the full letter here.

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Denzel Washington Speaks Out on Oscars Slap: ‘The Only Solution Was Prayer’

denzel washington

Denzel Washington was a calming presence at the 2022 Oscars. After Will Smith slapped Chris Rock after delivering a questionable joke about his wife Jada Pinkett Smith, Washington was seen as an immediate mediator to the situation and later consoling the Smiths.

A week later, PEOPLE notes Washington was on hand at T.D. Jakes International Leadership Summit and detailed why he assisted.

“No way I could have sat in my seat,” Washington said. “That’s just not who I am.”

Variety notes Denzel would reflect on the moment and what he believes happened to Smith.

“There’s a saying when the devil ignores you, then you know you’re doing something wrong,” Washington said. “The devil goes, ‘Oh no leave him alone, he’s my favorite.’ Conversely, when the devil comes at you, maybe it’s because he’s trying to do something right. And for whatever reason, the devil got ahold of him that night.”

Washington would not reveal what was said during the huddles at the award show that included him and Smith, as well as Tyler Perry and Bradley Cooper, but did reveal prayers were exchanged.

“I don’t wanna say what we talked about, but there but for the grace of God go any of us,” Washington said. “Who are we to condemn? I don’t know all the ins and outs of this situation, but I know the only solution was prayer, the way I saw it, the way I see it.”

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Will Smith Resigns from Academy of Motion Picture Arts and Sciences, Says He is “Heartbroken” in Official Statement

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In wake of his on-stage Oscar slap to Chris Rock, Will Smith has resigned from the Academy of Motion Picture Arts and Sciences.

According to Deadline, Smith was facing the possibility of being expelled for a decade or more. Smith, a member of the AMPAS since 2001, resigned ahead of their decision in hopes to defuse the situation.

Smith released a statement to Deadline:

I have directly responded to the Academy’s disciplinary hearing notice, and I will fully accept any and all consequences for my conduct. My actions at the 94th Academy Awards presentation were shocking, painful, and inexcusable. The list of those I have hurt is long and includes Chris, his family, many of my dear friends and loved ones, all those in attendance, and global audiences at home. I betrayed the trust of the Academy. I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work. I am heartbroken. I want to put the focus back on those who deserve attention for their achievements and allow the Academy to get back to the incredible work it does to support creativity and artistry in film. So, I am resigning from membership in the Academy of Motion Picture Arts and Sciences, and will accept any further consequences the Board deems appropriate.

Change takes time and I am committed to doing the work to ensure that I never again allow violence to overtake reason.

Sources state that while Smith’s expulsion was an option, the Academy never considered taking his Oscar away.

“We have received and accepted Mr. Will Smith’s immediate resignation from the Academy of Motion Picture Arts and Sciences,” AMPAS president David Rubin said in a statement Friday. “We will continue to move forward with our disciplinary proceedings against Mr. Smith for violations of the Academy’s Standards of Conduct, in advance of our next scheduled board meeting on April 18.”

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Documentary WE WERE HYPHY Captures Distinct Bay Area Sound and Culture

We Were Hyphy

Los Angeles may be known as the birthplace of gangsta rap, but just 500 miles away in northern California, the Bay Area boasts its own distinct hip-hop sound and culture in a vibe that can only be described as “hyphy.” While the hyphy movement never gained the same mainstream momentum as other musical genres, it simultaneously reflected and influenced culture and sound, not just in the Bay Area, but around the nation as well, albeit somewhat subtly. The documentary WE WERE HYPHY takes viewers on a journey through the unique Hyphy culture and sound, showcasing a movement that uniquely captured a special time and place in modern history. 

Through interviews with Bay Area artists including G-Eazy and Kamaiyah, journalists, industry professionals, and Bay Area legends, WE WERE HYPHY provides an intimate glimpse into the Hyphy culture and experience from two perspectives – through the eyes of the artists who created the iconic sound, and through Bay Area residents who grew up under the influence of hyphy’s uniquely charismatic spell.

Director Laurence Madrigal’s describes hyphy as a “testament to the power of the community” and uses the 84-minute movie to show how the hyphy movement started out as an underground movement that elevated the underrepresented voices of Bay Area youth and grew to a full-scale scene, with hit songs and albums, sideshows and ghost-riding, turf- and “going-dumb”-dancing, fashion trends, slang, and more.

Rooted in the counterculture of San Francisco’s Bay Area and Oakland in the late 1960s and 1970s, the Bay Area (or “the yay area” as some locals call it) has always been its own epicenter of a culture that has influenced many social movements and the sound that reflected both struggle and hope.

The film traces the sound from Too $hort’s early sound pioneering and describes how major Bay Area hyphy artists such as E-40, Mac Dre, Traxamillion, Rick Rock, and others created their distinct sounds. The documentary shows how each artist or producer brought their own flare such as Mac Dre’s 808 sound, Traxamillion’s addition of the triton keyboard, and Rick Rock’s addition of a southern Miami beat. However, the hyphy sound still had much in common: uptempo “mob” music, a lot of 808s, drums, and synthesizer sounds that is simultaneously high-energy and raw, creating an Intersection of distinct beats and wordsmithing that often borders on poetry- all with faster beats than the rap sounds of SoCal or the East Coast.

This uniqueness is one reason that G-Eazy describes the Bay Area in the documentary as an “unusual place.”

However, the film shows how hyphy extended far beyond music, both reflecting and creating community in and around Oakland through the dances, fashion, and sideshows.

An over-the-top aesthetic that mixed bling, mainstream sneakers, and airbrushed tees defined hyphy fashion while tricked out cars with state-of-the-art sound systems spun out in vacant lots and even major intersections on Friday and Saturday night, in a phenomenon that was known as “the sideshow.” Interviewees describe how the sideshows influenced hyphy culture and sound and how the sideshows reflected the energy of the hyphy attitude.

The documentary also describes how dance was the one element that truly defined the hyphy culture. Locals referred to hyphy dancing as “turfin,” dancing in a way that was unique to your “turf” or as an acronym for “taking up room on the floor.”

It also tells the darker side of the hyphy movement’s history, namely the impact that the untimely death of Mac Dre in 2004 had on the movement.

The documentary reflects how hyphy is “an energy, a feeling” and something “that you feel inside,” sampling from some of the genre’s top hits and using archived footage to create a vivid experience that transports viewers to a different time and place.

WE WERE HYPHY gets its world premiere as part of Cinejoy. The popular online offshoot of San Jose’s Cinequest film festival runs April 1-17, and comes well-stocked with world, national and Bay Area premieres, along with interactive events such as watch parties and spotlights. More information is at www.cinequest.org.

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A&E to Air First-Ever Ol’ Dirty Bastard Biography Executive Produced by Four Screens

Ol Dirty Bastard 4 Al Pereira Copy

A&E Network has announced they have greenlit a forthcoming documentary, Biography: Ol’ Dirty Bastard. The two-hour film will be the first official documentary about the Grammy-nominated musician and founding member of the Wu-Tang Clan.

ODB, who was born Russell Jones in Brooklyn, New York in 1968, developed a distinct identity and rhyme style that distinguished him apart from his peers. ODB had a huge influence on a whole generation of fans and performers during his brief 35-year life and long after his death. This culture-defining special humanizes ODB as a man, a father, and a husband like never before, thanks to exclusive access to a never-before-seen personal archive shot by his wife, Icelene Jones, and access to his closest friends and family.

Ol Dirty Bastard 4 Al Pereira

Sam Pollard (MLK/FBI, Black Art: In The Absence of Light) and his son Jason Pollard (Get Me Roger Stone, Bitchin’ The Sound and Fury of Rick James) co-direct this comprehensive documentary, which provides an intimate portrait of ODB’s life and reflects on his lasting impact on music and culture.

The documentary, which will be produced by Pulse Films in collaboration with Four Screens and the Ol’ Dirty Bastard Estate, will focus on ODB’s solo career from his first record release in 1995 until his sad death from a heroin overdose in 2004. The film will blend this present tale with looks back at his trauma-filled youth to investigate how it shaped the man and artist he would become, charting his stratospheric rise and heartbreaking fall. The documentary, which is a celebration of his artistry and legacy, takes an unflinching look at the complexities of his life, including addiction, adultery, fame, mental illness, sudden wealth, race, and criminal justice, and will ask how complicit the media and music industry were in hastening his death.

“I am thrilled to tell the full story of my husband. With this documentary the world will learn about the son, the husband, the father, and the artist,” said Icelene Jones. “I’m proud of the team that we built, including Pulse, my producing partners Nicole Beckett and Messiah Jacobs at Four Screens, and our directing team, the Pollards.”

“A&E continues to be an industry leader in definitive documentary storytelling,” said Elaine Frontain Bryant, Executive Vice President and Head of Programming for A&E. “‘Biography: Ol’ Dirty Bastard’ will present viewers with the untold story of the man and the musician who made an immense cultural impact across just a few short years.”

Pulse Films and Four Screens are producing Biography: Ol’ Dirty Bastard for A&E Network. Sam Pollard and Jason Pollard will direct the film. Pulse Films’ executive producers are Sam Bridger and Diene Pettrle, while their producer is Louis Mole. Four Screens and the Ol’ Dirty Bastard Estate will be represented by executive producers Messiah Jacobs, Nicole Beckett, and Icelene Jones. Executive producers for A&E Network include Elaine Frontain Bryant and Brad Abramson. Biography: Ol’ Dirty Bastard is distributed worldwide by A+E Networks.

As more updates are available for Biography: Ol’ Dirty Bastard becomes available, we will provide them.

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