Lil Baby, Machine Gun Kelly, The D.O.C. Features Set to Premiere at 2022 Tribeca Film Festival

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The roster for the 2022 Tribeca Film Festival has been released, and it includes feature and short narratives, documentaries, and animated films. This year’s festival runs from June 8 to 19 and contains everything from indie shorts to feature films worldwide.

The features program includes 109 feature films and 16 online premieres from 150 filmmakers from 40 countries and is divided into ten categories: narrative competitions, topical documentaries, and anticipated new films. There are 88 world debuts, two international premieres, seven North American premieres, two US premieres, and eleven New York premieres on the roster. 32 directors return to Tribeca with their most recent work, and 50 newcomers. Female, BIPOC, and LGBTQ+ filmmakers direct more than 64% (81) of feature films, including 46 percent (58) female directors, 34% (43) BIPOC directors, and 8% (10) LGBTQ+ directors.

A series of exciting live conversations and performances are planned, including a performance by Grammy Award-winning rapper Lil Baby following the world premiere of Untrapped: The Story of Lil Baby; a special appearance by Colson Baker (AKA Machine Gun Kelly) after Taurus; and a performance by Of Monsters and Men after TU.

Films about the careers of Marc Bolan, The D.O.C., Leonard Cohen, and the previously announced Jennifer Lopez feature, which will start this year’s festival, are among the music documentaries that will have their world premieres at Tribeca.

You can get more information on the 2022 Festival here.

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Charlamagne Tha God Ads Graphic Fiction Projects to His Black Privilege Publishing Company

Charlamagne

Lenard “Charlamagne Tha God” Mckelvey has declared plans to expand his media empire by creating new graphic novels and comic book series lines. Charlamagne Tha God has enlisted the help of famous creative and comic book pro Kevin Grevioux to pen an original graphic novel project called Darkstorm, published by Charlamagne’s Black Privilege Publishing, a Simon & Schuster brand. In addition, Charlamagne and Grevioux have collaborated on original comic book series with AWA Studios, an independent creator of daring and relevant stories from the world’s most exceptional artists, authors, and crafters.

Darkstorm Cover Art

“If you know anything about me, then you know how much I love comics. I’m the guy who got Wolverine holding a microphone tattooed on his arm when he was 17 because of my love of comics. Partnering with Kevin Grevioux to present this new universe, filled with Black and Brown GOD Level superheroes is a dream come true. A lot of the black superheroes I loved growing up were street level and that’s cool but I want to see Omega Level superheroes that look like me and people around me and that’s exactly what we are giving you with Darkstorm and The Vindicators,” said Charlamagne. “I AM Blessed and excited to continue the important work with my Black Privilege imprint on Simon & Schuster and begin partnerships with comic book veterans like Bill Jemas, Axel Alonso and the whole team at AWA Studios. It’s collaborations like this that help to build an empire and I’m grateful to have found good ones.”

Charlamagne and Grevioux are working on original IP that will be adapted into graphic novels and comics. Grevioux is a seasoned entertainment industry veteran with decades of experience as a writer, producer, director, actor, and comic book expert. He is most known for creating the Underworld film franchise and just made his directorial debut with his screenplay King of Killers, based on his graphic novel. He graduated from Howard University. Grevioux brings a wealth of experience to the relationship, having written for Marvel and DC Comics.

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Kevin Grevioux 1

“I feel blessed to be working with a guy that is as successful as Charlamagne, a one-of-a-kind cultural icon with global reach,” said Grevioux. “He also has an incredible genre IQ for science fiction, comics, and fantasy. So, I truly believe that he is the absolute perfect partner for these ventures. The world’s really not ready for what we have in store.”

Charlamagne and Grevioux’s first collaboration will be a hallmark superhero epic series called Darkstorm, published and distributed under Charlamagne’s imprint, Black Privilege Publishing. With art by KEN LASHLEY, the comic novel will tell the story of a PTSD-affected and hesitant superhero who is portrayed as an anti-hero by everyone except those who know him best. Black Privilege Publishing’s objective to promote Black and brown perspectives will be reflected in the stories recounted in this initiative.

Lashley added, “When you get the opportunity to work on some great characters you jump at the chance. l am drawn to strong characters of color, and there are not many in mainstream comics, but Darkstorm is just that. It’s also created by Kevin Grevioux who is a very talented writer and created another powerful character in The Blue Marvel, so it’s a win-win… it’s very exciting.” 

Vindicators Cover Art
Vindicators Cover Art

In addition to the Black Privilege graphic novel series, Charlamagne has signed an agreement to develop original comic book series with AWA Studios, the rising comic entertainment firm headed by former Marvel execs Bill Jemas and Axel Alonso. The first series under creation, The Vindicators, is a new and fascinating take on a diverse superhero team, with an uber-realistic origin story that is accessible even against the backdrop of a dystopian future, albeit a gloomy one.

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Report: The Academy Pushes Up Meeting to Discuss Will Smith’s Punishment to Friday

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Will Smith will soon know his fate after his shocking slap at Chris Rock at this year’s Oscars. According to Variety, The Academy Board of Governors will meet this Friday, April 8, to come to a conclusion on punishment for the King Richard star.

The meeting was originally set for April 18, but a letter called for an early session.

“I am calling a board meeting for this Friday morning, April 8, at 9:00 a.m. PT, rather than the previously scheduled April 18 meeting, to address possible sanctions for Will Smith in response to his actions during the Oscars broadcast on March 27,” the letter from Academy president David Rubin reads.

“Following Mr. Smith’s resignation of his Academy membership on Friday, April 1, suspension or expulsion are no longer a possibility, and the legally prescribed timetable no longer applies. It is in the best interest of all involved for this to be handled in a timely fashion.”

You can see the full letter here.

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Denzel Washington Speaks Out on Oscars Slap: ‘The Only Solution Was Prayer’

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Denzel Washington was a calming presence at the 2022 Oscars. After Will Smith slapped Chris Rock after delivering a questionable joke about his wife Jada Pinkett Smith, Washington was seen as an immediate mediator to the situation and later consoling the Smiths.

A week later, PEOPLE notes Washington was on hand at T.D. Jakes International Leadership Summit and detailed why he assisted.

“No way I could have sat in my seat,” Washington said. “That’s just not who I am.”

Variety notes Denzel would reflect on the moment and what he believes happened to Smith.

“There’s a saying when the devil ignores you, then you know you’re doing something wrong,” Washington said. “The devil goes, ‘Oh no leave him alone, he’s my favorite.’ Conversely, when the devil comes at you, maybe it’s because he’s trying to do something right. And for whatever reason, the devil got ahold of him that night.”

Washington would not reveal what was said during the huddles at the award show that included him and Smith, as well as Tyler Perry and Bradley Cooper, but did reveal prayers were exchanged.

“I don’t wanna say what we talked about, but there but for the grace of God go any of us,” Washington said. “Who are we to condemn? I don’t know all the ins and outs of this situation, but I know the only solution was prayer, the way I saw it, the way I see it.”

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Will Smith Resigns from Academy of Motion Picture Arts and Sciences, Says He is “Heartbroken” in Official Statement

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In wake of his on-stage Oscar slap to Chris Rock, Will Smith has resigned from the Academy of Motion Picture Arts and Sciences.

According to Deadline, Smith was facing the possibility of being expelled for a decade or more. Smith, a member of the AMPAS since 2001, resigned ahead of their decision in hopes to defuse the situation.

Smith released a statement to Deadline:

I have directly responded to the Academy’s disciplinary hearing notice, and I will fully accept any and all consequences for my conduct. My actions at the 94th Academy Awards presentation were shocking, painful, and inexcusable. The list of those I have hurt is long and includes Chris, his family, many of my dear friends and loved ones, all those in attendance, and global audiences at home. I betrayed the trust of the Academy. I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work. I am heartbroken. I want to put the focus back on those who deserve attention for their achievements and allow the Academy to get back to the incredible work it does to support creativity and artistry in film. So, I am resigning from membership in the Academy of Motion Picture Arts and Sciences, and will accept any further consequences the Board deems appropriate.

Change takes time and I am committed to doing the work to ensure that I never again allow violence to overtake reason.

Sources state that while Smith’s expulsion was an option, the Academy never considered taking his Oscar away.

“We have received and accepted Mr. Will Smith’s immediate resignation from the Academy of Motion Picture Arts and Sciences,” AMPAS president David Rubin said in a statement Friday. “We will continue to move forward with our disciplinary proceedings against Mr. Smith for violations of the Academy’s Standards of Conduct, in advance of our next scheduled board meeting on April 18.”

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Documentary WE WERE HYPHY Captures Distinct Bay Area Sound and Culture

We Were Hyphy

Los Angeles may be known as the birthplace of gangsta rap, but just 500 miles away in northern California, the Bay Area boasts its own distinct hip-hop sound and culture in a vibe that can only be described as “hyphy.” While the hyphy movement never gained the same mainstream momentum as other musical genres, it simultaneously reflected and influenced culture and sound, not just in the Bay Area, but around the nation as well, albeit somewhat subtly. The documentary WE WERE HYPHY takes viewers on a journey through the unique Hyphy culture and sound, showcasing a movement that uniquely captured a special time and place in modern history. 

Through interviews with Bay Area artists including G-Eazy and Kamaiyah, journalists, industry professionals, and Bay Area legends, WE WERE HYPHY provides an intimate glimpse into the Hyphy culture and experience from two perspectives – through the eyes of the artists who created the iconic sound, and through Bay Area residents who grew up under the influence of hyphy’s uniquely charismatic spell.

Director Laurence Madrigal’s describes hyphy as a “testament to the power of the community” and uses the 84-minute movie to show how the hyphy movement started out as an underground movement that elevated the underrepresented voices of Bay Area youth and grew to a full-scale scene, with hit songs and albums, sideshows and ghost-riding, turf- and “going-dumb”-dancing, fashion trends, slang, and more.

Rooted in the counterculture of San Francisco’s Bay Area and Oakland in the late 1960s and 1970s, the Bay Area (or “the yay area” as some locals call it) has always been its own epicenter of a culture that has influenced many social movements and the sound that reflected both struggle and hope.

The film traces the sound from Too $hort’s early sound pioneering and describes how major Bay Area hyphy artists such as E-40, Mac Dre, Traxamillion, Rick Rock, and others created their distinct sounds. The documentary shows how each artist or producer brought their own flare such as Mac Dre’s 808 sound, Traxamillion’s addition of the triton keyboard, and Rick Rock’s addition of a southern Miami beat. However, the hyphy sound still had much in common: uptempo “mob” music, a lot of 808s, drums, and synthesizer sounds that is simultaneously high-energy and raw, creating an Intersection of distinct beats and wordsmithing that often borders on poetry- all with faster beats than the rap sounds of SoCal or the East Coast.

This uniqueness is one reason that G-Eazy describes the Bay Area in the documentary as an “unusual place.”

However, the film shows how hyphy extended far beyond music, both reflecting and creating community in and around Oakland through the dances, fashion, and sideshows.

An over-the-top aesthetic that mixed bling, mainstream sneakers, and airbrushed tees defined hyphy fashion while tricked out cars with state-of-the-art sound systems spun out in vacant lots and even major intersections on Friday and Saturday night, in a phenomenon that was known as “the sideshow.” Interviewees describe how the sideshows influenced hyphy culture and sound and how the sideshows reflected the energy of the hyphy attitude.

The documentary also describes how dance was the one element that truly defined the hyphy culture. Locals referred to hyphy dancing as “turfin,” dancing in a way that was unique to your “turf” or as an acronym for “taking up room on the floor.”

It also tells the darker side of the hyphy movement’s history, namely the impact that the untimely death of Mac Dre in 2004 had on the movement.

The documentary reflects how hyphy is “an energy, a feeling” and something “that you feel inside,” sampling from some of the genre’s top hits and using archived footage to create a vivid experience that transports viewers to a different time and place.

WE WERE HYPHY gets its world premiere as part of Cinejoy. The popular online offshoot of San Jose’s Cinequest film festival runs April 1-17, and comes well-stocked with world, national and Bay Area premieres, along with interactive events such as watch parties and spotlights. More information is at www.cinequest.org.

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A&E to Air First-Ever Ol’ Dirty Bastard Biography Executive Produced by Four Screens

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A&E Network has announced they have greenlit a forthcoming documentary, Biography: Ol’ Dirty Bastard. The two-hour film will be the first official documentary about the Grammy-nominated musician and founding member of the Wu-Tang Clan.

ODB, who was born Russell Jones in Brooklyn, New York in 1968, developed a distinct identity and rhyme style that distinguished him apart from his peers. ODB had a huge influence on a whole generation of fans and performers during his brief 35-year life and long after his death. This culture-defining special humanizes ODB as a man, a father, and a husband like never before, thanks to exclusive access to a never-before-seen personal archive shot by his wife, Icelene Jones, and access to his closest friends and family.

Ol Dirty Bastard 4 Al Pereira

Sam Pollard (MLK/FBI, Black Art: In The Absence of Light) and his son Jason Pollard (Get Me Roger Stone, Bitchin’ The Sound and Fury of Rick James) co-direct this comprehensive documentary, which provides an intimate portrait of ODB’s life and reflects on his lasting impact on music and culture.

The documentary, which will be produced by Pulse Films in collaboration with Four Screens and the Ol’ Dirty Bastard Estate, will focus on ODB’s solo career from his first record release in 1995 until his sad death from a heroin overdose in 2004. The film will blend this present tale with looks back at his trauma-filled youth to investigate how it shaped the man and artist he would become, charting his stratospheric rise and heartbreaking fall. The documentary, which is a celebration of his artistry and legacy, takes an unflinching look at the complexities of his life, including addiction, adultery, fame, mental illness, sudden wealth, race, and criminal justice, and will ask how complicit the media and music industry were in hastening his death.

“I am thrilled to tell the full story of my husband. With this documentary the world will learn about the son, the husband, the father, and the artist,” said Icelene Jones. “I’m proud of the team that we built, including Pulse, my producing partners Nicole Beckett and Messiah Jacobs at Four Screens, and our directing team, the Pollards.”

“A&E continues to be an industry leader in definitive documentary storytelling,” said Elaine Frontain Bryant, Executive Vice President and Head of Programming for A&E. “‘Biography: Ol’ Dirty Bastard’ will present viewers with the untold story of the man and the musician who made an immense cultural impact across just a few short years.”

Pulse Films and Four Screens are producing Biography: Ol’ Dirty Bastard for A&E Network. Sam Pollard and Jason Pollard will direct the film. Pulse Films’ executive producers are Sam Bridger and Diene Pettrle, while their producer is Louis Mole. Four Screens and the Ol’ Dirty Bastard Estate will be represented by executive producers Messiah Jacobs, Nicole Beckett, and Icelene Jones. Executive producers for A&E Network include Elaine Frontain Bryant and Brad Abramson. Biography: Ol’ Dirty Bastard is distributed worldwide by A+E Networks.

As more updates are available for Biography: Ol’ Dirty Bastard becomes available, we will provide them.

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Questlove Wins Best Documentary Oscar for ‘Summer of Soul’

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The drummer of the legendary Roots crew is now an Oscar winner. Questlove won the best documentary Oscar during the 94th annual Academy Awards.

“This is such a stunning moment for me right now, but it’s not about me,” Questlove said. “It’s about marginalized people in Harlem that needed to heal from pain. Just know that in 2022, this is not just a 1969 story about marginalized people in Harlem.”

You can see Questlove’s acceptance speech below.

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New Trailer: ‘We Were Hyphy’ Documentary

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We Were Hyphy is delighted to announce its World Premiere as part of the prestigious Cinequest 2022 Film Festival.

MORE: Bay Area Hip Hop Artist And Entrepreneur Foreign Glizzy Is “Road Running”

The music documentary captures the hugely kinetic Hyphy movement and brings the sights and sounds of the San Francisco Bay Area’s most influential musical movement of the past 30 years to life on the screen.

This music documentary feature traces Hyphy’s genesis on Bay Area streets and examines its influence with interviews from legendary figures such as Keak da Sneak and Mistah FAB to modern-day artists such as Kamaiyah, Rafael Casal, P-Lo, and G-Eazy who grew up during the movement and were deeply influenced by it. Historical context is provided by columnists and academics such as Pendarvis Harshaw and Dr. Andrea L.S. Moore.

“Hyphy had a massive influence on me as a teenager,” says Laurence Madrigal, director of WE WERE HYPHY. “I grew up in Antioch and Hyphy was everywhere. It was on the streets, in our cars, in the clothes we wore, and in the way we spoke. I’ve always wanted to share my love of Hyphy with the world and this film is a love song to the era!”

MORE: Bay Area Rapper Mike Darole Killed During Attempted Robbery

 The film is a beautifully shot, heartbreakingly sweet story detailing the highs and lows of the Hyphy movement from its inauspicious start which saw a plethora of Bay Area artists crafting and selling CDs from the trunk of their cars to an unwaveringly loyal fanbase who supported the artists and partied with a hedonistic abandon at side shows. It is a love song to all those who were brought together by the sounds of the Hyphy era. The goal of the documentary is to give the audience a look into Hyphy and experience it from two perspectives – through the eyes of the artists who created the iconic sound – and through the Bay Areans who grew up listening to the music, speaking the language, rocking the fashion, swangin’ the cars, and most importantly of all, getting hyphy.

“While Hyphy had a massively formative influence on the kids growing up during the era,” says Laurence, “I think there’s a wonderful universality to the film. Everyone feels that the music they listened to as teenagers was uniquely special. And it really is. It doesn’t matter if you grew up listening to punk, or hip-hop, or classical music, the love you had for the music and the love you had for the friends you shared it with stays with you forever. And it’s this beautiful, almost lonesome nostalgia, that we tried to capture with the film. It’s a deeply personal film for me and my sincere hope is that the film captures the essence of Hyphy and does justice to the artists of the time and, most importantly of all, to the fans who shared in the experience!”

Watch the documentary’s trailer below.

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Anthony Mackie to Bring Film and Television Studio to New Orleans

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Anthony Mackie has secured 20 acres of land in New Orleans for a new film and television studio. Nola.com states Mackie bought the land, right off the I-10 service road, near the Little Woods neighborhood, to create the building.

“The New Orleans East is making a comeback, bam,” New Orleans Mayor LaToya Cantrell wrote on Twitter. “New Orleans own Anthony Mackie is opening a HUGE 20-acre film studio! This is Incredible!!”

She added, “The influx of productions will not only bring economic growth but job opportunities!”

“Years ago, we talked about us being Hollywood South. I think maybe we’re finally in a position to make it happen and for New Orleans East to be the foundation for that to happen,” said City Councilman Oliver Thomas. “To have Captain America and his brand and his star power I think it helps to support all the other investments.”

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