Nike LeBron 4 “Graffiti” Set To Return: Details

LeBron James has a lot of great signature sneakers, including the Nike LeBron 4. However, this probably isn’t his most popular offering. For the most part, fans gravitate towards his offerings from the Miami Heat days. Overall, shoes like the Nike LeBron 8, 9, and 10 were extremely colorful. The Heat were a team that lent itself well to some unique color schemes. Everyone remembers those iconic “South Beach” and “Miami Nights” offerings that swept sneakerheads off of their feet. However, that is not to say that LeBron’s earlier output didn’t also have a massive impact.

Throughout the last few years, Nike Basketball has been trying to conjure up some LeBrons to retro. After all, James is someone who has a massive fanbase. Consequently, there are tons of ways to capitalize on his success. One way to do so is to bring out old LeBron shoes that people remember fondly. Sometimes, these old colorways are even transplanted onto newer silhouettes. In fact, this happened with the Nike LeBron 4 “Graffiti.” Although now, the OG LeBron 4 version of this scheme is set to return for real.

Nike LeBron 4 “Graffiti” Returns

Image via Flight Club

According to Sole Retriever, 2023 will see the return of the Nike LeBron 4 “Graffiti.” In the image above, you can see why this colorway is seen as iconic. Overall, it features a cool aesthetic while also keeping the colors fairly simple. Firstly, the shoe begins with a white shell on the top. Secondly, the midsole is black with some white graffiti throughout. Lastly, the cuff of the sneaker is black with some red and white material. This creates a shoe that matched nicely with LeBron’s old Cavaliers jerseys.

The LeBron 4 is certainly not the most popular vintage LeBron silhouette. However, fans have been looking forward to seeing some of offerings back on the market. Unfortunately, at this time, we do not have a release date for this model. However, you can stay tuned to HNHH for all of the latest news and updates from around the sneaker world. Additionally, let us know what you think of these, in the comments section down below.

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Today In Hip Hop History: Hip Hop Celebrates Its Birth In The South Bronx 49 Years Ago

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It was on this day 49 years ago (August 11, 1973) that Kool Herc threw his legendary back-to-school basement party, which would go on to create the foundation for Hip Hop music through the “breakbeat” DJ technique he used to keep the party rocking. Many aspiring emcees at the time paired ‘the break’ with the rhymes flowing through their minds, jumpstarting a sound and movement that is now considered to be the most popular genre in music; Hip Hop.

Many are familiar with the story of the 1520 Sedgewick Avenue Recreation Center and how Jamaican-born Herc attracted the youth from the community and other boroughs that had already made names for themselves in other aspects of the culture(B-Boying, Graffiti and MCing). What has been often omitted from history is the climate in NYC, where the city was on the brink of bankruptcy, while crime and “white flight” was at an all-time high. These were the circumstances in which the culture of Hip Hop was born and thrived throughout the city for about a decade before it became recognized by the mainstream.

Salute to the pioneers of the era such as Kool Herc, Afrika Bambaataa, Coke La Rock, Grandmaster Flash and the Furious Five, The Funky Four Plus 1 More, The Magnificent Seven and a host of others who were there at the foundation. Thank you for giving us what we can document now as Hip Hop history!

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Museum Of Graffiti To Presents “Gray Matter 3.0: The Chromatic Works Of Doze Green”

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The Museum of Graffiti is pleased to announce the upcoming opening of a solo exhibition by graffiti and contemporary artist Doze Green. The show opens on July 28, 2022 and will be on view through Aug 28, 2022.

Gray Matter 3.0 consists of monochromatic works created with mixed media on canvas and paper that are an exploration of the human consciousness rooted in the artist’s study of the Swiss psychoanalyst Carl Jung. Green explores the four Jungian archetypes: the Persona, the Animus, the Shadow, and the Self. Green’s paintings convey a sense of discordant emotions, chaotic flux, fear, loss, and the inner conflicts experienced in our psyche. In each painting, Green is a presenting an interpretation on the collective state of the human experience and his own efforts to pierce the veil of the unconscious mind. Green states, “the series explores finding the truest version of the self. What have we compromised with our current state of being?”

The artist presents figures emerging out of the gray monochromatic layers of overlapping paint and semitransparent glazes. In Green’s lines there is a sense of urgency – white lines represent the soul all with a direct line to the divine. Black overtones represent protection from the clouded memories and words that spill onto the paintings in gray washes and transparent whites. On canvas, the figures are in transformation to become their higher self and thus emerging semi-revealed, overlapping, and partially concealed. For Green, this energy and motion of created forms exist in a visual meeting place of ideas. Influenced by Edo period paintings, Green mixes black gesso with Sumi ink and applies “creatively chaotic, and intuitive brushstrokes” in a calligraphy-inspired and graffiti aesthetic.

Doze began creating art on the street and on trains in NYC in the 1980s when Hip-Hop was in its heyday, and B-Boys (break dancers) ruled the streets. Doze polished his craft, led by intuitive flow, and advanced from letterforms to character forms. He was the first of his peers to create a style of drawing that has been adopted by graffiti artists around the world. Breaking away from his old “mugsy” characters Doze moved on to illustrate and paint biological entities of the metaphysical spirits. His work celebrates his Cubist influences and includes ascending and descending planes and repetitive, overlapping, and concentric lines in an otherwise undefined landscape.

Tickets: General Admission tickets are $16; Children 13 and under are free. Tickets are available online and include access to all museum exhibitions. To purchase tickets, visit our website from your desktop at home or your mobile device, museumofgraffiti.com 

Hours: The Museum of Graffiti is open from 11 AM – 6 PM on weekdays and 11AM– 7PM on weekends. Please check www.museumofgraffiti.com for special holidays, extended hours, and unexpected closings.

Location: The Museum of Graffiti, located at 276 NW 26th Street, Miami, FL 33127.

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Today In Hip Hop History: Cult Classic Hip Hop Film ‘Wild Style’ Debuted in Theaters 39 Years Ago

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During the time when Hip-Hop was being passed off as a fad that wouldn’t last beyond “Rapper’s Delight”, a vivid reenactment of the introduction of this artistic culture to the world was made. Wild Style is arguably the very first movie and definitely one of the very few that shows the true essence of what Hip Hop is about. On this date in 1983, film director and cultural artist Charlie Ahearn premiered the flick in Times Square, breaking records by selling out at all screenings for the three weeks it played.

Ahearn, a member of the artist collective group Collaborative Projects, was originally exposed to Hip Hop in the late 70s through graffiti when he went to film the youth in the projects in Manhattan’s Lower East Side that studied martial arts. He was soon approached by Fred “Fab 5 Freddy” Braithwaite about making a movie encompassing all elements of Hip-Hop (emceeing, DJing, breakdancing, and graffiti). Fab 5 Freddy brought legendary graff artist Lee Quinones to meet Ahearn to further discuss the approach of filming graffiti and introducing it as a legitimate art form. Ahearn found out that Lee was the same graf king whose work he admired while filming in LES. With Ahearn as producer and director, the three began embarking on a journey to gather the individuals who would be the faces of this landmark film.

Developing its name from an abstract letter design made popular in the graffiti world by graff king Tracy 168, Wild Style featured some of the most prolific pioneers from all aspects of Hip-Hop. The Cold Crush Brothers, Rock Steady Crew, and Grandmaster Flash were just a few of Hip-Hop’s trailblazers that made their debut on the silver screen in Wild Style. The Furious Five could not appear alongside Flash and had to be cut from the film because of prior obligations to another more mainstream motion picture depicting the development of Hip Hop that came out later called Beat Street. This is why Afrika Bambaataa, the New York City Breakers, The Treacherous Three, or female pioneer MC Sha Rock were not seen in the film. Other notable legends included Busy Bee Starski, graf legends Dondi, Zephyr, and Revolt, who all designed the Wild Style logo, and the Fantastic Freaks.

Lee Quinones played the main character “Zoro”, the anonymous graf phenom that is introduced to the art world by his pal and fellow graffiti writer “Faze” who is played by Fab 5 Freddy. Faze introduces Zoro to Virginia, a journalist portrayed by cultural icon Patti Astor, who later shows Zoro to art’s world stage of galleries and museums. The story is an accurate historical account of how Hip-Hop, in general, was introduced to mainstream America and later, the rest of the world. It also showed the poverty and despair that existed in the South Bronx out of which the culture of Hip Hop emerged.

Over 30 years later, Wild Style is still an icon of American pop culture. The players that participated and performed in the movie have made themselves legends in their own right, however, most will recognize their appearance in the film as the catapult of their career. The movie has been sampled on various classic Hip Hop albums including ATCQ’s Midnight Marauders, Common’s Ressurection, and the Five Mic classic, Nas’ Illmatic. Wild Style was voted as one of the top ten rock n’ roll movies of all time by the Rock N’ Roll Hall Of Fame and VH1’s Hip Hop Honors acknowledged the film’s influence in Hip Hop with a tribute in 2007.

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