Carl Crawford Apologizes To Megan Thee Stallion

Megan Thee Stallion’s ongoing legal war with Carl Crawford continues after she called out her label 1501 Certified Ent. The Houston rapper claimed that she signed a bad contract early in her career without the opportunity to negotiate. Once she inked a deal with Roc Nation for management, things went further left. Meg claimed that the label blocked her from releasing new music to the dismay of her fans but ultimately, a judge granted her a temporary restraining order that allowed her to drop her album.

Unfortunately, the feud between Meg and Crawford didn’t simply exist in the courtroom but also, bled into the world of social media. While Meg earned plenty of accolades during this period, Crawford’s reputation took a massive hit. During a recent interview with TMZ, he explained that he’s trying to rebuild the label from the ground up after bringing on Kai “Verse” Tyler as the new president of 1501 Certified Ent. Crawford explained that he lacked experience in the music industry, which he partially blamed for his spat with Meg. However, with Tyler’s help, he feels they can reclaim their position in the music industry.

Carl Crawford Says Social Media Soured Megan Thee Stallion Relationship

Even though Megan and Crawford are still duking it out in court, the 1501 Certified Ent. founder acknowledged that he made some mistakes in their relationship. Admitting they haven’t talked since 2019, he said that he “never had problems with Megan Thee Stallion. “It’s just the social media stuff, it turned really, really sour. You take this social media part out of it, we don’t have a problem,” he said. “You not gon’ hear me mention Megan Thee Stallion’s name in the media unless I’m doing something like this.”

However, he also addressed the “petty” photo where he posed with Tory Lanez after she accused the Canadian rapper of shooting her. Crawford admitted that he was trying to troll Meg but he stated that he doesn’t have any allegiance to Lanez in this situation. “I don’t stand with nobody in that situation,” he said. “I think I just got wrapped up in the whole scheme of things that was going on. We all make mistakes. I’m not on nobody’s side with that.” Check the full interview with TMZ above and check out the full timeline of Meg vs. Carl Crawford’s issues here.

[Via]

Carl Crawford Apologizes to Megan Thee Stallion for Beef, Says Social Media Turned Their Relationship ‘Sour’

Carl Crawford Talks Feeling Blindsided by Megan Thee Stallion's Roc Nation Deal

Carl Crawford is backing off of his beef with Megan Thee Stallion. Hitting TMZ, Crawford introduced Kai “Verse” Tayler as the new President of 1501 Certified Entertainment, while also revealing he wants to make amends with the Houston Hottie.

“Unfortunately, me and Megan haven’t talked since 2019,” Crawford said. “We been going through what y’all seen online. That’s unfortunate too because I never wanted to go have a situation where I was going back nad forth with her on the Internet.”

He added, “I never had problems with Megan Thee Stallion, but this social media stuff turned it really sour. You take this social media stuff out of it, and we won’t have a problem. You won’t hear me mention Megan Thee Stallion’s name unless it’s a big-time interview.”

Crawford would reveal that he wanted a fresh face to the company as the reputation had tanked. “I have to take responsibility for anything that happens in 1501.”

Crawford revealed that he always didn’t make the right decisions, and he is taking ownership of the issue, by revamping the roster and staff.

You can hear it all from Carl Crawford below.

The post Carl Crawford Apologizes to Megan Thee Stallion for Beef, Says Social Media Turned Their Relationship ‘Sour’ appeared first on The Source.

Megan Thee Stallion Orders Depositions for Carl Crawford and J. Prince in Her Contract Suit

megan thee stallion 1501 lawsuit

Megan Thee Stallion is taking Carl Crawford and J. Prince to court. TMZ reports Thee Stallion is taking the two men to court to sit in depositions in regards to the lawsuit over her contract.

In court docs filed on Tuesday, Thee Stallion’s lawyers will ask the two men about their work in regards to the contract. Crawford owns 1501 Entertainment, where Thee Stallion was signed. Prince owns Rap-A-Lot Records and reportedly advises Crawford. Thee Stallion dropped her latest album Traumazine a couple of weeks ago, fulfilling her agreement with 1501 Entertainment.

J. Prince is due for his deposition on Oct. 24 and Crawford on Oct. 25. The depositions will be recorded on video.

Megan Thee Stallion is suing 1501 Entertainment, citing she completed her contract with the Something For Thee Hotties and Traumizine albums. Crawford and 1501 are attempting to say the projects aren’t albums. Thee Stallion is also seeking at least $1 million in damages in the legal split.

Ahead of the depositions, J. Prince issued a lengthy statement about the state of their agreement. Megan would fire back. You can see those words below.

The post Megan Thee Stallion Orders Depositions for Carl Crawford and J. Prince in Her Contract Suit appeared first on The Source.

What Did Carl Crawford Say To Megan Thee Stallion?

Megan Thee Stallion has been at odds with her label 1501 Certified Entertainment, led by former MLB outfielder Carl Crawford, since early 2020. The two have been engaged in an ongoing back-and-forth over contract issues, with the Traumazine artist claiming her music was being withheld from release and that she wasn’t being paid. Crawford, meanwhile, alleged that she was given a generous contract and he has been funding her shows. The situation heated up even more back in March 2022, when the legal discourse became personal and claims of alcoholism and drug use came into play.

In a March 21 Instagram post, Carl Crawford accused the Houston artist of lying and hiding behind her management, Roc Nation. The “Plan B” artist responded, writing, “Carl I don’t wanna be signed to yo pill popping ass! You talking abt I ain’t paid for a show and you sound slow. Im the artist I don’t pay you directly maybe fight with THE MAN YOU SIGNED TO AND YOU MIGHT SEE SOME MONEY YOU F*CKING POWDER HEAD! You hiding behind JPRINCE”

As the situation continued, Crawford followed up with a denial of Megan’s claims before escalating the situation even further. “This all Coming from a Bonafide Alcoholic who f*cked the whole industry including her best friend n****.” With Traumazine out now and the contract issues rearing their head once again, Megan Thee Stallion has been very vocal on Twitter. J Prince has also thrown his opinion into the mix with a lengthy Instagram post about Megan breaching her contract.

In short, it’s all very messy and it’s unclear who is in the right.

Check out the March back and forth above.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Megan Thee Stallion Rips Her Label For Taking Credit For Her Fame: ‘If You Wanna Be Real I Developed 1501’

The war of words between former baseball star turned record label owner Carl Crawford and his most successful signee Megan Thee Stallion continues to escalate as Meg pushes to leave Crawford’s label, 1501 Certified Entertainment. Yesterday, when headlines broke about Meg’s amended lawsuit demanding $1 million from 1501 in addition to her request to break off her record deal, J Prince posted a(nother) lengthy caption on Instagram defending Crawford. That’s when Megan went on the offensive, posting a flurry of tweets that ripped Crawford, Prince, and 1501 for allegedly trying to take credit for her career.

“Im so over these grown ass men trying to take credit away from the work me and my mama put into the beginning of my career…” she wrote. “me and my mom “developed” my career I was already known for free styling and I was already working on Tina snow before I got to 1501.”

In the string of follow-up tweets, Meg pointed out Crawford’s relative inexperience in the music business, clarified that initially, she only wanted to renegotiate her original contract, pointed out 1501’s inability to launch any similarly successful acts, and dismissed an accusation from Crawford that she isn’t really from Houston while lambasting him for trying to stay “hip” in his 40s. You can see the full stream of thoughts below with a summary at the end.

When my mama died I knew a bunch of hood niggas who just started a label for the FIRST time were not gonna be able to manage me PROPERLY so I got with roc…by this time I was a bigger artist and I asked to renegotiate… NOT LEAVE what was wrong with that ? That man is GREEDY

Like for this man to keep getting on the internet with his back up to talk like he made me is ridiculous… was you writing my songs ? Were you with me in my dorm room recording me rapping ? What abt all that rapping out side my mamma car ? Think cyphers?? I ain’t even know YOU

If you wanna be REALLL I DEVELOPED 1501

They keep signing people and everyone got the same story … go find allll the girls and the guys that started over there with me and some of the girls after me… ask anybody in Houston how that man is fake ass Nigga talked so much shit abt jprince now that’s your bestie ok 😂🙄

I only respond when people say my name so all them weirdo comments abt “I’m looking for sympathy and attention” is DEAD…talk to me & ima talk back when I feel like it🤷🏽‍♀️ I don’t need validation from the internet but I’m not weak either … beat me in court not the comment section

One more thing bc he still going this 42 year old man said he never heard a story abt me playing as a kid where I’m from … sir I would hope 42 year old men couldn’t tell you where I was playing at as a kid

Now I’m just a made up character from Houston? Nobody in Houston knows me ? I just started “claiming Houston” when I got famous.. like it ain’t school pictures and some more shit out in the world

When the hate don’t work they just start saying anythingggg 😂 like who is ask anybody? All them 18 year old girls that you hanging with at 42? Cause they damn sure ain’t gone know me either

im done responding 🥱 stop bringing up where I’m from and bring me my MONEY gn internet

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Carl Crawford Talks 1501 Certified’s Future, TikTok, “Where The Freaks” & More

Carl Crawford

In the last decade, 1501 Certified Entertainment has grown from another obscure independent outfit into one of the most talked about record labels in today’s Hip Hop with former baseball star-turned-founder and CEO Carl Crawford at the center of everything. And while the label has weathered a rollercoaster of controversy, the call-up of several of the label’s top stars to the majors, new high-powered partnerships, and several shake-ups in the ranks, Crawford’s mission has always remained the same – to be the Houston’s Barry Gordy with his own Motown Records.

MORE: Carl Crawford Gets Unfiltered About Meg Thee Stallion & More On ‘A Conversation With Mr Jay Hill’

It’s mid-July 2022, seven years since Crawford, 41, created 1501 Certified – the label that produced two of today’s biggest female Hip Hop stars in the platinum-selling Erica Banks (“Buss It”) and the Grammy-nominated Megan Thee Stallion (“Savage”). He’s in Los Angeles, California, eager to embark on a journey with the announcement of his son, Justin Crawford, following in his footsteps by being drafted to Major League Baseball’s Philadelphia Phillies. News of the historic father-and-son moment flooded newsfeeds nationwide, and the positive coverage was a change in headlines for the four-time All-Star that he hasn’t seen very little of since his baseball days.

In the last few years, Crawford has been making headlines for disputes involving either his artists, or major labels. Now, with all the dark clouds almost behind him, he’s ready to pivot his label’s return to the hit factory glory days it’s known for. Proof of Crawford’s transition comes in the newfound success of the viral dance track, titled “Where The Freaks,” in which Crawford made his executive producer debut, by Dallas, Texas natives 1AMBabyJoker of the popular Click 4Ulla Starz, Unique Musik, and 1501-Warner signee Erica Banks.

Today, he sits down with The Source’s Bryson “Boom” Paul via Zoom to discuss the future of 1501 Certified, learning his past mistakes, embracing TikTok, and so much more. The full interview is below.

First and foremost, congratulations to your son, Justin Crawford, on being drafted by the Philadephia Phillies. How does it feel being a father-son duo making it into the pros? 

It feels great – It definitely feels great to be a part of history. I don’t know if you know, but we’re the first father-son duo to be a part of this “group” that our sons were drafted in the first round. We made history with that. Definitely, to be watching him as a kid, growing up, playing – to be able to go through this moment with him – it’s a proud father moment.

Not only that (father-son drafted), it’s very important to Black culture in general, especially with baseball. Being that it is so few of us that are in the sport. Obviously, it is a major accolade that is inspiring to a lot of future generations. So how does that feel to you knowing you are trailblazing a path that will have people following in your footsteps later on?

Yeah, we always want to make a path for other Blacks to come and play the sport. Obviously, the numbers was going down with “Black” players coming into the game. And that was always one of my things to always try to encourage other “Black” players to play– me being a Black player myself – than have my son come along and he’s actually succeeded everything I’ve did so far. Hopefully, that just lets other Black players understand that the game is open for them too as well. The contract shit, the C.A., somebody just turned down almost 500 million dollars the other day, you know what I’m sayin’… people need to know.

You got your son getting into the pros, he’s just starting out. How is that going to help or Is that going to be a distraction for you as far as in the music or is that going to be able to balance both out?

Not going to be a distraction because we have teams put in place. Everybody has their own team … I just tell them what’s what or what direction we need to go in or what not. But I’m looking to my son playing, and can’t wait until he get to Philly. You gotta understand that’s four at bat, they get to walk-up to the plate with music playing in front of 30-40,000 people. So, he definitely going to have 1501 music going up, walking to the plate [laughs]. 

Now, let’s jump into the music. 1501 Certified.  After the first of half of 2022, where do you see 1501 going the rest of the year?

Well, you know we was putting out a couple of artists that we developed. Smoody. We still doing our thing with Erica Banks, putting out new music with her – got new content all the time. Right now, we got this one single that we thinks going to be a smash. It’s called “Where The Freaks,” it’s by a guy name Joker (1AMBabyJoker) – but they have a group called “Click 4Ulla Starz” down in Dallas. The song had been buzzing down there and I liked it. Went down there, put that together, put Erica on it, and it seems like it’s getting a lot of good reviews from all the DJs. I think that’s going to be our song of the summer, where the freaks at, you know what I’m sayin’?

Now you’re “Executive Producer” of the track, and that’s a first for you. How does it feel jumping into that chair?

It’s cool. That’s what I wanted to be, an executive in the business. I been learning as we go. I jumped in face first in the music scene, so everything has been learning on the fly. With my little time I’ve been in here so far, I’ve been able to learn how to put things together. I try to develop as many relationships as I can, and use my resources.

During putting all those things together, I came up with this (“Where The Freaks”). I’ve been courting those kids (Click 4Ulla Starz) for a minute, and really wanted to get into the TikTok lane. I had a party for’em one day, and everybody was making fun of me on Instagram. Saying how I was hanging with kids: “Oh he want to hang with kids and youngsters.” And I’m like … well you know, I guess it will make sense later. And here we are, we got a “TikTok” song and it was all because I wanted to try something different.

If it don’t make dollars, it don’t make sense and it’s definitely making dollars. How does it feel to you with people chiming in on you being the “elder” person on these social media platforms and making it happen?

It’s crazy because at the big companies it’s some old person running it, you know what I’m sayin. So it’s like it’s the same thing. I guess… I’m so hands-on, but that’s the only way you learn by being hands-on. I really didn’t understand the TikTok world. Didn’t know about the dances, how they make the videos… Know they set the little lights up, stations, rotate, and do all that stuff they do. Had I not brought that stuff to my house, I still wouldn’t have known what it was about. So I’m glad I did it. And I can just take the little “oh he’s hanging with the kids at the moment” thing [chuckles].

But why is it only in Hip Hop that we don’t want to see people “learn” and “evolve.” Like how you did, where you embraced TikTok, and what not?

For with me, I think its because of my situation with baseball, you know. I played baseball and I’ve had success over there, so it’s like, why you don’t do that and stay in that lane. Why you come over here? You’ve already been successful over there but you want to come over here and do this. It’s always that type of thing going on, and then… who knows really. But, at the end of the day, I found something that I like, and if I’m passionate about, I like it, and it sticks to me, I’m going to do it. I’m not going to listen to what people say.

You were big in baseball and that’s what people remember you for but when you try to do music, people want you to do other things. Does it frustrate you that people only want to see you have “limited success”?

Yeah it’s frustrating because you don’t want to put yourself in a box on what you can do and limit yourself. Like I heard all the time: “Oh, he wants to be famous,” “he wants to do this,” “he played baseball already, he already made his millions of dollars, why he want to come over here.” But nobody says that to the other people in the music business and want to come over and be a “baseball agent” or do stuff like that, and just expand their portfolios. Some reason – with me – people want to put a limit on what you can and can’t do … and I don’t like being boxed-in no type of way. I don’t like to feel like I’m caged in, no type of way.  

But you’ve already made so many people from your label successful like it’s so many artists already from your label that you’ve turned into success. Doesn’t that add frustration to you what more do you want me to prove that I belong here?

At this point, I just figured this the way it’s going to be for me all the time. I kinda got use to going against the grain and just not listening to what people say about me, you know, as long as I can work hard and continue to help others reach their dreams. That’s why I came over here (music business), my goal was to come over here and help people reach something that they want to do in life. Just like how someone helped me when I was coming up. As long as I’m still helping others and pushing the agenda forward as what we are trying to do as a culture. I’m gon’ keep doing what I’m trying to do. I’m not going to let the naysayers make me think otherwise.

Let’s educate some people. You are the owner and founder of 1501 Certified Entertainment. But you’re also the Executive Producer of the 1AMBabyJoker, Unique Musik, and Erica Banks hit, “Where The Freaks.” So breakdown the difference of you being the owner of the label and being the executive producer of the song?

Well, as the owner of the label I oversee everything – we’re an independent label – so you’re pretty much involved in everything.

In this case with the Joker and Click 4Ulla Starz, they came down to one of my … I was having these “local talent” mic nights in my house because we have a stage there. And they came, they performed, they did the song, and I instantly fell in love with the song, so I start letting them come back, hang in Houston and do all that type of stuff. Slowly, but surely, we just started gaining a relationship and I thought it be a cool idea to put Erica Banks on the song because they already had their little thing going on and it was live.

I’m the type of person that I love entertainment. If you movin’ and getting the crowd, and the crowd is reacting to you. I love that action-type stuff. It was just one of those things, where I was like: “oh let’s put this together, let’s do this.“ And this could be my way to get into that world and see what else they’ve had done. That’s more of the executive side, it’s about putting the pieces like that.

Being this was your first-time executive producing a track. What made you decide to take a chance with Joker and the gang – who isn’t signed to you? Whereas you could’ve kept it all in-house? 

[Exhales] I decided to take a chance with them (Click 4Ulla Starz) because I “actually” like the song. And on top of that, they love performing the song. That has a lot to do with it, as far as content-wise. Getting the song out there, I knew it wouldn’t be a problem because anytime I want to promote the video or we standing anywhere and the song comes on. Those guys automatically, they gonna post a lot, they gonna turn up as soon as they hear the song – it’s like second nature to them. And all I have to do is my behind-the-scenes work that I naturally always do. You put those things together and you get what we got bubbling right now.

With this song invading TikTok the way it is. It leads to a potential project, surely, so break down the compilation project you have in the works?

Well, the thing is, with Click 4Ulla Starz, I purchased the song from those guys. I haven’t signed any of them yet, I guess little labels going to try and get them [laughs]. But, just like I said, to gain some trust and relationship-wise, I said I’m move slow with these guys, so I got involved with the song, first. Hopefully I can get everybody signed because I would like to put out project with’em. I’ve told people about them, but just like how I didn’t understand and realize the TikTok world, a lot of them don’t understand what I’m trying to present to them, so they have to wait and see. I hope to get it to a point where they come through me and then I can show everybody what I was talking about and what I saw. Hopefully, I would like to put a project out with Unique and Joker. 

For 1501 Certified, all the ups and downs the label has went through is public knowledge. Why are you still excited to scout artists?

It’s just something I like to do. It’s just like playing sports, I have a passion for it, you know. You can go through things in sports – especially in baseball – where you have to learn how to accept failure. You’re only going to be great 33-out-10 at-bats. That’s 30% at a time, so 70% of the time, you miserable. Coming over here (music business), it’s the same thing. You know stuff going to happen. You just gotta brush yourself off and get ready. Long as you have a passion for it, you wake up every day, you want to work harder than everybody still. You want to see results. Long as that is in me, I can look pass everything that’s happened knowing I’m getting to another destination that’s going to elevate me to a position where I want to be.

With the growth of 1501 Certified, it’s seen so many great things happen along with many controversial things that’ve happen.How do you plan move pass the past and learn from your mistakes as well as your artist’s mistakes, and grow into something that is revered heading into 2023?

The way to get by the past is to just keep working like I’ve been doing. Put things behind me. I’ve learned a lot. I always say, “God gave me my lessons in the hardest way for them.” That’s the only way you gon’ learn fast. It’s like going through that first serious break-up when your like 18-19-years-old. By the time you get to 20-22, you know what to do a little better.

In this case, I’m thankful for my hardships that I went through because I feel like we’re going to be around still. I know what to do in the future, I handle my artists differently. I know how to take different types of approaches and I just know to keep going – that’s the main thing. Like I say, if I’m able to still move an inch in this business, I’m keep going because I have a passion for it. And I feel like I can really help others and that’s what I came to do. When I signed up for this, the goal was to help as many people out of Houston as I could. And, you know, I think I did my part so far.

You started 1501 Certified in 2015 but – in a previous interview – you mentioned before you didn’t really see it start growing until 2018. Just you personally, how’ve you handled the growth in yourself while growing this label?

You could say it’s growth though. You could say it just me realizing certain things, but it changed my mentality a lot because, coming from baseball – and even being up here with my son. Just coming back around baseball for a week, seeing how everything is easy-going, nice, and you know everybody is cool. And then, you come to the Hip Hop community, it’s like the person that reach out to shake your hand, you gotta look at his hands and his eyes, just see what he up to, and it’s like that with everybody. And I hate that I’m like that now because I always want to look at you and see the goodness in everybody first but, unfortunately, the Rap game made me look at everybody sideways.

As far as personal growth. Have you come to terms with your mistakes in the music business?

Yes, I’ve come to terms with everything. I’ve come to terms with everything that’s happened to me. I think I have to be able to grow, elevate, – I can’t be upset about nothing. I took my lick, and I kept on tickin’. Which, you can call it a “lick,” but it wasn’t necessarily my mistake, I just trusted the wrong people. So I’ve learned from that. It is what it is, it was my initiation into the music business, is what I was told [laughs].

MORE: Megan Thee Stallion Sues 1501 Again Over “Album” Definition, Claims Label Never Paid Her

Smoody, Erica Banks, Megan Thee Stallion, 1501 Certified is definitely trying to make a statement in Hip Hop with a roster of great artists already, but we want to know, what kind of statement are you trying to make with the upcoming compilation album?

I’m just trying to put my artists out there. I’m an independent label, in which we’re just trying to get our artists known. We got some dope artists that I think you guys will like. I’m in the development stage with them, and we’ve come to learn that we specialize in developing an artist. Once we get them developed, we want the labels and get them going. But definitely, we got some good music coming out of East Texas with Smoody. We got D-Raww that’s coming up, and, of course, Erica Banks doing her thing. We rolling on all cylinders right now. This song with Click 4Ulla Starz – Joker and Unique. We excited for what’s coming up.

Can you give us any idea on a release date for the compilation album?

Nah. We don’t have a release date on that (album) yet. We’re still working right now. But we definitely focusing on this one song, “Where The Freaks.” We just released a single with Smoody called “HBCU,” and that’s got the drumline sample in it. And people like that one too, it just a summertime hit. We like to make fun, party music around here.

You’ve always been tied in with female artists in the past. You’ve signed a few, you’ve lost a few. You obviously have Erica Banks doing her thing, you’ve been instrumental in Megan’s success. But I want to ask you, throughout all the ups and downs, do you still have plans to scout female talents to 1501 Certified?

Yeah of course. I’m kinda like the guy that can do the girl artists, you know. But, I’m gon’ just take my time this next time. Take my time and search for the right one – the right fit. The one who’s really… the next one is really “the one.” So that’s where I’m at with that situation.

Lastly, I want to ask you, you’ve been through it all in these last few years with 1501 Certified. How do you maintain positive mental health as a successful Black man in this music business?

Man to be honest with you, and I never like to get too religious or nothing like that, but you just have to have a relationship with God. Pray at night, I do a lot of praying, talking to myself. I believe in a higher power. And I believe that when you live a certain way, and you live right –  you know when you did something right, you know when you did wrong. You have to be honest with yourself all the time. And just know that things going to be better, you just have to know things going to be better. Things change. At some point, things will change for the better. Like right now… I’m seeing that sun come from behind the cloud, and it feels good to have the sun shine.

The post Carl Crawford Talks 1501 Certified’s Future, TikTok, “Where The Freaks” & More appeared first on The Source.

Megan Thee Stallion’s Label Countersues, Saying ‘Something For Thee Hotties’ Was Not An Album

The tension between Megan Thee Stallion and Carl Crawford’s 1501 Certified Entertainment flared up last month when the rapper sued the label over the classification of her latest project, Something For Thee Hotties. While Megan contends that she was told the release would count as an album off of her four-album contract with 1501, it appears 1501 instead classified it as a mixtape — as the label also did with Fever and Suga. Now, the label has issued a countersuit, according to Billboard, arguing that the project only constituted 29 minutes of new material.

The label’s attorney, Steven M. Zager, wrote, “MTS knows that each ‘album’ must include at least twelve new master recordings of her studio performances of previously-unreleased musical compositions. She also knows that 1501 gets to approve the musical compositions to be included on each album. And MTS knows that none of that happened here.” The countersuit blames Roc Nation, Megan’s management company, for “trying to persuade its management clients to leave their record labels.”

Megan was unhappy about the claims, expressing her frustration on Twitter. “First the man over my label said I don’t make him any money,” she wrote. “Now he counter suing trying to keep me on his label because he wants to make more money lol if I ain’t making you no money why not just drop me?”

She explained, “My lawyers asked him for an expense report(money 1501 supposedly has spent on ME)… why this grown ass man put his jewelry and chains on there… lord free me from this joke ass label… Carl I don’t wanna be signed to yo pill popping ass! You talking abt I ain’t paid for a show and you sound slow. Im the artist I don’t pay you directly maybe fight with THE MAN YOU SIGNED TO AND YOU MIGHT SEE SOME MONEY YOU FUCKING POWDER HEAD! You hiding behind JPRINCE. Carl you got a wholeeee contact with 300 and talking shit to me like I got yo fucking money! You are ATTACKING ME ..why? Bc you want to be FAMOUS NOT RICH. Ask KEVIN LILES WHERE YO MONEY AT STUPID.”

Megan also insinuated that she’d been in contact with 1501 artist Erica Banks, who some fans tried to pit against her, calling the “Buss It” rapper a “replacement” for Meg. Instead, Thee Stallion suggested that even Banks is fed up with 1501, writing, “I choose not to say nothing back abt court and address shit online but im getting tired of being painted the BAD GUY 2/47 the last girl on 1501 mad at this man too !”

Megan Thee Stallion Sues Her Label After Her Latest Project Wasn’t Counted Against Her Deal

The battle between Megan Thee Stallion and her label, Carl Crawford’s 1501 Certified Entertainment, had simmered down over the past two years after a judge granted the rapper an order allowing her to release music again, but today, hostilities flared up again as Megan sued the label over the classification of her most recent project. Complex reports Megan is upset that Something For Thee Hotties wasn’t counted as an “album” according to the terms of her contract, despite being 21 tracks and over 45 minutes long.

The point of contention here is that Meg’s contract with 1501 is for four albums and that despite releasing Tina Snow, Fever, Suga, Good News, and Something For Thee Hotties in the four-odd years since she signed the contract, only Good News was counted against that total. Obviously, she wants out of her original contract, and her popularity is such that she may never actually need to sign another one. But having her under contract is (ostensibly) a good thing for 1501, which gets a percentage of all her royalties, whether they come from “albums” or “mixtapes.”

Unfortunately, 1501 is operating from a well-established playbook — it’s actually common practice for labels to count projects as mixtapes to keep artists under contract for longer, a problematic legacy of hip-hop’s penchant for putting out unauthorized, unofficial, or surprise releases. However, by the strictest terms, anything 45 minutes or more should technically count as an album as they’ve been defined for the past 80 years or so (EPs are 22 minutes, leaving a lot of wiggle room between the two designations). That’s Meg’s argument here; her lawyers write in the suit, ” There are no other parameters or requirements under the contract for what can be deemed an ‘Album’ other than total run time of the album. As such, Something for Thee Hotties satisfies her ‘Minimum Recording Commitment’ for the second option period of the agreement.”

Incidentally, Megan showed her teeth earlier today after Crawford posted a headline boasting of a victory in their previously existing case; however, it seemed he had misunderstood which of the cases against him she’d dropped. The suit regarding fair royalty splits is still ongoing and now, Megan’s added another one to the collection in the hopes of no longer dealing with Crawford again.

Megan Thee Stallion Goes Off On Her Label’s Owner For Posting Misinformation About Their Royalties Case

Ever since early 2020, Megan Thee Stallion and her label, 1501 Certified Entertainment, have been embroiled in a contrast dispute over royalties that each believes the other owes. It’s a complex situation, but essentially, Megan would like to be paid more, while 1501’s founder Carl Crawford says that Megan and her management at Roc Nation are withholding his cut of the profits from live shows she did throughout her breakout year, 2019. The dispute has been contentious at times, and the latest development in the case has Thee Stallion going off on her quasi-boss.

After Megan filed a motion to dismiss part of her lawsuit, Crawford posted screenshots from celebrity gossip site AceShowbiz.com on his Instagram with the caption, “Only the real 🤘🏾town can relate. Now tell em to run my bread dating all the way back from 2018.” However, the headline in question only referred to Megan’s suit for a restraining order against 1501, which was blocking her from releasing music. However, since both 1501 and 300, the distributor for Megan’s music, cleared her to release Good News and Something For The Hotties, she no longer needed the court’s intervention. Posting to her own Instagram, she explained as much while characterizing Crawford as a bully — and kind of an ignorant one, too.

“This dude never know wtf is going on with his business,” she wrote. “he case that Was dismissed against you was from when you wasn’t trying to let me drop music … you and 300 signed off and let me drop music so there is no case no more… we are most definitely STILL IN COURT and YOU STILL GETTING SUED BC YOU OWE ME MONEY!!! I AINT NEVER BEEN PAID FROM 1501 IN MY LIFE ! I make money bc im MEGAN THEE STALLION ! Grown ass men wanna bully me and eat off my name and paint me out as a villain online bc they know these bandwagon ass haters gone eat that shit up ! I dont even be saying shit to you lame ass n****s bc the TRUTH always comes out.”

If Megan is right and she isn’t being paid by 1501, she certainly has a number of attractive alternative revenue streams, including endorsements for Flamin’ Hot Cheetos, a new Snapchat show, Off The Leash, and a development deal with Netflix. She’s also soon to launch her acting career with F*cking Identical Twins.

Megan Thee Stallion Claims Her Label Is Blocking The Release Of Her BTS ‘Butter’ Remix

Megan Thee Stallion has been embroiled in an ongoing battle with her initial label, 1501 Certified Entertainment, and label head Carl Crawford. The label has reportedly been blocking the rapper from releasing music on her own terms, and though it looked like she was close to a new deal in the beginning of 2021, things still seem shaky for the Houston star, legally speaking.

According to a new report from TMZ, Megan is back in court today trying to get the chance to release her remix of BTS’ latest smash hit, “Butter.” According to the label, they don’t think her collaboration with the biggest K-Pop band of all time will be good for her career. Megan argues they are just trying to block her release in order to get a payoff. In her mind, a remix of “Butter” will be instrumental (heh) in expanding her international fanbase.

Last March, Megan sued the label for blocking her release of new music and was able to get an order that prevents them from controlling her release schedule. She’s now citing that previous order in her new suit, alleging that 1501 blocking the “Butter” remix is another violation. Hopefully Megan will win this one, because hearing her verse on “Butter” will make my summer.