Will we get new Outkast music one day? Highlight doubt it. Speaking with Andre Gee at Rolling Stone, 3 stacks revealed he and Big Boi are “further away from it than we’ve ever been.”
What caused the separation on music? 3000 says “I think it’s a chemistry thing. We have to be wanting to do it. It’s hard for me to make a rap, period, you know? And sometimes I’m in the belief of ‘Let things be.’”
During a recent sit-down with Rolling Stone‘s Andre Gee, André 3000 admitted that an Outkast reunion tour or album is more than likely out of the question — at least for him.
“I’ll say maybe 10, 15 years ago, in my mind, I thought an Outkast album would happen,” he said. “I don’t know the future, but I can say that we’re further away from it than we’ve ever been.”
André also noted, “I knew when I was, like, 25, that at a certain age I wouldn’t want to be onstage doing those songs. They required a certain energy. Honestly, I’m not a big fan of looking back. I’m just not.”
He continued to express gratitude for his time in the duo. “I’m grateful for everything that’s happened, but it was a time,” he said. “To me, that’s what it is. That was a great time, and I wish y’all were there.”
While this isn’t the news Outkast fans wanted to read, André 3000 has come to terms with it.
“I don’t blame the fan for wanting what they’ve known,” he said. “I know, for the rest of my life, people will be like, ‘One more OutKast album.’ [But] I try to put myself in the shoes of other people, and I’m like, ‘Man, if we ain’t do an OutKast album in 20 years, do y’all really think it’s going to happen now?’”
Well, if you want more music from André 3000, that is on the way. In the meantime, you can enjoy his Grammy-nominated debut instrumental album, New Blue Sun.
On this date, at the turn of the century, Big Boi and Andre 3000 dropped their fourth album entitled Stankonia on the Laface/Arista imprint.
Following up on their successful Aquemini LP, Outkast set out to challenge themselves creatively and that they did; Stankonia ended up being one of the duo’s most successful commercial albums, going gold in the first week after its release.
Some of the album’s leading singles include the baby mama drama anthem “Ms. Jackson,” the rhythmic hook of the catchy “So Fresh So Clean,” and the timely and socially conscious “Bombs Over Baghdad (B.O.B.).” With solid production from both Organized Noize and Earthtone III, this album is one of the South’s most impactful projects to date.
Salute to Organized Noize, 3 Stacks, Big Boi, and their entire team for bringing us such a timeless Hip-Hop classic!
On this date in 1996, Big Boi and Andre 3000 came together to release their second album ATLiens on R&B icons’ LA Reid and Babyface’s LaFace Records. On this album, the Southern playalistic duo expands their subject matter from just their urban tales from the hood to explorations of extraterrestrial life on Planet Earth.
Outkast’s most recognizable aspect of their creativity is their hooks, which is almost a trademark for the entire Organized Noize family, but really took root as Big Boi and Andre 3 Stacks signature sound on this album, with songs like “ATLiens” and “Elevators(Me And You)” spearheading the success of this album.
The commercial success of the album was proof of the duo’s ability to relay their morphing sounds to their listeners, with the ATLiens project selling one million copies in three months and reaching double platinum in less than seven years.
Shout out to Andre 3000, Big Boi, and the rest of the Organized Noize crew for this timeless piece of Hip Hop History!
At this point, the likelihood of an Outkast reunion is a faint dream. However, members André 3000 and Big Boi are united on one front — protecting their intellectual property.
According to AllHipHop, Outkast’s company High Schoolers LLC have filed a lawsuit against EDM duo ATLiens for trademark infringement.
In the paperwork, the hip-hop legends accuse ATLiens of “improper, willful, unauthorized and illegal use and registration of the ATLIENS mark,” which is owned by Outkast.
As evident in their claim, Outkast referenced ATLiens upcoming 2025 show at the Coca-Cola Roxy Theater in Atlanta, Georgia. Outkast has taken issue not only with ATLiens’ selected stage name, but also its use in their merchandise, among other things.
Although Outkast acknowledges the word, made popular by their standout 1996 album, was thrust into pop culture, and as a result the world’s “cultural lexicon,” they firmly stake creative ownership of the made-up word.
“Upon information and belief, Defendant selected the name ATLIENS for their EDM duo to trade upon the tremendous fame and goodwill associated with Plaintiff’s ATLIENS album, song, and mark, or, at a minimum, to call to consumers’ minds Plaintiff’s famous ATLIENS album, song, and mark,” reads the document.
Outkast has demanded that ATLiens “permanently enjoined and restrained from, directly or indirectly” further usage of their trademark. They always also asked that the United States Patent and Trademark Office cancel the ATLiens’ live and active service mark as they attempt to “collect compensatory, incidental and consequential damages.”
On the United States Patent and Trademark Office’s website, ATLiens’ mark has a notion of this request. The last of Outkast’s request include for legal fees reimbursement, and ATLiens to remove any and all online usage of their mark, which encompasses their website and social media profiles.
This seems to be a simple case for United States Patent and Trademark Office to decide, unlike Eminem’s filing againstReal Housewives of Potomac‘s Gizelle Bryant and Robyn Dixon.
The Atlanta Braves gave out one of the all-time great bobbleheads on Tuesday night to fans that came to see them take on the Milwaukee Brewers, as they partnered with the mighty, mighty Outkast to create a bobblehead of Big Boi and Andre 3000 sitting in a Cadillac.
While Outkast night didn’t go the way they wanted to on the field, with the Braves losing 10-0, plenty of fans were still happy to collect a bobblehead of Two Dope Boyz (in a Cadillac). Unsurprisingly, the night did not feature a full Outkast reunion, as Andre 3000 rarely makes a public appearance (well, without his flute, anyway), but Big Boi was on site at Truist Park to represent for the South’s greatest rap duo and throw out the first pitch. He also joined the Braves broadcast booth in the third inning, with the Braves already down 6-0, but brought a bit of good mojo for the home team and delivered an electric call of a strikeout, telling the Brewers batter to “Go an’ sit down somewhere” after chasing a high fastball.
I also really liked the “YAH” from Big Boi as the pitch got thrown. It’s always enjoyable when guests who pop in on sports broadcasts seem to genuinely be having fun (see: literally everything Snoop Dogg has been doing at the Olympics), and Big Boi brought a little extra flavor to the Braves booth.
Lil Yachty really set the internet on fire. The rapper made several public appearances during the last few days of July, each time making a statement that incited debate. He got pushback for defending Drake in the Kendrick Lamar battle. He was chastised for leaking a song he couldn’t get a sample cleared for. The most notable Yachty, controversy, though, stemmed from his comments about fashion. He claimed that Atlanta sets the fashion trends in hip-hop, which led to lots of criticism from rappers living in the rest of the country. One of the few rappers who seemingly agreed with Lil Boat was Killer Mike.
Killer Mike hopped on Twitter on August 1 to set the record straight. He referred to the Yachty debate as “lame,” but did provide examples of Atlanta setting trends. He pointed to his Dungeon family mentor, Big Boi, in particular. “I have Zero Interest in this lame ass debate,” he wrote. “BUT Big Boi Started the Throw Back Jersey Trend with that cold a*s Houston Astros Jersey.” He then noted that Ye, despite his Chitown roots, gave proper credit to the Outkast rapper. Ye’s impact on hip-hop fashion goes without saying, but Killer Mike said it regardless. “Kanye (Atlanta Born) set the record straight on that, God Bless Him,” he wrote. “Honorable Mention the ‘Flip Flop’s and Sox’ look was Some sh*t from the Dungeon Family.”
Killer Mike Claims ATL Has Influenced All Pop Culture
I have Zero Interest in this lame ass debate BUT, Big Boi Started the Throw Back Jersey Trend with that cold ass Houston Astro’s Jersey. Kanye (Atlanta Born) set the record straight on that, God Bless Him. Honorable Mention the “Flip Flop’s and Sox” look was Some shit from the… https://t.co/6VhlvS5zIOpic.twitter.com/sEaWnCoaa9
Mike included a photo of Big Boi rocking the aforementioned Astros jersey as proof. A Twitter user went the opposite direction and claimed that Phife Dog actually started the throwback jersey trend. Killer Mike respectfully disagreed. “[Phife] was a sports fan and inspired us all,” he wrote back. “With that said, the Throw back Era is Something Big Boi who is also like us a Tribe Fan Started in 98 with that Black Ice Vid Houston Jersey. Long Live Tribe and Kast.” The rapper continued to go back and forth with fans about the specificity of throwbacks, and the relevance of sports merchandise within the genre.
Killer Mike and Lil Yachty are about as far apart as artists can be. That said, the former has also repped Atlanta in his music and art. During a 2023 appearance on the Hip-Hop Made podcast, Mike claimed that the ATL has influenced every element of popular culture for decades. “When they say Atlanta influences everything it’s true,” he declared. “If you’re talking about Black culture in America, you talking about ATL, Georgia, and I’m not just talking about the last 25 years… I don’t think you can talk any Black culture — Rock n’ Roll, Blues, and Gospel — without talking about Atlanta.” Yachty may have ditched the internet due to the East Coast backlash, but he’d be pleased to know Killer Mike is in his corner.
Andre 3000 dropped several gems during his recent appearance on The Shop. He discussed taking hatred from others and using it to fuel creativity. He also talked about his experiments with jazz, and how it’s freed him up to do whatever he wants. The most fascinating revelation, though, was when the show’s other guest, Sexyy Red, asked about his iconic speech at the 1995 Source Awards. Andre 3000 reflected on the speech, before admitting that he doesn’t really remember what he said.
Sexyy Red was born in 1998, so she inquired about the intention of the speech during their Shop talk. Andre 3000 told the younger rapper that his memory of being onstage was hazy. “I don’t even remember the whole thing,” he admitted. What he did remember, however, was the sense of frustration he felt in the years leading up to the Source Awards. “N**gas hating on the South at that point,” he said. “I remember being really angry and driven because we’ve been creating this music, man. We’ve been in the Dungeon. And we just felt like, ‘Y’all don’t get it.’”
Andre 3000 Recalls Being Extremely Nervous On Stage
The reason why Andre 3000 struggles to remember his speech was because he was extremely nervous while giving it. “It was not planned,” he admitted. “It looked brave, but I was nervous as a motherf*cker. I was just angry, man.” Three Stacks, who was one half of Outkast at the time, felt that the South was not being afforded the same respect that New York was. Further adding to the frustration was the fact that both Andre and Big Boi were fans of the NY sound. “We love New York,” he said. “We grew up on all New York music, man. I just felt like, I don’t know, it just came out. And I just said that.”
Andre 3000’s speech has since been lionized by fans. It’s a classic moment in both Source and Southern hip-hop history. It was so prominent, in fact, that Outkast used audio from the speech on their 1998 song “Chonkyfire.” The phrase that Andre 3000 uttered towards the end of his speech has become a rallying cry of sorts for the entire South. They had something to say, and so did Three Stacks. Even if he doesn’t remember it clearly.
Andre 3000 has too many classic verses to count. That being said, his turn on “Int’l Players Anthem” might be one of his most celebrated. It’s quotable, eccentric, and it all plays out before the drums to the main instrumental kick in. It distinguishes Andre’s verse from the other rappers on the song, aka Big Boi and UGK. As beloved as the verse and the song is today, though, Pimp C was not happy when he first heard it. The things that make it unique are the very things that rubbed the UGK rapper the wrong way.
Andre 3000 shared this anecdote during his recent appearance on The Shop. He recounted the making of the song, and his unorthodox choice to remove the drums from his verse. He sent the verse back with just the sample, and Pimp C was livid. “Pimp was so mad at me,” Andre 3000 recalled. “Because they sent the beat and I wrote my verse, put my words down and I took the beat out for me to rap.” Pimp C wasn’t disappointed with the bars, but he felt like the song had been changed without his permission. “Pimp was like, ‘Fuck this muthaf*cka, man! This n**ga done goddamn took my beat out,” Andre said. “Who the f*ck he think he is?!’ He was really mad at the choice that I had made to take the beat [out].”
Fortunately, cooler heads prevailed. Andre 3000 told The Shop hosts that others made the case for keeping the verse the way it is. “I don’t know if it was Bun [B] or somebody,” the rapper called. “They were like, ‘Nah, but you don’t understand, when that beat drop, though, it sets it off.’ So it’s almost like a set-up. So it worked, and once he got that, he was like, ‘Okay, okay.’” The gamble paid off. “Int’l Players Anthem” peaked at number 70 on the Billboard Hot 100. It was UGK’s first and only entry on the charts, and remains their most successful single.
While The Shop episode marks the first time Andre 3000 has shared the Pimp C story, a similar anecdote was shared by A&R Jeff Sledge during a 2016 appearance on the A Waste of Time podcast. The change in Sledge’s version was that it was him, not Bun B, who urged Pimp C to keep Andre’s verse without the beat. “Let’s rock it like that,” the A&R recalls saying. “Because when Andre doing acapella and then when the beat drops, that’s when your verse drops. And then your verse is gonna lift the record up because now the beat is rocking and your verse is kicking.” Whoever made the call, we’re thankful.
