Killer Mike leads a Dungeon Family reunion on his new single “Scientists & Engineers” which reunites Mike with OutKast’s Andre 3000 and DF affiliate Future. Over a gospel and funk-inflected instrumental straight from the late-90s Atlanta breakout, Mike, André, and Future deliver some of their hardest verses in a long time, while Eryn Allen Kane sings the soul-stirring chorus. “Scientists & Engineers” is due to appear on Mike’s upcoming album Michael, his first solo project in over a decade.
The song almost didn’t make the album, though. As Mike recounted during the annual Black Music Moguls Brunch in Atlanta, André initially wanted to nix the collaboration, right up until Mike sent him the completed version with Kane’s chorus. That was when he fully bought in, saving the track from the proverbial cutting room floor.
Mike also revealed in another interview that he’d spent $500,000 recording Michael, only managing to recoup the costs with an advance from Loma Vista Records. The reason the album is so important to him is that it’s his first time telling his full story, as he told Vulture’s Craig Jenkins. “There was never a moment where people got a chance to see the whole of Michael. They saw bits and pieces in the music… I wanted people to know that the character in Run the Jewels is a whole human being and a man who feels like there’s something that needs to be said.”
Listen to “Scientists & Engineers” above. Michael is due June 16 via VLNS/Loma Vista.
Killer Mike‘s new album Michael is due next week and one song fans are most excited about is his collaboration with former Outkast member and full-time recluse, Andre 3000. The song is called “Scientists & Engineers” and also features Future — a one-time Dungeon Family disciple, according to Atlanta rap lore — and singer Eryn Allen Kane. However, fans almost didn’t get to hear the track after Andre told Mike he wasn’t feeling it. Fortunately, Kane’s presence on the track convinced him to change his mind when he heard the final version.
Mike recounted the story during this year’s 4th Annual Black Music Moguls Brunch in Atlanta, sharing a video of the anecdote on Instagram. In it, he recalls, “André 3000, he’s in Japan right now as we talk, playing the flute. He called me, he’s like, ‘Kill, I don’t know about the song, man. We just got a good rap record, man.’ And then Cuz [Lightyear] was like, ‘You sent him the final record?’ I’m like, ‘Nah.’ I sent it over with Eryn’s hook and stuff. He hit back with, ‘Yeah, yeah, you got the record. Who is that?!’ So thank you, Eryn, I really appreciate you for that.”
In addition to the aforementioned features, the No ID-produced Michael will also include appearances from Dave Chappelle and Young Thug (on the previously-released “Run“), Mike’s longtime partner-in-rhyme El-P (“Don’t Let The Devil“), Lil Wayne, and more, along with the previous singles “Don’t Let The Devil” and “Motherless.” It’s due June 16 via VLNS/Loma Vista.
Andre 3000 is one of hip hop’s most famous geminis, recently celebrating his 48th birthday on May 29th. The hip-hop legend came up alongside Big Boi as one-half of Outkast. Together, they released six studio albums, spawning some of hip-hop’s most iconic records. Andre 3000’s career and legacy have been cemented by Outkast’s historic run but he has since moved on to other successful solo ventures and collaborations. He has had a prolific acting career, notably starring as Jimi Hendrix in the biopic, Jimi: All Is By My Side and the animated series, Class of 3000 on Cartoon Network. Nowadays, he can be seen in random locations playing the flute.
The closest thing to a solo album from André 3000 came in the form of the second disc on Outkast’s penultimate album, Speakerboxxx / The Love Below. The Love Below was handled entirely by Andre, including production. Still, Speakerboxxx / The Love Below was still billed as an Outkast album. Beyond Outkast, André 3000 has produced songs for other artists, including Killer Mike, Kelis, Gwen Stefani, and Kids See Ghosts. He even produced a song on Big Boi’s debut solo album. He also released a 2-song EP in 2018 dedicated to his mother. Since the last Outkast album in 2006, André 3000 has expressed that he has little desire to release a full-length album, though he tends to hop on songs from other artists and obliterate his verses. An André 3000 feature verse is rare but always a moment as he tends to outshine whoever he is on a song with.
The Top Collabs of Andre 3000’s Solo Career
This is a list of André 3000’s best solo collaborations, drawing from his work with other artists outside of Outkast. Although some of his recent contributions, such as Kanye West’s “30 Hours,” have been minimal, he’s continuously showcased his unique flare on songs in recent years, such as the remix of Chris Brown’s “Deuces.” Still, Andre 3000 has had some unexpected collabs throughout the years that showcase exactly why he’s a rare breed in hip-hop. Below is a ranking of his best guest appearances throughout the years outside of his work with Big Boi. Take a look at the list below.
11. Frank Ocean – “Pink Matter” (2012)
What makes “Pink Matter” such a special collaboration is that it goes beyond just a simple guest verse. Frank Ocean pours his heart out onto the song’s slow, melancholic instrumental. For his verse, André 3000 fits perfectly into the pockets of the production’s downbeat rhythm. His contributions aren’t limited to bars, though. He follows his short yet potent verse with a show-stealing guitar solo. Towards the end of the song, André also sings a soulful outro. Many of Andre 3000’s collabs throughout his solo career consist of a guest verse, which is rare on its own. He and Frank Ocean went above and beyond on this song.
10. Beyoncé – “Party” (2011)
Beyoncé’s “Party” is the ultimate summer block party song. The song heavily samples Doug E. Fresh and Slick Rick’s “La Di Da Di.” Beyoncé’s vocals shimmer over the song’s glamorous instrumental before Kanye West strips back the production for André’s verse. He “sets the scene” within his first line and weaves between different flows in a short verse. He approaches the song in a calm and collected manner and seamlessly flows over the beat.
9. Erykah Badu – “Hello” (2015)
André 3000 and Erykah Badu have a strong relationship, both as co-parents and as musical collaborators. “Hello” is a reflection of both of those relationships. The song interpolates “Hello It’s Me” by The Isley Brothers. It starts with a lush instrumental and André 3000 effortlessly floats over the simple chords with impressive rhyme patterns. He handles the song’s bridge, sings a second verse, and ends the song by singing the outro with Erykah Badu. The song is a highlight in Andre 3000’s solo career.
8. Drake – “The Real Her” (2011)
“The Real Her” is one of Drake’s best collaborations, featuring Lil Wayne and André 3000. In the beautifully moody song, Drake sings about falling in love with a stripper and wanting to know who she really is. Lil Wayne continues the same sentiment when rapping about how she stands out to him even though she has met other rappers. While the two rap about their feelings toward the girl, André focuses on the girl’s experiences. Though this thinking makes him feel attached, he does not give in to temptation.
7. Jeezy – “I Do” (2011)
Throughout his career, André 3000 has appeared on many all-star collaborations, many of which are on this list. No matter who is on the song, he manages to have the best verse, and “I Do” is a prime example of that. He joins Jeezy and JAY-Z for a song that gives “Int’l Players Anthem” vibes. Much like that UGK song, the song is extremely soulful and discusses marriage, although Jeezy and Jay marry the streets on “I Do.” André however, actually expresses his love for his woman.
6. Kanye West – “Life of the Party” (2021)
This song is the most recent addition to André 3000’s best collaborations in his solo career. “Life of the Party” comes from a deluxe version of Kanye West’s Donda album and its soulful instrumental brings fans back into the “old Kanye.” Though Kanye spits one of his best verses in recent memory on the song, it is André 3000 who steals the show before Kanye even begins. He raps about the pain of missing his mother and what he would say to her as he pens his verse.
5. Lil Wayne – “Interlude” (2011)
The intro, interlude, and outro of Lil Wayne’s Tha Carter IV album are essentially one long posse cut split into three songs. Each song features the same beat. Lil Wayne handles the intro by himself while the outro features Bun B, Nas, Shyne, and Busta Rhymes. “Interlude” is arguably the best out of the three as Tech N9ne spits his signature chopper flow, rapidly impressing with his complex rhyming. While only having 46 seconds to rap, André 3000 comes in with a relaxed verse and nicely contrasts Tech N9ne’s with his raps.
4. B.o.B – “Play the Guitar” (2011)
“Play the Guitar” is definitely playful. The funky instrumental allows B.o.B to showcase his animated flow, making for one of his greatest rapping performances. The song is fun on its own but André 3000 steals the show and makes the song his own. Some of the songs on this list are serious rap performances or vulnerable poetry-like verses. However, André is definitely enjoying himself on “Play the Guitar” as he slides across the beat. It makes for one of the most memorable verses of André 3000’s solo career.
3. Anderson .Paak – “Come Home” (2019)
“Come Home” is already a compelling album intro on its own as Anderson .Paak provides his signature soul to the percussive production. The 2019 track features a rare contribution from André, who spits a dazzling verse that only he could write. The verse is a masterclass in rhyme schemes as he raps at double time with tongue-twisting bars. The verse is even more magnificent as he manages to squeeze in multiple double entendres that will have you doubling back.
2. T.I. – “Sorry” (2012)
T.I. once admitted that André 3000 outrapped him on “Sorry” and it is clear why. The song is one of T.I.’s best rap performances but Andre 3000 rapped one of his best verses in his post-Outkast career. He starts his verse rapping fast but slows it down after saying, “I don’t even like rapping fast but that’s how the world comes to me.” André incorporates his different flows and cadences throughout the verse, even harmonizing part of it. He ends his verse with a bang, rapping, “all some pussy n**** on the Internet can say is, ‘That verse ain’t good.’”
1. Rick Ross – “Sixteen” (2012)
Like the majority of the collaborations on this last, André 3000 manages to make another artist’s track his own when he hops on it. Rick Ross’s “Sixteen” sounds like it was specifically designed for André to do just that. The idea of the song is that 16 bars just is not enough for a rapper to get their point across, which is articulated in the chorus. On the song, André goes above and beyond, handling the song’s hook and bridge while also rapping a 2-minute verse and playing a guitar solo at the end.
Rick Ross curates the song with a luxurious beat from J.U.S.T.I.C.E League, rapping a clean verse, and leaving everything else to André. Ross spits 32 bars while André raps a whopping 50, reflecting on his upbringing and how it got him to his current position. An André 3000 guest verse may be rare as he has not rapped much in his solo career, but verses like these are what make them such an event.
On this day in Hip Hop history, OutKast, the duo that helped pioneer putting southern Hip Hop on the map, released their debut classic LP, Southernplayalisticadillacmuzik.
This Dungeon Family masterpiece recorded by Andre 3000 and Big Boi paved the way for Atlanta and the rest of the Dirty South to have their unique voice in Hip Hop. Before this album, there weren’t many hit records coming from anywhere south of the Mason-Dixon line. Peaking at #20 on the Billboard 200 and being certified platinum less than a year after its release, this album’s achievements speak for themselves.
Produced entirely by OutKast and Organized Noize, this project was like none before. Its sound is perfectly described as southern rap. Everything about this album screams Atlanta, from the dialect to the instruments used to the references. The smooth blues and marching band-influenced beats blend with Big Boi and Andre 3000’s flows, creating something new that rippled the tide of an industry saturated with G-Funk or New York Hip Hop.
Both commercially and critically, this album was immensely successful. It peaked at #20 on the Billboard 200 and #3 on the Top R&B/Hip Hop charts. This album was also the reason OutKast received the Best Newcomer Award at the 1995 Source Awards, which, as we all know, was met with controversy. Regardless of the haters, this album came at the beginning of the career of two rappers who changed the game forever.
With a new album on the way, Killer Mike certainly isn’t holding back. The legendary Atlanta rapper, who also serves as one-half of Run The Jewels, has been revving up for the release of Michael, his first solo album since R.A.P. Music. He revealed new information regarding the project including some of the features. Killer Mike tapped Dave Chappelle, Lil Wayne, and more for the project. Additionally, expect to catch former Dungeon Family members, Future and Andre 3000, on the song, “Scientists & Engineers” alongside Killer Mike.
A snippet of the upcoming collaboration surfaced this week from a recent listening party. Killer Mike debuted the project in its entirety during the session on Monday, April 17th. “Scientists & Engineers” is a gospel-influenced record with Andre and Future. A soulful choir holds down the hook on “Engineers & Scientists” while Future dives into his emotional banger. “Standin’ in the rain, washing off my sins/ The streets ain’t the same,” he raps. Already, the song sounds like it’ll be an immediate highlight that ties together Killer Mike’s storied career. Considering the recent listening parties, it seems like this project could be coming sometime soon.
Killer Mike Taps Heavy-Hitters For “Michael”
SCIENTISTS & ENGINEERS (FEAT. ANDRE 3000 & FUTURE)
In addition to Future and Andre 3000, it’s rumored that another feature on the project comes from Young Thug, who reportedly listed Killer Mike on his witness list in the YSL RICO case. Mike previously released the single, “Talkin’ That Sh*t,” produced by DJ Paul and TWhy Exclusive, which will land on the official tracklist for the project. Michael will include 14 songs in total, though he hasn’t unveiled the credits yet. “My life truly is a testimony for what happens when you show up and keep believing something is calling you to do better for yourself,” said Killer Mike during SXSW. “I don’t know what’s after this life, but I will treasure this night for the rest of my life.”
Besides his upcoming solo effort, Killer Mike and El-P have some big plans to celebrate the 10 year anniversary of Run The Jewels. Along with a fifth album in the works, they announced their upcoming tour, which will hit Chicago, Atlanta, New York City, and Los Angeles. They will perform four shows in each city. Each night will include the two “performing a different set… spanning the band’s full discography, bolstered by a plethora of special guests and surprises along the way.”
Bangladesh just told a remarkable story about Kesha’s remix for her track “Sleazy,” which he worked on. However, the most surprising part about his tale was André 3000’s involvement in the new version, with him getting paid a truckload for a verse he didn’t even know if he wanted to do. In an interview with B High ATL, the producer said that fellow track producer Dr. Luke wanted him off the track because he didn’t understand his verse. “Ain’t too many n***as can say they got a 3000 verse on their beat,” Bangladesh said. “He just a discreet n***a, exclusive a** n***a, but man, 3000 one of my favorite rappers. Outkast alone one of my favorite groups of all time, Fugees, Outkast, s**t like that. And for it to be a white girl that got Bangladesh and André 3000 on her s**t? That was dope.
“I was locked in with Dr. Luke,” he continued. “Dr. Luke took a liking to me, f***ed with me, think I’m brilliant. Gave me the opportunity, cause Kesha requested me. I went out there, I made the beat right in front of them. I made the beat right in the studio and they got 3000 on it. She wanted 3000, she wanted Bangladesh and it came about.”
André 3000 Charged A “Football Field” For Kesha’s “Sleazy” Remix
“Dr. Luke told me a story about the process of getting 3 Stacks on the beat,” Bangladesh continued about André 3000. “N***a charged him a football field, that n***a charged him $100,000 for the verse, but still didn’t know if he wanted to do it So it ain’t even about money. He just wanna know if he could say something that’s real to him on this type of s**t. So he just kept giving him the runaround then he sent it to him last minute. Dr. Luke told me, ‘Man, I was gonna take it off because it was like, ‘What is he talking about?’ I’m not feeling it, like, what is he talking about?’
“I’m looking at this n-gga like, ‘What did you just say?’” the producer concluded. “Like, what did you just say? It’s probably a cultural gap and he might not understand what he’s talking about cause he’s saying something real on such a commercial record. You have to really be from that to know what he saying and appreciate what he doing. But to say you’re gonna take him off of it after you gave him $100,000… I would never take 3000 off of anything.” Regardless of your take on the verse’s worth, let us know what you think about this tale in the comments. Also, log back into HNHH for the latest news and updates on Bangladesh and André 3000.
Next April will mark 30 years since legendary Southern rap duo Outkast burst onto the Hip-Hop scene with their debut album Southernplayalisticadillacmuzik. During the late 1990s and early 2000s, Andre 3000 and Big Boi rose to rap supremacy. Many fans and critics regard the duo as the greatest Hip-Hop group of all time. Outkast is well-remembered for their thought-provoking lyrics, funky beats, and overall unique and everlasting sound. Here’s a look at 10 of Outkast’s best songs.
10. “So Fresh, So Clean” (2000)
“So Fresh, So Clean” is the perfect anthem for anytime someone puts on their best outfit and looks in the mirror. The song was the third single from Outkast’s album Stankonia. Rico Wade of Organized Noize created the now iconic chorus while he sang in the shower one evening. Sleepy Brown recorded the chorus the following day, an interpolation of Joe Simon’s “Before the Night is Over.” Along with the chorus, Big Boi and Andre 3000 drop some of their smoothest flows over a funky, southern beat as they describe their “playeristic” nature. “So Fresh, So Clean” is a smooth, sexual anthem and an all-time classic.
9. “Hey Ya!” (2003)
Perhaps Outkast’s most famous song, “Hey Ya!”, came from the group’s double album Speakerboxx/The Love Below. Twenty years after its release, “Hey Ya!” is still on many DJs set lists and can be heard at almost any social gathering nationwide. The song is an upbeat, acoustic-driven, ’60s-esque pop song delivered entirely by Andre 3000. Yet, the lyrics detail a failing relationship as Andre profoundly questions what keeps couples together. While “Hey Ya!” veers away from the sounds of much of Outkast’s discography, its creativity, rejection of genre, and lyrics lead to its greatness. Lines such as “What’s cooler than bein’ cool, Ice Cold” and “Shake it like a Polaroid picture” are still quoted today. “Hey Ya!” is undoubtedly one of the most recognizable songs ever.
8. “Git Up, Git Out”( 1994)
“Git Up, Git Out” is the third single from Outkast’s debut album Southernplayalisticadillacmuzik. Along with verses from Big Boi and Andre 3000, the track also features Cee-Lo and Big Gipp of the Goodie Mob. Big Boi and Andre were 19 years old at the time of the song’s release. The subject matter of “Git Up, Git Out” reflects the adolescent desire to overcome circumstances and make something out of life. In their verses, each rapper contemplates the impact of their decisions, including dropping out of school and using too much weed. Andre’s verse is particularly contemplative as he describes his childhood and his uncertainty with the meaning of existence. “Git Up, Git Out” also questions systems of government that have held each rapper down, and the song’s content is unsure, rebellious, and philosophical.
7. “B.O.B. (Bombs Over Bagdhad)” (2000)
“B.O.B” is one of Outkast’s discography’s most experimental and ambitious songs. It meshes Hip-Hop with drum and bass rhythms, a gospel choir, and an electric guitar. At the turn of the 21st century, Outkast felt that much of the Hip-Hop had become stagnant and formulaic. They looked to break genre boundaries with songs such as “B.O.B.” The song moves at 155 beats per minute, making it one of the fastest rap songs ever. Andre 3000 and Big Boi supplement this with frenetic flows and delivery.
“B.O.B” also features a Jimi Hendrix-esque guitar solo halfway through as a gospel choir repeats the phrase “bombs over Baghdad.” “B.O.B” is a prime example of Outkast’s ability to venture into territories yet to be explored by most Hip-Hop artists of their time.
6. “Elevators (Me & You)”(1996)
“Elevators” was the first single from Outkast’s sophomore album ATLiens. The song perfectly captures the spatial, otherworldly atmosphere of the album. The instrumental for “Elevators” is funky and shares characteristics with the “lo-fi” genre of music. At its release, “Elevators” was the highest charting song in Outkast’s discography as it reached No. 12 on the Billboard Hot 100. Ironically, Andre 3000’s final verse on the song describes how far the group had left to go and the hunger the duo still felt to succeed in Hip-Hop. About this, Andre raps, “I live by the beat / Like you live check-to-check / If it don’t move your feet / Then I don’t eat / So we like neck-to-neck.”
5. “Ms. Jackson” (2000)
“Ms. Jackson” was Outkast’s first No. 1 hit. The song is a profession of love to the mother of the narrator’s romantic partner. It also tells the story of issues that arise from having a child out of wedlock. “Ms. Jackson” depicts Outkast’s storytelling ability at its finest, and the lyrics are inspired, in part, by Andre 3000’s relationship with Erykah Badu and her mother. The track is vulnerably apologetic and combative at the same time. It shows Outkast’s ability to intertwine emotion and storytelling with a catchy, pop-like chorus that resonated with fans. “Ms. Jackson” is one of Outkast’s most famous and commercially successful songs, yet the song is also deeply personal and intimate.
4. “Da Art of Storytelling Pt. 1” (1998)
“Da Art of Storytelling Pt. 1” was the third single from Outkast’s album Aquemini. True to its title, Big Boi and Andre 3000 tell the stories of two love interests from their pasts. Big Boi’s story is of a brief sexual encounter with a woman named “Suzy Screw,” which ends after he gets what he wants. However, Andre 3000’s story takes a darker turn as he tells the story of a woman named “Sasha Thumper.” Andre tells the tale of the two’s connection, Sasha’s life, and her eventual death by overdose. The song and the stories within are haunting, and the synth-heavy instrumental adds to the evocative atmosphere of the track. “Da Art of Storytelling Pt. 1” is the pinnacle of Hip-Hop storytelling at its finest.
3. “SpottieOttieDopalicious” (1998)
“SpottieOttieDopalicious” is a seven-minute psychedelic escapade into Outkast’s experiences within Atlanta’s nightlife. The song features one of the most iconic horn riffs as Big Boi and Andre 3000 give spoken-word verses. Meanwhile, Sleepy Brown sings in the background. The song is lyrical, and Big Boi and Andre 3000 deliver their verses like poetry. “SpottieOttieDopalicious” displays Outkast’s unique experimentation and storytelling ability. The song is more of an experience than a piece of music. Artists such as Beyoncé, Lil Wayne, Childish Gambino, and J. Cole have all sampled “SpottieOttieDopalicious”; the song is truly one of a kind.
2. “ATLiens” (1996)
“ATLiens” serves as the perfect introduction to the world of Outkast. The song’s title plays into the group’s geographical home of Atlanta and their place as foreigners in the Hip-Hop scene. In addition, the content of the song reflects this sentiment. The beat begins with a sound effect reminiscent of those in movies where aliens first appear. Big Boi and Andre 3000 deliver verses that pay homage to their Southern roots and contain phrases that establish their “alien” vernacular. The chorus of the song is pitched up and sounds almost otherworldly. “ATLiens” is slick, powerful, and contains everything that makes Outkast legendary.
1. “Aquemini” (1998)
“Aquemini” is a nostalgic reflection on the bond between Big Boi and Andre 3000. As the chorus notes, “Nothing lasts forever / But until they close the curtain / It’s him and I, Aquemini.” Along with the chorus’s somber tone, Big Boi and Andre 3000 deliver some of their greatest verses. Andre 3000’s second is mainly one of, if not the best, rap verse. Almost every word rhymes as Andre raps about philosophy, his “alien” nature, and his response to criticism about his outlandish behavior and personality. “Aquemini” displays Outkast at their technical best, as well as at their emotional best. The song serves as a sort of manifesto for both Big Boi and Andre 3000’s beliefs on the world, the Hip-Hop scene, and their place as “outcasts” within each of those places.
On one of the the more recent episodes of Ray Daniels’ Goats and Underdogs podcast, former Source Magazine owner Ray Benzino claimed that Outkast’s Andre 3000 and his “The South got something to say” speech at the 1995 Source Awards was aimed directly at him.
Benzino said, “The reason why André 3000 said what he did, I’ma have to tell y’all this story. When they was giving OutKast 4.5 mics, I remember, I didn’t understand it. I didn’t understand the music and I was the one who kinda raised some situations up at ‘The Source,’ I’m gonna admit it. And I was wrong. I think it got to OutKast. And I think that’s why André said what he said. I think that was kinda directed toward me.”
Benzino just took credit (or blame, in this case) for arguably one of the most important moments in hip-hop history. Moreover, readers likely remember André 3000’s now iconic speech after winning Best New Artist at the 1995 Source Awards off the success of their 1994 debut Southernplayalisticadillacmuzik. While they received boos from the crowd, André kept his head up and clapped back at the community hating on the new generation and scene that was bubbling out of the South, which didn’t match the East or West Coast as far as public favor.
“But it’s like this, though,” 3 Stacks remarked on stage. “I’m tired of closed-minded folks. It’s like we got a demo tape and don’t nobody want to hear it. But it’s like this, the South got something to say, and that’s all I got to say.” Now, in a snippet from Ray Daniels’ upcoming interview with Benzino for his The GaudsShow podcast, the media personality admitted that he tried to skew reception of the Atlanta legends’ LP upon its release. Of course, most people loved it, but he didn’t share that enthusiasm. Almost thirty years later, he admitted to sleeping on Outkast, and even suggested that Dré’s speech was aimed at him, among other detractors.
Benzino Claims He Unfortunately Inspired André 3000’s Source Awards Speech
“The reason why André 3000 said what he did, I’ma have to tell y’all this story,” Benzino revealed regarding his close work with The Source magazine co-owner Dave Mays. “When they was giving Outkast 4.5 mics, I remember, I didn’t understand it. I didn’t understand the music. And I was the one who kinda raised some situations up at The Source, I’m gonna admit it. And I was wrong. I think it got to Outkast. And I think that’s why André said what he said. I think that was kinda directed toward me.
“I think I made a mistake and I shouldn’t have,” he continued. “Usually, I bow out of the whole five mic thing. The five mics was so strong that we let the journalists take care of that. The Source was business over here and the journalists over here. We would let the journalists take care of that; the writers, the photographers. It was a group of them and they would sit in a room and the labels would send the albums and they would rate them. It was one of the main things, the five mic system. One time, me and one of them got into a debate about Outkast because I didn’t understand at that time that music. And I was wrong.” Regardless of your take on this, come back to HNHH for the latest on Benzino, André 3000, and Outkast.
J. Cole sat down in an ESPN interview with Golden State Warriors general manager, Bob Myers. During the interview, Cole said he doesn’t consider himself a “leader for the new generation.” He also noted he hoped someone could fill the void for kids to follow. In a new interview with Golden State Warriors general manager […]
SCIENTISTS & ENGINEERS (FEAT. ANDRE 3000 & FUTURE)
KILLER MIKE
