Joyner Lucas Returns With “Back In Blood Remix”

Fans likely remember the era where Joyner Lucas was absolutely bodying freestyles, and today, the lyricist has taken a moment to return to his roots. Queuing up “Back In Blood” for the occasion, Joyner uses the opportunity to not only showcase his first-rate technical prowess, but to air some of the grievances that have been piling up. 

“They say, “J, I miss when you was broke, way before all the fame and glory,” he spits. “‘Money changed you, it made you corny / The material things just bore me / You’re no different than all of these industry ni*gas, I thought you were special and awesome / Now you sellin’ your soul and just hopin’ on records with anyone, ni*ga, you lost it.”

Perhaps in direct retaliation to some of the misconceptions, he proceeds to let fly some of his signature flows, though not at the expense of his punchlines. “Please shut the fuck up anytime I bring somebody real around,” he raps. “You versus me, ni*ga? That’s like a whale pushin’ a seal around.” 

Check out Joyner’s long-awaited return to the freestyle game with the “Back In Blood Remix,” and sound off if you think he needs to come through and drop a good-old-fashioned mixtape over previously-released beats.

QUOTABLE LYRICS

They say, “J, I miss when you was broke
Way before all the fame and glory
Money changed you, it made you corny”
The material things just bore me
You’re no different than all of these industry ni*gas, I thought you were special and awesome
Now you sellin’ your soul and just hopin’ on records with anyone ni*ga, you lost it
I miss when you made music that I could relate to ’cause all of your new shit ain’t thoughtful
When you gon’ make some new music with Marshall?
When you gon’ pull some new shit out the arsenal?

42 Dugg Signs Co-Publishing Deal With Warner Chappell Music

“We Paid” rapper, 42 Dugg, is currently riding a wave of success after the release of his album Free Dem Boyz last week. The 19-track project is full of highly anticipated star-studded features including the likes of Future, Lil Durk, and Roddy Rich.

His big moves continued into this week, with signing to the global music publishing arm of Warner Music group. On Wednesday, he posed in black-tie with Yo Gotti and Ryan Press, the president of US Warner Chappell Music Publishing.

As we reported, 42 Dugg was signed onto both Yo Gotti’s CMG and Lil Baby’s 4PF record labels in a unique joint deal in 2019. Backed by these two giants in the rap game, 42 Dugg has been able to land this new opportunity. 

Warner Chappell Music is one of the largest music publishers of the biggest artists today including the late Pop Smoke, Kendrick Lamar, and Bruno Mars.

42 Dugg shared his excitement for the partnership stating, “Ryan and the whole Warner Chappell crew are connected to some of the best artists and producers in the game and I have a lot of respect for their work. I look forward to collaborating with their team and taking my music to the next level.”

Yo Gotti commented, “It’s great to be locked in with Ryan and the Warner Chappell team and partner on this new endeavor together. Dugg is a superstar and we’re all committed to putting him in the right position to succeed and elevate his music career.”

If you missed our On the Come Up profile of 42 Dugg, you should catch up here.

 

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Soulja Boy Says He Was The First Rapper With An Iced-Out G-Shock After Kid Cudi Shows His

If you’re in the rap game and you’ve ever considered yourself a trendsetter, it’s time to get off of your high horse because, in all actuality, Soulja Boy probably started your wave. The 30-year-old rapper has been on a rampage as of late, reminding folks about all he’s accomplished as such a decorated artist in the business. Among his claims, Big Draco has claimed to have been the first rapper on YouTube, the first rapper to go viral, the first rapper to eat Fanta Jello, and more. Now, he’s asserting himself as the first rapper to ever ice out his G-Shock watch after Kid Cudi showed off his own bedazzled timepiece.

This week, Kid Cudi found his old G-Shock watch and decided to spice it up, taking a trip to the jeweler and getting pink diamonds all over it. The hip-hop icon didn’t claim to be the first to have iced out his G-Shock, but Soulja Boy took the opportunity to claim credit for the trend, sharing receipts that he may have been the initiator of this one too.

“I was the first rapper with the iced out g-shock,” wrote Draco on Twitter shortly after Kid Cudi’s video went viral. If there’s one thing about Soulja Boy, you know he’s been keeping receipts for the last decade and he’s ready to pull them out.

What do you think he’ll take credit for next? Make sure to read our latest interview with Soulja Boy: “Soulja Boy Everything: The ‘She Make It Clap’ Rapper Dives Into Getting His Credit, Drake, Bow Wow & Elon Musk.”

Jayson Tatum Debuts The Air Jordan 36

Over the last year, Jordan Brand athletes have been sporting the Air Jordan 35 during NBA games. Perhaps the two most popular athletes to do so are Luka Doncic of the Dallas Mavericks and Jayson Tatum of the Boston Celtics. Tatum has come through with some great colorways of the Jordan 35 over the past year and Jumpman has entrusted him with helping to grow the shoe and make it a top-tier option for aspiring ballplayers.

Every single year, Jumpman drops a brand new silhouette and 2021 is poised to be no different. In fact, during Game Two against the Brooklyn Nets, Tatum got to wear the Air Jordan 36, making him the first NBA player to wear the shoe during a game. As you can see in the photos below, the shoe is a mid-top and the initial colorway is black, purple, and orange.

Overall, it is a pretty unique model and just like most new Jumpman silhouettes, we’re sure it will be polarizing for a few months prior to its release. For now, however, no release information has been given, so keep it locked to HNHH for all of the latest updates.

In the meantime, let us know what you think of this new model, in the comments below.

Jayson Tatum

Sarah Stier/Getty Images

Tech N9ne Reflects On MGK’s Wild Tour Antics

Though Machine Gun Kelly has come to encapsulate the rockstar spirit, taking it quite literally with his recent foray into pop-punk, Tech N9ne is among the most successful at blending genres like metal and rock into his music. It’s no wonder he found a kindred spirit in Gunner, with whom he collaborated on “No Reason (The Mosh Pit Song)” and toured back in 2012.

In fact, Tech N9ne recently spoke with HipHopDX about his wild experience touring with MGK, fondly reminiscing about how the then-21-year old rapper proceeded to leave a lasting impression. Maintaining that he and his team keep a set of strict rules in place for touring, including a no weed policity, Tech laughs as he remembers how “MGK broke every rule.”

Tech N9ne

Mat Hayward/Getty Images

“He’s a wild boy,” says Tech. “We almost didn’t get to come back to venues because of MGK. I’m talking about food fights in the lunchrooms during the day. Everything. Climbing up, breaking shit. That was the year I went to his twenty-first birthday, then I went to his twenty-second birthday. I think they were both in Vegas too. I was with him early on.”

Machine Gun Kelly

Rich Fury/Getty Images

When asked why Tech decided to bring Gunner on the tour, the rapper offers some kind words for his collaborator. “I’ve always been a fan of MGK,” says Tech. “Whenever you find fellow choppers, you try to connect. To have a name like Machine Gun Kelly and Tech N9ne together, that’s perfect.” 

For more from Tech N9ne, check out his full interview with HipHopDX below. 

Eminem Is Releasing New Music Tonight

Eminem returns tonight with all-new music, announcing on Thursday that he will be releasing the remix to his song “Killer” with verses from Jack Harlow and Cordae.

The announcement was made alongside an animated video, giving fans a preview of Jack Harlow’s verse. “I used to rock a toboggan/Headphones around my neck trying to be like Shady,” he raps to start out his verse. It’s presently unclear if Eminem will have a new verse on the song– his chorus was included in the promotional clip but we’ll need to wait until midnight to know if there are any new vocals coming in.


Dimitrios Kambouris/Getty Images

This may signal a larger return for Eminem, who has recently been teased for a possible collaboration with Post Malone. Those rumors came following a post by videographer Cole Bennett, which got people speculating. 

Throughout the last few months, Eminem has been keeping his fans entertained with new lyric videos from his album Music To Be Murdered By, as well as the deluxe. It’s been a minute since we’ve received proper new music from the legendary rapper, so fans are excited about possibly receiving some new bars tonight.

Stay tuned to the site at midnight to let us know your thoughts on the “Killer” remix. Check out the preview below.

Soulja Boy Talks Going Viral In Multiple Generations As The ‘Make It Clap’ Challenge Blows Up On TikTok

I don’t feel old but I’m old enough to remember being too old for Soulja Boy when he first came out. Back in 2007 when “Crank That” was terrorizing sound systems at wedding receptions and sending ’90s rappers into conniption fits, I remember sitting back and watching the chaos with a sense of amusement. After all, the kids loved the silly dance that came with it the way those grumpy old heads had loved doing the Kid n’ Play Kickstep — also known as “Funky Charleston” — and ringtone rap seemed no more destructive to the art form than the Fresh Prince winning the first-ever rap Grammy.

Considering that we saw the Kickstep come surging back riding a wave of ’90s nostalgia (even though it never really went away) and the ground shaking popularity of the elaborately choreographed dances on TikTok making hits of songs like Doja Cat’s “Say So” and Megan Thee Stallion’s “Savage,” it was probably only a matter of time before Soulja Boy became a fixture of that app’s audience’s repertoire. And so it has, thanks to the man himself, who went back to the creative well that first launched him into the spotlight for the irresistibly catchy new single “Make It Clap.”

The track, which he cooked up off-the-dome during a freestyle session on Twitch, is all the things “Crank That” was; simple, repetitive, instantly recognizable, and of-the-moment, tapping directly into the pleasure centers of its young fans’ brains with a trunk-rattling, skeletal drum track and loopy, hypnotic whistling tune. But the element that’s making it a feature of post after post on TikTok is the Soulja-concocted dance that goes with it, a Macarena-esque upper-body Hokey Pokey whose moves are just enough on the nose that they echo the lyrics without the lyrics being instructional — in other words, the sort of dance damn near guaranteed to go insanely viral.

That’s exactly what it’s done, shooting straight to the top of Billboard‘s little-known but portentous Top Triller chart — both US and Global. Songs hitting that impressive milestone generally go on to invade other, more mainstream charts as casual users begin to stream them outside of the confines of TikTok and its endless-scrolling array of dance-along videos. Thinking Soulja just had to have some interesting thoughts on going viral pretty much the same way in two different decades — especially now that he’s an established vet, rather than the table-flipping young upstart — I got him on the phone for an interview about the song, dance, and their ridiculous success. I wasn’t disappointed.

Could you walk me through the process of recording “Make it Clap?” What were you doing that day? What happened in the studio?

I was streaming live on Twitch. I was on Twitch streaming, and I got a server on there called Soulja World. I got a studio in Grand Theft Auto, but I had started the studio because, with the pandemic and stuff like that, I couldn’t really be around all my folks. We just be in Grand Theft Auto freestyling. Mostly I just be on the mic, just spitting, going through beats. When I pulled the beat up, I was like, “Man, this is it, too hard, I want to turn this into a real song”.

When you first came out with “Crank That,” you did the dance yourself, you created the challenge, and it just sort of took off. Is that what happened with “Make it Clap?”

I uploaded it, made a dance to it, and then everybody just kept doing it. I did the TikTok video, then I posted the TikTok video to Instagram and I was like, “y’all go check out the ‘Make It Clap’ challenge”. Then everybody just started doing it. I feel like it was just the people coming from my Instagram to my TikTok seeing the dance. Then after that, the TikTok community got on to it. They kept it going. I just kept remixing it. We kept remixing it until it just caught on.

Obviously, it’s a little bit of a different style of dance than “Crank That.” How would you describe the differences?

I just feel like back then, we had less dances, and now we have so many dances where you can incorporate all them dances into a challenge. We came from “Crank That” and the Superman, to the Nae Nae and hittin’ them folks and all that. Now, there’s so many different dances out, it makes it easier for the kids and for the grown folks from the club just to dance. You could pick any one move and hit it. I feel like it’s hard to learn when you when you’re on the outside looking in. But I feel like once you get involved, it ain’t as hard as it looks.

It seems like there’d be no TikTok or no Instagram challenges, or any of that other stuff without you. I was watching The Boondocks the other night, specifically the Sargeant Gutta episode, and I had no idea I would be interviewing you two days later. You went through a whole era where fans clowned you, and you’re still here on the next version of it. What do you think about the longevity that you’ve had?

I keep going, and just keep going, and just keep going. Just keep going. It definitely hit me though when I went number one again. I’m like, “Man, I did it again. I really did it again.”

Do you any advice for younger artists?

Blueprint though, just attack the internet. There’s so many successful artists out there now. I don’t really want to judge the next artist, because you never know what they’re going through. Sometimes it could be life obstacles. Sometimes it could be they caught through this society. It could be just people. You never know what it is, but I just feel you got to keep going. You just got to attack that internet.

There’s so much success out there for people. You can do anything in this day and age. You got to put your mind to it and attack. Just put yourself out there. Just work hard, and just keep going. It’s up to you. If you don’t want to stop, just keep going, like me. I know some people are like, “Why he ain’t stopped?” I want to keep going.

I always ask artists this question, because I know a lot of you guys have to do so many interviews all the time about the same stuff, and people ask you the same questions over and over again. Do you have any sort of things that you’d like to talk about, or any interest that you’re into that you never get a chance to talk about because nobody ever asks you?

I would say crypto, but they talked to me about that a little bit, but definitely like cryptocurrency. Bitcoin, and stuff like that. They talked to me about that a little bit, but if I really want to speak on some, that don’t nobody really talk about: Anime. I like Dragon Ball Z. I need to do something with Dragon Ball Z. Dragon Ball Z need to holla at yo boy. Death Note, too. I’m a fan of anime, cartoons, video games, and tech, all that is it.

I feel like that should be the next move, period. That’s why I came out with a video game concert. I’m a fan of South Park, Family Guy, Super Mario, Sega, Sonic the Hedgehog. Art. got a toy coming out with YouTube, Soulja Boy action figures. I’m inspired just by stuff that just creativity. Creativity in the music. That’s what I do. When I’m in the studio, I’m creative. I’m making the beats, that’s being creative. I like to create, I like to create stuff.

@qveenn_neshia

we have too much fun😂😂 (before everyone do THE MOST.. idk the dc)

♬ She Make It Clap – Soulja Boy

Let’s say the next anime Netflix gives out, they come to Soulja Boy, where they say, “We want to make a Soulja Boy anime.” What’s it going to be about?

That would be the best anime and highest-selling Netflix show of all time. They’ll turn it into a movie, video game, merchandise, everything. That’s what I been praying for since I was little. If I get a Soulja Boy anime, it’s over with. There’s a lot of stuff I deserve. They try to suppress me and put me in a box and say, “He from the hood.” No, I’m Soulja Boy! I made “Crank That!” That’s crazy to me, but it’s all good. I just went number one on the Billboard again. That’s why I’m not stopping until I get everything I want in life. I’m not stopping.

RMR And Tylah Yaweh Throw An Unauthorized Party At Jamie Foxx’s House In Their ‘Vibes’ Video

Masked rapper RMR is a bad housesitter in the cheeky video for his new single “Vibes” featuring Tyla Yaweh. The client in question, Jamie Foxx, is away and leaves RMR the keys and some very simple instructions from the house manager. However, as soon as the house manager leaves, RMR throws a smirk at the camera as Tyla pulls up with a platoon of scantily-clad women.

However, it isn’t long before Jamie catches wind of the party via the security camera feed and makes his cameo appearance via FaceTime. Both he and his house manager are charmed into joining, even if Jamie can only be there by phone. At least things turned out better for the charming, masked artist than they did for DaBaby when he tried something similar a few months ago.

RMR, who experienced a viral breakout last year with country-trap cover of Rascal Flatts’ “God Bless The Broken Road” titled “Rascal,” proved he was more than just a one-hit-wonder with his Drug Dealing Is A Lost Art EP and its follow-up, 4th Qtr Medley, which likewise included covers of fan-favorite hits from the likes of Drake, Matchbox Twenty, and The Goo Goo Dolls.

Watch RMR’s “Vibes” video with Tyla Yaweh above.

RMR is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Beyonce Says She’s ‘Cooking Some Music’ While Chatting With Her Destiny’s Child Bandmates

Technically, it’s been a while since we got a new Beyonce album, as Lemonade came out back in 2016. Really, though, she has offered a couple new albums since then, albeit not solo efforts: She and Jay-Z teamed up as The Carters for Everything Is Love in 2018, and she collaborated with a bunch of artists on her 2019 soundtrack album The Lion King: The Gift. Not to mention, she recently made a low-key appearance on DJ Khaled’s new album. Now, it appears she has more new material on the way.

Yesterday, Beyonce’s Destiny’s Child bandmate Michelle Williams shared an audio clip of a group chat between Beyonce, fellow Destiny’s Child member Kelly Rowland, and herself. During the conversation, Rowland talks about making soup and Beyonce adds, “I’m cooking some music.” She added with a laugh, “That’s Chef Boyar-B and Chef Boy-Kelly.”

Beyonce recently celebrated the fifth anniversary of Lemonade with a touching post. Sharing a gallery of photos, she wrote, “I’m grateful that this body of work has resonated so deeply with so many people. I’m so thankful for all the beautiful souls involved in making one of my favorite pieces of art. As I celebrate five years of LEMONADE, I encourage everyone to continue healing, loving, forgiving and uplifting. I hope you find joy today.”

Emerging R&B Singer Asiahn Drops New Single “OMW”

Asiahn, a Grammy-award winning songwriter and emerging R&B star is quickly catching up to her contemporaries.

Asiahn stunned audiences and R&B fans alike earlier this year with the release of The Interlude, an transformative release for the artist. The Interlude saw Asiahn elevate her songwriting from pop-infused love songs to conceptual and atmospheric jazz-inspired tracks dissecting her own growth. The EP, which debuted at #33 on the Apple Music charts and awarded her Billboard’s Emerging Artist Spotlight, received praise from Halle Berry, KeKe Palmer, and a string of other high-profile celebrities.

In the past, Asiahn has wrote hit songs for Jennifer Lopez, Drake, and Pitbull, though “OMW”, with its elegant string section that highlights Asiahn’s impressive vocal range, further showcases that Asiahn is her own star in the making. Discussing themes of self-assurance and chasing excellence, the Los Angeles-based singer presents herself as loud and proud in this new single. The song finds her defending herself from disloyalty and those who want a piece of her fame by staying true to herself and her artistic vision, a fitting response to the recent exposure she has been receiving. Asiahn is featured on our own The Next Generation of R&B article as well as Pandora’s Artists to Watch 2021.

Looking for new Asiahn music or some R&B vibes for the summer? Check out our R&B SEASON playlist on Spotify.

Quotable Lyrics:

People starting to change now
They see I’m on the way out
Everybody tryna get a piece
They don’t think that I can see them