There are two ways of looking at Action Bronson’s transformation during the quarantine. You could say he’s experienced some tremendous weight loss, but I prefer to think of it as him making health gains. The Queens, New York chef-turned-rapper focused on making some big life changes thanks to the pandemic shutdown, and he appears delighted to show them off in the season five premiere of his now independently-produced food travel show, F*ck That’s Delicious.
You could call Bronson a prophet of sorts watching this season. He was one of many nationally-known artists harping on ownership and diverse revenue streams pretty early on in the blog era/streaming revolution. He did the latter by starting F*ck That’s Delicious in partnership with Viceland, but he insisted on ensuring the former, which allowed him to retain the show and move it online, which further secured the additional outlet as live touring shut down across America. It’s a pretty impressive thing.
In the first episode of the new season, he cooks up stuffed, Sicilian-style calamari with his trainer outside the gym and details his commitment to transforming his body and getting healthy. His progress is stupendous; he looks way different than he did when he was promoting last year’s Only For Dolphins. He and trainer Dave Paladino talk about how his efforts over the last five months may have saved his life. Then, as only befits the man named Bam Bam Baklava, they eat good.
Watch the season premiere of F*ck That’s Delicious above.
Every so often, Saturday Night Live unveils their next lineup of hosts and performers by sharing the names unceremoniously scribbled on Post-it Notes. The brightly-colored sticky notes have once again returned to disclose which musical acts have been booked for the first two episodes in April, revealing that St. Vincent and Kid Cudi are set to take the late-night stage. Jack Harlow is also featured in the announcement, although his upcoming appearance was revealed last month.
St. Vincent has been booked for SNL on April 3, almost exactly a month after the singer announced her anticipated album Daddy’s Home, which is slated for a May release. She’ll be appearing alongside host Daniel Kaluuya, who recently starred in the Oscar-nominated film Judas And The Black Messiah. St. Vincent’s performance will mark the second time the singer has been invited to play her music on the SNL stage since 2014.
Following St. Vincent’s episode, Kid Cudi will take the SNL stage on April 10, hosted by Carey Mulligan. Kid Cudi previously appeared on the show back in 2018 to make a cameo in a sketch with Kanye West, but April’s episode will be the rapper’s musical debut on the program.
Sharing the news on social media, St. Vincent expressed her excitement: “Saturday Night Live has been my favorite show since I was a kid and I can’t believe I get to play it AGAIN,” she wrote.
Saturday Night Live has been my favorite show since I was a kid and I can’t believe I get to play it AGAIN! #SNLhttps://t.co/7smXhKbm8V
In late 2008, when word broke that The Roots, the hip-hop group led by longtime friends Amir “Questlove” Thompson and Tariq “Black Thought” Trotter, were hired as the house band for Late Night With Jimmy Fallon, the news was met with bewilderment and bemusement. The reactions online tended to be some variation of, “Wow, that is huge for Fallon,” or, as one Gawker writer put it at the time, “The Illadelph generals opening up for that stuttering mop-headed ball of suck, Jimmy Fallon? It’s kind of tragic.”
There was definite logic to the hiring. The Roots remain one of the most versatile ensembles in all of music, comfortable and talented enough to both cover U2 classics at an NAACP event honoring Bono and serve as Jay-Z’s backing band for his legendary MTV Unplugged appearance. And they helped add a whiff of cool to Fallon as he brought his wide-eyed, constantly stoked brand of comedy to late-night TV.
But even the most ardent fan of The Roots had to wonder how this was going to work in reality. The band was coming to NBC after releasing the two darkest and most politically-minded albums of their career — 2006’s Game Theory and 2008’s Rising Down — that raged against school shootings, poverty, and institutional racism. The group was also a consistent concert draw, known for marathon-length performances and welcoming guests from every corner and era of the music world.
Underlying all of this was simple curiosity. How could one of the best hip-hop groups in the game translate their attitude and their sound for network TV, and appeal to middle-of-the-road viewers tuning in for toothless political humor, fawning celebrity interviews, and viral video-ready stunts?
The answer: by The Roots proving just how versatile they could be. For the past 13 years, even as they moved with Fallon from 12:30 am to 11:30 pm after the host was hired to replace Jay Leno as the host of The Tonight Show, the band has been game for anything.
They’ve taken part in various sketches that sometimes require them to dress in drag or act foolishly. They’ve been the backbone for beloved recurring segments like “Freestylin’ With The Roots,” “Slow Jam The News,” and Fallon and Justin Timberlake’s “History of Hip-Hop” bits. And they’ve proven to be welcome comedic foils, with Questlove and Black Thought bantering with Fallon in the manner of David Letterman and Paul Shaffer.
The Roots’ quick evolution into foils for late-night comedy was, in retrospect, inevitable. In an oft-told anecdote, Questlove remembers that, in 2008 when the band and Late Night’s producers were sizing one another up, he invited Fallon to come see them play at UCLA’s Spring Fling not expecting he’d actually show. But the lanky comedian did and quickly won The Roots over.
“I was doing an interview in a trailer,” Questlove told Brooklyn magazine in 2017, “and when I walked out… the eight of them — Fallon and the seven Roots — were making a human pyramid. He was able to disarm us in seconds… And I’m looking at my manager and we just stared there shaking our heads. I was just like, we’re stuck with this guy, aren’t we? And he just looked like, I’m afraid so.” A baker’s dozen years later and they’re still stuck with each other.
By all accounts, the members of The Roots were ready for something approximating a day job. The rigors of touring were starting to weigh on them as it meant leaving behind families and relationships for long stretches of time. As Questlove commented on Okayplayer.com around the time the news broke of their Late Night deal, “I don’t know if I want to be 40 on the road and single no more… I can’t even start to go on that path ‘til a woman takes me seriously. And ain’t no one taking a man serious who is in his home for only three months out the year.”
They were also students of music history, knowing that, although they were in a good spot financially after two decades of being together, they were potentially looking at a slow slide into obscurity. It was to the point that the group was tempted to sign a deal for a residency at The Borgata in Atlantic City.
The twist is, of course, that their nightly platform on NBC has made The Roots more popular than ever before, and, as a result, they’ve become even busier than ever. When he’s not DJing at various events around the world, Questlove has written a handful of books, directed the Sundance-anointed documentary Summer Of Soul (…Or, When The Revolution Could Not Be Televised), and hosts the popular Questlove Supreme podcast. Black Thought keeps popping up on mixtapes and albums by other artists and last year released his debut solo full-length that includes contributions from Killer Mike and Portugal. The Man. Both men are also likely the only hip-hop artists your grandmother would be able to easily namecheck.
What’s perhaps the most impressive part of The Roots’ move into late-night TV is how true they’ve stayed to themselves and the hip-hop culture they grew out of. As proven by the six albums they’ve released since joining up with Fallon, they’ve not lost an ounce of their fury and power. Or for a more concentrated dose, dial up the blistering 10-minute freestyle that Black Thought performed on Funkmaster Flex’s HOT 97 show back in 2017 and went viral shortly thereafter. It’s a testament to both the vaunted realms of celebrity that he and The Roots have reached and his skills as an MC that the performance was analyzed by writers at NPR and The New Yorker — and earned him a spot on the couch at The Tonight Show to talk about it.
That adherence to their personal politics did come at a cost back in 2011 when the band played on Tonight Show guest, and then-Presidential hopeful, Michelle Bachmann with a portion of Fishbone’s “Lyin’ A** B****.” The blowback was considerable and almost cost The Roots their cushy new job in network TV. But after agreeing to clear all walk-on music choices with the NBC brass ahead of time, the band was allowed to keep their spots.
Probably the most concrete example of how The Roots have moved easily into this strange land of TV celebrity while not losing an ounce of their credibility can be found in another video from the Late Night era. In it, the band is doing the job of helping get the crowd warmed up for taping an episode — playing some upbeat music to hype folks up. But for this moment, they’re joined by one of that night’s guests, rapper and actor Ice Cube, and with him, launch into a version of N.W.A.’s “Straight Outta Compton.” It’s a blast. The Roots drill down to the core of Dr. Dre and DJ Yella’s dense production and the rappers do their best to blur out the coarse language of the original song.
The key moment, though, comes when The Roots’ guitarist Captain Kirk Douglas puts down his axe and takes a turn on the mic, rapping Eazy E’s verse. Though they knew it was coming, the whole band seems to explode at that moment, watching their buddy step outside his usual role and play the part of a smack-talking, girl-chasing gangsta MC. Even the person holding the smartphone that’s filming the clip seems to shake with excitement at what is going down. But no one is more delighted than Questlove and Black Thought. As Roberts keeps spitting, they look over at each other with wide grins and sparkling eyes, giddy at what they’re witnessing and what they’re getting away with.
Quality Control has solidified its dominance over the rap game over the past three years thanks to the success of acts like City Girls, Duke Deuce, Lil Baby, Lil Yachty, and Migos, but the Atlanta-based label isn’t satisfied with just being hip-hop’s most successful label. Now, Coach and P have their sights set on Hollywood and won’t stop until they’ve tapped into every possible genre and form.
Not only do Lil Yachty and Migos have multiple projects coming down the pike, including Yachty’s heist comedy based on Uno and Quavo’s turn as a drug kingpin alongside Robert De Niro, but the label is also jumping into the horror genre soon, according to Deadline. The industry trade magazine reports Quality Control has partnered with Trioscope Studios in a co-production deal developing a TV series based on a graphic novel about the horrors of being Black in America.
Trioscope Studios is best known for its Netflix series The Liberator, a World War II drama using hybrid animation that blends CGI with live-action actors. The technique will be applied to QC’s upcoming series. The report doesn’t note exactly which horror comic will be adapted, but there’s no shortage of stories they could have chosen from, including The Ballad of Black Tom and The Box of Bones, while shows like HBO’s Lovecraft Country have proven that there’s certainly an appetite for more Black-focused horror-style work.
Jack Harlow is about to be all over America’s televisions in the month of March. Not only will he be participating in the NBA’s All-Star Weekend coverage, playing in a 2×2 with 2 Chainz, Lil Baby, and Quavo, but he’s also ending the month with a performance as the musical guest on Saturday Night Live, March 27. The episode will be hosted by none other than SNL alum, Maya Rudolph, who currently voices the hilarious hormone monster Connie on Big Mouth, as well as Betty Hart on Fox’s Bless The Harts.
Harlow posted a heartfelt message to Twitter with a screenshot of his post-it from the announcement wall, sharing exactly what it meant to him to perform on the show. “I grew up watching SNL with my family every weekend,” he recalled. “I vividly remember seeing Kanye perform ‘Love Lockdown’ and ‘Heartless’ in 2008. Thank you for making this happen. Another dream come true.”
Saturday Night Live. March 27th.
I grew up watching SNL with my family every weekend. I vividly remember seeing Kanye perform Love Lockdown and Heartless in 2008. Thank you for making this happen. Another dream come true. pic.twitter.com/kafxiNa6bx
Dionne Warwick has become everyone’s favorite auntie on Twitter. The legendary singer has graced her growing social media fan base with phenomenal content that ranges from poking fun at the young generation of artists to seeking knowledge about them as well. All in all, it’s been a joy to watch Warwick work through the Twitter world and it was only a matter of time before Saturday Night Live emulated her personality on the show, something the cast did during their most recent episode.
Setting up the stage for her daily show, Ego Nwodim played the role of Warwick for the Dionne Warwick Talk Show. The sketch began with Kenan Thompson, who appeared dressed as The Weeknd in his current After Hoursplastic surgery look. She asked him about his apparent plastic surgery addiction, confusing his “love” for it as the basis of his “Can’t Feel My Face” track.
Warwick quickly rushed him off stage and invited Nick Jonas, who hosted and performed on the SNL episode, to replace him. The comical questions continued as she asked Nick, who is currently a coach on The Voice, how he could be a more boring contributor to the show than fellow coach John Legend. Warwick also mixed up him with his fellow Jonas brother, Joe, before asking Nick a daring question about his manhood.
The sketch continued with an appearance from Dua Lipa, played by Melissa Villasenor, who agreed to join Warwick in egging Wendy Williams’ house. Lastly Machine Gun Kelly, played by Pete Davidson, joined to close the show, but Warwick was extremely disturbed by his look and quickly asked him to leave.
You can watch the sketch above.
Dua Lipa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Bad Bunny is an undeniable star at this point in his career, and it’s resulted in some pretty cool opportunities for the singer that don’t always pertain to his chart-topping Latin records. The latest example of this came when he landed a role in a recent Saturday Night Live episode as a talking plant.
In the sketch that also featured Ego Nwodim, Pete Davidson, and Bridgerton star Regé-Jean Page, the group creates a song titled “Loco.” Basically, it’s about the odd feeling that nearly a year worth of social distancing in a pandemic has left them with.
Led by Nwodim, she took viewers on a journey through the odd post-quarantine interactions that take place with people, one of them being Regé-Jean. Davidson lays a verse that follows her sentiments and when the mic returns to Nwodim, she’s interrupted by her talking plant, played by Bad Bunny, who labels her as a “loco” for holding a conversation with him in the first place.
The sketch joined two performances Bad Bunny delivered on SNL, both being songs from his late-2020 album, El Ultimo Tour Del Mundo. The first was “La Noche De Anoche” with Rosalía, who performed beside the singer for the intimate set, and the second was a solo rendition of “Te Deseo Lo Mejor” which Bad Bunny performed with his WWE championship belt beside him.
A recent episode of Cartoon Network’s Teen Titans Go! featured a familiar hip-hop group: De La Soul. The trio composed of Posdnous, Trugoy, and Maseo appeared as their animated selves to fight a battle that most musicians could relate to: The group was tasked with taking down a giant octopus monster who was trying to steal their music. While they accomplished the mission, they didn’t do it without help from the Teen Titans who put their talents to use in order to defeat the monster, but not without freaking out over meeting the legendary rap group.
In some ways the episode is a cartoon representation of the group’s legal battle with their former label, Tommy Boy Records, over the ownership of their catalog prior to their 2004 album, The Grind Date, which includes their classic debut, 3 Feet High And Rising. To this day, the group’s back catalog has not been released on streaming stores of digital media stores. Prior to 2017, their back catalog was owned by Warner Records, but that year, Tommy Boy took over control.
Two years later, De La Soul said their catalog would soon appear on digital services but their dissatisfaction with receiving just 10% of the revenue sparked a renegotiation, one the group said ended in August 2019. However, last February Posdnuos said Tommy Boy “sort of came back to the table, we are looking to sort of get it going.”