TAYLOR SWIFT
The Song On Every Taylor Swift Album She’s Played Live The Most (And The Least)
Taylor Swift wrapped up her most recent worldwide tour in November 2018. Since then, she’s released four albums — 2019’s sunny Lover, 2020’s folk-pop Folklore and its superior follow-up (yeah I said it) Evermore, and 2022’s record-breaking Midnights — as well as re-recordings of Fearless and Red. That’s over 50 new songs, on top of her “old” singles and deep cuts. Good luck putting together the setlist for the the Eras Tour, Taylor.
The tour kicks off tonight, March 17th, at State Farm Stadium in Swift City, er, Glendale, Arizona. Setlist.fm better tredecuple check its servers because Swifties worldwide will be checking to see which songs made the cut.
Ahead of the surge, I thought it would be interesting to look at her old setlists, and see which tracks from every album have been played the most and the least. It’s an imperfect methodology, as we’ll get into below, but it gives a sense of Swift’s personal favorites, the songs she must feel obligated to play every show, and the rarities that could be resurrected for the Eras Tour.
Taylor Swift (2006)
Most played: “Our Song”
Least played: “Cold As You”
The first Taylor Swift show on setlist.fm dates back to 2001, when a teeny, tiny Taylor played the Fairgrounds Square Shopping Mall in her home state of Pennsylvania (she also wrote her first song, “Lucky You,” that year). But the first documented live performance of her most-played song on her self-titled album isn’t until 2006, when she debuted “Our Song” (and two officially unreleased tracks) at Fort Loudoun Lake in Knoxville, Tennessee. Needless to say, she would not be playing random lakes near the Wigsphere much longer.
Fearless (2008)
Most played: “Love Story”
Least played: “Breathe”
Swift has a lot of bangers in her discography, obviously, but I stand by my assertion that “Love Story” is her best karaoke song. It’s a love story, baby, just say yes to getting drunk and screaming out the story of Romeo and Juliet in a room of equally inebriated strangers. It would be a shame if “Love Story” didn’t make the Eras Tour setlist, even if it’s literally her most-played song ever with nearly 500 performances. Meanwhile, “Breathe” has only been played once: at Miami’s Hard Rock Stadium in 2018 during the Reputation tour.
Speak Now (2010)
Most played: “Sparks Fly”
Least played: “Innocent”
I didn’t see Taylor live until the 1989 Tour (I know I know I’m sorry), a decision I regret every time I watch the “Sparks Fly” music video. It’s pure exuberance, a live-action fairy tale that evokes infinite possibilities. Except for seeing Taylor in 13,000 seats-sized venues again. That is not possible anymore.
“Sparks Fly” has been played hundreds of times, but two other songs from Speak Now have only been heard live once, “Innocent” and “Superman.” I’m singling out “Innocent” because a) “Superman” is a deluxe edition bonus track and I’m not including those for this setlist exercise, and b) that single performance was during the 2010 MTV Video Music Awards. An interesting choice, even with the context that the tender ballad was written in response to what happened between her and Kanye West at the previous year’s VMAs.
Red (2012)
Most played: “We Are Never Ever Getting Back Together”
Least played: “I Almost Do” and “Sad Beautiful Tragic”
“We Are Never Ever Getting Back Together” narrowly edged out “I Knew You Were Trouble” for first place among Red tracks, although I was surprised to the severely underrated title track in third place. In fifth, sixth, and seventh place: “All Too Well,” “Holy Ground,” and “State of Grace,” all of which Swift should play at every show for the rest of her career. Thank you in advance. In last place, so to speak (and not including bonus track “Come Back… Be Here”), are “I Almost Do” and “Sad Beautiful Tragic.” One of which is much better than the other. I won’t say which, though (yes, I will, it’s “I Almost Do”).
1989 (2014)
Most played: “Shake It Off”
Least played: “This Love”
Will Swift ever retire “Shake It Off” from the setlist? Unlikely. It’s not technically her biggest song (it’s not even the biggest song on 1989; according to Spotify streams, that honor goes to “Blank Space”), but I would argue it’s her most well-known song. Everyone knows “Shake It Off,” from kids to grandmas who famously love to get down with sick beats. Besides, it’s super fun! Less fun but more lovely is “This Love,” an atmospheric fan-favorite track that got a Taylor’s Version makeover before much of the rest of 1989. Swift must have affection for it, as do I. Here’s hoping it gets dusted off at least once.
Reputation (2017)
Most played: “…Ready for It?” and “Delicate”
Least played: N/A
Are you ready for “…Ready for It?”? If you saw Swift during the Reputation tour, you better have been: she played it at basically, if not literally, every concert, along with a few Jingle Ball shows. “Delicate” (hot take: her best music video) was also a setlist mainstay, as most of the Reputation tracklist.
It’s hard to figure out the least-played song from the best because, for instance, “New Year’s Day” is listed as having only been played five times — but that doesn’t include the 50-plus times it was mashed up with “Long Live.” It will be interesting to see how much Reputation (her most polarizing album) makes the Eras Tour cut. Whatever the setlist looks like, hold on to the memories of seeing Taylor live, they will hold on to you.
Here’s Swift’s top most-played songs live, according to Setlist.fm:
1. “Love Story”
2. “Our Song”
3. “You Belong With Me”
4. “Tim McGraw”
5. “Picture to Burn”
6. “Teardrops on My Guitar”
7. “Should’ve Said No”
8. “Fifteen”
9. “Fearless”
10. “We Are Never Ever Getting Back Together”
As for Lover, Folklore, Evermore, and Midnights, Swift hasn’t toured behind any of those albums yet (or the Taylor’s Version vault tracks) due to the pandemic. But among random one-off gigs, “ME!” leads the way with over a dozen performances, while “Anti-Hero” from Midnights made its live debut during a surprise appearance with The 1975. It would not surprise me if that’s the song Swift uses to kick off the Eras Tour. Or maybe “Tim McGraw” to really span the eras. We’ll find out soon enough.
Rachel Zegler, A Swifty Who Got ‘Screwed By Ticketmaster, Too,’ Got Real About Why She Did The ‘Shazam!’ Sequel
2019 was clearly a different world for many reasons, but also for the fact that Shazam! felt like such a free-wheeling revelation that it landed on our list of favorite comic-book movies from the past decade. Fast forward to the DC Universe being in a very different place with James Gunn taking over (in more ways than one) as the production house’s new chief. And so, Shazam! Fury of the Gods sits in an odd place where it’s good enough as a placeholder, but it’s not blowing over critics by any stretch of the imagination.
That reality probably makes red carpets awkward, too, but Rachel Zegler (who plays one of Atlas’ daughters, Anthea) doesn’t seem phased. In fact, she was super blunt with The Hollywood Reporter about why she took this gig: “I…. needed a job. I’m being so serious.” She wasn’t done yet after the conclusion of this soundbite.
Watch the full interview with @RachelZegler at the #ShazamMovie premiere pic.twitter.com/mjB4PschNV
— The Hollywood Reporter (@THR) March 16, 2023
“The reality is we’re in the middle of a pandemic,” Zegler continued. “[A]nd I was not working and I couldn’t get a job for the life of me, because West Side Story hadn’t come out yet. It was really hard to book work for me.”
That sound bite appeared within around a 2:00 minute interview that saw Zegler also discuss what it’s like to be a Taylor Swift fan. As everyone knows, Swift’s Eras tour kicks off this weekend, and Zegler would like the world to know, “I got screwed by Ticketmaster, too. Celebrities, they’re just like us.”
In other words, Ziegler’s got no dice and no tickets after the conglomerate went down during the crush of Swift ticket sales. She’s certainly not alone in her criticism of Ticketmaster, which came under fire this week from The Cure’s fans due to added fees that subsequently “sickened” lead singer Robert Smith. That’s led to Ticketmaster refunding some fees, but that’s probably not enough to quell the debate.
Nor is it enough to score Zegler any Taylor Swift tickets. However, she did clarify to The Hollywood Reporter that she is a Shazam! fan, too. “I loved the first movie, and the fact that they even wanted me to come in for a callback and then a camera read and then everything in between, I’m so lucky that I got this job,” she revealed. “I made some of my best friends on this job. I just absolutely adore this movie, too, so I’m excited.”
Watch the full interview with @RachelZegler at the #ShazamMovie premiere pic.twitter.com/mjB4PschNV
— The Hollywood Reporter (@THR) March 16, 2023
(Via The Hollywood Reporter)
Taylor Swift And Bad Bunny Are Among The Year’s 10 Highest-Paid Entertainers, Behind Classic Rockers And Cartoon Creators
Taylor Swift and Bad Bunny were all smiles at the 2023 Grammys on February 5, and Forbes shed light on one possible reason for their cheery spirits.
The publication shared its annual list of the world’s top 10 highest-paid entertainers today, February 12, and Swift made the cut for the sixth time in her career, including the No. 1 spot in 2019. This year, Swift ranks No. 9, but she’s also notably the only woman on the list.
“Despite the success of Midnights and the anticipation for Eras (which hints at an even better 2023), the pop icon scored most of her $92 million in earnings from music she’d released in years past,” Forbes wrote. “The 33-year-old’s back catalog made up an estimated 70% of her pay, including profits from streaming and album sales. (Universal Music Group, which gets 3% of its revenue from Swift, sold $50 million worth of physical albums in 2022, per a JP Morgan analyst report).”
Collab? #GRAMMYs pic.twitter.com/z1FkZepvq5
— Recording Academy / GRAMMYs (@RecordingAcad) February 6, 2023
Right below Swift is Bad Bunny in tenth:
“The only true newcomer to this year’s list: Puerto Rican rapper Bad Bunny, who sold $400 million worth of tickets to his two tours — the first in the spring in the US, the second in the fall across the States plus Latin America — according to concert tracker Pollstar. His second tour, dubbed The World’s Hottest, was an expensive affair. It took 35 to 40 trucks to cart gear and crew from venue to venue across the U.S. and then used three planes — including a 747 cargo jet — to transport everything for the Latin American leg, according to sources with knowledge of the tour. That kind of spectacle may have helped sales but meant fewer dollars in the star’s pocket. Including endorsements, Bad Bunny earned $88 million.”
Unlike Bad Bunny and Swift, Forbes‘ highest-earning entertainer isn’t exactly at the forefront of the 2023 cultural zeitgeist. Genesis reportedly pocketed $230 million followed by Sting in second place at $210 million.
The rest of the list rounded out as follows: Tyler Perry ($175 million), South Park creators Trey Parker and Matt Stone ($160 million), The Simpsons co-creators James L. Brooks and Matt Groening ($105 million), Brad Pitt ($100 million), Rolling Stones ($98 million), and James Cameron ($95 million).
The world’s top-earning celebrities made more than $1.3 billion last year.
Forbes’ list of Highest Paid Entertainers Of 2022: https://t.co/jXu9H4x7P4 pic.twitter.com/FNoWJeKmbW
— Forbes (@Forbes) February 13, 2023
Swift is readying to start her expansive Eras Tour on March 17 at State Farm Stadium in Glendale, Arizona. Conversely, Bad Bunny told Billboard in December that he views 2023 as a time to rest “for my physical health, my mental health, my emotional health, enjoy all my achievements.” But it won’t totally be an off year, as he’s scheduled to become the first-ever Latin headliner at Coachella.
SZA Reaches Major Billboard Milestone, Surpassing Taylor Swift
SZA‘s latest album, S.O.S., has proved itself a commercial success. The album —her first project since 2017’s Ctrl — debuted at No.1 on Billboard 200 following its release last year. The 22-track album has stayed atop the charts for nearly eight weeks, a record once previously held by Taylor Swift‘s Folklore album. That means that S.O.S is the first album by a woman to spend eight weeks at No.1 on the Billboard 200, which is pretty impressive.
“SOS’ by @SZA is the first album by a woman to spend eight weeks at #1 on the Billboard 200 since @TaylorSwift13’s ‘folklore,” Pop Crave reports.
‘SOS’ by @SZA is the first album by a woman to spend eight weeks at #1 on the Billboard 200 since @TaylorSwift13’s ‘folklore.’ pic.twitter.com/D72dUucB5N
— Pop Crave (@PopCrave) February 12, 2023
The “Shirt” singer recently announced she would take her S.O.S album on the road. The North American tour will kick off next week on February 21 at the Jerome Schottenstein Center in Columbus — it’s also expected to make pitstops in major cities like Boston, New York, Dallas, and Los Angeles. Grammy-award nominee Omar Apollo is expected to be the tour’s opener.
Tickets for the upcoming tour went on sale on December 16.
You can check out the full tour schedule.
02/21/2023 — Columbus, OH @ The Jerome Schottenstein Center
02/22/2023 — Chicago, IL @ United Center
02/24/2023 — Detroit, MI @ Little Caesars Arena
02/25/2023 — Toronto, ON @ Scotiabank Arena
02/27/2023 — Washington, DC @ Capital One Arena
02/28/2023 — Boston, MA @ TD Garden
03/02/2023 — Philadelphia, PA @ Wells Fargo Center
03/04/2023 — New York, NY @ Madison Square Garden
03/07/2023 — Atlanta, GA @ State Farm Arena
03/09/2023 — Austin, TX @ Moody Center
03/10/2023 — Dallas, TX @ American Airlines Center
03/13/2023 — San Diego, CA @ Viejas Arena
03/14/2023 — Oakland, CA @ Oakland Arena
03/16/2023 — Seattle, WA @ Climate Pledge Arena
03/18/2023 — Portland, OR @ Moda Center
03/19/2023 — Vancouver, BC @ Rogers Arena
03/22/2023 — Los Angeles, CA @ The Kia Forum
Some of the artists mentioned are part of Warner Music. Uproxx is an independent subsidiary of Warner Music Group.
Latto Dubs Herself A ‘Swiftie’ As She Posts A Hilarious Selfie With Taylor Swift At The 2023 Grammys
Latto was nominated for Best New Artist and Best Melodic Rap Performance (“Big Energy (Live)”) at the 2023 Grammys over the weekend. While she didn’t take home a win this year, she clearly still had a blast interacting with other stars and musicians at the event.
One of which was Taylor Swift, who Latto recently uploaded a selfie with to Twitter. It’s also a silly one too, as Latto poses with her tongue out and Swift does a cheek kiss. “Swiftie,” Latto captioned the post with champagne glass and heart emojis.
Swiftie #GRAMMYs pic.twitter.com/IFrL0YDiZp
— BIG LATTO (@Latto) February 6, 2023
As anyone who was watching the ceremony knows, the celebs were partying hard in full force during the event. Swift frequently drew attention from the camera as she danced and did a similar pose with Bad Bunny and did some other silly wine-mom-energy moves with Jack Antonoff. Oh yeah, and she sparked the internet after interacting with her ex, Harry Styles.
It’s technically not the first time Latto’s been associated with Swift either. In April of last year, a YouTuber mashed up the “Big Energy” instrumental with Taylor Swift’s “22” acapella. The downside is that it’s not Taylor’s re-recorded version, but it’s still a fun remix worth checking out.
Here’s hoping Latto has a chance of making it onto Reputation or 1989 (Taylor’s Versions) in the future.
Bad Bunny Got Everyone From Taylor Swift To Jack Harlow To Dance Up A Storm For His Performances Of ‘Titi Me Pregunto’ And ‘Despues De La Playa’
The first performance of the 2023 Grammys was a firm display of Latin music excellence. Bad Bunny represented his homeland of Puerto Rico well tonight on the Grammys stage. Tonight, the Latin music superstar delivered performances of his hit singles, “Titi Me Pregunto” and “Despues De La Playa” from his Grammy-nominated album, Un Verano Sin Ti.
At the beginning of his performance, Bad Bunny made a grand entrance to the stage, joined by a group of dancers and trombonists, giving the songs an orchestral feel. He sang the intro to “Titi Me Pregunto” as the beat gradually built up. toward the middle, the beat shifted to that of “Despues De La Playa,” during which, several couples took to the stage with Bad Bunny, joining in an epic merengue dance.
Several audience members couldn’t help but dance either. Throughout the performance, the camera panned to Taylor Swift, Jack Harlow, and many more, who gave a turn at merengue dancing on the floor.
Tonight, Bad Bunny is up for three Grammys, including the Best Pop Solo Performance award for his song “Moscow Mule,” as well Best Música Urbana Album and the coveted Album Of The Year award for Un Verano Sin Ti.
Bad Bunny FULL PERFORMANCE at the Grammy Awards 2023! #GRAMMYs #Grammys2023 pic.twitter.com/SsLdQDDTY5
— Mr. Viral (@techz_dave) February 6, 2023
Don’t hurt em Taylor! pic.twitter.com/rBteBJsmb2
— The Bulletin (@onthebulletin) February 6, 2023
You can check out the performance above.