A Right-Wing Platform Has Offered Joe Rogan $100 Million To Leave Spotify

The Joe Rogan Spotify saga isn’t going away anytime soon, folks. Today, a right-wing platform just offered Rogan the same $100 million that Spotify paid him for the exclusive rights to broadcast his The Joe Rogan Experience podcast, because of course they did.

The company that has approached Rogan with the offer is Canadian video platform Rumble, which has prominent right-wing pundits like Steve Bannon and Dinesh D’Souza in its stable. As The Hollywood Reporter reported, CEO Chris Pavloski posted an open letter to Rogan on the company’s Twitter account. It has a real deal with the devil vibe.

“Dear Joe, We stand with you, your guests, and your legion of fans in desire for real conversation,” Pavloski began. “So we’d like to offer you 100 million reasons to make the world a better place. How about you bring all your shows to Rumble, both new and old, with no censorship, for $100 million bucks over four years? This is our chance to save the world. And yes, this is totally legit … We stand with you, your guests and your legion of fans in desire for real conversation.”

So what would stop Rogan from spurning Spotify and taking the money from Rumble? For one, Spotify’s platform is huge and Rogan can certainly get more listeners there than just about anywhere else. Additionally, for all the malarkey that he spits on his show, he is a self-proclaimed liberal who has apologized for using the n-word. So, finding a platform that would seemingly not care if he used it or spread vaccine misinformation isn’t likely what motivates him quite so much as what the court of public opinion thinks of him in the long run.

Meanwhile, Spotify CEO Daniel Ek wrote a letter to all staff members on Sunday night indicating that he doesn’t believe that censoring Joe Rogan is the right call. Time will surely tell how this all plays out…

Spotify CEO Daniel Ek Tells Employees He Doesn’t Believe ‘Silencing’ Joe Rogan Is A Good Idea

When Spotify employees clock into work on Monday morning, they’re going to have a bold letter to digest from CEO Daniel Ek. In a message sent to the entire “Spotify Team” on Sunday, Ek addressed the mounting controversy surrounding The Joe Rogan Experience. This began when Neil Young decided to pull his music from the platform on January 24th, citing the COVID vaccine misinformation that Rogan regularly purveys on his show. Other artists soon followed suit, including India.Arie, who cited Rogan’s problematic language surrounding race and posted a damning clip on her Instagram Story three days ago, of multiple instances where Rogan used a racial slur on his show.

“I do not believe that silencing Joe is the answer,” Ek said in his letter, which was obtained by The Hollywood Reporter. “We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.”

Ek also tried to illustrate that Spotify is not the publisher of The Joe Rogan Experience, but are merely the exclusive license holders — a license that Spotify acquired for that $100 million figure that keeps popping up. He referred to the notion that people assume that the streaming platform is the publisher of the show as merely the “perception” of it, which gave his lengthy letter an odd public relations feel, as if he’s being open with a divided staff about a damage control situation. “…I’ve been wrestling with how this perception squares with our values,” he said.

To that point, the most impactful portion of the letter was Ek pledging $100 million to elevate creators from historically marginalized groups. “If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds,” he said. “I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups.”

Rogan has apologized for using a racial slur and is in a damage control situation of sorts himself. Especially considering Spotify has already pulled 70 of his episodes, presumably for containing inappropriate language. Ek also addressed this and more in his letter, which you can read in full below.

“Spotify Team,

There are no words I can say to adequately convey how deeply sorry I am for the way The Joe Rogan Experience controversy continues to impact each of you. Not only are some of Joe Rogan’s comments incredibly hurtful — I want to make clear that they do not represent the values of this company. I know this situation leaves many of you feeling drained, frustrated and unheard.

I think it’s important you’re aware that we’ve had conversations with Joe and his team about some of the content in his show, including his history of using some racially insensitive language. Following these discussions and his own reflections, he chose to remove a number of episodes from Spotify. He also issued his own apology over the weekend.

While I strongly condemn what Joe has said and I agree with his decision to remove past episodes from our platform, I realize some will want more. And I want to make one point very clear — I do not believe that silencing Joe is the answer. We should have clear lines around content and take action when they are crossed, but canceling voices is a slippery slope. Looking at the issue more broadly, it’s critical thinking and open debate that powers real and necessary progress.

Another criticism that I continue to hear from many of you is that it’s not just about The Joe Rogan Experience on Spotify; it comes down to our direct relationship with him. In last week’s Town Hall, I outlined to you that we are not the publisher of JRE. But perception due to our exclusive license implies otherwise. So I’ve been wrestling with how this perception squares with our values.

If we believe in having an open platform as a core value of the company, then we must also believe in elevating all types of creators, including those from underrepresented communities and a diversity of backgrounds. We’ve been doing a great deal of work in this area already but I think we can do even more. So I am committing to an incremental investment of $100 million for the licensing, development, and marketing of music (artists and songwriters) and audio content from historically marginalized groups. This will dramatically increase our efforts in these areas. While some might want us to pursue a different path, I believe that more speech on more issues can be highly effective in improving the status quo and enhancing the conversation altogether.

I deeply regret that you are carrying so much of this burden. I also want to be transparent in setting the expectation that in order to achieve our goal of becoming the global audio platform, these kinds of disputes will be inevitable. For me, I come back to centering on our mission of unlocking the potential of human creativity and enabling more than a billion people to enjoy the work of what we think will be more than 50 million creators. That mission makes these clashes worth the effort.

I’ve told you several times over the last week, but I think it’s critical we listen carefully to one another and consider how we can and should do better. I’ve spent this time having lots of conversations with people inside and outside of Spotify — some have been supportive while others have been incredibly hard, but all of them have made me think.

One of the things I am thinking about is what additional steps we can take to further balance creator expression with user safety. I’ve asked our teams to expand the number of outside experts we consult with on these efforts and look forward to sharing more details.

Your passion for this company and our mission has made a difference in the lives of so many listeners and creators around the world. I hope you won’t lose sight of that. It’s that ability to focus and improve Spotify even on some of our toughest days that has helped us build the platform we have. We have a clear opportunity to learn and grow together from this challenge and I am ready to meet it head on.

I know it is difficult to have these conversations play out so publicly, and I continue to encourage you to reach out to your leaders, your HR partners or me directly if you need support or resources for yourself or your team.

Daniel.”

How Do I Delete My Spotify Account?

Spotify hasn’t gotten off to the best start in 2022. The platform is facing heavy criticism for how they’ve handled Joe Rogan and his spread of COVID-19 misinformation on his podcast, The Joe Rogan Experience. Rogan’s actions grew to be too much for some including Neil Young who left Spotify with an ultimatum: remove Joe Rogan’s podcast or remove my music from the platform. So far, Spotify has sided with Rogan which left Young and other artists like India.Arie, Graham Nash, and more to pull their music from the streaming service. However, as users, what if you want to completely walk away from Spotify and delete the app?

How Do I Delete My Spotify Account?

The process behind deleting a Spotify account depends on if you’re using a free or premium account. The latter requires a phone call to Spotify customer service to have the account shut down. However, if you have a free Spotify account, your profile can be deleted through the platform’s site on a web browser. First, visit the Spotify account settings page and log in if necessary. Then, on the Accounts Setting page, click on the closing your account link to the right. Under the “Don’t have Premium?” tab, click on “closing your account.” Spotify will then ask you a set of confirmation questions like “Sure you need to close?” and “Is this the correct account?” before going on to the next steps. The platform will then remind you that your saved music, podcasts, and playlists as well as your followers will be lost. Additionally, you will be unable to use your username with a future account if you decide to create a new one.

Afterward, Spotify will send you an email to confirm that you want your account deleted. For a final time, click “Close your account,” and your Spotify profile will be deleted. Despite all these steps, Spotify will give you a seven-day grace period to reactivate the account through a link that will be sent via email.

Who Left Spotify Because Of Joe Rogan?

Spotify was hit with an ultimatum by Neil Young late last month: cut ties with Joe Rogan and his podcast or remove all of my music from the platform. Young’s demand came after another instance of Joe Rogan sharing misinformation about COVID-19 and the pandemic, which is a month away from entering its third year of effects in the United States. Spotify stuck by Rogan which led to Young sending a letter to his label requesting that all his music be removed from Spotify, which occurred just a few days later. However, Young was not the only person to make this move.

Who Left Spotify Because Of Joe Rogan?

Shortly after Neil Young pulled his music off Spotify, singer-songwriter Joni Mitchell took a stand with him and removed her music from the platform as well. Days later Graham Nash, who is Neil Young’s former bandmate from the Crosby, Stills, Nash & Young band, also decided to pull his music from Spotify. Then, the rest of the members in Crosby, Stills, Nash & Young — David Crosby and Stephen Stills — made an announcement that they too will take off their music from the platform. But wait, there’s more. R&B singer India.Arie also took a stance with Neil Young and revealed that her music would be removed from Spotify, saying, “Neil Young opened a door that I MUST walk through.” There’s no telling who will be next to join Young, but we can almost assume this list will grow to be a bit longer.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

India.Arie To Spotify: ‘Neil Young Opened A Door That I MUST Walk Through’

India.Arie is the latest in a flurry of artists who are taking their music down from Spotify following the lead of Neil Young. While Young cited the ongoing vaccine misinformation being purveyed by Joe Rogan on Spotify’s popular The Joe Rogan Podcast as to why he’s removing his catalog from the platform, Arie finds Rogan problematic for more than his views on the COVID vaccine. Namely his language on race.

Arie is not only removing her solo recordings from the platform but also her podcast Songversation from the platform. She joins Young, Joni Mitchell, and Graham Nash in actively taking a stand with regards to their Spotify presence. Arie issued a scathing statement on her Instagram feed and wrote the following:

“I have decided to pull my music and podcast from Spotify,” Arie said in an Instagram post. “Neil Young opened a door that I must walk through. I believe in freedom of speech. However, I find Joe Rogan problematic for reasons other than his Covid interviews. For me, it’s also his language around race. What I am talking about is RESPECT – who gets it and who doesn’t. Paying musicians a Fraction of a penny? and HIM $100M? This shows the company that they are and the company that they keep. I’m tired.”

It’s an impressive statement from Arie, a four-time Grammy winner and multi-platinum selling artist. The dominoes seem to keep tipping for Spotify, whose new “content advisory” warnings, are clearly not enough of a move to satisfy the valid concern of a growing number of artists.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

After Pulling His Music Off Spotify Due To Joe Rogan, Neil Young Is Now Criticizing The Platform’s Audio Quality

Neil Young has officially pulled his music off Spotify, citing his distaste for the streaming service giving a platform to known anti-vaccine conspiracist, Joe Rogan. In the past, Neil has taken umbrage with streaming services that didn’t support high quality sound, even going so far as to create his own mp3 player at one point.

Now that most of his music, at least, is off Spotify, he’s taken back up that old point to further criticize the platform. Today, Young wrote a short missive on his site about the situation, and he also repeatedly notes that when he left Spotify “I felt better,” and encourages listeners to really dig into their experience with the platform. Read it here or check it out in full below.

“When I left SPOTIFY, I felt better.

Digital music has been with us about 40 years now. Digital, rather than reproducing copies of the music as we did back in the analog day, reconstitutes it from 1s and 0s and plays back data that you hear as music.

This allows business people like those who run SPOTIFY to cut the quality right down to 5% of the music’s content. It’s just math. It’s easy to do that with digital, thus allowing more songs and less music to stream faster. That’s because 95% is missing. Thats what SPOTIFY the Tech company does. SPOTIFY then sells you the downgraded music.
When I started everyone got to hear all the music. 100%.

AMAZON, APPLE MUSIC and Qobuz deliver up to 100% of the music today and it sounds a lot better than the shitty degraded and neutered sound of SPOTIFY. If you support SPOTIFY, you are destroying an art form. Business over art. SPOTIFY plays the artist’s music at 5% of its quality and charges you like it was the real thing.

AMAZON, APPLE MUSIC and Qobuz now deliver the real thing. SPOTIFY is ripping you off and has been since day 1. No goosebumps from SPOTIFY sound!

Switch to one of the alternatives – companies that support the arts. Real sound is available there. AMAZON, APPLE MUSIC and Qobuz You just have to leave Spotify and go to a new place that truly cares about music quality.

I met Danile [sic] Ek when he started SPOTIFY. it sounded to me like he was really going to be getting into it. That was a long time ago. I wonder what happened.

When I left Spotify, I felt better.

I support free speech. I have never been in favor of censorship. Private companies have the right to choose what they profit from, just as I can choose not to have my music support a platform that disseminates harmful information. I am happy and proud to stand in solidarity with the front line health care workers who risk their lives every day to help others.

As an unexpected bonus, I sound better everywhere else.

love earth be well neil”

Migos’ ‘Culture’ Disappears From Streaming On Its Fifth Anniversary

While progressive Atlanta trap trio Migos had plenty of hits in their early career — the biggest being “Versace” thanks to its remix from Drake — it was their 2017 album Culture that turned them into a national phenomenon. It was the band’s first album to debut at No. 1 on the Billboard 200 and launched their chart-topping singleBad And Boujee” with Lil Uzi Vert, making Migos a household name. Today is its fifth anniversary, but fans looking to give it a nostalgic spin the commemorate the occasion are out of luck as the album has mysteriously disappeared from streaming platforms.

Neither the band nor their label, Quality Control Music, have offered any explanations for the takedown. In fact, the social media for both only contain posts celebrating the Culture sequel, Culture II, on its fourth anniversary. Meanwhile, fans on Twitter have been posting screenshots of the greyed-out song titles in their playlists and saved albums folders, wondering where the album went — and whether there will be some sort of update in the near future.

So far, Culture appears to be the only album affected, with longtime favorites like Young Rich N*ggas, YRN 2, and both Culture follow-ups remaining intact. It also appears that whatever is happening here hasn’t affected the album on Tidal, so perhaps it’s just temporary. Meanwhile, Quavo’s promotional post for his own new single releasing tonight has been bombarded with requests from fans to bring back Culture. Whether or not Quavo has the pull to make it happen remains to be seen. Stay tuned.

Neil Young Has Threatened To Leave Spotify Because They Allow Joe Rogan To Spread Vaccine Misinformation: ‘They Can Have Rogan Or Young’

Who would you prefer: the weakest link on the ‘90s sitcom NewsRadio or the legend who wrote “Cinnamon Girl”? That’s the choice Neil Young is giving Spotify. The music streamer is home to dozens and dozens of Neil Young releases, from his self-titled 1969 debut to last year’s excellent Crazy Horse reunion Barn. It’s also home to the podcast The Joe Rogan Experience, whose host regularly spouts misinformation about the two-years-old-and-counting pandemic.

Now Young is taking a stand. As per Rolling Stone, the rocker wrote a letter to his management and label, sking them to remove some of the greatest songs ever recorded from the streamer that also allows a guy who used to force people to eat bugs to help make a public health crisis even worse.

“I am doing this because Spotify is spreading fake information about vaccines — potentially causing death to those who believe the disinformation being spread by them,” Young wrote. “Please act on this immediately today and keep me informed of the time schedule.”

“I want you to let Spotify know immediately TODAY that I want all my music off their platform,” he charged. “They can have [Joe] Rogan or Young. Not both.”

Young is the latest figure to come out against Rogan, who has fed his 11 million subscribers nonsense that is sometimes debunked on his show by his guests. Earlier this month, 250 doctors signed an open letter, begging Spotify to “to take action against the mass-misinformation events which continue to occur on its platform” by implementing a policy against misinformation. Meanwhile, the day before Young came out against Rogan, the U.S. saw almost 700,000 new COVID cases, as well as over 2,000 COVID-related deaths.

In the meantime, you better take one last spin of Everybody Knows This is Nowhere, On the Beach, Tonight’s the Night, maybe even Everybody’s Rockin’ before it vamooses, all for a guy who’d rather take medication also used on horses than get a free and effective vaccine.

(Via Rolling Stone)

Neil Young is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Weeknd Surpasses Justin Bieber For The Most Monthly Listeners On Spotify

The Weeknd began the year by releasing his sixth album Dawn FM, which the singer teased and promoted for more than six months. The album gave fans not only 16 songs but also contributions from Jim Carrey, Lil Wayne, Tyler The Creator, Quincy Jones, and Oneohtrix Point Never. Despite the hype behind it, Dawn FM failed to debut at No. 1 on the Billboard 200, as it was beaten by Gunna’s DS4EVER, which outsold it by just 2,300 copies.

Despite this, The Weeknd did accomplish something big: He recently passed Justin Bieber as the musician with the most listeners on Spotify. A press release revealed that The Weeknd has 85,667,564 monthly listeners on the app, giving him the most for any artist at the moment. It stops a streak that Bieber has held since last spring. Regardless, Bieber still holds the title for the most listeners at any point in Spotify history, after he became the first artist in the platform’s history to have more than 90 million monthly listeners.

Recently The Weeknd released videos for “Gasoline” and “Sacrifice” from Dawn FM. He also shared two new “alternate world” versions of songs from Dawn FM.

Gunna is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Rap Caviar Launched Some ‘Rap Mount Rushmore’ Murals That Surely Won’t Be Controversial

Let’s begin by thanking Spotify for the great utility of their plentiful playlists. For instance, in the Running section of the app, the pop playlists are broken down into ’00s pop, ’10s pop, and even ’90s pop — this one goes hard for those middle miles.

Anyway, it seems like their hip-hop curation team, Rap Caviar, has decided to break down their own genre in a similar way, by organizing it into decades. That seems fine, except, they also decided to tap into the ongoing greatest-of-all-time conversation by actually painting a “Rap Mount Rushmore” mural in various cities. They also chose to break their Rushmore down into just the 2010s, selecting Kendrick Lamar, Drake, Nicki Minaj, and J. Cole. Which is exactly where things might get a little messier.

First of all, I have great respect for Nicki Minaj and believe she’s an incredibly important MC, but her greatest sphere of influence was definitely waning around 2015. By the time Queen hit, she wasn’t very influential at all. So putting her on the mountain when other massive names like Future, Young Thug, Tyler The Creator, Travis Scott and even Kanye himself are all let off is pretty alarming for even a casual rap listener. She might be there due to the fact that she called out a similar Rushmore on Twitter for not including her, but hey, desire isn’t achievement.

The fact that there’s no southern rap (no, J. Cole doesn’t count) is another issue some might find contentious! Anyway, at least they got Kendrick right.