Benny Blanco Tells Us How Not To F*ck-Up Fried Chicken & Talks His Favorite Snacks

benny_blanco_snacks(1600x500)
Johnny Miller

Benny Blanco single-handedly owned the pop radio landscape in the 2010s, soundtracking wild nights for a whole generation. In constant demand, even his non-album solo single “Eastside” — featuring Halsey and Khalid — went 6x platinum. But despite an absurd number of plaques over the past 17 years, Blanco’s latest release is a new entry for him. It’s literary — a cookbook titled Open Wide, which acts as the star’s love letter to food and, more specifically, hosting dinner parties.

Sprinkled with pinches and dollops of minutiae and personal anecdotes, Open Wide reads as much like an engrossing coffee table book as a cookbook. It’s chock full of Blanco’s hilarious musings (as well as featured guests like Eric Andre and Lil Dicky) and serves as a resource for dinner parties of your own. The book holds nearly 100 recipes and it should be no surprise that Blanco is beyond jazzed about every little detail.

We caught up with Blanco to get the detailed rundown on one of his favorites from Open Wide, the crowd-pleasing, Pop’s Chicken — which he describes as the perfect fried chicken recipe, originating from Benny’s friend Pop, who is known for cooking soul food at his house every Sunday. (Side note: We all need friends like that.) Blanco also gave us the rundown on the one dining spot we have to try in Virginia, what’s on his rider, his ability to be DJ-like in taking cooking requests in the studio, and where his dream first food pop-up would be (sorry Angelenos, it’s not LA).

We also got personal and asked Benny about the origins of the “Chuck” bit from “Dave,” learned about the time he shaved his Unibrow way too much (haven’t we all?), and how that led to his commitment to his trademark look.

What’s the first step in getting started with Pop’s Chicken? Let’s start with picking out a chicken?

First of all, you need to get the freshest ingredients, so you want to get the freshest, fucking most delicious chicken. I would go to your local butcher because you don’t want something that’s been sitting there for days. By the time you get them, they’re three, four days old. You want a chicken that’s fresh, you want to be able to see little feathers that were just plucked off of it.

And then, as far as breaking down a chicken, let’s say you’re in a hurry, don’t even worry about it, just ask the butcher. You ask your butcher, you’re like, “Yo, can I break this down? Can you give me the breast meat? Can you give me the legs separate?” And they’ll do all the dirty work for you. They’ll even do it at most supermarkets too, if you ask.

That’s a good tip. I noticed Pop’s Chicken involves an extensive list of different spices and seasonings. Where are you getting your spices and seasonings? Is there anywhere you really recommend? And then are there any specific brands that people should be checking for?

I think even more so than brands and where I’m getting them from, I think the most important thing to know is that spices go bad after a little while. They don’t go bad in the sense that you’re going to get sick from eating them. When you first get them, they’re like a fucking line of cocaine, but after they’ve been sitting there for six months, they might not hit the same way.

So where are you getting these fresh spices from?

I really like a place called SOS Chefs in New York. I like another place called Sahadi’s in New York. If I’m in LA I go to Farmer’s Markets. In the Grove (in LA), they’ll have a lot of stuff in there from farmer’s markets. Specialty international stores have really good spices as well. Usually, when you go to an international store, they’re going to have really fresh spices and ingredients.

And is there any specific brand that you’re kind of partial to or is it just kind of spice by spice, you get what goes best?

I’m always looking at the color. You want it to be bright, vibrant. You don’t want it to look like fucking sawdust that’s been sitting there for a while. You know what I’m saying?

Yep, so after you get your chicken and your spices, your recipe calls for eggs. You mentioned that egg whites are a really important part of the recipe, so how are you picking out your eggs and where are you getting your eggs from?

I really like to go to the farmer’s market and get my eggs. Again, I know this sounds crazy, but you want look and see if there’s a little bit of chicken poop on the side, a little bit of a feather, because it’s really going to ensure the freshness of your eggs. If you’re getting your eggs at a farmer’s market, you never have to put them in the fridge.

Putting your eggs in the fridge is like a Western thing, they don’t do that in most other countries, eggs do not stay in the fridge. This is some weird thing that America did. And if I am going to a grocery store, there is a brand in LA and on the West Coast, I’m not sure if it’s on the East Coast yet, but it’s called Happy Eggs, they’re like these really good farm fresh eggs.

Basically, you want the freshies, you want the big brown boys. Don’t ever buy the white eggs, unless you’re buying from a farmer’s market. I know the eggs are going to be good when they’re a little bit different shapes and sizes and colors. And although we’re not using yolk in this egg (for Pop’s Chicken), you want your yolk to be like radioactive orange. Yellow yolks are a thing that also doesn’t exist in a lot of other parts of the world. You go to Europe and you go to Italy, the yolks are like fucking ORANGE, they’re like radioactive orange yolks.

And so the reason we use the whites because it makes the bite. You know how when you bite fried chicken and you take off all the skin and it’s not with the chicken and it’s a little bit thick and crumbly; it just doesn’t hold to the chicken? The egg white helps it hold to the chicken so much better, it’s not like slipping around and sliding off the meat. When I’m at the last bite of my fried chicken, I still want it to taste like the first bite. You know what I mean?

The egg white helps you do that. And it gets it airy and crispy and crunchy.

What’s the first step once you get home? What’s next?

Another important thing is you need the perfect amount of time for buttermilk. And you don’t want too much time or then your chicken’s going to taste weird and sour and it messes with the science behind the chicken, and it’s mushy — you want your chicken to have bounce. And you want your fried chicken, when you bite into it, you don’t want some dry ass shit, you want that shit to be juicing out, like somebody injected water into the chicken.

If you’re going to be frying for a bunch of people, you can pre-dredge and flour your chicken and put it on a tray, (because) this batter and everything, it all holds pretty well. If you have people coming over, you can just prep it a little bit. If you want to do it 30 minutes or an hour before, that’s fine.

Tell us a little bit about the brining process, because it seems like you would be doing that before the dredging.

There’s so many ways to brine a chicken. For Pop’s Chicken, I put sugar and rosemary or some spices, I do it a little different every time. You can also totally brine in sweet tea, basically you just need the sugar and the salt to break down the chicken. A combination of salt and sugar always works, and water, because it’s going to help make the chicken juicier. I know it sounds like a lot of steps, but it’s really going to fuck it up if you don’t do this stuff. If I put a chicken that’s brined next to a chicken that is not brined, I can keep my eyes closed, you’re going to taste the difference.

So brine your chicken, it’s very important. And then for me, the dry rub is so important because you want your chicken to be seasoned. A lot of times when you bite a chicken, just the breading is seasoned a little bit, but you want it to penetrate and give the chicken the flavoring of the seasoning. It doesn’t need to be insane, but it’s just another layer; you’re just building layers of flavor.

What are some of your tips for creating and executing the dry rub?

Pat your chicken dry. I know it sounds like so stupid and that everyone’s like, “yeah, of course I do”, but you’d be surprised how many people forget to. And then if you don’t pat your chicken dry, you’re going to have a loose wet batter and it’s not going to hit the same way. You need it to really stick to that chicken.

I really love to use Bell’s Seasoning, it’s just like an old seasoning blend, it’s good. Poultry Magic is also such a good one to use. These are just staples, they’re in every supermarket and you’re going to be like, “oh, okay. I know that’s at least the right one”; they’ve been around for hundreds of years.

Once you got your dry rub going, what sort of hardware do you need in your kitchen to take the next steps? What are some things that you need?

You can fry in an industrial fryer, you can fry in a cast iron. Fuck, I’ve literally fried chicken in a bucket. Literally a trash can that we just poured (chicken) in and then put it on top of an induction burner and did it because we needed a bigger surface. You just need anything that can hold heat and just be big enough to put your chicken in.

You don’t want your chicken clumpy, you need your chicken to be spread out. You don’t want it to be too close together, you don’t want it to get attached, (the chicken) needs a little room to breathe, and you’re going to be flipping it and shit.

What are some tips on the dredging process? I know you said pat for the dry rub, but as far as doing the actual dredging, what’s the lay of the land there?

For my dredge, I need something tangy. I do stuff different all the time, but there’s always the three things I put in a dredge.

I don’t have the recipe in front of me, but I can tell you for sure I don’t even need to look – 1) I always put some sort of pickle juice in. 2) I’ll always put some sort of hot sauce. I like Crystal or Louisiana, anything that’s based out of Louisiana. 3) I’ll always put mustard, and I’m talking like shitty French’s Mustard, because there’s something with the tang, and that’s going to just give you another fucking flavor bomb.

Once you’re done dredging, what are some tips for the actual frying, and how do you know when your chicken’s done?

A lot of people fry their chickens and the outside will get done before their chicken’s ready. Don’t fry it too hot. Whatever you’re doing, always watch your temperature. Because when you put the chicken in, the heat’s going to go down. There’s so many different things, there’s so many different barriers.

So stay calm, always stay calm and make sure to just take your time. It’s not a battle, you’re not fighting to see who gets the best time. You’re making fried chicken, have fun, go talk to your friends, drink a beer.

How do you know when the chicken’s ready to go? What’s the telltale sign to be like, “okay, it’s good”?

After making it so much, I know the color and feel of it, but if you don’t know it, pull a piece out, put a little thermometer in the side and it’s going to help you (figure it out). Don’t be afraid to use tools to help you.

It’s going to take a while before you can really know. Also, always know, when you pull your chicken out, it’s going to get a little bit darker once it’s come out. So you have to just know that as it cools, it kind of browns up a little bit more.

With Pop’s Chicken what’s the biggest challenge or the easiest thing to mess up that takes a while to master?

Not taking your time. Some people skip steps and they’re like, ah, I don’t need to brine the chicken, oh, I don’t need to do this. Always, always, always lay your chicken on a wire rack when it comes out. If you lay it just on something flat that’s not porous, it’s going to steam the chicken more and then the bottom of your chicken’s going to get soft. You want to keep this crispy.

Afterwards I’m done frying, I put it in an oven at 150 or 200, just so it’s holding heat inside. It’s not going to cook anymore. If you’re making chicken for a bunch of people, sometimes I’m doing this for 30, 40 people, and you just want to put the chicken on a wire baking sheet and throw it back in the oven to hold the temp.

A lot of people are scared to fry things. They’ve never done it at their house, they’re frightened, they think it’s going to take over their house, burn their whole house down. It’s not, you’re going to be fine, just take your time. And don’t be afraid when you’re first starting, to pull a piece of chicken out, check it. Check it with the thermometer.

So in this food series that we’ve been doing, we ask a lot of musicians about their eating habits. We all know that musicians often have very unhealthy eating lifestyles just because of the nature of the times that you’re working and things like that. So first question is, when you’re performing what’s on your rider? Food, drinks and snacks.

I actually try to keep it healthy, you know what I mean? I actually don’t eat a lot before I’m filming or doing a show, it’s usually afterwards. Before, I’m probably just having carrots and dip and a coconut water or something, it’s not as exciting as it seems.

I usually have to take a shit right before I do anything, too. The nerves just come in and you’re like, uppp.

What about when you’re in the studio? What type of food or snacks do you like to have on deck?

I want to say I’m eating healthy because I don’t want to fall asleep while I’m working. But in reality, I mean sometimes you get nought, sometimes it’s who knows. Sometimes you open up, sometimes it starts with one skittle and then before you know it, I’m covered in crumbs and glazed doughnuts. I don’t even know.

So there’s nothing specific that is a go-to, you kind of just go with the flow?

No, I’m cooking a lot for people in the studio, so it’s like people’s favorite. I mean people want fucking banana pudding, lasagna, spicy rigatoni.

Oh, so you’re taking requests?

Oh yeah, I take requests, I’m like a DJ for food.

What are some foods that people might find gross or nasty but you think are amazing?

Sea urchin. Uni, it scares people. And caviar, I love.

And then what’s a snack or a food that most people like that you find unappetizing?

I don’t eat pork, so pork rinds maybe.

If you could own or operate any franchise of restaurant or food related business, what would it be?

You know what I would do? You know when you go to a basketball game or you go to a football game or a baseball game, I feel like we’re so slacking on the culinary experience at those.

I know they’re trying to get better, but I feel like if somebody just gave me one to take over, I feel like I could make it so much more special than what it already is. We’re so blinded, even having food at any game, we’re like, “whoa, we got nachos”, and you’re so stoked. But imagine if it was actually fire food.

So where are you popping up? Are you popping up at Dodger Stadium? Are we at the Staples Center? What are we doing?

I think I’d have to move back to New York just to… I feel like it’s got to be New York, we got to be at MSG or something.

And you’re selling Pop’s Chicken or what are we selling?

I don’t know what we’re selling. I mean, I’d have to get high and think up the whole little menu rollout.

And then being from Virginia, are there any foods native to Virginia, or restaurants, that people must try?

There’s these things that I’ve noticed I don’t see a lot on the West Coast, it’s kind of like a Southern thing. They have these things, they’re called Kitchens, there’s one, Virginia Kitchen, and basically you go in and it’s just the most delicious kind of diner, but it’s like soul food too. There’s biscuits and grits and gravy.

On the West Coast, the breakfast out here is so mid. There’s just no diners out here. So Virginia, I don’t know, Virginia has these really good, they’re almost like buffets, it’s hard to explain.

Can you name one that the people should visit?

I don’t know if it’s still there because I haven’t lived there in a very long time, but I always loved Virginia Kitchen when I was younger.

I have to ask you a question about “Dave” and the “Chuck” greeting that you guys do. Did you guys get that from Peanuts and Charlie Brown?

No. We literally saw Peanuts, honestly like a week ago. We’ve been calling each other that for years, it has nothing to do with it. It started out because we used to call each other Buck, and then it was Suck, then it was Sook, then it was Book, then it was like Chuck, Chuck really kind of stuck. But we’ve had a like a million nicknames that evolved into Chuck, and it’s like we saw the Peanuts thing and we lost our mind.

Yeah, isn’t that weird?

I know. It’s so strange. There’s also, back when we used to call each other Buck, there’s also a thing called, there was a movie that Michael White made called Buck and Buck and we were like, “what the fuck?” It was crazy.

I was going to ask about your unibrow, but we can save that for another time.

I have a unibrow, you do not.

I used to though. In high school I started getting it waxed because I was very self-conscious about it. I’m probably 10 or more years older than you, so it was like a faux pas, and so I felt-

How old are you?

I’m 41. And I felt Like I had to, and so I started –

I’m 36. When I was younger, I used to do the same thing, I used to shave it. One time I messed up and I accidentally shaved my eyebrows so far to each side that it looked like I had two Hitler eyebrows, it was crazy. Because I kept trying to go more and more and it just…

Yeah, too much. So at what point did you settle into it and be like, “you know what? I’m just going to rock this unibrow for life”?

I think I was like 17 or 18, and I was like, “oh, this is me.”

The Best Vinyl Releases Of April 2024

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Derrick Rossignol

Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.

Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of April below.

Wilco — The Whole Love Expanded

wilco whole love vinyl
Legacy Recordings

This past month saw what is essentially the Super Bowl of vinyl: Record Store Day. Artists and labels always come through with great new releases to mark the occasion, many of which you’ll find in this month’s vinyl rundown. First up is The Whole Love Expanded, a 3LP release that includes, along with the base album, alternate mixes, demos, and more.

Get it here.

At The Drive-In — In/Casino/Out (Reissue)

At The Drive In vinyl
Craft Recordings

At The Drive-In’s In/Casino/Out has long been out of print, so leave it to Record Store Day to bring it back. This edition of the band’s second album is available on purple/green smoke vinyl, but only 3,500 copies were pressed.

Get it here.

Fred Again.. — USB001

Fred Again.. USB vinyl
Fred Again..

Fred Again.. “released” USB in 2022, but that’s also not necessarily completely true, in that the project is constantly evolving with new songs being added on a regular basis. Well, the project as it stands right now is getting a vinyl release, and he’s pulling all the stops with a lovely “specialist spot reflective varnish” on the outer sleeve.

Get it here.

Spawn The Album

Spawn The Album
Legacy Recordings

The soundtrack for the 1997 superhero movie Spawn is a real ride, featuring songs by everybody from Metallica to Cypress Hill to Moby. It’s quite the mix and it’s stunning on smokey red vinyl, too. The hard rock mixed with electronic concept was novel in its time, and now acts as a bit of a portal to a simpler (better?) time.

Get it here.

Aesop Rock — Daylight (Reissue)

aesop rock daylight vinyl
Rhymesayers

The Daylight EP was a high point for Aesop Rock, featuring production from EL-P, Blockhead, and, of course, Aesop Rock. If you’ve wanted the project on vinyl, a new reissue is the first time the full thing has ever been pressed on vinyl, including the hidden bonus track.

Get it here.

Billy Idol — Rebel Yell (Reissue)

Billy Idol Rebel Yell vinyl
UMe

Idol was one of the kings of the ’80s, and his second album, Rebel Yell, was monumental, with the title track enduring as one of his signature songs. As for this new expanded edition of the project (released to mark the album’s 40th anniversary), it comes with eight bonus tracks that include previously unreleased music, original demos, and more.

Get it here.

Sunny Day Real Estate — Diary: Remastered And Expanded Edition

Sunny Day Real Estate Diary: Remastered And Expanded Edition
Sub Pop

Diary is an undeniable landmark release in emo music, and as the project turns 30 years old, Sunny Day Real Estate has delivered the definitive vinyl edition of it. This “remastered and expanded” version comes with the bonus tracks “8” and “9” (all pressed on pearlescent vinyl), along with newly written liner notes.

Get it here.

Orbital — Orbital (Reissue)

Orbital vinyl
London Records

UK electronic duo Orbital made their mark with their self-titled 1991 debut album (The Green Album, as it’s also known). Over three decades later, they’ve just dropped the definitive version of it via a 4LP box set. This edition includes two double gatefold LPs featuring remixes and rarities (including unreleased tracks), as well as an exclusive 60-page book documenting the story of the album.

Get it here.

The Eagles — The Long Run (Reissue)

Eagles Long Run Vinyl
Mofi

The Eagles’ original stint (ending in 1980, before their 1994 reunion) was one to remember, and it came to an end with The Long Run. The project — led by the Grammy-winning, No. 1 single “Heartache Tonight” — is back in a fancy new run limited to 10,000 copies and pressed on pressed on MoFi SuperVinyl, meaning it’ll sound as good as it ever has.

Get it here.

Blur — Parklife (30th Anniversary Zoetrope Picture Disc)

Blur Parklife
Food Records

The zoetrope has been around for well over a century at this point, and yet the visual effect the spinning, seemingly animated images have is still pretty wild to look at today. Blur included one on their new picture disc reissue of Parklife, making it a uncommonly visual way to experience a Britpop classic.

Get it here.

Gorillaz — Cracker Island (Deluxe Vinyl Edition)

Gorillaz – Cracker Island (Deluxe Vinyl Edition)
Parlophone

Speaking of Damon Albarn: Last year, Gorillaz brought us all to Cracker Island, and now we have a chance to go back. For Record Store Day, the group shared a deluxe, limited-run vinyl edition of Cracker Island that comes with six tracks that previously weren’t available on physical releases. There’s also a striking new album cover by Jamie Hewlett.

Get it here.

Dwight Yoakam — The Beginnings And Then Some: The Albums Of The ’80s

Dwight Yoakam The Beginnings And Then Some The Albums Of The 80s
Rhino

Closing out with yet another Record Store Day release, Yoakam compiled his first three albums onto this new box set. This limited-edition release includes thirteen rarities and demos from the era, enough fresh material to justify its own disc.

Get it here.

Alicia Keys, Sufjan Stevens, And More Got 2024 Tony Award Nominations, While Britney Spears And Others Didn’t Make The Cut

Alicia Keys 2024 Super Bowl LVIII Halftime Show
Getty Image

The 2024 Tony Awards are set to go down on June 16, at Lincoln Center’s David H. Koch Theater in New York City. Before then, though, organizers have unveiled the list of nominees today (April 31), and the music world (the part of it not traditionally or primarily associated with musicals, specifically) is well represented.

Nominated for Best Musical are Alicia Keys’ Hell’s Kitchen and the Sufjan Stevens-inspired Illinoise, along with The Outsiders, Suffs, and Water For Elephants. The Who’s Tommy is also nominated for Best Revival Of A Musical.

Maleah Joi Moon is nominated for Best Performance By A Leading Actress In A Musical for her role in Hell’s Kitchen, while Brandon Victor Dixon is up for Best Performance By An Actor In A Featured Role In A Musical also for Hell’s Kitchen. The musical also spawned Best Performance By An Actress In A Featured Role In A Musical nominations for Shoshana Bean and Kecia Lewis, and a Best Book Of A Musical nod for Kristtoffer Diaz.

Stereophonic, which has music by Will Butler, is also well-represented, including consideration for Best Play and Best Original Score. David Byrne and Fatboy Slim’s Here Lies Love is also nominated in the latter category.

As People notes, musicals that didn’t get a nomination this year include Barry Manilow’s Harmony, the Britney Spears-inspired Once Upon A One More Time, and Huey Lewis’ The Heart Of Rock And Roll.

Find the full list of nominations here.

Nothing Embodies Stagecoach In 2024 Better Than Post Malone

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Philip Cosores / Merle Cooper

Stagecoach Festival is a country music festival. Full stop. It’s not difficult to come to that conclusion, based on everything from the horse and boot iconography, the “Mane Stage,” the giant Yellowstone installation that takes over the entirety of Coachella’s Gobi Tent, and, of course, the attendees dressed in their finest denim, hats, and buckles.

However, the lineup might make an observer give pause. While the top of the bill has never strayed too far from its moniker as “Country music’s biggest party,” over the years, the rest of the lineup has evolved to the broadest definition of country imaginable. And we’re not just talking about Diplo, who has had his own stage for many years now for country fans who also want to dance. This year’s festival offered appearances from seemingly non-country acts like The Chainsmokers, Marshmello, The Beach Boys, Leon Bridges (Texas!), Wiz Khalifa, Nickelback, and, most importantly, Post Malone, although he did play a set of country covers.

If you don’t understand how all of this fits in at a country festival, you probably aren’t talking to people who would actually attend a country festival. Purely anecdotally, I didn’t need to leave my hotel room to get an impression of what the modern, young country fan is interested in. My neighbors, between the hits of the weekend’s headliners (Morgan Wallen, Miranda Lambert, and Eric Church), shuffled in songs by Jack Harlow and Kings Of Leon. For many, country music’s appeal is as much about the good-time vibes and broad emotional signifiers as it is about region, politics, and arrangements. And while some older generations might be put off by this, the change feels similar to Coachella’s evolution, where both are trying to reach a younger audience on their own terms.

Philip Cosores

Post Malone, one of contemporary music’s most loveable stars, embodies this perfectly. Though he first emerged through the world of SoundCloud rap, Posty has proven to be good at most things he tries. His own original music has veered into a genreless mélange that reflects the omnivorous tastes of many young music fans, while he’s proven to be adept at everything from Nirvana covers to acting. As a proud Texan, it’s not surprising that he would also slay as a country cover band, curating a set of radio hits that felt like a rowdy bar with a great house band or jukebox.

Sure, the weight of Beyoncé rumors might have been too heavy for some to fully enjoy the set. But, bringing out guests like Brad Paisley, Sara Evans, and Dwight Yoakam helped bridge any divide that might have been caused by booking the same guy that headlined the area’s Rolling Loud edition just a month earlier. Posty sounded great, but more importantly, he seemed to be having the time of his life. And, likewise, so did the audience, dancing with partners to the songs of George Strait, Alan Jackson, and Vince Gill.

Philip Cosores

In fact, maybe most surprising was that the weekend’s other breakout star, Jelly Roll, didn’t pop out at some point. Lord knows Jelly couldn’t resist several other surprise appearances, including slots with Willie Nelson, Ernest, and Nickelback. Jelly Roll also has a hip-hop background and face tattoos, and signifies that artist’s of Posty’s ilk can find success in the genre that likely would not have welcomed them a decade ago. But these days, the name of the game is less about tradition and more about having a good time with friends. This was best represented by simply walking across the polo field ahead of Ernest’s set, when “Sweet Caroline” blasted from every speaker. Everywhere you looked, you could see people singing along unabashedly, not worrying about looking cool. It’s a moment that would never happen at Coachella or Governors Ball, not because the reaction would be different, but because of what those festivals represent.

Stagecoach is not about representing an ethos these days, but about showing people a good time in any way that they’ll respond to. And if that could be summed up in a single artist, Post Malone fits the bill better than anyone.

Check out more exclusive photos of Post Malone at Stagecoach below.

Philip Cosores
Philip Cosores
Philip Cosores
Philip Cosores
Philip Cosores
Philip Cosores

Blue Ivy Carter And Beyoncé Will Bring Their Mother-Daughter Dynamic To ‘Mufasa: The Lion King,’ A New Trailer Reveals

Blue Ivy Carter held her own as a dancer on Beyoncé’s Renaissance World Tour, and she must have really enjoyed working with her mom — who wouldn’t when your mom is Beyoncé? — because the two are joining forces again for the Barry Jenkins-directed Mufasa: The Lion King.

The 90-second trailer released on Monday morning, April 29, featuring Beyoncé voicing Nala and 12-year-old Blue Ivy is voicing a brand-new character, Kiara, Nala and Simba’s daughter. According to the YouTube description, the prequel movie centers on Rafiki “to relay the legend of Mufasa” to Kiara, “with Timon and Pumbaa lending their signature schtick.” Donald Glover reprises his voiceover role of Simba, and Aaron Pierre voices Mufasa.

“A buddy of mine, Matthew Cherry, made the short film called Hair Love that Blue Ivy did the audio book of,” Jenkins told Entertainment Weekly. “Starting this project and just having that in the ether, I was like, ‘Is it worth a shot? Would Blue Ivy want to do it? Would Beyoncé want to act opposite her daughter? Is it too close to home?’ But once we put the question to them, they both responded with enthusiasm.”

Jenkins added, “What’s crazy is we made the film, and then the Renaissance tour happened, and I think Blue really grew up over the course of that tour. So the Blue Ivy you see in this film, it’s like a time capsule, this very, very, very young stage of her life, and she got to share it with her mom. So, I thought there was some synergy. It could be beautiful.”

Watch the Mufasa: The Lion King trailer above.

Doja Cat Goes NSFW To Explain Why Parents Going To Her Concerts Shouldn’t Bring Their Kids

Doja Cat 2024
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Doja Cat frequently raps and sings about explicit topics in her music. At the same time, “Say So” was one of the biggest pop hits of 2020 and is a song that listeners of all ages can get into. So, this could create an issue where a younger fan wanting to see Doja live could be exposed to material their parents would find objectionable and problematic.

It would seem Doja has encountered criticism about this recently or has at least been thinking about the topic: Late last night/early this morning (April 26), she wrote in a trio of tweets, “idk what the f*ck you think this is but i don’t make music for children so leave your kids at home motherf*cker,” “im rapping about c*m why are you bringing your offspring to my show,” and “rappin about eatin dick and pissin on his v-cut, leave your mistake at home*.”

Meanwhile, she recently had a more laissez-faire reaction to the deluxe edition of Scarlet leaking, tweeting, “its definitely messed up cuz i wanted to put it out myself but theres nothing i can do about it!! thats just how its gonna be but at least i can just keep being creative and look forward to the awesome things i have coming up!!”

Normani’s Long-Awaited Debut Album ‘Dopamine’ Has A Release Date At Long Last

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Ever since Fifth Harmony went on hiatus in 2018, fans have been waiting for Normani to drop her debut solo album. She has delivered the top-10 singles “Love Lies” with Khalid and “Dancing With A Stranger”” with Sam Smith, but as of 2024, fans are still waiting for the album.

That’s about to change soon, though. In February, Normani, at long last, announced that her debut album is called Dopamine, and that it is set for a 2024 release. Now, we have more concrete release date info.

Today (April 26), Normani shared “1:59,” a new single featuring Gunna. Alongside that song came confirmation that Dopamine is scheduled for release on June 14.

In a February interview with Who What Wear, Normani said of the album, “For me, this upcoming album is not just about music coming out. It feels like a representation of everything I’ve gone through to get to this moment. I know I needed time, experiences, and space coming out of [Fifth Harmony] in order to become the version of myself I needed to be. Without [all of that], I would not be able to exist within the creative space that I am in now. I would not be able to make the type of music I’m making now.”

Dopamine is out 6/14 via RCA Records. Find more information here.

Normani And Gunna Make Sultry Plans On ‘1:59,’ Normani’s Lead Single From ‘Dopamine’

Normani has given new meaning to long-awaited. Her fans have been waiting for her debut full-length studio album for five-plus years, and she finally announced Dopamine alongside its cover art in February. By late March, an X (formerly Twitter) user circled back with Normani about the silence since her album announcement, to which Normani replied that she’d address the matter the following day, and she did — announcing the lead single “1:59” featuring Gunna would arrive on April 26.

As promised, “1:59” is here. Plus, Normani finally confirmed that Dopamine will be released on June 14. As it were, the slow-burning R&B banger finds Normani just as tired of waiting around as her fans. “When I get you alone / Boy, what you gon’ do with it?” Normani sings, her vocals as strong as ever. “Don’t talk too much, just do this sh*t.” Gunna’s sings back to her, promising “You gon’ like the things I do.”

The sultry song is Normani’s first release since she collaborated with Sam Smith on the 2019 earworm “Dancing With A Stranger,” which peaked at No. 7 on the Billboard Hot 100. Meanwhile, Gunna is 10 days removed from announcing One Of Wun as his next album.

While “1:59” is the official lead single from Dopamine, Normani gave a taste of “Candy Paint” in a Bose ad last summer.

Listen to “1:59” above.

Dopamine is out 6/14 via RCA Records. Find more information here.

Machine Gun Kelly Doesn’t ‘Want Any Smoke’ With Taylor Swift’s Fan Base As He Refuses To Diss Her

People, generally speaking, like Taylor Swift; The fact that her new album, The Tortured Poets Department, just became the first project to accumulate 1 billion Spotify streams in a single week is evidence of that. Pair that with the fact that her Swiftie fan base is a passionate crew and it’s not often that you see people dissing Swift. With that in mind (and also accounting for the fact that he just likes her), Machine Gun Kelly absolutely refused to go after Swift.

This happened on yesterday’s (April 24) episode of Hot Ones Versus, a spin-off of the popular Hot Ones series in which two celebrity guests play a version of truth or dare, in which they have to eat a spicy wing to avoid responding to a potentially difficult question or prompt. MGK was paired up with Trippie Redd, and Redd asked MGK to say three bad things about Swift.

Kelly deadpanned to the camera and declared, “Ladies and gentlemen, you have got to be out of your motherf*cking mind if you think I want any smoke with that fan base. Also, Taylor is a saint and very nice to me, and Travis is my bro.”

Redd jokingly responded, “Kiss her feet while you’re at it,” and MGK replied, “Jesus Christ… I just… bro, she’s very nice! She’s very, very nice.”

Watch the Hot Ones Versus episode above.

Usher’s Teenage Son Stole Usher’s Phone To Finesse Meeting PinkPantheress, And Usher’s Retelling Of The Saga Is Hilarious

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Usher has access to anyone at any time, and his son knows it. Naviyd, 15, did what any teenager would do in his position: Steal your world-famous father’s phone and hit up PinkPantheress.

“So…a week or so ago my son, Naviyd, stole my phone so he could dm his favorite artist @pinkpantheress,” Usher shared on his Instagram Story on Wednesday night, April 24.

The next post is a screenshot of Naviyd’s DM from April 9, reading, “Hello this is Usher’s son Naviyd I’m you true biggest fan please follow me back @_naviyd_ I put him on to masterpieces.” PinkPantheress graciously replied, “hahahahahaa this is wild!”

Next, Usher recounted what happened from his perspective, writing, “Now I just so happened to check my DMs earlier this past week and saw a message exchange from someone with a Powerpuff girl as their profile pic…so I’m like the hell is this.” (PinkPantheress’ Instagram icon is the Powerpuff girl Buttercup.)

Usher continued, “I open it and I’m like oh this boy done DMd this girl from my damn phone..” The following post is another screenshot — this time, showing Usher messaging an apology to PinkPantheress: “I’m so sorry … my son is a super fan.” Again, PinkPantheress was extremely gracious and replied, “don’t apologise! happy to have this interaction. I’d love to host y’all at the next show.”

Usher explained on his subsequent Instagram Story posts that he initially pretended that Naviyd “wasn’t allowed to go” to PinkPantheress’ Capable Of Love Tour “because he did the MOST just to connect with her on my account,” but he let him go to reward Naviyd’s super-fandom, which led to PinkPantheress taking a photo with Naviyd backstage and FaceTiming with Usher.

“PARENTAL TAKEAWAY,” Usher wrote, in conclusion. “This was a great moment for Naviyd … this was him movin on something he was passionate about. Yes… he violated my trust in the process and for that I will never trust him around my phone, but I should have known better. Nonetheless, I appreciate the hustle and him makin’ it happen. From a text, to a concert, to the artist. He masterminded this whole thing and made it happen.”

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