Chloe Shows Off Her Vocals And Presents A New Point Of View In Her Cover Of Capella Grey’s ‘Gyalis’

In addition to making her solo debut with the bouncy “Have Mercy,” Chloe Bailey’s 2021 year was filled with impressive covers of songs by a wide array of artists. She took on Adele’s “Easy On Me,” Silk Sonic’s “Leave The Door Open,” Cardi B’s “Be Careful, Rihanna’s “Love On The Brain,” Nina Simone’s “Feeling Good,” and Drake’s “Marvin’s Room.” Fresh off releasing her second single as a solo artist, that being the provocative “Treat Me,” Chloe has found time to treat her fans to another cover. This time she takes on Capella Grey’s 2021 summer hit “Gyalis.”

Chloe’s rendition of “Gyalis” is a bit more than a cover and she remixes the song a bit so that it can be sung from a female’s point of view. While the original song’s lyrics read, “Fake like she asleep / Swear she tried to stay the whole week / I’m like “Oh, nah, she gotta go”, uh / Ask me her name, I swear I don’t even f*ckin’ know,” Chloe gives her side in the matter on the cover.

“He’s tryna fake like he asleep / Thought I didn’t hear him come in, please,” Chloe sings. “I’m like, ‘Oh nah, he gotta go’ / See you again? Oh no, baby that’s not what I want.”

Capella Grey showed love towards Chloe’s cover of “Gyalis” by reposting the video on his own Instagram page.

You can listen to Chloe’s cover-slash-remix of “Gyalis” in the video above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

DaniLeigh Opens Up About Her ‘Toxic’ Relationship With DaBaby: ‘We Broke Up A Lot’

At the end of 2020, DaniLeigh and DaBaby made their relationship official with intimate Instagram posts that they shared on their respective accounts. Almost a year later, any sign of that relationship continuing crashed and burned as the two artists engaged in a public and heated argument on Instagram Live. Things only got worse afterward, as just a few months later, videos on social media captured DaBaby and DaniLeigh’s brother engaged in a fight at a Los Angeles bowling alley. After staying silent about anything DaBaby-related for the past few months, DaniLeigh decided to speak out about their past relationship in a new interview.

In a sit-down with Angie Martinez, DaniLeigh discussed the “on and off” relationship she had with DaBaby. “It was toxic,” she said. “We had our really good times. We were in love. He had his little mess-ups and stuff, so we’d break up for a month and then get back together… We broke up a lot.”

The interview arrives after DaniLeigh released “Dead To Me,” a song that speaks about the “toxic energy” she experienced in a past relationship, presumably with DaBaby. In the song, she says, “You f*cking all these h*es/Thinking I wouldn’t know/You played me like a fool, lil baby/Got a b*tch thinking I’m crazy.”

His relationship with DaniLeigh is not the only controversial thing that DaBaby has been involved in as of late. He recently avoided charges for shooting a man who invaded his North Carolina home, but that came after he was charged with felony battery for punching a man during a music video shoot.

You can watch DaniLeigh’s interview in the video above.

The Golden State Warriors Are Launching Their Own Record Label

When K-pop rapper BamBam performed at halftime of a Golden State Warriors vs Los Angeles Lakers game this past April at the Chase Center in San Francisco, fans probably had no idea that BamBam’s “Wheels Up” (featuring Oakland rapper Mayzin) was the first song released on the Warriors’ new record label. But the collaboration is a testament to the wide range of music that the label, Golden State Entertainment, led by producer No ID as its creative and strategic adviser, will be releasing.

No ID will be “overseeing music production and helping the company develop its long-term vision,” of the diverse roster and overall operation, according to a San Francisco Chronicle report. “We are on the cusp of something truly special, and I look forward to discovering new ways to bridge the worlds of content, sports, entertainment and technology,” he told the Chronicle. Splashed on the front page of the Golden State Entertainment website is the statement, “Rooted in, while transcending, the world of sports & entertainment.”

Also on the label’s roster, are LA-via-Chicago rapper Juice and Chicago-based Kanye West collaborator Rhymefest. The venerable Georgia Anne Muldrow is also set to be both an artist and a producer for Golden State Entertainment. The label will focus on hip-hop and R&B primarily, but are taking a full-on “content production” approach that also includes documentaries and artist co-hosted events at the Warriors homebase at the Chase Center

The first album put out by Golden State Entertainment will to be a release from, Juice, featuring Chicago OG’s All Natural and produced by Muldrow. Juice told the San Francisco Chronicle that this is a unique scenario, indicating that, “The main advantage that stands out to me is being able to move at a faster pace than most traditionally established record labels. There is no red tape, bureaucracy or pressure to emulate our competitors. And there is established distribution behind the company that is constantly working with us to assist in furthering all of our creative vision.”

Kehlani Responds To A Radio Host Who Disrespected Them During Their Interview

Over the past few months — perhaps even years, really — there has been a disturbing trend of ostensible music journalists outright disrespecting interview subjects for content. These podcast and radio hosts have crossed boundaries, making artists — especially women or femme-presenting ones — visibly uncomfortable during interviews. Fortunately, with social media, those artists have the capacity to stand up for themselves, which is what Kehlani did when Morning Hustle Show hosts Lore’l and Headkrack misgendered and insulted them during an interview they called “cringy and invasive.”

While on their press tour to promote their new album, Blue Water Road, Kehlani appeared on the show but became visibly agitated after the hosts seemed to mock their pronouns, folding their arms and offering short, clipped responses to questions like whether they were “scissoring with SZA.” Afterward, Kehlani responded to the interview on Instagram, writing, “This is why your favorite artists always stop doing interviews or people don’t want to speak anymore. I’m only speaking to [a] select few folks anymore who really care about me deeply and have always been in my corner.”

In a video on social media, the host called out Kehlani for being “rude” and not having respect for urban media. “You feel like you don’t have to come to platforms like this and do interviews because you have Cosmopolitan and MTV and Vanity Fair that will feature you,” Lore’l said — accurately, I might add. “Good luck with your album, I heard it only sold 21K copies,” she added, spitefully. No artist is obligated to give any platform an interview, even if they are ostensibly “for the culture” — especially if they can’t be bothered to treat their interviewees with the bare minimum of human dignity.

Kehlani shot back on Instagram, pointing out, “I have kept it calm, collected, mature in the face of blatant disrespect when I could’ve went off. I finished interviews strong while being poked and prodded at. I JOYFULLY met thousands and thousands of fans this week, joyfully did many interviews very much available on youtube. if you know me you know I’m HIGH BRIGHT ENERGY until F*CKED WITH! stretching this situation for clout when it’s evident i was energetically RESPONDING to what was being thrown at me, and still at it was quiet, short & protective of my energy. y’all need this tho i get it.”

For what it’s worth, there has been an ongoing discussion about artists in Black music foregoing Black outlets when it comes time to promote their work, preferring outsider outlets like those mentioned above for glowing profiles and uncritical reviews. However, it’s also understandable; artists are people too and are entitled to their legitimate feelings. No one wants to feel disrespected by invasive questions or mocked for their missteps. Obviously, there’s a balance to be found in which outlets can ask intimate questions in a much more empathetic way. Plenty of folks on Twitter seem to agree, as you can see below.

You can watch the full interview above.

Diddy Takes Credit For Travis Scott Performing At The Upcoming Billboard Music Awards

While the Billboard Music Awards’ announcement of Travis Scott’s return as a performer came as a shock to some, for others it signaled the next phase in his ongoing comeback after the Astroworld Festival disaster. However, as Travis and Live Nation are still entangled in a deluge of lawsuits stemming from the many, many injuries and ten deaths at Astroworld, it appears Travis needed an outside advocate to fight for him to perform at this year’s BBMAs.

Enter: Sean “Puff Daddy/P. Diddy/Brother Love” Combs. In a video posted to Instagram, the veteran hitmaker made it clear that he deserves the credit (or the blame, depending on where you stand) for Travis Scott’s impending redemption. It seems Diddy gave the show’s producers an ultimatum:” For the Billboard Music Awards this Sunday I made a request, I made a demand,” he said. “I said ‘My brother Travis Scott has to perform. I’m executive producing, he has to perform,’ and NBC said ‘yes.’”

Diddy continued to boast in a separate interview with REVOLT Black News (which, you may recall, he owns). “I am uncanceling the canceled,” he declared. “There will be no canceling on my watch. Love is about forgiveness… so that was why it was important for me to have Travis Scott perform. It’s going to be a great night.”

While forgiveness is an admirable goal, there are some who don’t feel it’s Diddy’s or anyone else’s place to offer that. Those people include Bernon and Tericia Blount, the grandparents of Ezra Blount, the youngest Astroworld victim at nine years old. The Blounts previously condemned one of Travis’ efforts to make amends, calling it a PR stunt, and nearly 3,000 victims have lawsuits against the rapper and Astroworld’s promotion company, Live Nation. Those suits have been combined into a single case, which has yet to be tried.

Here’s Why A Reporter Thought Jack Harlow Should Be Included In The Young Thug RICO Case

Last night, Young Thug was arrested — along with 27 others, including Gunna — and charged with criminal conspiracy under the RICO (Racketeering Influenced and Corrupt Organizations) Act. An 88-page indictment accused Thug’s label, YSL Records of being a gang, charging them with — among other things — armed robbery and murder. The indictment cites as evidence lyrics to songs such as “Ski” and “Slatty” from the group’s 2021 compilation album Slime Language 2, describing Thug’s appearance in these and other music videos as an “overt act in furtherance of the conspiracy.”

Today, Fulton County District Attorney Fani Willis responded to reporters’ questions about the indictment during a press conference. Among the questions were issues of prisoner safety, with some members of the so-called conspiracy charged with targeting rival rapper YFN Lucci in jail, and potential sentences, which could see some members serve life in prison. However, one reporter’s question proved confusing not just for Willis but also for fans watching online. The off-screen reporter mentions a name being excluded from the indictment documents that struck rap fans as out of place: Jack Harlow.

“The indictment’s got Young Thug, and a bunch of other rappers,” he asked. “But there’s one name I was expecting to see, and I didn’t, and that’s Jack Harlow. Can you speak to that?” Willis, presumably unfamiliar with Harlow’s work — there’s a lot of that going around, to be fair — responded with a pat answer about making sure the case focused only on viable targets, but unfortunately for the reporter, the damage was already done as Twitter lit up with bemused and critical responses to his faulty information.

It appears that, perhaps in a rush to research potential questions for this afternoon’s conference, the reporter checked Twitter (to be fair, due diligence in this era) for background on the suspects. However, wading into those waters without the proper context and experience can be a bewildering experience for anyone and in this case, it looks like he mistook several joking references to Jack Harlow as proof of his YSL membership.

Although Jack and Thugger are both on labels distributed by Atlantic Records, a subsidiary of Warner Music Group, Jack is actually a signee of DJ Drama and Don Cannon’s Generation Now imprint, also the home of Lil Uzi Vert and rising rapper Killumantii. Meanwhile, YSL is home to artists such as Lil Keed, Strick, and T-Shyne, as well as in-house producers Taurus, Turbo, and Wheezy. And while your average rap journalist could probably reel off these names from the top of their noggins, crime and city reporters would do well to double-check their sources as the case unfolds.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Apple Finally Discontinues The iPod Line More Than 20 Years After Introducing It

It’s the end of an era for an iconic line of Apple devices: Today, Apple announced they will no longer manufacture its only remaining model of iPod, as reported by Variety.

Although Apple had ceased the manufacturing of the iPod Shuffle and iPod Nano back in 2017, the iPod Touch, which was first introduced in 2007, was announced to be discontinued today. The last of the iPod Touch models are available for purchase online.

When the original iPod was first introduced in October 2001, it was a different kind of audio file player — one that could play over 1,000 songs. Since its conception, various versions of the iPod have been manufactured, including the iPod Nano, a smaller version of the classic model which later evolved to play video, as well as the touchscreen multi-use iPod Touch, and the screenless iPod Shuffle.

U2 even had a red and black edition of the classic model, and commercials for the iPod popularized songs like Feist‘s “1,2,3,4” and Caesars’ “Jerk It Out.

“Music has always been part of our core at Apple, and bringing it to hundreds of millions of users in the way iPod did impacted more than just the music industry — it also redefined how music is discovered, listened to and shared,” said Greg Joswiak, Apple’s SVP of worldwide marketing, in a statement.

Jack Harlow Celebrates His Success With A Feisty Funx Flex Freestyle

Jack Harlow is having a hell of a run. Today, he capped off the successful release of his new album Come Home The Kids Miss You with a feisty Funk Flex freestyle addressing both his come-up and the criticism that came with it. Having already tapped the great Pharrell Williams to produce on his new album, Jack gets it in over one of Pharrell’s own hits: “Can I Have It Like That” from The Neptunes member’s 2006 solo debut album In My Mind.

Among the standout lines in the freestyle are references to Harlow’s upcoming film debut in the remake of White Men Can’t Jump and the complaints that he’s had too easy a ride in the last two years. “My success got some people’s stomachs turning,” he sneers. “Saying I’m just white and I got lucky, I ain’t earn it / Like I’m just a plant and all this sh*t was predetermined.” He attributes this to reminding his critics of “the kids that bullied them.” It’s a much more combative verse than we’re used to hearing from the normally affable jokester, but it looks like he’s starting to come into his confidence thanks to the enthusiastic reception to his latest.

You can watch Jack Harlow’s Funk Flex freestyle above.

Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

The Astroworld Festival Tragedy Has Almost 5,000 Claims Of Injuries

The tragedy of Travis Scott’s Astroworld still remains largely unresolved. While the rapper has made problematic attempts to redeem himself and has already started taking the stage again, today, Rolling Stone reported that there are, in total, almost 5,000 claims of injuries from the festival, according to a new court filing.

Attorneys reported 732 claims of injuries requiring extensive medical treatment. There were also 1,649 claims of injuries requiring less extensive treatment, and 2,540 claims for injuries with severity still under review. This adds up to a total of over 4,900 claims for deaths and injuries. The difference between extensive medical treatment and less extensive treatment is unclear.

A documentary about the Astroworld tragedy recently came out, titled Concert Crush: The Travis Scott Festival Tragedy. That filmmaker, named Charlie Minn, did an interview with Page Six claiming Scott is a “criminal” and because of the presence of an ambulance and Scott stopping when he saw people passed out, the rapper should’ve known people had died.

Scott’s team has since fired back, calling the documentary a “propaganda piece” and is a “farce financed by and containing content from members of the plaintiff’s legal teams, who, weeks after a tragedy, sought to exploit and benefit financially from it, with the clear goals of making money and swaying future juries and public opinion.”

Young Thug’s Lyrics Are Being Used As Evidence In The Racketeering Indictment Against Him

Even as efforts to eliminate the use of rap lyrics as evidence in criminal cases continue, one rapper (who was criticized not that long ago for the inscrutability of his rhymes) is facing a federal case in which much of the evidence against him comes from his lyrics. Huffington Post editor Philip Lewis acquired and shared the full 88-page indictment against Young Thug, who is being accused of racketeering by federal authorities who call his label, YSL Records, a criminal organization. The indictment includes several of Young Thug’s lyrics, which Lewis posted to Twitter.

Among them are bars from songs such as “Anybody,” from Thug’s 2018 EP Hear No Evil, his 2014 single “Eww,” Slime Language 2 hit single “Ski,” and “Slatty,” from that same compilation. All are described as “overt act(s) in furtherance of the conspiracy.”

Along with Young Thug, 27 other people including his rap protege Gunna, were charged with 56 counts of murder, armed robbery, and participation in criminal street gang activity. Gunna faces one count of conspiracy, while Thug, YSL’s founder, is accused of renting a car used in a 2015 murder and greenlighting an attempt on fellow rapper YFN Lucci in Fulton County Jail (also on racketeering charges).

Unfortunately, Young Thug isn’t the only rapper to have his rhymes used against him. Bobby Shmurda only recently completed a six-year sentence on similar charges when his lyrics were used against him, and before being released from jail, Drakeo The Ruler had his raps held over his head as the former Los Angeles County District Attorney tried to argue his Stinc Team crew was a criminal organization.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.