Drake is someone who is very busy and always has a lot on his plate. Overall, he just got off of a very popular tour. Furthermore, he is going back out on tour next year with J. Cole. He dropped For All The Dogs last month and he was even able to come through with a project last Friday. This six-song EP is called Scary Hours 3 and contains some amazing tracks. At this stage, Drizzy is just elevating his cache, and fans are excited to see his next chapter, whenever that may be.
Of course, these are the things that make him a busy man. Unfortunately, he does not have time for everyone. Sometimes, he may even make commitments or some plans, only for them to fall through. At the end of the day, this is normal. Plans change all the time and when you are a busy person, your commitments are always going to fluctuate. Unfortunately, a TikTok star named Danny Mondello, otherwise known as Meals By Cugine, learned this the hard way.
US rapper Drake poses in the press room during the 2019 Billboard Music Awards at the MGM Grand Garden Arena on May 1, 2019, in Las Vegas, Nevada. (Photo by Bridget BENNETT / AFP)
While appearing a game show called “Rent Free,” Mondello revealed how he was talking to Drake in his Instagram DMs. Drizzy wanted to recommend a restaurant in Toronto called Sotto Sotto. The TikToker took this as a sign that Drake actually wanted to collaborate or even just have a meal together. However, the man says he was left on read in the end. Perhaps there was a breakdown in communication here. Simply, maybe Drake wanted to give a recommendation and just leave it at that.
Let us know your thoughts on this situation, in the comments section below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will always be sure to keep you informed on your favorite artists.
On “?,” an underrated gem from Outkast’s Stankonia, Andre 3000 blazes through a relentless verse pondering on what makes humans do horrible things, either to others or themselves. Through the sounds of poured-out bottles towards the end, he seems to hint at his conclusion: alcohol. Excluding the Atlanta native’s latter half of Speakerboxxx/The Love Below, this is one of the very few songs to feature him without his partner Big Boi. On the rapper and flautist’s new album New Blue Sun, he’s asking a different question through a 90-minute ambient, new age, spiritual jazz album: What’s the next phase of his career? Instead of asking the world, Andre Benjamin asks himself and finds the answer from within. The result is a raw, imperfect, gorgeous, and deeply emotional statement of self-discovery.
One thing about New Blue Sun that anyone should be able to appreciate, regardless of their experience with new age, is the sonic craft behind it. Carlos Niño, who acts as producer, percussionist, and Andre 3000’s right-hand man in this album’s creation, brought a surprising aesthetic to the table. The production is heavy and dense despite the woodwinds leading us elsewhere. Bass elements are dark and cavernous and can add real evil to otherwise breezy soundscapes. Often, sharp static feedback, white noise, and hisses during the recording process give this record an earthy, grounded, and very raw feel. It all works together very seamlessly- and so do all the players, given the improvisational nature of these compositions which the production puts at center stage.
In addition, the clicks of Andre 3000’s digital flute and other unwanted sounds as folks play their instruments occupy significant space in the mix. It adds to this feeling that you’re right there in the room with them — or rather, the mystical meadow and fantasy land that the music and the album’s title point to. The track “Ghandi, Dalai Lama, Your Lord & Savior J.C. / Bundy, Jeffrey Dahmer, And John Wayne Gacy” highlights Diego Gaeta’s gorgeous piano, while the closer “Dreams Once Buried Beneath the Dungeon Floor Slowly Sprout into Undying Gardens” is the most overt instance of ethereal guitar worship from Nate Mercereau’s playing.
That’s another thing: the production is so enveloping and dense that you can barely tell whether what you’re hearing is a guitar, flute, synth, or someone’s faint voice. Their intent to vary each song structurally when compared to the next is key to this album’s appeal. For example, for every improvisational linear and jazz-like moment, like the head melody and pondering movement of the opening track, “I swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me This Time,” there’s a song of pure ambient and meditative worship, like the next song “The Slang Word P(*)ssy Rolls Off The Tongue With Far Better Ease Than The Proper Word Vagina . Do You Agree?”
This, plus its aforementioned density, sets New Blue Sun slightly apart from its influences. The tribal, primal, rhythmically patient, and tense hunter mind-state presented on “That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn’t Control … Sh¥t Was Wild” is among this album’s most unique moments. But it’s difficult to identify those when talking about Andre 3000’s album holistically. Each track is a microcosm of the whole experience. Still, this versatility means that some moments will lean heavily enough into an ambient and meditative state that feels uneventful and disengaging. “Ninety Three ’Til Infinity and Beyoncé,” whose four-minute length feels like thirty seconds in the grand scheme of New Blue Sun, still makes an impact. The longer cuts, though, fall victim to their length and static stasis on occasion.
Also, the playing on New Blue Sun isn’t perfect, which is where it falters when compared to influences like Alice Coltrane, Laraaji, and others. In fact, it’s almost an ironic reality. Andre 3000’s flute, which he sometimes plays out of key and too meanderingly, might be the weakest aspect of this album’s composition and musicality. Even though space, meditation, and patience are key tenants of ambient music and spiritual jazz, sometimes this album stretches itself out a bit too thin with its adherence to that vibe. But don’t get it twisted: it’s still very expressive, serene, cohesive, and immersive. It just doesn’t hold up to other improvisational standards. Then again, Andre doesn’t know chords, notes, and music theory like that, which is totally fine.
For what it is, it stands as a great intro to this sound for casual music fans, not the next best thing in it. But what does it matter what a hip-hop writer says about an album that is so explicitly not hip-hop? Well, I’m going to invoke blasphemy and recall Drake’s Honestly Nevermind as a comparison point. The most important thing that album did, regardless of quality, was welcome an audience who might not have known how much they could like house music. So, Andre 3000’s New Blue Sun knows exactly what it’s doing. It ends up being a fitting tribute to these sounds from Steve Roach, Yoshio Ojima, Yusef Lateef, and more, rather than a distilled novelty.
All throughout New Blue Sun, there’s tension, and then release, which these inspirations are true masters at. Subtle key changes, futuristic effects, and melodic variations of each other’s structures do provide some respite for listeners looking for the fine details. As a background listen, it feels unrestrained and tender enough to focus on the bigger picture, so you can check Andre 3000’s album out either way. Just be cognizant of what you’re in for and take it at face value.
Even with little words, Andre 3000 still says a lot. New Blue Sun is deliberately peaceful, often somber, and sometimes chaotic with incredible swells on tracks like “BuyPoloDisorder’s Daughter Wears A 3000 Shirt Embroidered.” Emotionally, the album covers everything under the sun with the same sense of passionate wonder. Take “Ants To You, Gods To Who ?,” for example, with its cold, dreamy atmosphere accentuated by a unique flute tone and melodic direction. It also represents the “She Lives In My Lap” artist’s own role amid all this. This isn’t really a solo album — in fact, none of his work truly is. But his skill and sensibilities shine through on everything he touches, and 3 Stacks is incredibly grateful for all the avenues that championed his artistic freedom, of which this is the latest.
New Blue Sun‘s closer’s title references the Dungeon Family, the first space in which the flautist felt fully free to express himself in his career. Back then, that mode of self-discovery was through rap, which he pondered intensely as he wrote verses. If Andre’s a rap architect, then this is him as a gardener, planting seeds and experiencing how they grow. Those can’t blossom without the company he chose, and that synergy is palpable on this album. In that humility and inspiration, he crafted one of the greatest artistic legacies of all time, in which New Blue Sun is a pivotal piece. There’s nothing more emblematic of Andre 3000, or compelling to him as a human, than the constant search for an answer. He found it, is finding it, and will always seek the way the wind blows him next time.
In a joyous announcement on social media, Finesse2Tymes welcomed his newborn daughter, Sincere Heaven Hampton, into the world. This is the child he shares with (ex)-girlfriend Nia Love. The Southern star shared a heartwarming Instagram story featuring a glimpse of the precious baby’s face, expressing gratitude and giving praise to the most high for the blessed addition to the family. “Welcome to the family Sincere Heaven Hampton! All praise to the most high, thanks for this blessing,” Finesse2Tymes posted alongside an adorable photo of the newborn.
The birth of Sincere Heaven comes just a month after Finesse2Tymes made headlines by revealing that both of his girlfriends, Nia Love and FNG Shugga, were expecting. The artist had previously showcased one of the baby bumps on Instagram, indicating that the pregnancies occurred around the same time. However, in a surprising turn of events just last week, Finesse2Tymes took to Instagram to share that he is now focusing on being a one-woman man. He decided he’s choosing to devote his attention to FNG Shugga.
The 31-year-old artist clarified, “I don’t need 2-3 women no more, I got kids. That s**t ain’t what’s up, and nah, this ain’t about no baby mama s**t.” He emphasized that he takes care of his responsibilities, regardless of relationship dynamics, ensuring that all his baby mamas know he’s committed to providing for his children. The announcement of Sincere Heaven’s birth not only marks a new chapter in Finesse2Tymes’ life as a father but also reflects his commitment to embracing the responsibilities that come with fatherhood.
As the rapper navigates the complexities of family dynamics, fans can’t help but celebrate the arrival of Sincere Heaven Hampton and wish the growing family all the best in this exciting new chapter. It’s unclear what is relationship is with both women, however, congrats are in order to Finesse2Tymes. What are your thoughts? Let us know on HNHH!
In the latest twist of legal drama, veteran music executive Jimmy Iovine has been hit with a summons for sexual abuse and harassment allegations by an anonymous accuser going by “Jane Doe.” The legal document was filed in the Supreme Court of the State of New York County. It claims that the accuser endured sexual abuse, forcible touching, and harassment, allegedly occurring around August 2007. However, while the court documents remain tight-lipped about the explicit details of the allegations, they assert that the accuser suffered as a result of actions that violated anti-discrimination laws.
Moreover, a spokesperson for Jimmy Iovine responded to the bombshell accusations, expressing shock and confusion. “We are quite shocked and baffled by this alleged claim,” the spokesperson stated to Rolling Stone. “No one has ever made a claim like this against Jimmy Iovine, nor have we been contacted or made aware of any complaint by anyone, including this unknown plaintiff prior to now.”
Jimmy Iovine Is The Latest Filing In A Series Of Lawsuits
LOS ANGELES, CA – SEPTEMBER 26: Producer Jimmy Iovine (L) and Sean “Diddy” Combs arrive to the Los Angeles premiere of “More Than A Game” held at Pacific Theaters at the Grove on September 26, 2009 in Los Angeles, California. (Photo by Michael Tran/FilmMagic)
Moreoever, this summons is the latest in a series of high-profile lawsuits filed under the Adult Survivors Act. The deadline is set to close out Friday. The Act created a one-year window for abuse victims to file cases beyond the statute of limitations. This allows individuals who were at least 18 years old at the time of the alleged abuse to seek justice. Moreover, in recent weeks, the music industry has seen a surge in legal action. There’s been several suits targeting prominent figures such as Sean “Diddy” Combs (settled within a day), L.A. Reid, Neil Portnow, and, as of Wednesday, Axl Rose and Cuba Gooding Jr.
However, the wave of allegations sheds light on a shift in the entertainment landscape. As survivors come forward to hold powerful figures accountable. Moreover, as the legal battle unfolds, the music industry is left to grapple with the fallout of these allegations against one of its key players. Whether Iovine’s case follows a similar pattern of quick resolution or takes a different turn, it adds another layer to the ongoing conversation about accountability and justice within the entertainment world. Stay tuned to HNHH for details.
In the midst of swirling rumors and online speculation about her personal life, Sexyy Red, took to social media to address the confusion surrounding the identity of her baby daddy. The buzz reached its peak as the artist has been teasing a provocative new track reportedly titled “F*** My Baby Dad.” The song has left fans in a frenzy and sparking a storm of questions about her relationship status. The controversy was fueled by people suggesting that Sexyy Red’s alleged baby daddy might be behind bars. The newly pregnant Sexyy Red hasn’t given any clues as to who her unborn child’s father is.
The artist, known for her unfiltered demeanor, wasted no time in attempting to set the record straight. However, in a recent social media post, she confronted the rumors head-on, urging fans to use their “antennas” and employ a bit of common sense. “Let’s do some math,” she began, addressing the speculations. “If my baby daddy’s in jail and I always say ‘free my baby daddy,’ but now I’m saying ‘fk my baby daddy,’ do y’all really think I’m pregnant by a n*a in jail? Like, how do y’all think that works? We grown; I want y’all to use y’all antennas. Stop playing stupid. It’s getting annoying.”
Sexyy Red’s no-nonsense response did little to clear up the confusion. With some fans still scratching their heads. The artist’s willingness to engage with her audience, however, showcased her commitment to transparency and authenticity. In an era where celebrities often navigate rumors with silence or carefully crafted statements, her unapologetic approach resonated with her fanbase. However, after all, her being herself is what got her to stardom in the first place.
As the anticipation for her new music, the deluxe version of Hood Hottest Princess, and “F*** My Baby Dad” continues to build, so does the speculation surrounding the mysterious baby daddy. Moreover, Sexyy Red’s ability to turn the spotlight back on her music while addressing the rumors head-on demonstrates her resilience and refusal to let gossip overshadow her artistry. Only time will tell if the upcoming track will provide more clarity on the situation or if Sexyy Red will continue to keep fans guessing. However, one thing’s for sure – in the world of Sexyy Red, drama and authenticity go hand in hand.
In a turn of events, murder charges against Chaka Zulu, renowned music executive and Ludacris’ longtime manager, have been officially dropped. The Fulton County prosecutors concluded that Zulu acted in self-defense during an incident in June of 2022, where he shot a 23-year-old male in Atlanta, who tragically later passed away. The Atlanta Police Department initially made an arrest based on probable cause, as is standard in such cases. However, the District Attorney’s office conducted a thorough investigation to determine the viability of proving the charges beyond a reasonable doubt at trial. The result: an exoneration for Zulu, who is now involved in a pre-indictment diversion program.
Zulu surrendered on September 13 on charges including murder, aggravated assault, simple battery, and possession of a firearm during the commission of a felony. Remarkably, he was released on the same day after posting a $200,000 bond. The narrative takes a dramatic twist as Zulu’s attorney, Gabe Banks, asserted that his client had acted in self-defense. Banks strategically released surveillance footage from the scene of the incident. This depicted Zulu being physically assaulted by a group of men before resorting to the use of his firearm.
Moreover, in a recent statement, shared on social media, Banks reiterated Zulu’s commitment to a fair process. He expressed satisfaction with the outcome. “Mr. Chaka Zulu, a beloved son of Atlanta, is pleased with the outcome of the thorough investigation conducted by District Attorney Fani Willis and her team of lawyers and investigators. From the beginning of this case, Mr. Zulu was committed to a fair process. He fully believes that after a thoughtful examination of all the facts and evidence related to this matter, District Attorney Willis reached an appropriate and just decision.”
Banks acknowledged the gravity of the situation, recognizing the loss of life under extraordinary circumstances. Despite this, he emphasized that it is now time for Zulu to move forward. And focus on supporting and nurturing his family. In an statement emailed to Channel 2′s Michael Seiden exclusively, Jeff DiSantis, a spokesman for Fulton County D.A. Fani Willis, elaborated on the decision. “Our investigation of the facts and analysis of applicable law indicates that this is an appropriate resolution of this case. Based on the standard of proof required. Because the defendant is now involved in a pre-indictment diversion program, we will not comment further about the matter at this time.” Moreover, Zulu’s legal team has requested privacy during this time as well. All inquiries will be redirected to the office of Gabe Banks, Esq. Stay tuned to HNHH for more stories.
In a surprising move that has fans buzzing with excitement, Ice Spice, has joined forces with the iconic Chia Pet brand for a one-of-a-kind collaboration. The announcement came on Wednesday, November 22, in partnership with the renowned Chicago lifestyle brand Living Product. However, the “Munch” rapper appears to be excited about the collab, and rightfully so! She’s in her own lane with this one.
Ice Spice’s terra cotta figurine is set to be a game-changer in the Chia Pet world. The attention to detail is impeccable, capturing the essence of the rapper’s unique style. Moreover, the signature orange Afro takes center stage as the base of the sprout. It serves as the perfect canvas for the chia sprouts that will emerge in one to two weeks, creating a living masterpiece. Wearing an unmistakable pink hoodie and adorned with her signature diamond chain featuring a cartoon rendering of her face, the Chia Pet perfectly encapsulates Ice Spice’s aesthetic.
Moreover, in a statement obtained by Complex, Ice Spice expressed her enthusiasm for the collaboration: “Like my lyrics say, ‘I’m breakin’ records and I’m breakin’ news.’ I’m not sure who stole whose look, but I’m into it and am very excited about this fun partnership. Chia Pet is an iconic brand with a dope jingle — so we have that in common.” Furthermore, the partnership between Ice Spice and Chia Pet is a testament to the rapper’s ability to seamlessly blend her distinct style with diverse forms of pop culture. The announcement has sent ripples through social media, with fans eagerly anticipating the chance to own a piece of this unique collaboration.
As the figurine hits the market, it’s not just a collectible; it’s a statement piece that reflects the intersection of music, fashion, and the quirky charm of the Chia Pet brand. With Ice Spice’s star power and Chia Pet’s timeless appeal, this collaboration is set to become a must-have for fans and collectors alike. Stay tuned as this groundbreaking partnership continues to break records and make waves in the worlds of music and merch.
Today, former penthouse model Sheila Kennedy filed a lawsuit against Guns N’ Roses frontman Axl Rose. She accuses the performer of sexually assaulting her in the 80s, detailing the alleged attack in the suit. Kennedy claims that they met at a nightclub in 1989 and eventually ended up in an NYC hotel room together. She alleges that he then “violently” sexually assaulted her. Kennedy describes him allegedly “[knocking] her to the floor,” dragging her by her hair, then assaulting her.
She accuses him of attacking her “while he was in a sexual, volatile rage,” per the suit. It also states that “Kennedy did not consent and felt overpowered.” Allegedly, “she understood that the safest thing to do was to lie in bed and wait for Rose to finish assaulting her.”
Sheila Kennedy Accuses Axl Rose Of Attacking Her In 1989
Axl Rose of Guns N’ Roses performs in concert during weekend one of the 2019 ACL Fest at Zilker Park on October 4, 2019 in Austin, Texas. (Photo by Gary Miller/Getty Images)
“Her account is unfortunately all too typical of a culture of violence and sexual misconduct that has been allowed to exist in plain sight for decades. It’s not just individual musicians stepping out of line, but an industrial system of enabling them and then covering up their misconduct and crimes, silencing survivors and normalizing sexual assault. We hope Sheila’s bravery helps other victims find their voice,” Dr. Ann Olivarius, chair of the executive committee at McAllister Olivarius, told CNN.
Axl Rose’s attorney, Alan S. Gutman, shared a statement with the outlet denying the allegations. “Simply put, this incident never happened,” he said. “Notably, these fictional claims were filed the day before the New York State filing deadline expires. Though he doesn’t deny the possibility of a fan photo taken in passing, Mr. Rose has no recollection of ever meeting or speaking to the Plaintiff, and has never heard about these fictional allegations prior to today … Mr. Rose is confident this case will be resolved in his favor,” he also added. What are your thoughts on the allegations brought forward against Axl Rose? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
A summons for Jimmy Iovine, who co-founded Interscope Records in 1990, was filed in the Supreme Court of the State of New York County on Wednesday, November 22. Pitchforkbroke the news, relaying that Iovine is “being sued over sexual misconduct and abuse.” So far, only a summons has been filed, but a lawsuit will presumably follow. Iovine is being sued by a woman identified publicly as Jane Doe.
“Doe claims that she was ‘sexually abused, forcibly touched, and subjected to sexual harassment and retaliation’ in August 2007,” Pitchfork wrote. “The lawsuit against Iovine is for assault and battery, as well as violations of the New York City Victims of Gender-Motivated Violence Protection Act and the New York City Human Right Law.”
Billboardadditionally reported that Jane Doe’s filing attorneys were Douglas Wigdor and Meredith Firetog of Wigdor Law. While sexual misconduct in August 2007 is specifically noted, Billboard clarified that Iovine is alleged to have engaged in “multiple instances” of abuse, and Jane Doe is “seeking economic and compensatory damages, punitive damages, attorneys’ fees and costs.”
Iovine headed up Interscope until leaving his post as chairman and CEO of Interscope Geffen A&M in August 2014 to join Apple later that year (as per Billboardat the time). In May 2014, Apple had announced its acquisition of Beats Electronics and Beats Music “for a total of $3 billion” from Iovine and Dr. Dre. Iovine departed Apple in 2018.
As first reported by Pitchfork, a summons has been filed in the Supreme Court of the State of New York County on behalf of a woman publicly identified as Jane Doe. The publication relayed that “the lawsuit itself is forthcoming,” but Iovine is being sued for “alleged sexual misconduct and abuse.”
Pitchfork‘s Evan Minsker continued, “Doe claims that she was ‘sexually abused, forcibly touched, and subjected to sexual harassment and retaliation’ in August 2007. The lawsuit against Iovine is for assault and battery, as well as violations of the New York City Victims of Gender-Motivated Violence Protection Act and the New York City Human Right Law.”
Shortly after Pitchfork broke the news, Billboardprovided additional details:
“Though the full complaint is not yet available, a summons with notice was filed by the woman’s attorneys, Douglas Wigdor and Meredith Firetog at Wigdor Law. The case includes an accusation of ‘multiple instances’ of abuse along with a specific incident of sexual misconduct that occurred in New York in 2007. The woman is seeking economic and compensatory damages, punitive damages, attorneys’ fees and costs.
The case against Iovine is just the latest in a string of sexual misconduct lawsuits filed over the last month against men in the music industry, including industry executives like L.A. Reid and superstar artists like Sean ‘Diddy’ Combs and Axl Rose. The spike in cases is due to the looming expiration at midnight Thursday [November 23] of New York’s Adult Survivors Act, which created a one-year window for alleged survivors to take legal action over years-old accusations that would typically be barred under the statute of limitations. The summons effectively extends the deadline to submit a complete lawsuit.”
Iovine acted as Chairman and CEO of Interscope Geffen A&M until departing in August 2014 (as per Billboardat the time). Earlier that year, he and Dr. Dre sold their Beats Electronics and Beats Music to Apple “for a total of $3 billion,” Apple announced in May 2014. The acquisition “helped launch Apple Music,” as The New York Timesput it in a December 2019 profile of Iovine.
Shirt Embroidered.” Emotionally, the album covers everything under the sun with the same sense of passionate wonder. Take “Ants To You, Gods To Who ?,” for example, with its cold, dreamy atmosphere accentuated by a unique flute tone and melodic direction. It also represents the “She Lives In My Lap” artist’s own role amid all this. This isn’t really a solo album — in fact, none of his work truly is. But his skill and sensibilities shine through on everything he touches, and 3 Stacks is incredibly grateful for all the avenues that championed his artistic freedom, of which this is the latest.
