Kehlani Returns with New Song ‘little story’

Kehlani returns with her first music of the year.

The Grammy-nominated singer has released “little story,” a new song off her upcoming third album Blue Water Road. The cinematic track, produced by Pop Wansel and Some Randoms, finds a vulnerable Kehlani turning the page on love.

“I want you to do it again / I want you to love me again and complete our little story / We got a hell of a story / You’re a hell of an author,” she sings. “You swear I leave you at the altar / Working on being softer.”

The song arrives alongside a stunning black-and-white visual, which Kehlani co-directed. Kehlani’s 3-year-old daughter Adeya makes a cameo at the end.

Blue Water Road marks the follow-up to 2020’s It Was Good Until It Wasn’t. Back in September, Kehlani released the album’s lead single “altar.”

Jack Harlow Returns with New Single ‘Nail Tech’

Harlow’s back.

Jack Harlow returns with his first release of the year, “Nail Tech.” Produced by Boi-1da, the horn-heavy track

He knew instantly that this was the song once Boi-1da played him the beat in the studio. “This is one of those ones,” he told Apple Music’s Zane Lowe. “As soon as I heard it, those horns have something epic about them, but as soon as those kicks come in…”

“I went in the booth and I just laid a verse. And I remember, I went back to Atlanta a little while later and I played Don Cannon a bunch of my music just to show him where I was at. And I was playing stuff, and then at the very end, I played him this verse that was on ‘Nail Tech.’ He’s like, ‘Yo, what is that?’ I was like, ‘Oh, you like that?’ He was like, ‘Yeah, you need to finish that.’ So I got it together, man.”

Along with the song, he has dropped a video starring his crush Yung Miami of City Girls.

“Nail Tech” marks the beginning of a new era for Harlow, whose debut album Thats What They All Say dropped in December 2020. “We’re getting close, we’re getting close,” he teased. “I got to take my time and make sure everything’s right. But this is going to be the start of something.”

And he promises the music will be worth the wait. “I feel like I haven’t had a chance to lay on the world just how passionate and how studious I am and just how capable I am,” he said. “So I think my new music will let people know just how locked in I am.”

Gunna and Chlöe Bailey Couple Up in ‘You & Me” Video

Gunna and Chlöe Bailey turn up the heat in the romantic video for “you & me.”

On Valentine’s Day, the rumored couple dropped a Spike Jordan-directed visual for their DRIP SEASON 4EVER collaboration. Decked out in their fly fits, the two show off their chemistry as they go shopping and lay together in a heart-shaped bed.

“I’ll f**k you right, I will,” sings Gunna while staring into Chlöe’s eyes.

In a recent interview with “The Breakfast Club,” the YSL rapper was asked about his relationship with the “Have Mercy” singer.

“We’re really close friends,” said Gunna, who admitted that he’s not quite ready to settle down. “I’m becoming ready, I’m growing into being ready. Because I understand having a girlfriend and having a wife, you gotta have stability when it’s time. So I think I’m getting there.”

“You & Me,” which samples Jon B.’s “They Don’t Know,” appears on Gunna’s chart-topping album DRIP SEASON 4EVER.

After the L.A. Rams won the Super Bowl on Sunday, Gunna provided the entertainment at the official victory party, where he performed hits including “Pushin P,” which is currently No. 11 on the Billboard Hot 100.

Gunna and Chlöe Bailey Couple Up in ‘You & Me” Video

Gunna and Chlöe Bailey turn up the heat in the romantic video for “you & me.”

On Valentine’s Day, the rumored couple dropped a Spike Jordan-directed visual for their DRIP SEASON 4EVER collaboration. Decked out in their fly fits, the two show off their chemistry as they go shopping and lay together in a heart-shaped bed.

“I’ll f**k you right, I will,” sings Gunna while staring into Chlöe’s eyes.

In a recent interview with “The Breakfast Club,” the YSL rapper was asked about his relationship with the “Have Mercy” singer.

“We’re really close friends,” said Gunna, who admitted that he’s not quite ready to settle down. “I’m becoming ready, I’m growing into being ready. Because I understand having a girlfriend and having a wife, you gotta have stability when it’s time. So I think I’m getting there.”

“You & Me,” which samples Jon B.’s “They Don’t Know,” appears on Gunna’s chart-topping album DRIP SEASON 4EVER.

After the L.A. Rams won the Super Bowl on Sunday, Gunna provided the entertainment at the official victory party, where he performed hits including “Pushin P,” which is currently No. 11 on the Billboard Hot 100.

Deadmau5 Music Video For ‘When The Summer Dies’ Was Created In ‘Core’

Not too long ago, deadmau5 announced that he would be partnering with the community around the video game Core to create his next music video. This was a really unique and cool opportunity for fans and deadmau5 to do something unique. It was also yet another example of someone in the music space embracing video games.

On Thursday, the music video that deadmau5 and the Core community created was released. It’s a pretty neat video considering how it was made and the efforts that went into it. The music video does a cool job of not only showing what Core is capable of but representing the community aspect that this video is about. We get to see deadmau5 taken across many different landscapes and scenarios and since all of this was made inside the game it feels like the community of Core is showing deadmau5 around so they can see everything they’ve made for him.

“I’ve been experimenting with the confluence of music and tech for a long time, and now with games, I’m able to take it to a whole other level,” said deadmau5. “Typically it takes months and hundreds of thousands, or even millions, of dollars to make a music video. In this case, we were able to pull together a video with stunning 3D worlds in just a couple of months by crowdsourcing the creation to the Core community and deadmau5 fans. The quality of the interactive experiences and the speed with which they were made was unbelievable and demonstrates why more artists are seeking out unique opportunities inside of games to extend new experiences to their audiences.”

It’s incredible that deadmau5 gave everyone from Core an opportunity to contribute to his music video like this. The results of it were even better than expected and maybe this will spark other people in music to do the same. We’ve already seen artists embrace games like Fortnite to host virtual concerts. Maybe now we’ll see a trend of gaming music videos. The potential for creativity has no limit in video games like Core.

Five Black Women Music Video Storytellers You Need To Know

“One of the special things about our friendship is, nine times out of ten we are on the same wavelength,” Solange told the New Yorker when asked about working with music video director, Melina Matsoukas. “Her being a black woman being able to tell those stories in such a bold, unique way is really rare.” Black women, like Matsoukas, are outnumbered, often overlooked, and frequently pigeonholed in the music industry. This is particularly true for the world of music video direction and storytelling, where roles available to Black women often reinforce stereotypes and typecast them as video vixens or background characters in stories that don’t reflect their experience.

However, when the person behind the direction, story, or camera of a music video is in fact a Black woman, the ability to tell more nuanced and multifaceted stories, or reach the same “wavelength” of Black artists that Solange described, is more readily available. From Beyoncé’s “Formation” to Drake’s “God’s Plan,” the following five women have proven the necessity of Black direction in Black storytelling. Through their creative direction, skill, and unique perspective, they have not only told the authentic and artistic stories of artists through the music video format but made space for the Black female directors and creatives to come up behind them.

child.

Director and artist child. grew up surrounded by music in Shreveport, Louisiana, thanks to her churchgoing family and mother who child. shares “used to color and listen to gospel music while I was in her womb.” That foundation of art and spirituality never left her, pushing her into a career as a photographer and creative director. Leaning into her upbringing, and bringing dreamlike imagery to her work in videos she’s directed for Big Sean, Janelle Monáe, Nas, and H.E.R., child. draws inspiration from the Black experience, biblical stories, and even artists like Jean Michel Basquiat. Though her work pays homage to her past, child. has her eyes set on the future, sharing, “I plan to impact the art world like nothing they’ve ever seen before. I see myself going beyond the stars.”

Lacey Duke

Growing up in Toronto, Lacey Duke knew she wanted to be a music video director. She conquered her dream step by step, attending film school, then interning at a production company in London, and eventually moving to New York where she worked with smaller artists. But then, hard work crossed paths with opportunity when she met Janelle Monáe after a show. Eventually, Monáe asked her to direct her music video for her track “I Like That,” launching Duke into a career where she’s brought authentic portrayals of Black womanhood onto the small screen. Since then she’s directed award-winning videos for SZA, Bryson Tiller, and H.E.R. Speaking to Complex about her work with Black women, she shared, “I have a responsibility in a sense, and I don’t feel pigeonholed by it at all. I think there’s something beautiful about my subjects just being black women, that’s not some little shit.”

Karena Evans

Known for her cinematic, authentic, and narrative-heavy visuals, music video director Karena Evans got her start at a Toronto-based film school but eventually dropped out after getting frustrated by the curriculum’s slow pace. So, she took matters into her own hands, shooting a cold text to Canadian filmmaker Director X and landing an internship at his production company. That longshot paid off, and now she’s known for directing several of Drake’s music videos, including the altruistic “God’s Plan,” the fun-centric “I’m Upset,” and the star-studded “Nice for What.” Evans also understands what her work means to up-and-coming Black female directors and the importance of making space for those creators. She told Teen Vogue, “I think the first thing to realize is that there are in fact a lot of female directors. There are a lot of women of color who are here and present. The unfortunate part is that we were not always given a place. It took the Melina Matsoukas, the Ava DuVernays, and others who have paved the way for me, and the next generation of young Black female filmmakers, to help us understand that we do have a place, and to also break down those barriers so we can be heard.”

Melina Matsoukas

Melina Matsoukas’ resume speaks for itself, she’s responsible for creating some of the most critically acclaimed and award-winning music videos of the past decade. She’s brought her blueprint to Rihanna’s MTV Best Music Award-winning video for “We Found Love,” (she was the first female director to receive this honor) Solange’s “Losing You,” and even nabbed a Grammy for her direction of Beyoncé’s “Formation.” She’s also known for highlighting the Black experience through her film work, including her debut Queen & Slim. Matsoukas is credited for executive producing and directing Issa Rae’s successful HBO series Insecure, which notably gives an authentic, positive, and culturally resonate portrayal of Black women. In speaking on her career thus far, Matsoukas told Rolling Stone, “I am who I am because of Black women,” adding, “We’re beginning to redefine our community — and hopefully our version of Hollywood.”

Laurieann Gibson

Laurieann Gibson may be known for her choreographing dance numbers for legends like Michael Jackson and Beyoncé, but her focus on creative direction has also allowed her to become a successful music video director. Her direction credits include Lady Gaga’s “Judas” and “You and I,” and Keri Hilson’s “The Way You Love Me.” Gibson, who has appeared on multiple reality shows providing straight-forward dance direction, is cognizant of how her experience has differed from her white counterparts. She spoke to The Grio, about how her intensity as a Black woman is often seen as intimidating, sharing, “I absolutely have endured the lack of fairness as a young Black woman and as a professional woman. There is a difference. When we react or we are dramatic or intense then we’re intimidating.” She added, ”It is really difficult and I have had to find a way to evolve the conversation. Yes I’m intense because I’m passionate.“