After ten illustrious years on Alabama’s Gulf Shores, Hangout Festival has had to postpone year number 11 twice due to the pandemic. But the wait is finally over as Hangout Festival 2022 will be going down from May 20th to 22nd with a stacked lineup.
Post Malone is the lone holdover from the previously announced but postponed headlining slate, and he’ll be joined by Tame Impala, Halsey, Doja Cat, Fall Out Boy, Illenium, Kane Brown, and Megan Thee Stallion on top of the bill. It’s a loaded lineup of all kinds of music that will even feature an appearance from Shaquille O’Neal, as his music persona Diesel. Hangout is marked by its bustling oceanside venue footprint and there will be plenty of sunshine to go around next summer at the festival.
The complete lineup includes, in alphabetical order, 347aidan, Audrey Nuna, Bankrol Hayden, Beabadoobee, Blu DeTiger, Breland, Bren Joy, Briston Maroney, Chelsea Cutler, Dayglow, Diesel (Shaquille O’Neal), Doja Cat, Ericdoa, Fall Out Boy, Fletcher, Flipturn, Flo Milli, Gabriel Black, Halsey, Hastings, Hugel, Illenium, Jvna, Jack Harlow, Joy Oladokun, Kane Brown, KennyHoopla, Koffee, LP Giobbi, Leon Bridges, Lil Yachty, Louis The Child, Lucii, Luttrell, Madds, Madeon, Maren Morris, Megan Thee Stallion, Montell2099, Moon Taxi, Notd, Neal Francis, Nightly, Oliver Tree, Paul Cauthen, Petey Martin, Phoebe Bridgers, Post Malone, Remi Wolf, Renforshort, Role Model, Sidepiece, Slander, Snbrn, Ship Wrek, Still Woozy, Sublime With Rome, Surf Mesa, Surfaces, T-Pain, Tame Impala, The Band Camino, The Blossom, The Brook & The Bluff, The Head And The Heart, Tre’ Amani, Tyla Yaweh, Vnssa, Zach Hood, and Zedd.
Presale tickets are live on 12/10 at 10 a.m. CT. Register for early access here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Goldenvoice has a proven track record of putting on killer festivals, as they’re behind events like Coachella, Day N Vegas, and Stagecoach. Now, they’re adding a new fest to that list: This Ain’t No Picnic is going down on August 27 and 28, 2022 at Brookside at the Rose Bowl in Pasadena, California.
The two-day, six-stage lineup has a rock and alternative lean to it, as the 2022 headliners are The Strokes, LCD Soundsystem, and Le Tigre performing what is currently set to be their first and only reunion show of the year. Also on the bill are Beach House, Caroline Polachek, Courtney Barnett, Dawn Richard, Deafheaven, Earl Sweatshirt, Four Tet + Floating Points, Genesis Owusu, Godspeed You! Black Emperor, Idles, Indigo De Souza, Isaiah Rashad, Jorja Smith, Kaytranada, Kelly Lee Owens, Mac DeMarco, Magdalena Bay, Mdou Moctar, Michelle, Phoebe Bridgers, Romy, Slowthai, Tinashe, Turnstile, Wet Leg, Ying Yang Twins, and Yves Tumor, among others.
This Ain
If the festival’s name sounds familiar, that’s because it’s a throwback to the original Goldenvoice festival of the same name. The initial This Ain’t No Picnic debuted in 1999, continued in 2000, and after having to skip 2001, came back for the last time in 2002. A fair amount of artists on those lineups actually wouldn’t feel out of place on this year’s bill, by the way: Sleater-Kinney, Beck, Yo La Tengo, Modest Mouse, and El-P were involved.
Learn more about the fest here and check out the poster above.
Coming into its fifth anniversary, Madrid’s Mad Cool Festival is already one of the biggest music festivals in Europe, bringing nearly 200,000 revelers to the sprawling Valdebebas urban open space venue. The initial 2022 lineup was announced in June and was heavy on the rock and roll acts with Metallica, Muse, The Killers, Imagine Dragons, Pixies, Faith No More, Twenty One Pilots, and Placebo leading the way.
They took it a step further in October adding a fifth day to the summer fest and artists like Haim, Florence + The Machine, and Nathy Peluso. Now they’ve beefed the lineup up one final time adding Jack White as the fifth day headliner and infusing the lineup with more big name acts like Stormzy, London Grammar, Modest Mouse, Two Door Cinema Club, Local Natives, and Mura Masa.
It brings the grand total to 144 artists playing across the festival’s five nights. Other artists playing on this comprehensive bill include St. Vincent, The War On Drugs, Beabadoobee, Arlo Parks, Phoebe Bridgers, Leon Bridges, Animal Collective, Tinashe, Glass Animals, Carly Rae Jepsen, Chvrches, Wolf Alice, and loads more.
Mad Cool Festival festival goes down from July 6 to 10, 2022. Tickets are on-sale here.
Mad Cool
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Ready for one of the best, most comprehensive hip-hop and soul music festival lineups ever? Formerly taking place at the Queen Mary Ship & Events Park in Long Beach, CA, Smokin Grooves Fest has moved to Downtown Los Angeles and the lineup is unreal.
Going down on Saturday, March 19th at LA’s State Historic Park, Smokin Grooves has Erykah Badu, Nas, and The Roots leading the way for it’s flat out spectacular lineup. Miguel, Jhene Aiko, The Internet, Flying Lotus, and Kamasi Washington are also on the festival’s top slates and also all happen to be from the Los Angeles area. But don’t be fooled, this is much more than a regional fest and is on par with the biggest and best hip-hop culture festivals around the nation.
The names on this bill from top to bottom are impressive. From the eclectic indie sounds of Toro y Moi, Little Dragon, and Hiatus Kaiyote, to a legend like composer and vibraphonist Roy Ayers, to the vital lyricism of Talib Kweli and millennial backpack hip-hop of Slum Village and Dead Prez. There’s a stellar R&B slate with Macy Gray, India.Arie, Musiq Soulchild, and Angie Stone, plus sneaky awesome names on the rise at the bottom of the bill like Toronto’s Charlotte Day Wilson and Chicago’s Ravyn Lenae.
Pre-sale ticketing sign-ups for this extravaganza go on sale this Friday 12/03 at 10 am PT. Any unsold tickets will be made available to the general public at 2 pm PT on the same day. Register/purchase tickets and check out the full lineup and info at https://www.smokingroovesfestival.com/.
The Lollapalooza global festivals takeover is in full effect. After a successful flagship function in Chicago this past July, Lollapalooza began announcing its 2022 international slate with bills led by Foo Fighters, Miley Cyrus, The Strokes, and Doja Cat in Brazil and Argentina next March. Then in July, Pearl Jam, Imagine Dragons, David Guetta, and ASAP Rocky will be atop the lineup at Lollapalooza Paris. But it doesn’t stop there.
The second annual Lollapalooza Stockholm in Sweden was announced today and it’s set to go down from Friday, July 1st through Sunday, July 3rd, 2022 at Gårdet, a sprawling park in the heart of the city. Ahead of their Paris appearance, Pearl Jam will also be headlining the Stockholm affair, along with Post Malone, The Killers, Imagine Dragons, Doja Cat and Swedish pop sensation Veronica Maggio. There’s definitely an effort to incorporate Swedish talent on the bill with confirmed appearances from producer/DJ Alesso, reggae-hoppers Timbuktu & Damn!, pop star Tove Lo, singer Benjamin Ingrosso, electro-pop duo Jubël, and more. Other lineup highlights include Jack Harlow, Italian rockers Måneskin, Polo G, Modest Mouse, and Haim.
Tickets go on sale November 25 and you can get them, along with full lineup info and more, at here.
Lollapalooza Stockholm
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Although the year is winding down and the pandemic persists, music festivals continue to surge as they make up for lost time from 2020. And in Austin, Texas — where warmer temperatures pervade, even in winter — concerts and live events are still going particularly strong. Seismic Dance Event, held November 12th through 14th at The Concourse Project music and event venue, proves as much.
The boutique music festival is curated specifically for house, techno, and underground heads. So you can imagine the kind of feel-good PLUR vibes that were pulsing through the air, complete with out-there rainbow outfits, flashing LED light fixtures, and bass-heavy beats. The lineup featured more than 50 global headlining artists across two main stages, with even more DJs playing at the nightly after-parties that raged late into each night. On top of the entertainment, there were art installations, food trucks, and plenty of room to dance across the seven acres of land at the venue.
Basically, Seismic Dance Event was a weekend to remember (or not), as these photos attest. To add some joy, glitter, and good vibes into your week, we’re sharing all the best photos from the weekend — sure to cure your winter blues in no time.
Adjfoto/A.DjurenClark TerrellAdjfoto/A.DjurenAdjfoto/A.DjurenAdjfoto/A.DjurenMemorandum Media // Jason MyersClark TerrellBCandiaAdjfoto/A.DjurenBCandiaAdjfoto/A.DjurenMemorandum Media // Jason MyersMemorandum Media // Jason MyersClark TerrellClark Terrell
Rolling Loud is known for bringing a huge cast of hip-hop acts from all over the world to one place so that music lovers can watch performances from their favorites and discover new artists in the process. In 2021, Rolling Loud has brought showcases to both Miami and New York with a third one planned for Los Angeles next month. Hip-hop’s biggest names which include J. Cole, Travis Scott, Bobby Shmurda, Roddy Ricch, Young Thug, Gunna, Lil Durk, Lil Uzi Vert, Playboi Cart, Lil Baby, and many more all performed at the festival this year.
With that being said, Rolling Loud also has room for R&B acts to bring their own unique energy to the festival. At last month’s New York festival, Kaash Paige and Abby Jasmine were two R&B singers who took the stage at the showcase and it comes after a strong period for them both. Paige shared her debut album Teenage Fever last year while Jasmine delivered a deluxe reissue for her album Who Cares? to close 2020. She also dropped her I Hate You 2 EP earlier this year.
We caught up with both singers at Rolling Loud to discuss their feelings towards returning to the big festival stage. We also discussed their growth as performers and what’s next for them in their respective careers.
I assume it’s been a while since you’ve performed at a festival this big, how did you enjoy your experience in returning to the big stage today?
Kaash Paige: Man, I’m just really appreciative of the moment. You’re right, during COVID we didn’t get to shine. A lot of the artists, like myself, I dropped my debut album during COVID and I didn’t get to perform how I wanted to. But this year, I got to tour, I got to be outside. I’m just grateful for everything and I’m just excited for next year.
Abby Jasmine: It was a crazy experience from start to finish. The anticipation leading up to it was crazy. You anticipate for weeks and weeks and weeks and weeks on a 15-minute moment. I was definitely on edge the entire time up until my performance. As soon as I got to the Rolling Loud, it was a little bit more real. That made me a bit more nervous, but as soon as I got on the stage, it was great. The crowd and dope, everybody came outside ready to have a good time. I’ve definitely done some shows where people just stand around, but the Rolling Loud crowd was dope.
What do you cherish the most about experiences like this?
KP: I think I cherish seeing every different section of the crowd, you see people that don’t mess with you, you see the people that mess with you, you see the n****s that’s like, “who is this?” You see motherf*ckers like, “Oh, I’m getting hip!” It’s really exciting because, in reality, it’s just work. I feel like this was probably the craziest Rolling Loud performance I’ve ever had, it was insane. I jumped in the crowd, they moshed everywhere, I didn’t expect the crowd to go that crazy. Yeah, I’m just in awe right now.
AJ: I think the biggest one for me is being able to share that experience with my friends, I consider them my chosen family. Sometimes I do shows out of state and they’re not able to make those performances. So being able to have all my friends in that one space and be able to turn up and look into the crowd and see my friends. Walking around backstage, I had my little Henny bottle, I was driving that thing around and we’re just having fun and doing sh*t that we do on a regular basis, but now we’re at Rolling Loud. It was just a really dope experience to be able to do that was my friends because we’re all from New York and we’d never been to a Rolling Loud.
You have both hip-hop and R&B in your discography, and being out here at a major rap festival, I wanted to ask: which one do you enjoy performing more?
KP: Nobody is really used to hearing an R&B singer at a festival for hip-hop. I think I just come out and let n****s know “I’m out here like God sent me.” I’m gonna sing these vocals, but I’m bout to turn up with y’all too. So I try to give them both of everything.
AJ: There’s a real big difference between R&B and rap crowds. There are certain songs I can play for R&B crowds that might not slide with the rap crowd because they’re there to turn up. They want to hear like, you know, lit sh*t. I feel like I do a really good job at trying to blend two as far as when I do sets. I always try to give the R&B crowds a little bit of some rap sh*t and I always tried to get the rap crowd a little bit of like R&B sh*t.
What song do you enjoy performing the most?
KP: I like singing “Love Songs” as my first song just because of course, people know me by that
AJ: I feel like the song that does well with both crowds is “Poland Spring.” That’s just a regular R&B joint, just a real feel-good song and it always does well with like crowds. So that’s one of my favorite ones to perform, and probably “On God” because every time I do that one, the crowd’s energy is crazy.
What do you think has made your onstage experience easier or more comfortable as you’ve grown as an artist?
KP: I just got off tour with Lil Tjay. Doing shows every single day just got me more comfortable to know that it’s gonna be tough crowds and it’s gonna be lit crowds. There’s gonna be moments where your mic’s not working or your sound’s not working. So it’s just being able to be prepared for those moments at all times.
AJ: To be very honest with you, live performances were not my strongest suit for a very long time because I felt like my priorities were always the music. Now I’m kind of seeing it for what it is. There are so many different elements to make music, like yes the music isn’t important, but live performances are something that I was really neglecting. I wasn’t paying much attention to it because I didn’t really have a lot of shows during the pandemic. So coming back, I got real humbled when I had a show and it was a sh*t show. I told myself, like, “Yo, this cannot happen at Rolling Loud. I need to be more prepared.” So I really went in on doing rehearsals and just all that type of stuff.
Did you check out other performances? Who did you enjoy the most? Who would’ve you like to see if you had the chance?
KP: I’m looking forward to seeing J. Cole. I need to hear that. It’s something about J. Cole’s aura that just draws me in. It’s not only the fact that he’s talking about real life, it’s the fact that I relate. He’s an artist that is [one of] the greatest of all time, but still tries to humble himself and put himself down. He be like, “Oh, I’m coming in third place” or I’m doing this or that, like n**** shutup. You’re the goat bro you know? I just relate because we’re all hard on ourselves, especially being artists.
AJ: Okay, so I only saw one performance and I’ll tell you why. The Hennessy caught up to me very early. I’m glad I wasn’t smoking because I would have been just passed out somewhere, probably. The Hennessy got to me real early. I remember very vividly, though, telling people to take me to go and see Asian Doll, I wanted to see Asian Doll so badly. They took me to see Asian Doll, I did go and see Asian Doll and I got to meet her afterwards, it was dope. Oh, I got to see a little bit of Kaash Paige’s set.
What’s the next chapter for you look like?
KP: The next chapter for Kaash Paige is let me finish these shows up this year, and top of the year, it’s my time and everybody’s gonna know Kaash Paige. It’ll be a lot of crazy music that’s dropping [at the] top of the year.
AJ: Well, right now I’m kind of on my little spiritual journey. This year’s been kind of rough. I thought last year was rough, but this year it’s definitely been a little rougher. [I’m] kind of on my spiritual journey, just trying to learn more about myself so I can put that into my music so that everything will keep being authentic. At the end of the day, I just want to be my most authentic self. I’m working on music, I should have something ready by the top of the year.
It was reported last week that Travis Scott and other co-defendants connected to the Astroworld tragedy were being sued by the family of a 9-year-old boy who was trampled at the festival. At the time, the lawsuit indicated that the boy, Ezra Blount, was “in an induced coma on life support and has severe liver, kidney, and brain damage.” Now, unfortunately, the worst possible outcome of this situation has been reached, as Blount has died, his family told Houston’s ABC13. Blount’s passing marks the tenth death connected with Astroworld.
Ezra’s family’s attorney, Ben Crump, said in a statement, “The Blount family is grieving the incomprehensible loss of their precious young son. This should not have been the outcome of taking their son to a concert, what should have been a joyful celebration. Ezra’s death is absolutely heartbreaking. We are committed to seeking answers and justice for the Blount family. But we stand in solidarity with the family, in grief, and in prayer.”
Bernon Blount, Ezra’s grandfather, previously told Rolling Stone, “We have a lot of anger right now because someone is responsible for the condition of our grandson. For him to have the injuries he has, I can’t help picturing in my mind what he had to go through to get those injuries. Someone should be held responsible. He went there with his father to have a good time, not to be trampled halfway to… I don’t want to even say the word.”
Following the tragedy at Travis Scott’s Astroworld festival last weekend, news about deaths and injuries has surfaced. It was reported yesterday that Scott is being sued by the family of a 9-year-old who was trampled during the crowd crush. The boy is currently in a medically induced coma and he’s not the only Astroworld attendee in serious condition: It is now being reported that a 22-year old Texas A&M University student named Bharti Shahani has shown no brain activity since she was injured at Astroworld.
Houston’s ABC 13 reports that Shahani is in critical condition and is currently on a ventilator. Shahani attended the festival with her sister Namrata Shahani and her cousin Mohit Bellani, and Bellani described the scene, “Once one person fell, people started toppling like dominos. It was like a sinkhole. People were falling on top of each other. There were like layers of bodies on the ground, like two people thick. We were fighting to come up to the top and breathe to stay alive.”
As for Shahani’s prognosis, unfortunately, things aren’t looking good. Shahani’s father Sunny says, “The doctors, they say the chances of survival are nothing, which I have not even spoken to my wife until now. We keep saying we’ll pray. I request all of Houston to pray for her. Maybe the prayers might work as a miracle for her.”
The family has set up a GoFundMe campaign, which so far has raised about $45,000 of its $50,000 goal.
If you were to say at this time last year, that in less than a year, we’d be able to hold large-scale music festivals that wouldn’t be a COVID-19 super-spreader event, you might’ve sounded like a crazy person. But by and large, as we’ve learned how change our behavior to help stop the spread of COVID-19, festivals like Lollapalooza and Outside Lands were executed remarkably. Requiring proof of vaccination and implementing a system to verify said proof was a major key, and tens of thousands of people have been able to revel in the grandeur of live music outdoors once again.
On Halloween weekend at Outside Lands festival, over 70,000 people a day came out to San Francisco’s sweeping Golden Gate Park, for what was nothing short of one of the best concert weekends of the year. Fans emanated gratitude for the experience just as much as artists did.
The live music industry was hit hard and for artists, it bore a big weight not just on their livelihoods, but on their creativity as well. Things got pretty dark there for a year and a half. And now with live music and music festivals back in action, there’s a welcome freshness from musicians on stage; thriving once again and needed for so many reasons. We caught up with five performers at Outside Lands 2021 — Albert Hammond Jr., Bartees Strange, Mxmtoon, ZHU, and Rexx Life Raj — to talk about what it means to be playing live shows for massive crowds again. Tap in.
Albert Hammond Jr. – The Headliner
Adrian Spinelli
The Strokes took a solid victory lap around the festival circuit this year, playing III Points Fest in Miami, Atlanta’s Shaky Knees, and even making a headlining stop at The Forum in Los Angeles before the band’s Friday night closing set at Outside Lands. Albert Hammond Jr. has been behind some of the most iconic riffs of the past 20 years and he most recently put out his fourth solo album, Francis Trouble in 2018. But in San Francisco, he was here to put it down with The Strokes, all while relishing in the launch of his sneaky delightful wine seltzer, Jetway.
“Just gathering with people is very important to being a human being. But even besides me, where my career is playing live music and recording, I can see it in people that they want to be around other people. People want to f*ck, man! [laughs] I’m kidding obviously, but I mean that in how people want to interact… It’s a very human thing. And If we’re just home, things start to fall apart.”
Bartees Strange – A Big Realization
Adrian Spinelli
Washington D.C.-based indie rocker Bartees Strange’s career is on the up. His 2020 album Live Forever proved to be a critically-acclaimed breakout hit and its surging artists like him who relish in the number of people at a music festival who are witnessing him and his music for the first time. He delivered one of the most inspired and positively-charged performances of the weekend on the Sutro Stage, and being back out on stage and playing to big festival crowds helped him re-focus on why he makes music to begin with.
“For the last 15 years, I’ve just been playing music and playing shows. And then all of a sudden it just went away. But I kept writing… but then I kinda forgot why? I was like ‘No one is ever gonna hear this?!’ And then I had to remember that I was always writing for myself anyways. And I found a lot of peace in that. And now that I’ve come back out and I’m playing to bigger crowds, it’s exciting to watch everybody react to the music, and I feel really good about being happy with myself. It’s a beautiful thing to come to realize, at a point where I don’t think I would’ve ever had that realization if things wouldn’t have stopped. So it’s been really amazing to be in front of people and to be perceived, and I feel very solid, which is nice.”
Mxmtoon – From The Bedroom To The Big Stage… Finally
Adrian Spinelli
Mxmtoon not only built her music from her bedroom, but she also built a massive fanbase. The Oakland native has close to a billion Spotify streams across all of her quaint folk-pop songs and is a TikTok sensation with more than 2 million followers. She launched a pop culture-friendly history podcast called 365 days with Mxmtoon, where she’s had guests on like Carly Rae Jepsen, Jon Batiste, and Julien Baker. And this past September, she put out the True Colors EPin conjunction with the Life Is Strange adventure game series. Suffice it to say, the 21-year-old had a lot of material to share on stage and she said that being back at a festival in her backyard means “everything” to her.
“I started making music by myself in my room and I think to have an opportunity to bring the pieces of work that I’ve been making for the last three years really, to a live stage and just play it to an audience that’s so close to my heart in the Bay Area? It’s so cool and something I’ve been waiting to do for years at this point. And I can’t really believe that it’s actually happening, it feels really surreal. I can only hope to keep having experiences like this and hopefully for people to see that there is a light at the tunnel through all of this and that live shows are back and hopefully here to stay.”
Rexx Life Raj – The Hometown Rapper Back Where He Belongs
Philip Cosores
Few people made an entrance at Outside Lands quite like the gregarious and gigantic Rexx Life Raj. On Halloween afternoon, he came out mounting a literal T-Rex, clad in a Jurassic Park-style safari vest that his whole team on stage was also wearing. It was not only a testament to his larger-than-life persona, but also to the team mentality that Bay Area hip-hop is founded on. In true Bay Area fashion, the man knows how to relax, and after his set, sipped an Aperol Spritz (at the branded “Aperol Piazza,” of course) and reflected on not just being back on stage, but doing so to a hometown crowd.
“It literally feels insane, but insane in a good way. I knew I missed it, but I didn’t realize how much I missed it until I was on stage and was like, ‘This is where I’m supposed to be.’ And just being around this many people? I haven’t been around this many people in a year and a half, two years even. it just feels good to be at home here and see friends and family, and just to be able to perform is really tight.”
ZHU – The Electronic Music Heavyweight
Wilson Lee
Living in the shadows has always been a part of ZHU’s persona. The electronic producer and multi-instrumentalist initially came up as a mystical figure in EDM with an unknown identity. He’s since stepped out from behind the curtain to become one of the most crucial voices for Asian-Americans in electronic music, and released the excellent Dreamland 2021 this year. A San Francisco native, he headlined the Twin Peaks Stage on Saturday night following his fellow SF-er 24KGoldn’s performance. The pair would perform their hit “I Admit It” together at the festival and for someone who plays electronic festivals all over the world, a return to the normalcy of being back on the road and on stage was beginning to set in.
“I think that it was a transitional period for all of us. For me, it really didn’t hit until even last week when I was in Miami playing to 10,000+ kids and for the first time, I had the realization that we’re really back. It’s not a minimal capacity. People were ready and it’s great for the culture.”
