[WATCH] Rare Footage Of Cam’Ron In Cipher In Harlem Circa 1995

Screen Shot 2022 08 15 at 8.56.57 AM

Diplomats General Cam’ROn took to social media to post footage of himself, MA$e, Big L(RIP), Bloodshed(RIP) and McGruff from 1995 in a rhyme cipher in St. Nicholas Houses in Harlem.

“Before DIPSET IT WAS BBO then COC!!! This is footage is In ST Nick PJ’s, These are the bars u get when u spar with @rsvpmase #BigL #BloodShed and @therealherbmcgruff (in a good way) every week,” said Cam. He continued with his pending hoop dreams and drug dealing reality, saying, “Still wasn’t taking rap serious tho. This was a month after I got kicked out of college. Still thought I was going to the NBA. So I got a 8 ball to hold me over till I got back into school. Never went back tho 🤷🏾‍♂️ I’ll post part 2 on Monday!!”

The post [WATCH] Rare Footage Of Cam’Ron In Cipher In Harlem Circa 1995 appeared first on The Source.

Mase And Cam’ron Have Appeared To Settle Their Feud, Which Went On For Over 20 Years

Rappers Mase and Cam’ron have appeared to settled their beef — one that has lasted for over two decades. In an Instagram video shared by Mase’s sister, Stason, Mase is seen calling Cam’ron on the phone.

“Killa, what’s good?” says Mase. He later jokingly asks “Where’s Mr. Petty at these days?,” referring to Cam’ron’s 2017 diss track “Dinner Time,” targeted toward Mase, on which he says, “You done opened up a door, I’m petty, ready for war.”

Stason captured the video, saying, “Ok now @rsvpmase and @mr_camron I DEFINITELY DID NOT SEE THIS COMING but I’m here for it!!!! Smh y’all gotta stop with this nonsense or I’m swinging on both of y’all!!!”

Their beef began back in 1999, when Mase relocated from New York City to ATL, which was rumored to be due to an ongoing beef with a Harlem street figure named Baby Maine. Around that time is when he retired from rap to become a pastor. He returned to hip-hop in 2004, with a single called “Welcome Back.” During an appearance on Hot 97 in July 2004, Mase explained why he left hip-hop, and Jim Jones and Cam’ron called into the radio station, questioning the legitimacy of his story and calling him a fraud.

Now, the beef seems to be over for good, as Stason’s video was hashtagged with the tags, “#The2KingsOfPetty, #WhenMenGrowUp, #ILoveIt, #Mase and #Cam.”

[WATCH] Ma$e Announces That He’s Joining Death Row Records

Screen Shot 2022 08 04 at 9.38.32 AM

During an ultimately fatal feud between two coasts back in the mid to late 90s, Death Row Records and Bad Boy Records were the most powerful labels in Hip Hop music. Now, after a week of being in the forefront of Hip Hop gossip, former Bad Boy Ma$e is looking to be the first rapper signed to have signed to both of the monumental imprints.

Ma$e, whose given name is Mason Betha, took to Instagram yesterday(August 3) to announce that he’s in the process of signing a deal with Death Row Records, which is now owned by Snoop Dogg.

“I’m on Crenshaw — just passed Pico, just passed Slauson — and I’m out here to meet with Snoop so I can do another joint venture with Death Row Records,” Ma$e said while riding through L.A. I’ll be officially the first one signed to Bad Boy and Death Row. And we gon’ get the 2Pac thing rekindled. Let’s see where we go with that.”

Ma$e was one of Diddy’s flagship artists for Bad Boy, dropping thre albums on the label; Harlem WorldDouble Up and Welcome Back before departing in 2012. Their relationship soured soon after and earlier this year, Ma$e dropped a diss track aimed at Diddy called “Oracle 2: The Liberation Of Mason Betha”.

However, before Ma$e decided to make this move, Snoop alluded that he and Diddy were trying to bridge the gap between the two powerhouses. “We can show growth and progression that we can move forward,” he said. “We can take this Bad Boy, Death Row, what it used to be, and make it a collaboration on peace and love. ’Cause that’s who I am. I’m Suge and Puffy.”

The post [WATCH] Ma$e Announces That He’s Joining Death Row Records appeared first on The Source.

[WATCH] Ma$e Admits He Regrets Feud With Cam’ron

Screen Shot 2022 08 03 at 8.47.22 AM

On a recent episode of Gillie and Wallo’s Million Dollaz Worth of Game, former Bad Boy artist delved into how buying his first iced-out Rolex is when his relationships began to turn sour.

“When I got the money it just changed everything, but at first my problem with I think Cam was just that they thought I had money I didn’t have,” Ma$e said. “Like I just told you I was flexing crazy, so n-ggas was like, ‘Yo, Murda ain’t sharing the bag.’ I never got the bag. Now that we looking back you can see he never got that bag, and then by the time I got the bag we was enemies already. So I didn’t get to break ’em off.”

He added, “That’s one of the relationships I regret. I think I got two that I regret, and going at Killa, I wanted to do that but that was like my n-gga, you know what I’m saying? So that really hurt me.”

Ma$e and Cam’s issues began in 1999 when the former Children of the Corn member left Harlem and went to Atlanta to become a pastor after a street beef with the late Baby Maine.

Ma$e returned to the rap game five years later with a new album called Welcome Back, which he promoted on Flunk Flex’s Hot 97 radio program. During the show, Cam and Jim Jones called in to interrogate Ma$e over his abrupt departure from Harlem. The trio argued live on Hot 97, with Cam calling him a “fraud.”

The post [WATCH] Ma$e Admits He Regrets Feud With Cam’ron appeared first on The Source.

Mase Denies Giving Fivio Foreign A Minuscule $5,000 Advance, Saying They Split Everything 50/50

The 20-year feud between semi-retired Harlem World rapper Mase and his former mentor Diddy took an unexpected twist last week when it was revealed that the two men might have more in common than previously imagined by fans. Mase was dubbed “Diddy 2.0” after burgeoning Brooklyn artist Fivio Foreign appeared on the Million Dollaz Worth Of Game podcast and claimed that he’d only received a paltry pittance of $5,000 to sign to Mase’s RichFish imprint early in his career.

Mase, who claimed that Diddy only gave him a $20,000 dollar advance in the ’90s in exchange for signing away his publishing, must have thought that he looked bad in light of passing on the misfortune to another artist. So this week, he went on Million Dollaz Worth Of Game himself to clear the air and explain that the situation wasn’t as bad as Fivio made it out to be. According to Mase, the real amount he offered was actually much larger — about $745,000 larger, in fact.

“I had to put a file together of all the history that was left out,” Mase says in the video above. “At one time I gave him $5,000, but I gave him $750,000.” He elaborates that he structured Fivio’s RichFish deal so that he could remain involved as Fivio negotiated contracts with major labels such as Def Jam and Columbia. Mase then proceeds to show hosts Gillie Da Kid and Wallo267 documents on his phone — even going as far as calling execs at Columbia on the air — that show that he tried to be fair to Fivio and give him 50/50 on all their splits.

Of course, what with Fivio admitting he didn’t know the business well at the time, it’s entirely possible that he misunderstood how things worked (it’s happened before and will likely happen again). It’s also possible that Mase is flimflamming in order to make himself out to be the hero of the narrative. As with any of these situations, the facts are likely somewhere in the middle and the details are being muddled in the retelling. In the end, I think the big takeaway is that the music business needs some serious overhauls to ensure transparency and fairness for artists and the business people who help make them stars.

Fivio Foreign Says Mase Gave Him A $5,000 Advance When He First Signed: ‘That Sh*t Ain’t Last Two Weeks’

Fivio Foreign has become one of this year’s buzziest rappers. He first came to fame about three years ago, when his song, “Blixky Inna Box” became an underground hit. The song caught the attention of Mase, who immediately presented Fivio with the paperwork to sign to his RichFish label.

In an episode of the Million Dollaz Worth of Game podcast, Fivio revealed that he signed the deal without hesitation and was granted a $5,000 advance.

“[Mase] was like, ‘Yo, man. Just sign that shit, You buggin,’ I’m like, ‘Yeah, read it.’ He’s like, ‘Alright, just sign it. It’s good.’ So, I just signed it.” Fivio, at the time, didn’t have an understanding of major label politics and anticipated that his advance would last him much longer than it actually did.

“That sh*t hit,” he said. “I thought that sh*t was going to last until whenever it was going to last. That sh*t ain’t last two weeks.”

The podcast host, Wallo267, was visibly disheartened by the little amount Mase gave Fivio, probably because Diddy gave Mase a similar deal in which he purchased the publishing rights to his music for only $20,000 in 1996. Mase has since voiced his disdain toward Diddy through a diss track called “Oracle 2: Standing on Bodies.”

Fivio assured the host that he wasn’t upset by the deal.

“I don’t really be complaining or crying over spilled milk,” Fivio said. “I already made this decision. For me, I’m in a better situation now. He get what he get… But I control my money.”

Check out the full interview above.

Drake Shows Love To Ma$e & Diddy With 90s Bad Boys-inspired Outfit

Drake

Drake steps into his 90s bag with his latest fit.

Following the release of his latest project, Honestly, Nevermind, The Boy has been active promoting the project. During the week, he was spotted wearing an outfit that was straight out of a Bad Boys Record label video in the late 90s.

One of Drake close friends, DJ Carnage took to TikTok to show off Drizzy’s fit and asking TikTok to rate it. The “Jimmy Cooks” artist donned a navy blue leather Ma$e jersey, baggy jeans and white air force ones.

Carnage first compliments his friend. He then asks how he feels. Drake does his best Ma$e dance impression, along withe a Harlem Shake. What would you rate Drake’s Puffy and Ma$e-inspired fit.

The homage comes on the heels of French Montana’s story of helping to squash the beef between his two friends, Drake and Diddy.

With the release of Honestly, Nevermind, we’re going to see more of Drake as he promotes his project.

He even went online to defend the project after its initial criticism. The Toronto native urged that he’ll wait for fans to “catch up,” in regards to the House and Jersey club influenced-project that the album possessed.

Nevertheless, it will continue usher its way into our playlist as Summer is underway, despite its criticism.

The post Drake Shows Love To Ma$e & Diddy With 90s Bad Boys-inspired Outfit appeared first on The Source.

Mase Accuses Diddy Of Tampering With His Lovers & Friends Festival Set

Mase’s set at Lovers & Friends Festival this past Saturday (May 14) should have been a special moment for both him and the Las Vegas attendees. Sadly, the sound system had other plans as he had technical difficulties throughout his performance, culminating in the sound being completely cut off for around ten minutes after he tried to perform the 1997 classic record “Mo Money Mo Problems” also featuring The Notorious B.I.G and Diddy. Mase seems to believe it was no accident, blaming the latter for coordinating the blunder.

The New York rapper told the crowd “I see what’s going on. I’m used to being hated on. I’m used to what’s going on. Somebody, somewhere paid a few dollars to stop my show. But that can’t stop somebody like me. I don’t get ran away too easy. I just wasn’t ready for that, so I’m gonna take my time.” He continued with “Thank you Puff, you know he paid for that right? I got you n****. I heard you loud and clear.”

Mase has been very public with his disdain for Diddy over the years, citing discrepancies with the amount of money he’s been paid for publishing and going as far as to say the Bad Boy founder has been capitalizing on the death of Biggie for selfish monetary gain. Diddy hasn’t commented on the matter yet as he was busy with the 2022 Billboard Music Awards.

Today In Hip Hop History: The Notorious B.I.G.’s Posthumous ‘Life After Death’ LP Turns 25 Years Old!

Screen Shot 2022 03 25 at 4.42.22 AM

A quarter century ago today in Hip-Hop history, Notorious B.I.G. released his second album, Life After Death. The double LP was released posthumously by Bad Boy Records. Biggie, who was killed two weeks prior to its release, was nominated for three Grammy’s for this project: Best Rap Album, Best Rap Solo Performance for “Hypnotize” and Best Rap Performance by a Duo or Group for “Mo Money Mo Problems.”

Featuring artists like 112, Jay-Z, Lil’ Kim, Ma$e, Bone Thugs-n-Harmony, Too $hort and R. Kelly, along with tracks like “Kick In The Door,” “What’s Beef,” “Notorious Thugs,” “Ten Crack Commandments” and “Sky’s The Limit,” it can be said that Life After Death is one of the greatest rap albums of all time. The album hit #1 on the Billboard 200 chart and the US Top R&B/Hip Hop chart. It went diamond (that’s 10,000,000 copies sold) in the United States alone, double platinum in Canada, and platinum in the UK. Life After Death has also made appearances on top music charts across the globe. The album has been ranked by countless publications as one of the top rap and Hip-Hop albums of all time (The Source ranked it as #8 in 2005).

Salute to Diddy and the rest of the Bad Bot family for this timeless piece of Hip Hop history!

The post Today In Hip Hop History: The Notorious B.I.G.’s Posthumous ‘Life After Death’ LP Turns 25 Years Old! appeared first on The Source.

Ma$e Says He Dissed Diddy After Seeing the Pain of Other Bad Boy Artists

v

Ma$e is continuing his latest attack on Diddy. Following the release of “Oracle 2: The Liberation of Mason Betha,” Ma$e hit Instagram and gave details to his recent diss.

“When I see the hurt and the pains of other people on Bad Boy, that motivates me to say something, so I don’t be deemed as a person who just made a bunch of money and turned a blind eye,” Ma$e said. “I’m not going to be like the rest of the people around Puff that don’t tell him he’s wrong. I’m not gonna be like the ‘yes’ men around him that see him ruining people lives and never tell him he’s wrong. More people on here will tell me I’m wrong, but won’t say anything to him.”

He added, “They’ll judge my beliefs, they’ll judge my Christianity, and they’ll say nothing to Puff. They’ll say nothing about it’s a concert for Biggie, and Biggie own daughter couldn’t get in. They don’t say nothing about that. But all of his friends got 50 and 60 tickets. We’re done with your games.”

On the new single, Ma$e made Diddy a direct target:

“Yeah, I’m just a Harlem nigga reppin down a Vegas strip with my own suge
You from Mt. Vernon nigga, go and rep your own hood
I’m not hating on your Billi worth
Right now, I’m only saying what you really work
You aint no architect
You just a nigga who know how to market death”

– Mase on “Oracle 2”

You can hear the single and why Ma$e dissed Diddy below.

The post Ma$e Says He Dissed Diddy After Seeing the Pain of Other Bad Boy Artists appeared first on The Source.