Snoop Dogg has re-signed former Death Row Records artist, Danny Boy, back to the label he once called home. Acting as the imprint’s owner, Snoop announced the move on Instagram, on Sunday. “He’s bac home,” Snoop wrote alongside a series of emojis. In the comments section, several artists shared their excitement at the news including Omarion and Faith Evans.
On his own Instagram page, Danny added: “After 20 something years I finally got@the opportunity to do a song with the #dog #bigbro that open the door for us all @deathrowrecords @snoopdogg wow can’t believe this past week… I went on a #faithwalk #staytuned.” In another post, he added: “Thanks to my Neice @sasha_lanyae and her coworker @americanairline for having me sing on the mic and welcoming me back to #deathrow wow this chapter is going to be amazing.”
Snoop Dogg Attends Dr. Dre’s Hollywood Walk Of Fame Ceremony
Dr. Dre and Snoop Dogg at the star ceremony where Dr. Dre is honored with a star on the Hollywood Walk of Fame on March 19, 2024, in Los Angeles, California. (Photo by Christopher Polk/Variety via Getty Images)
Suge Knight originally signed Danny to Death Row back when the rapper was just 16 years old. During his time with the company, he appeared on 2Pac‘s All Eyez on Me and The Don Killuminati: The 7 Day Theory as well as the soundtrack to Murder Was the Case. The label, unfortunately, shelved his own debut album, It’s About Time, but the project did eventually see the light of day in 2010. Snoop previously mentioned being interested in bringing Danny back to Death Row, last year. He acquired the label back in 2022.
Drake and The Weeknd are widely considered as two of Canada’s biggest musical superstars and for good reason. Both have proven over and over again that they know how to make impactful pieces of art. Early on their careers, most know that they were close and helping each other make it in the industry. However, when it came down to Drake looking to eventually sign The Weeknd to OVO, it did not work out for Drizzy. Abel made it clear back then that he felt he could still become a force and sure enough that decision paid dividends tenfold.
Following that, there has always been speculation that they had some sort of beef because of that indifference. Lately, those suspicions have turned out to be true, as The Weeknd made it clear on “All to Myself.” The WE STILL DON’T TRUST YOU cut off Metro Boomin and Future’s most recent album, heard him say how happy he was for that decision. “I thank God that I never signed my life away… They shooters makin’ TikToks / Got us laughin’ in the Lambo (Yeah).” Drake recently responded to that diss on his fiery, 20 versus 1 response “Push Ups (Drop & Give Me Fifty).”
With all of that in mind, some people’s minds might be persuaded to think that Drake may be the good guy here. A clip from Drake’s viral interview with Rap Radar about four years ago resurfaced in which he addressed not being able to sign The Weeknd. In it, The Boy says that he personally never had any ill will toward the R&B icon, but that some others on the OVO label did. He also expressed that he was always “super happy” and “excited” for him. However, most fans were not drinking the Kool-Aid. “U could tell he was mad with his lyin ahhh,” one person wrote. “I’d be mad too if I didn’t sign the biggest artist in the world,” another added.
What are your thoughts on Drake and his comments about being “super happy” for The Weeknd? Do you think there is some underlying thoughts of “what could have been,” why or why not? How do you think his career would have looked if he signed with OVO? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Drake and The Weeknd. Finally, stay with us for everything else going on around the music world.
Rising star 4batz is having a great week, musically. Fresh off the release of his single “act ii: date @ 8” remix featuring Drake, it’s now been announced that the artist just inked a lucrative deal with Drake’s OVO, as reported by Billboard. This agreement marks a significant milestone in the young artist’s career, signaling a promising collaboration between two powerhouse names in the industry. According to Billboard’s report, the deal between 4batz and OVO is a licensing agreement specifically tailored for an EP, at least for the time being. However, the potential for future collaborations and expansions is not ruled out, hinting at even greater things to come for the talented musician.
Since the release of his track “act ii: date @ 8” 4batz has garnered attention from multiple labels eager to sign him. Originally released through Vydia, the track gained considerable traction, drawing the interest of prominent figures like Drake. In fact, Drake himself just recently hopped on a remix of the song, further boosting its popularity. As 4batz embarks on this exciting journey with OVO, fans eagerly anticipate the release of his EP and the promising collaborations that lie ahead.
The partnership between 4batz and OVO comes at a pivotal moment, as OVO has recently announced a collaboration with Todd Moscowitz’s Santa Anna Label Group, operating under the Sony Music umbrella. This strategic alliance opens up new avenues for distribution and marketing, amplifying the reach of OVO releases, including 4batz’s upcoming EP. Furthermore, in a recent interview with Billboard, 4batz shed light on the inspiration behind his viral track “act ii: date @ 8,” describing it as a track crafted specifically for the female audience.
In addition, he expressed his disapproval of the prevalent toxicity in contemporary R&B, emphasizing his upbringing’s values of respect and chivalry towards women. For 4batz, authenticity and sincerity in music are paramount, evident in his heartfelt lyrics and genuine expressions. Moreover, 4batz’s dedication to staying true to his roots and personal values resonates with fans, setting him apart in an industry often characterized by superficiality and gimmicks. By infusing his music with sincerity and authenticity, he not only entertains but also connects with listeners on a deeper level, fostering a genuine bond that transcends mere fandom.
As an estranged founder of Roc-A-Fella who was instrumental to its rise, Dame Dash has a lot to reflect on and spill beans about when it comes to that era. Not everything he says is accepted as true by his other colleagues, but it’s unlikely that debate will ever die down. Moreover, the executive recently recalled how Jay-Z didn’t want to sign Kanye West to the Roc, and how he had to fight for his place in their roster of MCs. Overall, this isn’t particularly new information, although he doubled down on how hard he had to fight to combat their reluctance.
“I almost couldn’t sign Kanye, I had to get a vote,” Dame Dash expressed recently during an Instagram Live session. “I had to fight to put Kanye out, I had to fight Lyor [Cohen] and Jay-Z. They didn’t want that man to come out. So the point was, I was like, ‘Yo, I’m not gonna be in a place where I gotta fight to put that man out.’ The same way I had to fight to put Jay out, fight to put Rachel Roy out, fight to put Cam out. Everything that I’ve ever had to put out has been against nerds telling me not to put it out.”
Meanwhile, this is what Jay-Z had to say about this debate in a 2009 interview with XXL. “Let’s first clear this thing about Dame and Kanye and all of us,” he began his version of the story. “We all had a conversation about Kanye and whether to sign him. No one knew what would become of Kanye. Not Dame, not me not Biggs.
“So we all sat down and said, ‘Let’s at least sign so we can keep the tracks in-house,’” Hov continued. “‘It’s only good business.’ And Dame said, ‘We can put Beans and Cam, surround him and make this type of album.’ I wasn’t saying don’t sign Kanye. I was saying, at least keep the beats in-house, if anything.” For more news and the latest updates on Dame Dash, Jay-Z, and Kanye West, check back in with HNHH.
When two legendary figures in the rap world come together to spit game after past disagreements, such meet-ups make the culture thrive. Fat Joe and Uncle Luke recently squashed their short-lived beef over who really put Miami rappers Pitbull and Trick Daddy on. During an Instagram live session on Friday, the Terror Squad mogul clarified his claims made on the My Expert Opinion podcast that he was the main booster of their careers.
NEW YORK, NEW YORK – NOVEMBER 15: Fat Joe speaks onstage during “In Conversation with Fat Joe” at The Apollo Theater on November 15, 2022 in New York City. (Photo by Shahar Azran/Getty Images)
“I love Joe but i find this very interesting because i discovered @trickdaddydollars he did his first song with me as soon as he got off the lock up and by he stayed with me,” Luke responded shortly after. “I also discovered signed @pitbull to the platinum selling Luke records label he did his first song’s with me.
“Maybe I’m missing something here I do have the receipts,” the 2 Live Crew boss added. “By the way because you don’t see me all in the videos at the birthday partys [sic] yes @djkhaled i found him on underground radio mix 96 brought him to main stream, radio @99jamzmiami The Luke Show.”
I find this very interesting because the last time I checked, I discovered @pitbull and @305MAYOR they recorded there first record on @lukerecords I got the receipt to show. Guys let’s not try and rewrite history. I’m not dead yet. @BETpic.twitter.com/28uxiAiLQ7
First, Fat Joe kicked off the live by making sure his audience knew Uncle Luke’s impact and career position. “Like I told you Luke is an icon, living legend,” he stated. “He created the sound of Miami. He put everybody on.”
Also, the New York rapper recounted visiting Miami in 1999 for Super Bowl XXXIII. There, he said, he found what was so special about Trick Daddy and explained his perspective and role.
“Trick Daddy s**t was playing all over the Carol Mart [flea market], all over the parties,” he elaborated. “I went back up to New York. Sat in the office with Craig Kallman, who’s still the boss of Atlantic. I don’t f**k with him no more, but I took the demo of Trick Daddy. I put it on his desk and said, ‘You need to sign this guy, he’s the next guy.’”
Fat Joe has always sought the pulse of the culture, even if he doesn’t get his proper flowers for it sometimes. He recently spoke about being frustrated when he lost a Grammy to Chance the Rapper. Moreover, he went on to explain: “I know you discovered Trick Daddy, you discovered Pitbull. I never said I discovered them, Luke. I took his demo, out of love for hip-hop. And Craig Kallman called me two days later and said, ‘I signed the guy Trick from Miami.’
Luther Cambell a.k.a. Uncle Luke performs during the BET Hip Hop Awards 2017 at The Fillmore Miami Beach at the Jackie Gleason Theatre on October 6, 2017 in Miami Beach, Florida. / AFP PHOTO / Gaston De Cardenas (Photo credit should read GASTON DE CARDENAS/AFP via Getty Images)
Additionally, Fat Joe said he gave Pitbull’s music to Steve Gottlieb and Brian Leach of TVT Records. They were searching for a Hispanic artist after Joe’s success.
“When Big Pun’s double platinum, Fat Joe’s platinum, the Spanish n***as is rockin’, TVT is begging me for any Spanish artist in the universe,” Joe remarked. “Robby Rob steps to me and says, ‘Joe, I need this favor.’ I walk in TVT to Brian Leach, Steve Gottlieb and I said, ‘This is the guy. This is the next one.’ Now they signed him.”
Furthermore, Uncle Luke recognized Fat Joe’s influence and the role he played in keeping the playing field competitive.
“I wanted a Cuban artist because I was from Miami,” the Miami legend told fans. “Jullian Boothe, he was my A&R guy. Big Teach, Jeff Sanchez, [I told them] ‘We need to find a Cuban artist. I don’t give a f**k what y’all do. Go find me a goddamn Cuban artist because I will not be complete in Miami unless I have a Cuban artist. Them dudes got Big Pun and Fat Joe outta New York, we gotta compete.”
Meanwhile, Fat Joe recently explained how his beef with 50 Centcost him $20 million. It’s good to see him squashing beef before it gets too steep. You can watch the entire conversation between the two OGs below.
What do you think about Uncle Luke and Fat Joe’s conversation? Let us know in the comments below and stay tuned to HNHH for the latest in hip-hop legacy.
