On this date in 1993, KRS-One and the rest of the Boogie Down Productions crew dropped the Sex And Violence album, which was the fifth and last album put out by the pioneering Bronx-based Hip Hop collective.
The album produced less than lackluster sales, partially, according to KRS, because of his incident where he threw PM Dawn rapper Prince B off the stage during one of their performances. Kris also used this album to address his beef with X-Clan because of KRS’ proclamation of humanism rather than embracing X-Clan’s aggressive form of Afrocentricity.
This album touched on many of the social issues of the time, including the rape trial of Mike Tyson on “Say Gal,” “Build And Destroy,” where he addressed his humanist views and “13 And Good,” where Kris talks about the commonality of statutory rape.
Salute to “The Teacher” and the rest of BDP including Prince Paul, Heather B and Kenny Parker for making this album an underground classic!
The world has come to stand and acknowledge the 50-year mark of the assassination of a man who is defined as being the most influential civil rights leader in American history, Dr. Martin Luther King Jr. On April 4, 1968, as he stood on the balcony of Lorraine Motel in Memphis, Dr. King was fatally struck with a bullet by James Earl Ray, an unlawful racist. The striking assassination of Dr. King follows a sturdy 14-year reign serving as a dominant figure in the civil rights movement fighting for the security of legal rights for African Americans. It was a fight drilled with nonviolence and civil disobedience, being burgeoned by the vile acts of racial segregation, disenfranchisement, and exploitation of all hanging from the centerfold of racism.
The powerfully symphonic voice of Dr. King in his iconic “I Have A Dream” speech delivered at the 1963 March on Washington sets the tone for emotional empowerment. It is currently the most sampled Dr. King audio recording in hip-hop history. In honor of Dr. Martin Luther King Jr and his sound legacy. Here are nine hip-hop songs sampled by the legendary leader’s voice.
1. Sadat X “Return of the Bang Bang” (2010)
Reigning from the silver-tongued posse who is bound to their divine blackness is Sadat X of Brand Nubian on the solo tip with “Return of the Bang Bang.” The unorthodox emcee takes to the mic to drop insight about his daily journey as a seasoned vet returning to the game. In his signature abstract style, Sadat uses Dr. King’s “I Have a Dream” passage to serve rightful diction in his tunnel of bars. “Return of the Bang Bang” is featured on Sadat’s 2010 sequel gem Wild Cowboys II.
2. Heavy D & the Boyz “A Better Land” (1989)
One of the golden era’s finest, the late Heavy D is pouring his soul out in rhyme in “A Better Land” with his boyz about improving the meager conditions of impoverished communities. The telling track starts with a sample of Dr. King’s “I Have A Dream” speech that ends with one of his most acquainted quotes, “We hold these truths to be self-evident that all men, are created equal.”
3. Edo G feat. Masta Ace “Wishing” (2004)
Donald Trump is not the first President of the United States to be highly scorned by most of his country. Back in 2004, George W. Bush was in office, turning America’s dream into a nightmare with his jest-like measures. Edo G and Masta Ace took to the mic to release their wishes while demanding intrinsic change in the American way. After Masta Ace crops the title of a dreamer, Dr. King’s infamous line about his dream for freedom and justice in Mississippi hoards the track.
4. Cyhi Da Prynce “Ring Bellz” (2010)
Cyhi Da Prynce is honoring his cultural edge through the barrels of black history in “Ring Bellz” a song from his 2010 mixtape Royal Flush. While mixing his braggadocios persona with black excellence, the G.O.O.D. music wordplayer takes it from Fredrick Douglass to Stokely Carmichael, with the profound words from Dr. King’s beloved speech leading the track.
5. Common feat. will.i.am “A Dream” (2006)
Chicago’s renowned poet in rhyme Common teamed up with will.i.am of The Black Eyed Peas for a true hip-hop measure that reflects on the progression and condition of blacks in a known racist America, the way Dr. King stood sturdy for titled “A Dream.” Owning the same desire for nation zenith, just as King, it was sensible for the abstract collab to start with King’s pacifying “We gonna work it out” saying.
6. Grandmaster Flash and The Furious Five “The King” (1988)
With Melle Mel being heralded as one of hip-hop’s earliest conscious rappers, the lingering legacy of Dr. King has certainly played a role during hip-hop’s infancy. The hip-hop pioneer rocks the mic with delight honoring the deeds of Dr. King by recognizing the Civil rights icon’s brightest accomplishments while calling for the bells of freedom. “He brought hope to the hopeless, strength to the weak.”
7. Wu-Tang Clan “Never Let Go” (2014)
Known for their supremely motivational rap hymns, the Wu-Tang Clan hit the masses with a dream driven tune in signature fashion. Docking off of their sixth studio album A Better Tomorrow is “Never Let Go” an ode to survival during challenging times. Before Masta Killa leads and after U-God anchors the track, a courteous potent chunk of Dr. King’s “I Have a Dream” speech is heard where the beloved leader makes one of his most bracing points, “For many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.”
8. Boogie Down Productions “Love’s Gonna Get’cha (Material Love)” (1990)
Emphasis is something KRS-One has mastered as a lyricist. Amid the prime of Boogie Down Productions‘ fourth studio album Edutainment comes its top single “Love’s Gonna Get’cha (Material Love),” a song that serves as a warning about the detrimental lust that comes with chasing after material things. To throw emphasis on “movin’ on,” the voice of Dr. King chanting the phrase from his final speech “I’ve Been to the Mountain Top.”
9. Immortal Technique feat. Chuck D, Brother Ali, and Killer Mike “Civil War” (2011)
Budding off of the musically factious Immortal Technique‘s 2011 compilation album The Martyr is “Civil War” featuring Chuck D, Brother Ali, and Killer Mike, an unapologetic effort to audibly express “trying to survive cultural assassination,” the great PE lead makes it clear in the chorus. The track samples a selection of King’s final speech, where the iconic leader encourages the destruction of fear in exchange for glory.
Dr. King’s call for sound justice fused into a faithful dream for African Americans has thrived its way into hip-hop culture out of the purpose of nature. The infancy of hip-hop culture is a result of movements that brewed during Dr. King’s time. Movements that were centered in the fight for justice and art of freedom such as the Black Panther Party and Black Arts Movement, who all commonly owned a desire to climb the path of racial justice. The youth of hip-hop’s beginnings dreamed of topnotch mobility out of the hood, reversing the culture of police brutality, and several cases of discrimination ceased. Now, since the culture has grown into a universal phenomenon, Dr. King’s dreamy element of justice is emblematic in hip-hop whenever he is sampled on a track.
In Hip Hop, conscious rap is a subgenre that stands out as a powerful force for change and introspection. Beyond the glitz and glamor of mainstream narratives, conscious rap serves as a resonant voice. Over the years, certain rappers have harnessed it as a tool to address and unapologetically tackle societal issues. Likewise, it has helped spark important conversations and challenge the status quo.
Certainly, all kinds of music can influence listeners or evoke certain emotions. However, almost no other kind of music exerts as much positive influence on its listeners as conscious rap. Emphatically, artists use their lyrical prowess to illuminate the shadows of social injustice and amplify the voices of the unheard. Undoubtedly, the subgenre is one of the noblest and most substantial genres of music out there. It goes without saying more people should be listening.
The Emergence Of Conscious Rap
Conscious rap came to light in the late ‘80s and early ‘90s. It emerged as a response to the prevailing themes in mainstream Hip Hop at the time—often glorifying violence, materialism, and hedonism. Contrarily, conscious rap sought to address social and political issues while promoting a more positive and enlightened perspective.
In the late ‘80s, artists like Public Enemy began incorporating socially conscious themes into their music. With their music, they explicitly addressed racial inequality and systemic issues. Tracks like “Don’t Believe the Hype” and “Fight the Power” set the tone for future conscious rap songs. By the early ‘90s, conscious rap saw the rise of groups like A Tribe Called Quest and De La Soul. These acts significantly contributed to the movement. Notably, they did so by infusing their lyrics with intellectual and positive messages.
The Genre Picks Up Speed
Subsequently, introspective artists such as KRS-One, Common, Tupac Shakur, Mos Def, and Talib Kweli rose to prominence. The golden era of conscious rap is often associated with these acts, which began making waves in the early ‘90s. They focused on lyrical depth, storytelling, and raising awareness about societal challenges. In the ‘90s, other acts like Lauryn Hill, Arrested Development, and Queen Latifah also contributed to and left a mark on conscious rap.
In the 2000s and beyond, artists like Kendrick Lamar, J. Cole, and Logic, among others, continued the tradition, using their platforms to speak on pressing social issues. Since the ‘80s, this subgenre of rap has evolved and progressively become more popular, and it is currently at a very good place. As a matter of fact, some of the most prominent Hip Hop acts right now make conscious rap music.
The Sound Of Conscious Rap
Perhaps the best defining feature of this genre is its commitment to addressing socially relevant and thought-provoking themes. Throughout its history, artists within this rap subgenre have used their lyrics to explore issues including inequality, poverty, and other societal challenges. In essence, artists express their perspectives on political issues, activism, and the impact of governmental policies on marginalized communities.
Furthermore, the lyrical content of conscious rap tends to exhibit intellectual depth. Artists employ sophisticated wordplay, metaphorical language, and complex rhyme schemes to convey their messages. Significantly, this approach encourages listeners to engage critically with the content. Additionally, in contrast to some mainstream Hip Hop, conscious rap artists encourage self-empowerment, resilience, and social change.
They strive to inspire listeners to think critically, pursue education, and take positive actions in their communities. Musically, this type of rap may draw influence from jazz and soul. It incorporates melodic and rhythmic elements that add depth to the overall sound. This can create a more sophisticated musical backdrop for the socially conscious lyrics.
Conclusion
Undoubtedly, conscious rap catalyzes social awareness and positive transformation. It is a dynamic and impactful force within the broader landscape of Hip Hop music. It also remains a dynamic and evolving subgenre. By adapting to contemporary issues, the subgenre provides a platform for artists to engage with their audiences on a deeper level.
KRS-One shared his displeasure with the Grammys in a recent interview. The rap legend discussed the recent 50th-anniversary celebration, A GRAMMY Salute to 50 Years of Hip-Hop, and why he declined his invitation.
KRS-One Talks The Grammys
In an interview with Harold St. Louis on Dec. 12, KRS-One explained why he turned down a personal invite from fellow rap legend LL Cool J to perform at A GRAMMY Salute to 50 Years of Hip-Hop, which took place on Sunday, Dec. 10.
Hip-Hop ‘Ignored For 49 Years’
KRS-One says he refused to attend because the award show “ignored hip-hop for 49 years”:
“I was asked about two months ago; they asked me to do it and I turned them down,” he said. “With all due respect, LL Cool J J himself called me, spoke to my wife and pretty much begged for me to be on the show but we turned him down. And reason being is because I know people don’t understand this , and I say this respectfully. KRS-One is a Hip Hop extremist. I’m not violent, a violent extremist. I’m insane with this culture. I know I must have lost my mind in this.”
The hip-hop legend continued to go in-depth on his bone to pick with the Grammys:
“I restrict myself in a certain way, because I know who I am in this culture. Never will you ever see me standing in the environment where our culture is being exploited.” He then added, “So when I got the call, I immediately said nah. First of all, it’s the Grammys? You get no respect here. None. Now we respect your existence, we know you exist. And we know that you’re the Grammys and we understand that and we respect that. But you ignored Hip Hop for 49 years. At the 50th year, you wanna call us? You couldn’t even call on 47 and gear it up to 50. You wait to the 50th year to call Hip Hop’s authentic teacha? Nah, you don’t get that privilege.”
Hip-Hop Boycotts The Grammys
The Grammys has a history of being accused of “ignoring” or “disrespecting” hip-hop for decades.
One notable boycott was in 1989 when Will Smith, who went by his rap name The Fresh Prince, and DJ Jazzy Jeff decided not to attend the Grammys that year after noted and won the award for “Best Rap Performance.” The Grammys told the duo that their award presentation would not be televised, and they thought it was disrespectful.
Other rappers such as Salt-N-Pepa, LL Cool J, and executive Russell Simmons among others, followed suit and supported the hip-hop boycott.
KRS-One Talks Israel-Palestine Conflict
In other news, KRS-One also shared his thoughts on the conflict between Israel and Palestine. In an interview with SOHH, KRS-One felt that both sides were wrong, but Israel shouldn’t own Palestinian land.
Nicki Minaj Goes Off On The Grammys
Another rapper who spoke out against the Grammys was rap superstar Nicki Minaj. In an Instagram live, she argued that her song, “Super Freaky Girl,” was nominated in the wrong category, but was eventually completely left out.
Following the Grammy’s Salute to Hip-Hop show, KRS-One criticizes The Recording Academy’s approach to Hip-Hop throughout the years.
Speaking with @professordaddyyo, KRS-One reveals he turned down LL COOL J’s personal invite.
“With all due respect, LL COOL J himself called me, spoke to my wife and pretty much begged for me to be on the show but we turned him down. And reason being is because I know people don’t understand this, and I say this respectfully: KRS-One is a Hip Hop extremist. I’m not violent, a violent extremist. I’m insane with this culture. I know I must have lost my mind in this.”
He added, “You ignored Hip Hop for 49 years. At the 50th year, you wanna call us? You couldn’t even call on 47 and gear it up to 50. You wait to the 50th year to call Hip Hop’s authentic teacher?”
While Da Beatminerz were responsible for all production on Black Moon‘s well-received 2019 comeback album Rise of Da Moon, it’s still been nearly 20 years since brothers Mr. Walt & DJ Evil Dee released their own proper, full-length album. Earlier this month, the “Boom Bap Ambassadors” turned the tides by officially announcing their forthcoming album Stifled Creativity and releasing the project’s lead single “Seckle”, featuring the “Blast Master” KRS-One.
Speaking on this legendary collaboration, Mr. Walt says, “We have had the privilege to work with the great KRS-One for over 20 years now and this is the song we always wanted to make with him. It is an honor and a pleasure.”” Black Moon’s DJ Evil Dee adds, “It’s always dope working with KRS-One. We always make those dope Boom Bap Joints with him. Word!“
After nearly two decades since their last full-length album, Da Beatminerz, the renowned “Boom Bap Ambassadors,” make a triumphant return with the release of “Seckle.” The new single, available on all digital streaming platforms via Soulspazm, features the legendary “Blast Master” KRS-One. This marks Da Beatminerz’s first proper album since their well-received production work on Black Moon’s comeback album “Rise of Da Moon” in 2019.
“Seckle” serves as the lead single from Da Beatminerz’ upcoming album, “Stifled Creativity.” The track, produced by brothers Mr. Walt and DJ Evil Dee, captures the essence of boom bap with its infectious beats and features a nod to KRS-One’s opening verse on the Boogie Down Productions classic “My Philosophy.” As pioneers of the hip-hop production scene, Da Beatminerz continue to showcase their enduring influence on the genre with this highly anticipated release.
Any avid hip hop fan can tell you there’s not many people who can touch this Bronx bomber on stage or on the mic. The Legendary MC KRS One recently spoke with Check The Archivez about his iconic rap career. Back when hip hop was still new, KRS-One was one of the architects in hip hop that went through many trials and tribulations for the artists that thrive in now. In the interview he talks about being homeless when his hit song South Bronx had been released. He recalls sleeping on the train and observing teens blasting the song while he unknowingly watched.
From the age of 16-21 years old one of the greatest rappers of our time slept around NYC while chasing his dreams that came to
Any avid hip hop fan can tell you there’s not many people who can touch this Bronx bomber on stage or on the mic. The Legendary MC KRS One recently spoke with Check The Archivez about his iconic rap career. Back when hip hop was still new, KRS-One was one of the architects in hip hop that went through many trials and tribulations for the artists that thrive in now. In the interview he talks about being homeless when his hit song South Bronx had been released. He recalls sleeping on the train and observing teens blasting the song while he unknowingly watched.
From the age of 16-21 years old one of the greatest rappers of our time slept around NYC while chasing his dreams that came to fruition.
KRS-ONE has shared his views on the Israel-Palestine conflict during a recent exclusive interview with SOHH at the 2023 ONE Musicfest. The hip-hop luminary’s commentary delves into the intricacies of land ownership, drawing attention to the historical effects of colonialism and imperialism amid ongoing tensions and significant loss of life. ‘Everybody Wrong’ KRS-ONE, renowned for […]
