Lil Wayne Shares His Top Five Rappers, Including Biggie, Jay-Z, And Some Surprise Picks

We love when rappers share their picks for the top five rappers. It gives us insights into their influences and creative processes. It often vindicates some of our most deeply held beliefs about the culture and genre. It puts newer or younger fans (sometimes older) onto a broader range of artists to check out. And, of course, it gives us an endless well of fuel for our most cherished Twitter debate, ensuring that we’ll have enough fat to chew on until the sun burns out.

The latest rapper to contribute to the long-running tradition is Lil Wayne, whose list is quite a doozy, containing both the expected picks and some left-field surprises that actually make sense when you consider his own unique approach to the art of rap. Wayne gave his answer in a special edition of What’s Wright? With Nick Wright, a podcast version of the Fox Sports personality’s popular show.

Almost as well known for his affinity for hip-hop as Wayne is for his sports referencing raps, Wright offers his own list (a pretty humdrum collection including the usual picks: Jay-Z, Tupac, Wayne himself, Kanye West, and T.I.), which Wayne says he respects. Then Wayne starts off his own list with a pick that far too few people include for my taste, Missy Elliott. Vindication!

Missy is a pick that makes perfect sense for Wayne — a quirky writer and performer who outright avoids convention and whose influence resonates throughout the industry, even if she rarely gets credit for it. Good one on Wayne for including her. Of course, Jay-Z enters his list (he’s repeatedly said that the Brooklyn rapper is his favorite MC ever). He also credits Biggie and Gucci Mane — another interesting pick, although not wholly unexpected from a Southerner like Wayne. Guwop’s influence throughout the bottom half of the States is undeniable and inextricable. His last pick is pretty mind-blowing though.

He cheats a little by picking a group, but rather than a well-worn, oft-tapped collective like Wu-Tang Clan, Wayne once again shows his Southern roots by choosing Atlanta mainstays Goodie Mob, a four-man band that includes Big Gipp, CeeLo Green, Khujo, and T-Mo. Their debut album, Soul Food,
is considered a classic and as part of the Dungeon Family, they worked extensively with Outkast and Organized Noise, two of the most pivotal groups in Southern rap.

Not a bad list, all things considered. And like I said before, pretty telling when you compare Wayne’s influences to his output. It’s easy to see why he goes against the grain so much and the results so often turn out so well.

Check out Lil Wayne’s full interview with Nick Wright above.

Anderson .Paak Is Set To Make Directorial Debut And Star Alongside His Son in ‘K-POPS!’

Just when it seems like Anderson .Paak can’t get any better, he adds a new gift to his repertoire. The eight-time Grammy Award winner will make his feature directorial debut with dramatic comedy K-POPS!, which he will also star in, Deadline reports. It will be a special treat for the multi-hyphenate as his son, Soul Rasheed, will join him on the big screen.

The film follows a washed-up musician taking his talents to Korea to write for K-pop stars, learning along the way that his estranged son is the leader of one of the most popular groups within the genre. The father sees the opportunity as a way to push himself forward, but realizes connecting with his son is much more gratifying.

The film’s premise uniquely parallels the 36-year-old’s life in certain ways, though calling him washed may be a stretch. Alongside Silk Sonic member Bruno Mars, .Paak brought home four awards at the most recent Grammys as they now prepare for their Vegas residency in May.

The Ventura artist stated, “My mom is from Korea but she was adopted so I never knew anything about my heritage until I met my wife. This movie is a reflection on learning about this part of myself alongside my wife and son — and spending even more time with them!”

The film, released under Stampede Ventures, includes contributions from rapper Jon “Dumbfoundead” Park and writing from Khaila Amazan, responsible for A Cuban Girl’s Guide To Tea And Tomorrow.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Kanye West Walked Out On Kim Kardashian’s ‘SNL’ Monologue After She Called Him A Rapper, She Says

Back in October, Kim Kardashian hosted Saturday Night Live and during her opening monologue, she referenced her marriage to and impending divorce from Kanye West, saying, “I’ve been very blessed in this life and I’m grateful for everything, honestly: all the ups, all the downs. I mean, I married the best rapper of all time. Not only that, he’s the richest Black man in America: A talented, legit genius who gave me four incredible kids. So when I divorced him, you have to know it came down to just one thing: his personality. I know that sounds mean, but people keep telling me that comedy comes from truth and if there’s one thing that I always strive to be, it’s genuine.”

Now, we know that, at least according to Kardashian, Ye didn’t particularly like that part of the monologue, so much so that he walked out of the room during it.

On a new episode of Hulu’s The Kardashians, Kardashian said (as Us Weekly notes):

“He walked out on SNL mid-monologue. I haven’t talked to him since. He is upset at the fact that I used the word ‘divorced’ — so he wished I said the word ‘filed’ for divorce. And he was upset that I also said he was ‘a rapper.’ He said, ‘I am so much more than a rapper. I can’t believe you said ‘rapper.” I never want to offend anyone, and I never want to hurt anyone but also that is what this monologue was for. It was to make a joke. I made fun of myself, my mom, and of everything that is personal to me. It is all fun and games and apparently, it wasn’t to him.”

Watch The Kardashians here.

Rapsody Highlights The Stellar Women In Sports On ‘Dust To Diamonds’ With Faouzia

This year marks the 50th anniversary of the passing of Title IX. According to the Department Of Education, it declared that “no person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance.” This declaration helped to push female sports in motion all across the country, and while there’s still work to be done to build female sports programs and leagues up to a more equal status with their male counterparts, many are still taking the opportunity to celebrate the half-century mark of Title IX.

That includes Rapsody who partnered up with ESPN’s Fifty/50 Initiative to release her new song “Dust To Diamonds” with Faouzia. The track debuted live at the espnW Summit in New York City, and on it, Rapsody takes a moment to shout out and praise some of the best athletes in women’s sports. Serena Williams, Diana Taurasi, Florence Griffith Joyner, and more all receive some love through verses on the song while Faouzia holds down the hook as she helps to also uplift the women in various sports. “This track was created to honor some of the greatest women in sports, but also acknowledge the struggles they faced to succeed,” Rapsody said about the new record according to Complex.

“Dust to Diamonds” will also appear in ESPN’s upcoming film 37 Words, which is directed by Dawn Porter and Nicole Newnham. The film is set to arrive next month in June.

You can listen to Rapsody’s new song in the video above.

Faouzia is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group

EST Gee Is On The Offensive With EST DeMike In Their Fearless ‘Never Scared’ Video

Last year, EST Gee and 42 Dugg proved to be one of rap’s hottest newcomers with their respective projects Bigger Than Life Or Death and Free Dem Boyz. Both being signees to Yo Gotti’s CMG label, it’s only right that they joined forces last month for their Last Ones Left project. It delivered 17 songs with most being collaborations with Gee and Dugg while others were individual efforts from the rappers. Almost a month after they dropped Last Ones Left, Gee unloads a video for one of his solo cuts from the album.

EST Gee lays off a video for “Never Scared” with EST DeMike. Both rappers are a part of the Everybody Shine Together collective, and in the video, they stand tall as a fearless duo who won’t back down from the opposition no matter the danger that lays ahead of them. The video also features the expected collection of luxury cars, jewelry, and money to really round things out.

The new video joins “Whole Gang Buss,” “Thump Sh*t,” “Everybody Shooters Too,” and “Free The Shiners” as songs from Last Ones Left to receive the visual treatment.

You can watch the video for “Never Scared” above.

Last Ones Left is out now via CMG/Warlike/Interscope. You can stream it here.

42 Dugg is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

NBA Ref Scott Foster Made A Jack Harlow Music Video After Saying He Didn’t Know Who He Was

Rapper Jack Harlow’s appearance at Game 1 between the Boston Celtics and Milwaukee Bucks was one of the game’s oddest subplots. Harlow was courtside for the game and the game’s referees apparently had no idea who he was. (Which, considering the two referees heard saying they don’t know who he is are two older white guys, fair.) And then Jack Harlow had his own fun with them not recognizing him.

One of the referees, Scott Foster, then attempted to have his own fun with it, resulting in…this.

To someone’s credit, there was some effort put into the video. It’s somewhat a homage of sorts to a scene Harlow’s video for ‘Nail Tech’ with Foster playing the row of Harlow and the song playing over the scene.

And then it gets a little bit weird. It cuts to Foster in the car with three other referees, where Foster attempts to lip sync part of ‘Nail Tech’. Attempt is the key word here because he’s a bit off trying to rap just a few lines of the song and notably fumbles his way through the line “she down low three-point stance/I’m back there doing Jack dance.’ Which, again, makes sense as Foster is an older guy who almost certainly never had heard ‘Nail Tech’ before deciding to be a part of this social media stunt.

Really, this whole video is the Steve Buscemi ‘How do you do, fellow kinds?’ meme come to life. Credit to Foster for trying to have fun with it, but boy this feels forced. May I suggest, if Foster wants another crack at this, recreating the made jump shot scene from the song ‘Tyler Herro’ with Tyler Herro next time he’s assigned to a Miami Heat game? That feels more his speed.

Buddy Battles The Law And His Evil Twin In The Claymation Video For ‘Bad News’

Buddy had a spotlight moment in 2018 with the release of his debut album Harlon & Alondra. It was yet another example of an excellent debut album from new artists in the 2010s that documented their experiences growing up in the West (see: Kendrick Lamar’s Good Kid M.A.A.D. City, YG’s My Krazy Life, and Ty Dolla Sign’s Free TC). However, after Harlon & Alondra arrived, Buddy would go almost four years without a project before dropping his sophomore effort Superghetto earlier this year. It was a brief effort with just ten songs to its name, but in the spirit of keeping the album alive, Buddy returns with a new video for it.

Just a month after Superghetto was made available to the world, Buddy shares a new visual for “Bad News.” It’s a claymation effort that begins with a fight between a police officer and what appears to be Buddy’s love interest. Soon enough, Buddy himself is fighting a cop, but that’s not all the tussling he does for a video. The visual concludes with an unsuccessful fight between the rapper and his evil twin.

The new video arrives after Buddy announced the tour dates for Superghetto. His string of shows will begin on June 15 in Oakland, California and continue for a couple of a weeks before concluding on June 30 in Chicago, IL.

You can watch the video for “Bad News” above.

Superghetto is out now via RCA Records. You can stream it here.

Questlove Calls For People To ‘Channel Your Rage Into Action’ In Protest Of Roe V. Wade Possibly Being Overturned

Earlier this week, people all over the country were sent into absolute shock when a draft opinion of the Supreme Court’s ruling on Roe V. Wade leaked to the public. In this draft, it was revealed that the Supreme Court would overturn the famous 1973 decision which protected womens’ right to have a safe and legal abortion across the country. The news sparked reactions from all corners of the world, including those in the music world like Halsey who called the decision “one of the most significant events we will witness in our lifetimes” that will “spiral into lethal situations for our entire country.”

Now, recent Grammy-winner Questlove has commented on the matter, but his thoughts arrived in a form of a call to action. In a post he shared on Instagram, Questlove asked his followers to “channel your rage into action” before sharing his thoughts on how men specifically should react to Roe V. Wade possibly being overturned.

“Men we of all people need to rally behind this,” he wrote. This isn’t a ‘ahh man that’s a woman’s thing.’ Someone in our life be it your mother, your daughter, your sister, your cousin, your aunt, your next door neighbor, your girlfriend, your other girlfriend, your side jawn, your co-worker, a bff of one the aforementioned and ESPECIALLY you. If this effects them? It effects us.”

He continued, “Trust me I just wanna wake up, look at my social media, eat a grilled cheese, watch soul train, and figure out how to stump wordle. But we are in a state of emergency right now.”

Later on in the post, Questlove asked that people protest and fight for others if they won’t do so for themselves.

You can view Questlove’s post above and his full message below.

“Men we of all people need to rally behind this. This isn’t a ‘ahh man that’s a woman’s thing.’ Someone in our life be it your mother, your daughter, your sister, your cousin, your aunt, your next door neighbor, your girlfriend, your other girlfriend, your side jawn, your co-worker, a bff of one the aforementioned and ESPECIALLY you. If this effects them? It effects us. Trust me I just wanna wake up, look at my social media, eat a grilled cheese, watch soul train, and figure out how to stump wordle.

But we are in a state of emergency right now.

And this subliminal retaliation should not come as a surprise to anyone (best believe this is payback for voting a black woman in the Supreme Court. No one is saying this so I’ll say it) yes….it’s a burden. And it’s easy to give up (especially my age in which if you’re optimistic you’re like “I got less than 40 years left, I’m out of here”—-thing is I got people I love born 10 years ago that have to be here til 2080—-it’s a novel idea: thinking of someone else. If you don’t participate cool, at least rp/add to your stories.”

Summer Walker Announces Her ‘A Hot Summer Night In LA’ Show With Jazmine Sullivan, Ari Lennox, And More

June 24 is going to be a hot summer night in LA — both literally (likely) and figuratively (almost assuredly). A Hot Summer Night In LA is the name of Summer Walker‘s headlining concert at the Staples Ce-fine, Crypto.com Arena (yuck), which will feature a slew of special guests including Jazmine Sullivan, Ari Lennox, Saucy Santana, Joyce Wrice, Doechii, and Alex Vaughn. Ladies, leave your man at home. The show is billed as part of BET Awards weekend, with a special pre-sale for Summer Walker fans today through May 5 at 10 pm PT. The general sale starts on Friday at 10 am.

The show will be something of a coronation for Ms. Walker, who released her new album Still Over It last November to a truly impressive reception. It became the first album by a female R&B singer to reach No. 1 on the Billboard 200 since 2016 (following Solange’s A Seat At The Table) and signified that R&B’s mainstream comeback is no passing fancy. A Hot Summer Night In LA is sure to keep that energy going with a lineup consisting mainly of R&B-singing women backed by rappers who bring boss-bitch energy.

The notoriously spotlight-shy Walker followed up with a slew of performances running through spring, including this week’s Broccoli City Festival in DC and the just passed, female-fronted Sol Blume Festival in Sacramento (see photos here).

The Kidd Creole Has Been Sentenced To 16 Years In Prison For A Fatal 2017 Stabbing

After being convicted of first-degree manslaughter for a 2017 stabbing, Kidd Creole, formerly of pioneering rap band Grandmaster Flash And The Furious Five, has been sentenced to 16 years in prison, according to Rolling Stone. Creole, real name Nathaniel Glover, was accused of stabbing a John Jolly, a 55-year-old homeless man, to death on the street, believing that Jolly was propositioning him.

In a statement, Manhattan District Attorney Alvin Bragg said, “Mr. Jolly’s death was devastating to his family and those who knew him. Every life we lose to violent crime ripples throughout our entire city, and we will continue to ensure everyone in our borough can live their lives with the sense of safety and security they deserve. This case makes clear that if you commit a violent crime, we will hold you accountable, and I thank our team for their hard work achieving justice in this matter.”

However, Glover’s lawyer Scottie Celestin sees the sentence as “egregious and extreme.” He told Rolling Stone, “I continue to have faith in our judicial system. My focus is now on the appeal process. There are many appealable issues, specifically the denial of Mr. Glover being able to assert the justification of self-defense, despite the fact that he was retreating and the victim followed behind him. While some may be happy with the presumed victory of the acquittal on the top charge of Murder, we don’t view it as a win. I believe the 16 years given are heavy-handed and motivated not by the evidence and mitigating facts but by external factors.”

As a member of the Furious Five, The Kidd Creole was pivotal in the early development of the hip-hop music business. The group’s 1982 hit “The Message” is largely credited as one of rap’s first “conscious” songs and was added to the Library of Congress’ National Recording Registry.