Rod Wave Releases Second “SoulFly” Single “Tombstone”

Rod Wave is releasing his third studio album SoulFly this week, dropping the second single from the project alongside a new music video on Wednesday morning.

The Florida-based rapper/singer has been buzzing for a few years, going viral with his emotional raps about heartbreak. The introspective young man has a way with words, using his vocals to deliver his message soulfully and with plenty of hurt. Listening to Rod Wave, you can hear the trauma in his voice. It’s clear that the 22-year-old has seen a lot. He’s officially back with his new video “Tombstone”, which will appear on SoulFly

In the song, Rod Wave focuses on his come-up story, speaking about the “lames” that constantly keep his name in their mouths and how he wants to be remembered as one of the realest in the game.

Listen to the new release below. Let us know what you think in the comments.

Quotable Lyrics:

And f*ck these n***as ’cause they lame
Since they love saying my name
Make sure you write the truest in the motherf*cking game
On my tombstone when they bury me
By the river, they will carry me
Finally, I’ll be resting in peace

Kanye West’s “Yeezy Stem Player”: Closer Look Revealed

At the height of Sunday Service, Kanye West was seen utilizing a portable audio engineering device to control musical levels, sparking curiosity from fans and the audio engineering community alike. As it turns out, the device was the Yeezy Stem Player, as designed by Kanye West and Teenage Engineering. Now, thanks to a few close-up photos, we can catch a closer look at the upcoming device. 

Kanye West

Taylor Hill/WireImage/Getty Images

At its core, the Yeezy Stem Player is designed to give users individual control of a song’s various stems, which roughly translates into a song’s individual elements; think “vocals,” “bass,” “drums,” “synth,” and so on. With a final mix being comprised of several balanced stem tracks, the Yeezy Stem Player will theoretically provide users with the ability to remix the levels of songs in real-time. 

As details surrounding the functionality are scarce at the moment, it’s as of yet unclear whether or not the Yeezy Stem Player will be able to effectively work with an existing piece of pre-recorded music. For audio engineers and live-music professionals, however, it’s easy to imagine several different purposes for the Stem Player. For one, it could allow even the most casual DJ to experiment with various mixes, all without having to commit to a massive setup, as one of the key benefits of the Yeezy Stem Player is its portability. 

Though it’s as of yet unconfirmed as to when the Yeezy Stem Player will hit the market, it should be interesting to see how Kanye’s foray into the realm of audio technology ultimately fares. Given how user-friendly the device appears to be, don’t be surprised to see this one attract demographics only peripherally involved in sound engineering — inevitable, given Yeezy’s prestige branding

Saweetie Bounces Off Quavo Split Onto Cosmopolitan Cover

West Coast rapper Saweetie is making people turn pages – literally. The hip-hop star surprises fans by landing the cover of Cosmopolitan magazine. Saweetie Bounces Off Quavo The California native went to her Instagram page to show off her new cover shot. Along with the issue’s front page, Saw unloaded a grip of feature pics […]

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Kodak Black Has Recorded 167 Songs Since Being Pardoned

Kodak Black hunkered down and recorded approximately fifteen albums worth of new music since being released from prison two months ago, proving that his work ethic is unmatched.

Much like some of the greats that came before him, including Lil Wayne, Kodak Black knows that his life could bring legal challenges that make it hard for him to have access to a recording studio at all times. For his entire adult life, he’s been in-and-out of prison, fighting cases and being forced to interact with his fans from behind bars. In January, Kodak had his sentence commuted by President Trump, but he’s not off the hook yet. He’s still fighting a few other cases, namely sexual assault allegations, in different states across the nation. Knowing that his freedom can be taken away at any instant, Kodak made sure to record a bunch of material during the time that he is free in case anything happens to him.

According to somebody close to the Florida rapper, Yak has recorded 167 new songs since being released from prison two months ago. That means that he has about fifteen albums worth of new music to give to the fans at any given moment should he need something to drop. Not many artists can pull that off.

One of those tracks was previewed in recent weeks as Kodak name-dropped Megan Thee Stallion, who he has been beefing on-and-off with, for weeks. “Everything I say turn into a quote, boy, go ask Meg Thee Stallion/I ask her let me drive the boat they thought I was Lil Yachty,” raps the Project Baby on the song.


Johnny Louis/Getty Images

Are you excited to hear some of Kodak Black’s new music?

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Kobe Bryant’s Wife + Daughter Get Remembrance Tattoos

Late NBA icon Kobe Bryant‘s widow Vanessa and his daughter Natalia are keeping both his and family member Gianna’s memories alive. The duo have revealed getting tattoos in their honor. Kobe Bryant’s Wife + Daughter Get Tats According to reports, the journey went down Tuesday night to honor both Kobe and GiGi following their January […]

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Works By Nas, Janet Jackson, And Kermit The Frog Have Been Inducted Into The Library Of Congress

Having a work preserved in the National Recording Registry of the Library Of Congress is a significant honor, and now that feat is something a handful of artists can add to their resume. Today, the Library Of Congress announced its 2020 selections for the registry and among the highlights from the world of modern music are Nas’ 1994 album Illmatic and Janet Jackson’s 1989 album Rhythm Nation 1814.

Some other notable works include one of the oldest known audio recordings via Thomas Edison, Kermit The Frog’s “The Rainbow Connection,” Israel Kamakawiwo’ole’s “Over The Rainbow/What A Wonderful World,” Kool & The Gang’s “Celebration,” Jackson Browne’s Late For The Sky, and the This American Life episode “The Giant Pool Of Money,” which is the first podcast recording to be included in the National Recording Registry.

Librarian Of Congress Carla Hayden said, “The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years. We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library Of Congress and its partners preserve the diverse sounds of history and culture.”

Check out the full list of recordings from the 2020 class below.

1. “St. Louis Tinfoil” — Thomas Edison (1878)
2. “Nikolina” — Hjalmar Peterson (1917) (single)
3. “Smyrneikos Balos” — Marika Papagika (1928) (single)
4. “When The Saints Go Marching In” — Louis Armstrong (1938) (single)
5. Christmas Eve Broadcast — FDR & Winston Churchill (Dec. 24, 1941)
6. “The Guiding Light” — Nov. 22, 1945
7. Odetta Sings Ballads And Blues — Odetta (1957) (album)
8. “Lord, Keep Me Day by Day” — Albertina Walker And The Caravans (1959) (single)
9. Roger Maris hits his 61st home run (October 1, 1961)
10. Aida — Leontyne Price, et.al. (1962) (album)
11. “Once A Day” — Connie Smith (1964) (single)
12. Born Under A Bad Sign — Albert King (1967) (album)
13. Free To Be…You & Me — Marlo Thomas And Friends (1972) (album)
14. The Harder They Come — Jimmy Cliff (1972) (album)
15. “Lady Marmalade” — Labelle (1974) (single)
16. Late For The Sky — Jackson Browne (1974) (album)
17. Bright Size Life — Pat Metheny (1976) (album)
18. “The Rainbow Connection” — Kermit The Frog (1979) (single)
19. “Celebration” — Kool & The Gang (1980) (single)
20. Richard Strauss: Four Last Songs — Jessye Norman (1983) (album)
21. Rhythm Nation 1814 — Janet Jackson (1989) (album)
22. Partners — Flaco Jiménez (1992) (album)
23. “Over The Rainbow / What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
24. Illmatic — Nas (1994) (album)
25. “This American Life: The Giant Pool Of Money” (May 9, 2008)

Cardi B Denies Payola Rumors After “Up” Tops The Billboard Hot 100

Ever since “Up” climbed to the top of the Billboard Hot 100, Cardi B‘s celebration has been cut short by haters and skeptics. On Tuesday, the Invasion of Privacy artist went off on social media users for diminishing her achievements, and now Cardi is setting the record straight on the success of “Up,” following rumors and allegations that she has been using payola to boost the single’s success.

Responding to the payola rumors, the “WAP” rapper chalked the payola rumors up to pure hate and speculation, saying, “It’s sad that when I win people gotta scramble with lies for my success. Like they ain’t saw everybody, people coming out Amazon trucks and ambulances dancing my shit.”

After adding a slew of laughing emojis, Cardi continued to deny the payola allegations against her, saying, “They love to run with that ‘Payola ‘ to make them feel better mind you I didn’t debute number 1 because of my low radio play and WAP barely made radio cause it was so explicit yet still made number 1.”

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Cardi also came with some receipts that showed that “Up” hasn’t even been getting a lot of airplay in comparison to the other hits hovering around the top of the Billboard 100. On the matter, she wrote, “Look at the second slide look at my AirPlay ( radio) compare to other artist radio spins.WHEN YOU START WINNING THE STORIES START SPINNING!!! Imma adress all the hate on my album tho wait on it !!!”

The recent surge for “Up” came quickly after Cardi B’s high energy performance at the 63rd Annual Grammy Awards, so the boosts in streaming and purchases could very likely be attributed to that. Plus, it is exciting to see that she is once again teasing her follow-up to Invasion of Privacy, so perhaps fans will get to hear that sooner than they thought.

Check out her Grammy performance of “Up” and “WAP” below.

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The Kid LAROI Covers Drake’s “Shot For Me” For Spotify Singles

Australian rapper The Kid LAROI has officially released two new covers for Spotify Singles. The first is a stripped-down version of his hit record “WITHOUT YOU” while the second is his rendition of one of his favorite Drake songs of all-time, “Shot For Me” from Take Care.

“I chose Drake because he’s my favorite artist. ‘Shot For Me’ is one of my favorite songs off of one of my favorite projects and that made it really easy for me to do,” said the 17-year-old rising star about his latest release with Spotify. 

In addition to his Spotify Singles, The Kid LAROI also teamed up with the digital streaming giant to release a documentary as part of their RADAR program, which you can watch below.

Listen to The Kid LAROI’s cover of Drake’s “Shot For Me” below and let us know what you think in the comments. 

Quotable Lyrics:

I can see it in your eyes, you’re angry
Regret got sh*t on what you’re feeling now
Mad cause he ain’t like me
Oh, you mad cause nobody ever did it like me
All the care I would take
All the love that we made
Now you’re trying to find somebody to replace what I gave to you

Joe Budden Addresses Rory & Mal’s “JBP” Departure Rumors

The Joe Budden Podcast is easily one of hip-hop media’s most influential platforms, a testament to Joe Budden’s growth as a businessman and media personality alike. Yet longtime fans of Budden have come to expect a few speedbumps along the way, and a recent narrative has sprung suggesting that longtime co-hosts Rory and Mal are on the verge of an unceremonious departure from the Podcast. 

Joe Budden

 Bennett Raglin/BET/Getty Images

After their absence on a recent JBP, and a subsequently canceled episode that many speculated revolved around Rory and Mal’s situation, Budden returned with a new update during today’s new episode “Tea Leaves.” Joined by interim co-hosts Ice and Savon, Budden addressed the elephant in the room, insinuating that the return of his longtime collaborators was not a matter of if, but when. 

“I’ll eliminate some of the suspense,” begins Joe, around this sixteen-minute mark. “This is Rory’s seat, and this is Mal’s seat. Whenever they feel like returning to their seats, then they’ll return to their seats. And then what will happen is the same thing when your star player comes back to the team.”

He also explains that he “loves when podcasts go through this type of turmoil,” elaborating that it “shapes character.” Still, he does admit that he was blindsided by the way things have unfolded, noting that he loves Rory and Mal like brothers. “Sometimes in friendship and business, everyone needs to take a step back and go to their respective corners,” he states. “Sometimes everyone’s perspective and perception on how to go about that and how it should be executed is different.” 

As the conversation unfolds, Parks steps in to offer his own perspective, noting how friendship and business can be difficult to balance, often requiring lawyers and management to mediate. “I been doing business with Joe Budden for a very long time,” he continues. “I don’t come to you with business shit, because we have to keep doing shit…Other people should probably have somebody else to talk to you, or one of your professionals.” Later, he claims that Rory and Mal’s “beef’ does not stem from a financial place, prompting Budden to jump in. “It’s not a beef,” he clarifies. “Nobody has communicated a beef. What they have communicated to me is something is wrong. Whether that be in our friendship, how we’re speaking to each other, the respect level.”

Though there is certainly much to unpack on the topic throughout Tea Leaves, Joe Budden doesn’t exactly speak as directly on the situation as some might like. As such, it’s likely that fans of the Podcast will continue to read between the lines, monitoring Budden, Rory, and Mal’s respective social media pages for further insight. Be sure to check out Joe’s side of the story, cryptic at times though it may be, below.