Eminem Has Locked Down One Of His First Acting Roles Since ‘8 Mile,’ In 50 Cent’s ‘Black Mafia Family’

It’s been nearly two decades since Eminem made his film debut in the box office hit 8 Mile, and he’s now ready to work on another acting project. The rapper has now accepted one of his first acting roles since 8 Mile, and it’s in 50 Cent‘s upcoming Starz TV show Black Mafia Family.

50 confirmed the news of Em’s role on Instagram. The rapper is set to portray the famed FBI informant White Boy Rick, aka Richard Wershe Jr., who was convicted of drug charges and sentenced to life in prison at just 17 years old. Wershe was officially released in 2020, and the 2018 eponymous film starring Matthew McConaughey told his story.

Speaking about Em’s involvement in the upcoming series, 50 wrote: “Oh yeah i’m bringing the big dogs out, I couldn’t do a show based in Detroit without incorporating the legend @eminem. Got him to play white Boy Rick in BMF, this sh*t is out of here.”

Eminem has just a few acting credits on his IMDb page since 8 Mile (aside from music videos): He’s been on Crank Yankers, Funny People, Entourage, and The Interview.

Em isn’t the only rapper 50 Cent is enlisting the help of for his TV series. Last year, the rapper implored Rick Ross to use his track 2010 “BMF” on the show, which would be a fitting addition seeing as the title is already the same. Ross accepted, but on one bizarre condition: 50 Cent had to agree to promote Wingstop on his Instagram page. Ross owns a number of Wingstop storefronts, so he said he’ll agree to clear the track for 50’s Starz show, but first wants to “profit off of him.”

Belly Taps The Weeknd, Nas, Lil Uzi Vert & More For “See You Next Wednesday”

Belly’s long-awaited album, See You Next Wednesday, will officially be hitting streaming services next Friday August 27th, but before it does, the Canadian rapper has made the album available for preorder today, ultimately sharing the tracklist and star studded lineup of features in the process.

Consisting of 15 tracks, the follow up to Immigrant, will feature guest appearances from The Weeknd, Nas, Young Thug, Moneybagg Yo, PnB Rock, Gunna, Nav, Big Sean, Lil Uzi Vert, and Benny the Butcher, the latter of which appeared on the first single “IYKYK.” Other previously heard songs include “Zero Love”, “Money On The Table”, and most recently “Better Believe” which features Young Thug and The Weeknd.

Speaking on the album, Belly said it’s received the stamp of approval from both his bosses, The Weeknd and Jay Z. “Before I officially close out an album, there’s two people I play it for to get the seal of approval. Hov and Abel. That being said, I can officially say the album is done,” – Belly.

Check out the album artwork and official tracklist (below) and let us know what you think. Are you excited to finally hear See You Next Wednesday?

Tracklist:

1. Snakes & Ladders
2. IYKYK
3. Better Believe (with The Weeknd, Young Thug)
4. Zero Love (ft. Moneybagg Yo)
5. Moment Of Silence
6. Flowers
7. Razor (ft. PnB Rock and Gunna)
8. Die For It (with The Weeknd, Nas)
9. Requiem (with NAV)   
10. Two Tone (ft. Lil Uzi Vert)
11. Wu Tang
12. Sucker
13. Scary Sight (ft. Big Sean)
14. Money On The Table (ft. Benny The Butcher) 
15. Can You Feel It Yet

Patrick Beverley Traded For Second Time This Week

Patrick Beverley was excited to learn that he was traded to the Memphis Grizzlies, embracing their “Grit & Grind” culture on Monday. On Tuesday morning though, he found out that he was being traded again, and this time, he’s packing his bags and moving to Minnesota.

According to ESPN NBA Insider Adrian Wojnarowski, Pat Bev has been traded for the second time in a couple of days, ending up as a member of the Timberwolves. The Grizzlies will receive Jarrett Culver and Juancho Hernangomez in return. 

Woj explains that with this trade, the Timberwolves get a tough, defensive-minded leader for its young roster. The Grizzlies also add more talent to their squad through their acquisitions.


Patrick Smith/Getty Images

So far, Beverley has not commented on his move to Minnesota. We will keep you posted once/if he does.

Wolves fans are excited about what Beverley brings to the team, and Clippers fans are remembering him as one of the core members of their group. With the way the NBA offseason is going, do you expect Beverley to get traded again before the season starts? What other moves would you like to see the Wolves make before the season kicks off? And who do you think is the winner of this trade?

Drake Uses COVID-19 Excuse To Explain “Weird” Hair

The well-known symptoms of COVID-19 are a loss of taste and smell, chills, fever, and more. However, according to Drake, the virus can also cause your hair to grow in “weird,” revealing that he contracted the coronavirus and using it as an excuse for a picture that fans have been trolling.

A photo of Drake recording for Certified Lover Boy has been picking up traction on social media, with fans clowning the Toronto native for the choppy heart design in his hair. According to the artist himself, he’s having the design fixed, but it grew in weird because he contracted COVID-19.

“I had Covid,” said Drake in an Instagram comment. “That shit grew in weird I had to start again, it’s coming back don’t diss.”

The photo is from a few weeks ago, so it seems that Drake has fully recovered after catching COVID-19. He hasn’t spoken about the symptoms he experienced or his battle with the virus.


Jerritt Clark/Getty Images

Recently, rapper Jim Jones also revealed that he contracted the virus, telling all of his followers to continue wearing masks, social distancing, and avoiding large crowds. He is recovering, as well.

Some fans have been joking that Drake’s COVID diagnosis will only lead to further delays for his long-awaited studio album release, but we’re only hoping that he recovers fully and doesn’t have any long-term side effects from the virus. Check out his comment below.

DJ Paul Teases “Verzuz” Battle Between Three 6 Mafia & Bone Thugs-N-Harmony

Fans have been patiently waiting for the “Verzuz” Battle between Three 6 Mafia and Bone Thugs-N-Harmony ever since it was first teased last April by DJ Paul and Krayzie Bone. Unfortunately for fans, that battle never came to fruition, but it looks like it finally may.

DJ Paul decided to share a screenshot on Instagram yesterday of a Zoom meeting he had with Krayzie Bone, Verzuz co-founder Swizz Beatz, and Grady Spivey, VP of Entertainment Strategy at Triller, which bought the battle franchise back in March. Paul left the caption “What are we discussing?” to which fans in the comments section were left anticipating the long awaited Verzuz Battle. See pic (below).

Speaking with us at HNHH last year in an exclusive interview, DJ Paul thought someone in the Verzuz camp got in Krayzie Bone’s ear shortly before it was set to take place, and prevented it from happening. “I was talking to [Verzuz] and they kept telling me they was gonna do it, man,” Paul said. “Then, they just ended up changin’ they mind. It’s like, I don’t know why they came in just to stop our thing and then didn’t wanna do it. But whatever, I still got love for Swizz [Beatz] and Timbaland. Love you guys to death.”

However, Krayzie later claimed that he was the one who backed down, citing the “temperature of what was going on in the world.”

“I guess Krayzie didn’t wanna do— he’d rather do the Verzuz than ours,” he continued. “He just kinda backed off and stopped picking up his phone. And I was like ‘OK.’ And I just left it alone. And then next thing I know, he tweeted and said he didn’t wanna do it at all because of the temperature of what was going on in the world. Verzuz kept moving on and everything else kept going. I was like, ‘Alright, I kind saw this coming and I tried to tell you, but whatever.’”

No word when we might expect to see the Versus battle, but we’ll be sure to let you know if and when it does get announced. Stay tuned.

Who else would you like to see battle it out on Verzuz?

Alberto E. Rodriguez/ Getty Images

Pivot Gang Producer Squeak Has Reportedly Died At The Age Of 26

Chicago indie rap crew Pivot Gang mourns the loss of their producer and friend Squeak, who has died of as-yet-unknown causes at 26, as confirmed by Pitchfork through the group’s representative. Squeak was one of the group’s three producers along with Daedae and Daoud, crafting beats for the group’s first group album You Can’t Sit With Us in 2019, as well as for its individual members Frsh Waters, Joseph Chilliams, MFnMelo, and Saba. Most recently, he and MFnMelo released En Route, an eight-song EP featuring Rexx Life Raj, in June.

Squeak also doubled as DJ for the group’s live shows, including their 2019 John Walt Day concert in Chicago in honor of another of the group’s fallen members who was killed in February of 2017. Squeak also engineered for the group, recording the offerings that allowed them to go from an upstart crew of rap freshmen at the tail end of the blog era to a fixture of Chicago’s flourishing rap scene.

Squeak’s passing drew a wave of appreciative and sorrowful tweets from that scene, as well as many from outside it, as friends, fans, and peers mourned his loss. Among the well-wishers was Chance The Rapper, who came up alongside Pivot member Saba in a student creative group in high school and recorded with him on his 2016 mixtape Coloring Book. Rest in peace, Squeak. You’ll be missed.

Anderson .Paak Gets New Tattoo With Instructions For Posthumous Music

You know there’s something wrong with the way the music industry handles posthumous releases when artists are getting tattoos like this one. Recently, Anderson .Paak showed off the latest tattoo on his arm, which offers instructions on how he wants his posthumous music releases to go– or rather, not go.

With one of the biggest songs of this year, Anderson .Paak has leveled up alongside Bruno Mars as part of Silk Sonic, and the world has been loving their debut single “Leave The Door Open.” As we all wait for the arrival of their first collaborative album together, Anderson .Paak has revealed his new tattoo with instructions on how to handle his posthumous music career.


Kevin Mazur/Getty Images

“When I’m gone please don’t release any posthumous albums or songs with my name attached,” reads the new tattoo. “Those were just demos and never intended to be heard by the public.”

This comes following the heavy backlash against Pop Smoke’s label, which released thirty songs as part of his second posthumous album Faith. Fans have picked apart label executives for changing his beats and releasing unfinished verses. According to Pop’s best friend Mike Dee, there isn’t much new music left in the rapper’s vault.


George Pimentel/Getty Images

Clearly, Anderson .Paak wants to avoid any sort of situation like that. Serving a similar purpose to a “Do Not Resuscitate” tattoo, .Paak wants his artistic legacy to speak for itself while he’s still here. 

Check out his new tattoo below and let us know what you think.

Soulja Boy Loads Up Bromance Goals Aboard Private Jet In ‘Chain Snatched’ Video

Atlanta rapper Soulja Boy is not slowing down his streak of dropping new visuals. The hip-hop heavyweight comes through with the visual treatment to his “Not You Getting Yo Chain Snatched” music video. The clip is packed with big bromance moments. SB even channels his Big Draco moniker and avoids putting ‘Soulja Boy’ as the […]

Ludacris Talks Favorite New Punchline Rappers & ATL Hip-Hop Evolution

Throughout history, there haven’t been many emcees quite as dynamic as Ludacris.

Ever since he first emerged onto the scene with his debut album Back For The First Time, Luda has continuously proven himself as an innovator and imaginative lyricist. Priding himself as a jack-of-all-trades in the flow department, he made a point of experimenting with different styles and expanding his repertoire to suit any occasion. Even today, with the mainstream sound having altered completely since his arrival, shades of Luda’s influence can still be discerned.  

Having expanded his brand well beyond hip-hop — he recently starred in F9, which has grossed over $600 million worldwide — Luda has been on the continuous search for a partnership that suits his lifestyle. Evidently, he found exactly that with Jif Peanut Butter, who teamed up with Cris, Gunna, and director Dave Meyers for their brand new video “The Return.”

The “Lil Jif” partnership proved to be a match made in heaven for Luda, who epitomizes what it’s like to be a peanut butter fiend. Not only did he get to collaborate with like-minded creatives in promotion for a product he eats damn near every day, but he also found unexpected inspiration for his brand new single “Butter.ATL.” In the wake of its release, we had the honor of speaking with Ludacris about his new collaboration with Jif, as well as his vast musical legacy — past, present, and future. 

This interview has been edited for length and clarity.

WATCH: Ludacris in “The Return — Jif® Peanut Butter”


HNHH: Hey, how you doing, Luda?

Ludacris: What up dude. Man, I’m a fan of HotNewHipHop, so all love bro.

I’m a fan of you, man. It’s always an honor to speak with a hip-hop legend.

Thank you man, that means the world. They don’t throw that legend word out there loosely like that, so that means the world.

I’ll have you know that I got that Word Of Mouf album when it came out, bought that physical copy. 

But where’s it at now? Did someone steal it or have you misplaced that thing? That’s the question.

You know, it’s kind of a sad story. I left all my favorite rap CDs at my ex-girlfriend’s house back in the day.

[Laughs] Now that’s hilarious. Ain’t no telling what she did to them.

Congrats on all the success lately. Fis making bank, and now this new partnership with Jif peanut butter.

Yeah man. I always tell everybody and I mean this. Everybody has that one thing that they can eat every single day never get tired of — I promise you, the one thing is Jif peanut butter for me. It’s one thing for people to get on and make things up about partnerships, but man, this is so organic to my lifestyle. The Most High in the universe made this partnership happen because they knew that I loved Jif peanut butter, straight-up. You ask anybody, and they’ll tell you I eat peanut butter every day. Not only do I eat it every day — I eat it multiple times a day.

Are there any unconventional peanut butter combos that people might not be expecting?

That’s actually a good question. It’s tradition to put it on bread and all that, but I put it on french toast. I put it on pancakes. I was putting it on graham crackers last night. You know how you can make s’mores? My s’mores consist of marshmallows, graham crackers, and JIF peanut butter. I can think of a million things but the first thing that came to mind was what I was doing last night. Sunday’s my cheat meal day and that’s what I do. So I put it on everything, man.

Image via Artist

This campaign sounds like a truly appropriate match. Did you realize the scope that they were going with this campaign, especially with the video? I mean, you got Dave Meyers directing–

Dave Meyers did my “Stand Up” video. He did “Splash Waterfalls.” He’s one of my favorites, if not my favorite director. When they said that they were putting him on there, it made it even more creative for me to come up with this “Butter ATL” song to go synonymous with the video.  I just love having fun, and I love stretching my imagination and augmenting and exaggerating things. So did you get a chance to see the commercial yet?

Yeah, it was great.

That’s where the whole concept came from. Again this is my dream collaboration, and I mean that because it’s organic to my lifestyle. Plus everyone that’s involved are people that I’ve either worked with before or wanted to work with.

I think a lot of longtime hip-hop fans who have been listening to hip hop for 20 plus years — they’ve seen a big stylistic shift in the sound of mainstream rap. I think that the video actually sparked a bit of conversation about that, kind of poking fun at some of the stereotypes while having fun at the same time.

I always love to have fun with whatever conversation is going on in hip-hop. But also, I love making fun of myself. I don’t take life too seriously and I like to increase conversation about what people love. And as Ludacris, it’s about just having fun with different flows. I think that’s one of the most important things because when people look back at it, they’re like “this guy, there’s no flow that he can’t do.” In terms of being melodic, in terms of rapping fast and certainly rapping slow, humbly speaking, I feel like I’m a jack of all trades. To be able to incorporate some of those newer flows in here with the inspiration of Jif peanut butter — especially while taking a scoop of it — that’s what makes it even more fun to me.

“I always love to have fun with whatever conversation is going on in hip-hop. But also, I love making fun of myself. I don’t take life too seriously and I like to increase conversation about what people love. And as Ludacris, it’s about just having fun with different flows. I think that’s one of the most important things because when people look back at it, they’re like, ‘this guy, there’s no flow that he can’t do.'”

Ludacris

John Parra/Getty Images 

It’s effective too because you can test the waters. You can drop the song with the context of the commercial and see how people react to it. 

[Laughs] That’s a very good point. Even in “Welcome to Atlanta,” at the end when I was like “Chil-li-li-li-li-n, fli-pi-pi-pi-pi-n,” a lot of people don’t even know where that came from — but the whole world was singing it. It actually came from a radio station here in Atlanta, Georgia, and it was something that somebody had done a drop, and they had a tongue twister that they messed up. But the person kept drop like that. So when I did that verse — because it was specific to Atlanta — everyone in Atlanta knew what I was talking about. I mean that to say, it’s like with the Jif peanut butter and being able to come up with different flows…Everyone may not get it at first, but they’ll eventually understand it over time.

Would you say that it awoke something within you, a new creative direction to perhaps pursue in the future?

Oh hell yeah. 100%. That’s really what this whole campaign is about. Inspiring new flows and inspiring more creativity. Because I have to continue to reinvent myself as every artist does. It becomes more challenging to keep people interested the more albums you put out and the longer you’ve been in the game. I love being put up to that challenge. It’s a lot easier when you are putting out your second album or third album then when you’re putting out your eleventh album.

I can imagine. So this new style for lack of a better term, I feel like Atlanta really pioneered it. What was your initial reaction when it first started becoming the popular hip-hop sound?

For those who want to do some hip-hop homework, I could name a bunch of songs where I experimented with that sound. “Blueberry Yum Yum.” I kind of had the melodic thing. So this is like this is nothing new to me it’s just like, oh okay. When I said that whole thing about humbly speaking me trying out so many different flows, it’s like, whatever is going on at the present moment or whatever I feel like is spreading the transition for what’s to come, I’m willing to do it all. I’m willing to bring it to the forefront because I feel like it’s already a part of my foundational hip-hop flow arsenal. [Laughs] I’m cool with it either way. I’m ready. It’s almost like we go into war, okay what type of guns are we pulling out? I don’t really want to go to guns as an analogy but you get what I’m saying.

“For those who want to do some hip-hop homework, I could name a bunch of songs where I experimented with that sound. “Blueberry Yum Yum.” I kind of had the melodic thing. So this is like this is nothing new to me.”

Yeah, absolutely. Like you said you were experimenting with those flows years ago, but at the same time, you could get on a track with JAY-Z and Nas and hold your own lyrically. Not everyone can do that.

Exactly. So don’t call it a comeback. I’ve been here for years. [Laughs]

So what was it like working with Gunna on this?

Oh man, we went to the same high school. A lot of people don’t even know that man — not at the same time, obviously. But Banneker High School, College Park, Georgia. When I say this whole campaign was organic — I’ve met Gunna before, I had conversations with him, so the fact that he’s a part of this campaign, a part of this commercial….again, a dream collaboration.

“Oh man, [Gunna and I] went to the same high school. A lot of people don’t even know that man.”

Ludacris

Image via Artist

Were there any talks of a possible collaboration?

There are talks of collaborations right now, so we’ll see, man. Hopefully the world will be able to get one of those.

I remember seeing a while back that you and Timbaland were working on some new music. Is that still something in the cards for the future?

Absolutely. We have it we have a bunch of songs already done. There’ll be another announcement by the end of the year about new music, so I got you covered. I just can’t speak on it at this present moment. But I can say this whole “Butter.ATL” and this commercial are kind of the catalyst for a movement of new music to drop.

We can look at it as the first stages of a rollout. 

Exactly, you got it.

One last question for you. You’re one of the best punch line rappers of all time, so I’m wondering — who do you think can hold their own with the punch lines in this current generation?

That’s a good question. Let me see — who are the good punch line rappers, man? When you say new generation, like J. Cole and Kendrick?

I say they’re one generation removed. More like the 2015-to-now era.

I love Conway. Not only Conway, but the whole Griselda. Westside Gunn, Benny the Butcher. Conway is out of this world. I don’t really want to say that he’s underrated but I love Conway, I would definitely Conway. 

“I love Conway. Not only Conway, but the whole Griselda. Westside Gunn, Benny the Butcher. Conway is out of this world. I don’t really want to say that he’s underrated but I love Conway.”

I’m glad you guys linked up. “Scatter Brain” was one of my favorite tracks this year. I was very happy to see that, that’s for sure.

Me and you both, man.

I’ll let you get back to it, but thanks again for taking the time. I’m happy that you’re still killing it, and I’m looking forward to the new music.

Thank you, sir. Appreciate it. Take care. 

Listen: Ludacris – Butter.ATL