Today In Hip Hop History: Jay-Z Dropped ‘The Black Album’ 21 Years Ago

TodayinHip HopHistory:JAY ZDropped'TheBlackAlbum'YearsAgo

TodayinHip HopHistory:JAY ZDropped'TheBlackAlbum'YearsAgo

On this day in Hip-Hop history, Brooklyn’s own Jay-Z released he would-be retirement album The Black Album. Although there was virtually no pause between The Black Album and new Jay-Z music (collaboration albums with both R. Kelly and Linkin Park were released the following year), this album is easily the greatest retirement project of all time.

In its entirety, this album sounds more like a greatest hits album than the eighth project of an illustrious career. Starting with the first track, “December 4th”, this album takes the listener on a nostalgic journey. This opening tale of Hov’s origin sets the tone of the album and properly introduces Jay to an industry that he feels has taken him for granted. This album is an opus to Jay’s distaste with the rap game as a whole. On numerous tracks, specifically “Encore” and “What More Can I Say”, Hov can be heard stating his frustration with being the one punch man (a fictional superhero who can defeat any opponent with merely one punch causing him to become bored with superhero work) of Hip Hop.

Aside from staking his claim as the greatest, Hov spent this album perfectly juggling his unique brand of bragging with the dropping of street knowledge you couldn’t pay for. Singles “Change Clothes” and “Dirt Off Your Shoulder” are perfect examples of the particular swagger Jay-Z brought to rap. His mature yet flamboyant lyricism is on par with the life described by Robin Leach. As the album progresses, Jay begins more and more to put his would-be competition in its place with sheer willpower. From “Threats” to “Lucifer” it seems Jay is directly challenging the rest of the rap world to get on his level before they never again get the chance.

The album ends with two songs that could interchangeably be used as an outro. Both “Allure” and “My 1st Song” show Jay-Z coming to terms with the final chapter of his career coming to a close, even if he was planning a comeback.

Featuring production from Kanye West, Just Blaze, The Neptunes, Timbaland, 9th Wonder, Rick Rubin, DJ Quik, and even Eminem, it’s easy to see why this album is as amazing as it is. Aside from the prolific production team, Jay-Z put together one of his most successful albums without any features (aside from a hook sung by Pharrell). Commercially, the album peaked at #1 on both the Top R&B/Hip-Hop chart and the Billboard 200 chart (where it appeared twice, each for a week). The album also went triple platinum in the United States and made appearances on music charts of eight different countries.

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The Weeknd Unveils Limited-Edition ‘Hurry Up Tomorrow’ Vinyl with Japanese Artist Hajime Sorayama

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The Weeknd has announced the release of a special edition vinyl LP for Hurry Up Tomorrow, featuring exclusive artwork by celebrated Japanese artist Hajime Sorayama. Known for his hyper-realistic and futuristic depictions of robots and humanoid hybrids, Sorayama has once again partnered with The Weeknd, this time incorporating a unique twist on his iconic style to complement the album’s rebirth theme.

Sorayama’s influence spans art, fashion, and pop culture, blending eroticism with sci-fi elements, and his collaborations with cultural icons like George Lucas and Christian Dior have cemented his status as a leader in Japanese contemporary art. In this latest collaboration, Sorayama adapts his renowned aesthetic slightly to align with the thematic exploration in Hurry Up Tomorrow.

The limited-edition vinyl will be available for purchase exclusively for 72 hours, beginning at 9 a.m. PT on November 13 at theweeknd.co/HurryUpTomorrow. The collectible release offers fans a rare piece of art-meets-music history, bringing together The Weeknd’s vision with Sorayama’s futuristic touch for a unique addition to any vinyl collection.

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[WATCH] Ice Cube Says That Eazy-E Blocked Dr. Dre From Producing His Solo Debut Album

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Screenshot 2024 11 13 at 9.30.09 PM

Ice Cube has revealed that his Amerikkka’s Most Wanted LP, the first album that he dropped when he split from the groundbreaking N.W.A. collective, was not produced by Dr. Dre because of the late Eazy-E.

In an in depth interview with Idea Generation, the iconic rap pioneer, actor and film director says that he left Ruthless Records and N.W.A. for real reasons, but none of that impacted his personal relationship with Dre and still wanted his to produce his premiere solo effort. AMW was exclusively produced by New York-based production crew The Bomb Squad, who are primarily known for their production for Pub,lic Enemy.

In the interview, Cube admits, “I still tried to be friends with the guys who had nothing to do with the business. Me and Eazy was shaky, and I didn’t care about Jerry Heller at all, so it wasn’t no love lost there”. He added, “But I tried to keep it together with Dre. I even wanted Dre to produce my solo record, and we was talking about it, but Eazy and Jerry vetoed it.”

Dre and Cube eventually patched it up and worked together on the 1994 song “Natural Born Killaz”, which was intended to be a prelude to a collaboration album, but the idea was ultimately shelved.

Cube is set to drop the 11th album of his career, Man Down, which will be the first full length studio project that he’s released in the past eight years. Man Down is slated to be released within the week.

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Graff Rap: Five MCs That Are Known Wall Writers

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Screenshot 2024 11 13 at 7.29.57 PM

“Cause I’m playin ball or bobbin’ in the hall/ or just writin’ my name in graffiti on the wall..”

– Rakim “My Melody” circa 1986

Very few of today’s Hip Hop enthusiasts understand the history and impact of aerosol art or graffiti on the culture that we all know and love. As the eldest of Hip Hop’s original four pillars, its visual self expression is rooted in some of the roughest streets of New York and Philadelphia, depending on who you ask.

Then you have the youngest of the four pillars, emceeing, which is the verbal expression of the street culture and the euphemism “the handwriting on the wall” is told from the POV of the MC. In the 80s and 90s, there several of the era’s most prolific emcees began their “careers” in Hip Hop as graff artists. Some of them have continued to pursue their love to paint and some will give you a tag when you request an autograph.

The Source has decided to compose a list of five emcees that you may or may not know have hand styles for miles and Old Gold can control!

KRS -ONE

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Brooklyn-born/Bronx-raised Hip Hop legend KRS-One was a graffiti writer before he was known as the “Blastmaster” of Boogie Down Productions, scribing his name all over the streets of Brooklyn and the Bronx during his time at a men’s shelter where he met the late DJ Scott La Rock.

Fat Joe

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The Bronx is widely known to have produced some of MYC’s greatest graffiti writers and Fat Joe aka Joey Crack aka CRACK TS is a part of that legacy. The Terror Squad was originally a street crew and with graffiti being apart of their outfit, you could find CRACK TS pieces and throw ups near Forest Projects as late as 1993 when Joe dropped his first single “Flow Joe”. Above, you can see a throwie that CRACK painted in Lil Wayne’s home.

MF DOOM

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One of the most revered and worshipped figures on the Hip Hop landscape is the late MF DOOM. Formerly known as Zev Love X from the conscious trio KMD, DOOM later established himself as a solo artist, but his assumed nom de plume DOOM became more of a staple of his identity. DOOM throwies could be found around lower Manhattan, Queens, Brooklyn and even other countries with his CM(Criminal Minded) crew inscribed in his piece. The DOOM throwie is still a seminal piece of the MF DOOM/Metalface brand and will be always be one of the most recognizable throws in the graff game.

DJ KAY SLAY

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The illustrious “Drama King” DJ Kay Slay(R.I.P.) was an integral part of the graffiti culture long before he was known for terrorizing the mixtape scene in the late 90s and early 2000s. Known among writers as Dezzy Dez aka DEZ TFA, Slay appeared in the 1983 NYC graffiti introduction documentary Style Wars as a 16-year-old graff expert, even schooling a younger artist named TRAP to the tricks of the trade almost four decades ago. No, he isn’t an emcee, but we had to pay homage to a true pioneer of Hip Hop culture. Rest In Paint Kay Slay

TAME ONE

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As one half of the lyrical Newark-based duo The Artifacts, TAME was just as active with a can, if not more, as he was on the mic. As a member of NJ graff crew BOOM SKWAD, TAME’s name could be seen as large as full productions and as small as marker tags all over Newark, East Orange and Irvington while he and El Da Sensei worked their two albums , 1994’s Between A Rock And A Hard Place and 1997’s That’s Them. TAME ONE aka Raheim Brown will forever be remembered as one of the best bombers to pick up a mic. R.I.P.

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Tekashi 6ix9ine and Diddy Are Not in Contact at Brooklyn MDC, Despite Rumors

Video Emerges of Man Attempting to Confront 6ix9ine in NYC

Video Emerges of Man Attempting to Confront 6ix9ine in NYC

Tekashi 6ix9ine and Diddy may be in the same prison, but they are not kicking it. Despite rumors that they have interacted, TMZ notes that the two are in separate areas of Brooklyn’s MDC.

According to 6ix9ine’s attorney, Lance Lazzaro, the two are not next to each other, and 6ix9ine is isolated due to his notoriety. That separation includes other famous individuals.

6ix9ine pled guilty to violations of his supervised release. The rapper went to Las Vegas without permission, along with failed drug tests and more.

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Ray J Claims Celebs Are Paying Off Alleged Victims to Avoid Lawsuits Associated with Diddy

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Ray J claims some of Diddy’s friends and associates are willing to pay off alleged victims to remain quiet.

According to TMZ, Ray J appears in the new Tubi doc, The Downfall of Diddy: Inside the Freak-Offs, where he believes some high-profile celebs are throwing money at the accusations.

Attorney Tony Buzbee, who has sent letters to celebrities asking for settlements to dismiss possible lawsuits, is also present in the document.

Diddy Performs and Honored with Global Icon Award at VMAs

Houston attorney Tony Buzbee previously announced he is representing more than 120 individuals, including 25 minors, who accuse Bad Boy Entertainment CEO Sean ‘Diddy’ Combs of severe and abusive misconduct. During a press conference held in Texas, Buzbee revealed that his clients have come forward with allegations ranging from physical abuse to claims of sexual misconduct.

Among the most alarming accusations are those from individuals who were minors at the time of the alleged incidents. The accusations have sent shockwaves through the entertainment industry, given Combs’ influential status in music and business. However, the details of the claims remain largely undisclosed as legal proceedings are yet to begin.

In response, Diddy has vehemently denied the accusations. According to ABC 7 NY, Combs’ attorney, Erica Wolff, released a statement addressing the escalating situation:

“Mr. Combs emphatically and categorically denies as false and defamatory any claim that he sexually abused anyone, including minors,” Wolff said. “He looks forward to proving his innocence and vindicating himself in court if and when claims are filed and served, where the truth will be established based on evidence, not speculation.”

Wolff also referred to the growing controversy as a “reckless media circus” and stated that Diddy is prepared to contest any claims brought against him in court.

Despite Diddy’s denial, the public attention surrounding the case continues to intensify. Buzbee, known for his high-profile legal work, has taken on the case with a promise to seek justice for the alleged victims, emphasizing that many of the accusers have faced significant trauma.

As of now, no formal legal complaints have been filed, but the possibility of a court battle looms on the horizon. Both sides have expressed their readiness to present their cases, setting the stage for what could be a highly publicized legal showdown. With the number of accusers and the nature of the allegations, this case could have major implications not only for Diddy but also for the entertainment industry as a whole.

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Today In Hip Hop History: Wu Tang Clan’s Ol Dirty Bastard Passed Away 20 Years Ago

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TodayinHipHopHistory:ODBWasBornYearsAgo

20 years ago today, the Hip-Hop community lost one of its most eccentric, yet essential personalities that the game has ever known. Russell Jones, better known to the world as Ol’ Dirty Bastard, passed away just two days shy of his 36th birthday.

Ironically, Dirty took us through his 36th Chamber at the inception of his unprecedented career with his gold certified Return To The 36th Chamber debut in March of 1995. The Osiris of the WTC legacy followed up with another solo album entitled N***a Please as well as a posthumous release.

Ol’ Dirty will always be remembered by his loved ones and his fans as an original personality who wasn’t afraid to storm the stage during the Grammys, pick up food stamps in a limo on MTV, or repeatedly declare on The Arsenio Hall Show that the Blackman is God.

This Friday, which would’ve been the Wu Tang co-founder’s 56th birthday, his family is hosting a special screening of th A&E special documentary A Tale Of Two Dirty’s in his hometown of Brooklyn, where there will also be a panel discussion about the documentary and the impact of mental health.

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DDG Reveals He Has Not ‘Moved On’ From Halle Bailey, Wants More Kids in the Future

DDG Drops New Collection With Anti Social Social Club Titled 'Who We Hate to Be'

DDG got candid for his fans, revealing in a stream he has not moved on from Halle Bailey. “No, I’m not dating,” DDG said to his fans. “I haven’t moved on.”

He also revealed that he wants more kids but not with multiple people. He wants to have them within the next 2-3 years to avoid the new baby being too far apart in age from Halo, risking the chance they don’t have a tight bond. “I feel like that defeats the entire purpose of having another kid.”

Speaking on it he said, “I don’t want to have kids with multiple people. I feel like that’s just too much.”

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Clipse Coffee? Pusha T Names New Coffee Blend After “Grindin’”

Pusha-T Claims 'They Won't Publish' a Children's Book He's Been Trying To Write For Years

Hip-hop always finds a way to expand. This time, Pusha T is taking the genre to a new lane, launching his own brand of coffee named after the Clipse classic “Grindin’.”

According to Hypebeast, “Grindin’” is a premium, high-caffeine black coffee blend that will be served at Café Tropical. Why that spot? The original owners were involved in cocaine smuggling in the 1970s, so it’s very on-brand.

“Grindin’” will also have exclusive merchandise in collaboration with Carhartt at the cafe.

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Quality Control Music Expands into Country, Signs The BoykinZ

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Quality Control Music has gone country. The storied Hip-Hop label is ushering in a new era, expanding to include country artists to its roster. The initial signing is a quarter of sisters named The BoykinZ.

“This is a dream come true for us and we’re incredibly humbled and honored to officially join the QC family,” The BoykinZ said in a statement. “We owe a huge debt of gratitude to P and Coach K, the country music community and everyone who has believed in and supported us over the past few years, your love and encouragement have been the fuel that’s powered us to this moment.“

“An act like The BoykinZ comes along once in a generation,” said QC co-founders Pierre “P” Thomas and Kevin “Coach K” Lee. “These ladies possess an extraordinary talent and star quality that’s rivaled only by their dedication to their craft.”

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