The hip-hop world’s been reacting to A.I.-generated songs, voice replications, and filters for a while, but it just took a whole new scary step. Moreover, a recent audio clip surfaced on social media of an A.I.-generated verse from Jay-Z, complete with lyrics and voice mimicry as if it was a recorded product. After it exploded on the Internet, some of hip-hop’s most notable behind-the-scenes figures (and greatest defenders) spoke out against it. However, perhaps “scary” isn’t the right word, as leaders like Young Guru are more concerned with how this will tangibly impact artists. He acknowledges that technology will continue to evolve and shape itself regardless, but that we must be ready to protect our art.
“I’ve been trying to tell everyone that this is where we are now with AI,” he wrote on Instagram, posting the clip in question. “For some reason this one got everyone’s attention. So what do we do. On one hand I’m well aware that you can’t stop technology. Once the genie is out of the box you can put him back in. On the other hand we have to protect the rights of the artist. Not only artist but everyone in society. People should not be able to take your Name, Image and Likeness without permission. We have to add the voice to this law.”
Young Guru Posts Words Of Concern After A.I. Jay-Z Verse
“We have to learn from past mistakes,” he continued. “You would be a fool to chase every person that is going to do this. We learned that lesson with Napster. The only way I see to deal with it is to change the law. There are so many different opinions. We could change the United States law tomorrow but the internet is world wide. What a time we live in!!”
Furthermore, 9th Wonder commented “My God,” and DJ Clark Kent wrote, “This is terrible.” While Guru previously warned fans of A.I. thanks to a Kendrick Lamar voice filter that can alter one’s voice to mimic his, this is an even deeper issue. As such, the hip-hop world might be intimidated by technology, but seems as committed as ever to defending its roots, culture and artistry. For more on Young Guru, Jay-Z, and A.I.’s revolutionary (and worrisome) evolution in music, stick around on HNHH.
When it comes to the music industry, a healthy and supportive label can mean the difference between stardom and failure. Sure, most of the immediate attention around a hot new song or album concerns the artist that created it. However, labels often help these creators get to that point of success, whether through financial support or through keen mentorship. Over time, many record companies build a stacked catalog of either varied stars or a tightly curated sound. Still, much conversation around labels these days (especially the most successful ones) concerns how they might mistreat, exploit, or fail to properly compensate their roster. Many within hip-hop could relate to that experience, and thus chose to take matters into their own hands.
Perhaps more than in any other genre, rappers and producers quickly cemented their industry legacy in various ways. Many of the biggest rap stars of all time either spearheaded their labels, started their own, or made huge business moves to become entrepreneurs within the music world. Great labels can inspire change, provide employment opportunities, and create a space of community and support within a volatile industry. Of course, things don’t always pan out perfectly, but many labels in the rap game etched themselves into its history books for reasons larger than the sum of their sometimes controversial parts.
To celebrate Black History Month, we compiled a list of some of the most iconic Black-founded hip-hop labels. A few notes before the list begins in no particular order. First, this list includes record labels which were founded or co-founded by Black artists, entrepreneurs, producers, etc. Of course, many of these labels have parent companies; in other words, the larger music group conglomerate that distributes its releases. Still, these labels appear on the list because at one point in time or another, they represented (or represent) independence, creativity, artistic progression, commercial success or stability, community, innovation, or some or all of the above. We’ll also include some notable releases from each label, although there are many, many more iconic releases than what we’ve listed for each group.
There are too many iconic hip-hop labels to summarize perfectly in one list. So, with that said, let us know in the comments down below which are some of the most impactful Black-owned labels in your opinion, whether in hip-hop or beyond. Also, we recommend you search for independent record labels in your area of interest, as they can yield incredible and undiscovered talent. It’s that next generation of Black artists, businesspeople, entrepreneurs, and creatives that will continue to redefine the music industry. With all that said, let’s take a look at some of the biggest labels in hip-hop history.
Sugar Hill Records
Kicking off this list is, arguably, the label that started it all. Sugar Hill Records is responsible for some of the most essential and groundbreaking records in old school hip-hop in every metric. Sylvia Robinson founded this label with her husband Joe in 1986, along with Milton Madden and funding from Roulette Records. Sylvia already found artistic success in the 1950s and stepped into more of a producer role the next decade. With Grammy Award-winning experience working with Ike and Tina Turner, she created much of the blueprints for hip-hop’s pillars we take for granted today. She released the first rap single to dominate the charts and sell over a million copies with The Sugarhill Gang’s “Rapper’s Delight” (controversy aside). Also, she highlighted more established hip-hop acts like the legendary Grandmaster Flash & The Furious Five, who popularized the DJ as a musician and promoted social consciousness within their messaging.
With other artists like The Funky 4 + 1 and The Treacherous Three, Sylvia and Joe built one of the most successful and significant independent labels of its time in a few years. Unfortunately, Sugar Hill is now defunct following a distribution deal with MCA Records. While much of Sylvia’s work and talent went uncredited, she’s considered one of, if not the godmother of hip-hop. Much of Sugar Hill’s records are incredible distillations of what we know as rap today, and they set the groundwork for future independent companies from an artistic and business-minded standpoint. Hip-hop was born years before Sugar Hill, but Sylvia and Joe were among the first forces to stamp it in the music industry and commercial pop culture at large.
Notable Releases – “Rapper’s Delight” (1979) – The Sugarhill Gang – Sugarhill Presents the Sequence (1980) – The Sequence – The Message (1982) – Grandmaster Flash & The Furious Five – Drop The Bomb (1982) – Trouble Funk – “Whip It” (1983) – The Treacherous Three
Bad Boy Records
When Sean “Diddy” Combs was fired from his A&R job at Uptown Records, he knew that his skill at curation and ear for quality hip-hop couldn’t be squandered. As such, he founded Bad Boy Records in 1993, one of the most successful hip-hop labels of all time. To start, their catalog of artists represents titans of hip-hop and R&B in the ‘90s and 2000s. Faith Evans, The LOX, Craig Mack, Mase, Diddy himself, producers like Easy Mo Bee, Yung Joc, and of course the legendary Biggie Smalls. Sure, it had its ups and downs in its 30-year history, but the Bad Boy collective carved their name into East Coast hip-hop like few other labels have. In fact, although their output is more reserved, they continue to release significant albums in the music landscape.
Most recently, Janelle Monáe’s Dirty Computer received a Grammy nomination for Album of the Year, among a heap of additional critical and fan acclaim. Meanwhile, the label represents one of the most notable genre crossover artists in Machine Gun Kelly, whose latest album Mainstream Sellout saw much commercial success as well. With all that said, Bad Boy Records successfully shifted its focus across its history, and laid the groundwork for one of hip-hop’s billionaires. Diddy’s industry success, and the legacies of the rest of the Bad Boy crew, transcended far beyond label boundaries. Still, one can’t help but imagine what Bad Boy could’ve been if tragic events hadn’t marked its history so deeply. Much of the discussion around the label in the ‘90s concerned a rivalry with another imprint that caused a seismic shift in the genre, on the other side of the country.
Notable Releases – Ready To Die (1994), Life After Death (1997) – The Notorious B.I.G. – Faith (1995) – Faith Evans – Money, Power & Respect (1998) – The LOX – Dirty Computer (2018) – Janelle Monáe – Mainstream Sellout (2022) – Machine Gun Kelly
Death Row Records
When it comes to West Coast rap, few labels are as well-known, influential, and notorious as Death Row. Founded by Dr. Dre, Suge Knight, Dick Griffey, and The D.O.C. in 1991, the label became home to some of the most influential West Coast records of all time. Their first record was Dr. Dre’s The Chronic, which took G-funk to new heights and established the careers of label artists like Snoop Dogg, Kurupt, and Daz Dillinger. What followed were some of the most successful and beloved rap albums of the time, especially after they signed 2Pac in 1995. Also, the sheer popularity and gritty glamor of the collective’s aesthetic, their movement, and their public personas influenced rappers for decades to come. Even more so after their beef with Bad Boy Records, Death Row was as much of a philosophy as it was a brand.
However, that philosophy ended up becoming dangerous. Multiple losses on both sides, such as Pac and Biggie, meant tragic outcomes for both camps. In Death Row’s case, they didn’t fully recover after the conflict, as there were already internal battles between Dre, Pac, and the label executives. Despite its murky history, the label released art that impacted millions, regardless of the circumstances of its creation. In fact, Snoop Dogg recently bought the label from MNRK Music Group last year, so perhaps there will be a different ending to the Death Row story. As many other labels have done, maybe a new generation of Death Row artists will sidestep the label’s past struggles and capitalize on the music that made it truly special.
Notable Releases – The Chronic (1992) – Dr. Dre – Doggystyle (1993) – Snoop Dogg – “Regulate” (1994) – Warren G & Nate Dogg – All Eyez On Me (1996) – 2Pac – BODR (2022) – Snoop Dogg
Ruthless Records
Before Death Row, however, there was Ruthless Records. Eazy-E founded the label in 1987 alongside Jerry Heller. What started out as recordings in Eazy’s parents’ garage became some of the most influential tracks and albums in West Coast hip-hop. Through close collaboration and a relentless desire to do things their way, artists like N.W.A forged monumental careers. While internal discussions and money eventually got in the way of its key members, their influence during those days established them as leaders of the West Coast. Dr. Dre went on to co-found Death Row, and Ice Cube founded Street Knowledge Records, now known as Lench Mob. During this time, a lot of label turmoil was still being figured out in hip-hop, but it didn’t stop anyone from putting out impactful music.
Still, the Ruthless roster stands among many other West Coast pioneers who also contributed to the scene’s success. What makes this label special are its impressive and distant bookends. First, the gritty depictions of street life, hard-hitting production, and gangster attitudes that radicalized late ‘80s hip-hop. Then came Bone Thugs-n-Harmony in the mid ‘90s, who themselves laid some of the groundwork for the most popular sounds of today. The Ohio group not only proved Eazy-E had the vision to lead Ruthless to other scenes and movements in hip-hop, but were also one of the first to pioneer trap music in its prototypical stages. Perhaps Death Row gets a bit more name recognition these days, but Ruthless remains arguably one of the most enduringly influential labels in hip-hop history.
Notable Releases – Straight Outta Compton (1988) – N.W.A – Eazy Duz It (1988) – Eazy-E – No One Can Do It Better (1989) – The D.O.C. – Michel’le (1989) – Michel’le – E. 1999 Eternal (1995) – Bone Thugs-n-Harmony
Cash Money Records
Our first Southern representative on this list was founded by two brothers, Ronald “Slim” Williams and Bryan “Birdman” Williams. With a desire to overcome poverty from rough upbringings, the label became the genre’s biggest revolution in years. In its early days, Cash Money established itself thanks to keen curation, which turned the streets’ favorites into hit artists. With a few years of experience under their belt, they signed Lil Wayne and Juvenile in 2006, and would go on to include Nicki Minaj, Drake, Jacquees, DJ Khaled, and many more (under Young Money, a later imprint of Cash Money started by Lil Wayne). Albums were selling millions of copies and many of these projects ended up defining much of the 2000s bling era. Weezy, for example, is just as well-known for his mixtape series as he is for his classic albums.
Of course, eventually Cash Money’s biggest players ended up moving on. Wayne in particular had a lot of issues with Birdman surrounding the release of Tha Carter V, and a lot of those label tensions could’ve boiled over into other careers. Nicki Minaj, for example, is on Lil Wayne’s Young Money label, which used to be an imprint and later partner of Cash Money (or YMCMB). Regardless of how things have shifted, Cash Money continues this list’s trend of influential labels defining how future ones could operate. Birdman even played a hand in the rise of artists like Young Thug, who not only has beef with his idol Lil Wayne but created a whole generation of clones of his own. Many of today’s most traveled roads in rap were paved by the sound Cash Money championed.
Notable Releases – 400 Degreez (1998) – Juvenile – 5 * Stunna (2007) – Birdman – Tha Carter III (2008) – Lil Wayne – Pink Friday (2011) – Nicki Minaj – If You’re Reading This It’s Too Late (2015) – Drake
No Limit Records
No Limit’s history slightly mirrors that of Cash Money, at least at first glance. Similar come-up in 1991, reached mainstream success from the mid ’90s to the 2000s, and so on. Percy “Master P” Miller started to sell his recordings through a small storefront, seeking out and signing local California talent. However, given he’s from New Orleans, the sound of No Limit was something more new from the jump. Eventually the label relocated to his home city in Louisiana in 1995, and found more MCs hungry to succeed. Within two years, No Limit was one of the more commercially successful labels of the moment. They dropped movie soundtracks and signed the one and only Snoop Dogg after his Death Row exit.
While No Limit’s music wasn’t a critical darling, its artists were so prolific and idiosyncratic that they connected with audiences in a way few other rap labels could. Though all good things came to an end, they represented yet another fresh take on the game. At the time, there was still had a bit of binary bias between West and East. While No Limit is no more, it lives on through No Limit Forever Records, founded by P’s son Romeo Miller. Their groovy, raw, and relentless run of albums in the ‘90s and 2000s was quite impressive as a new player. Also, dozens of rappers have spoken on how Master P shaped their consumption of the art form. During a time in which labels seem to want to put more music out than ever, perhaps No Limit set a blueprint for how artists could make that supply and demand work.
Notable Releases – The Shocker (1996) – Silkk the Shocker – Ghetto D (1997) – Master P – Tru 2 da Game (1997) – TRU – Da Game Is to Be Sold, Not to Be Told (1998) – Snoop Dogg – Mama Drama (1998) – Mia X
Def Jam Recordings
Of all the labels on this list, Def Jam might be the broadest selection, the most difficult to talk about, and the hardest to summarize in two paragraphs. After linking with producer Rick Rubin, Russell Simmons built upon some of his industry experience to build an empire. Early signees included some of hip-hop’s most impactful innovators: Run-DMC, LL Cool J, and The Beastie Boys. Then came Jay-Z, DMX, Kanye West, Redman, Mariah Carey, Rihanna, Big Sean, Frank Ocean, Pusha T, and so many more. Artists either formed gargantuan careers starting off in Def Jam or have arrived at it as established superstars. The sheer variety of genres and styles, the businesses it’s directly and indirectly created, and its broad influence is outstanding.
However, with such a wide pool, you’re bound to have some sharks in the water. In many ways, Def Jam’s size and versatility emphasizes everything a label can be. It can be freeing, restrictive, personal, cold, rewarding, unforgiving, the best thing to happen to your career, the music business screwing you over, or all those things at once. In fact, Simmons is no longer even on the board as executive due to various accusations of sexual assault. Despite that, this label gave artists the experience and infrastructure knwoledge to excel independently, at least in some cases. Even with excitement around Def Jam disappearing with time and context, many of its artists are still invigorating and inspirational. No matter who you are, odds are that you will find something that moves you on this label’s discography.
Notable Releases – Radio (1985) – LL Cool J – Licensed To Ill (1986) – The Beastie Boys – It Takes a Nation of Millions to Hold Us Back (1988) – Public Enemy – The Blueprint (2001) – Jay-Z – It’s Almost Dry (2022) – Pusha T
Top Dawg Entertainment
One of the top labels right now was founded almost twenty years ago. In 2003, after six years producing, Anthony “Top Dawg” Tiffifth met a then-15-year-old Compton rapper named Kedrick Lamar. Eventually, TDE became a proper label with the help of Terrence “Punch” Henderson in 2004 and first started seeing commercial success thanks to successful mixtapes from Jay Rock. Soon after, Ab-Soul and ScHoolboy Q joined, leading the four MCs to form Black Hippy in 2009. With later signees including SZA, Isaiah Rashad, and most recently Doechii, TDE represents commercially successful but artistically progressive hip-hop. For example, many consider Kendrick Lamar one of the greatest to ever do it. Now that he’s exited the label, they might wonder where they go from here.
Well, so far, the incredible success and acclaim behind albums like SZA’s SOS, Zay’s The House Is Burning, and Ab-Soul’s Herbert quell all doubts of quality discographies coming through. Moreover, Doechii became one of the XXL Freshmen of 2022 and is one of the most beloved rising MCs. While some labels fall to either complete lack of notable output or too much infighting, TDE focused on its artistry. Of course, it hasn’t dodged those industry pitfalls, as release conflicts from behind the scenes, accusations of “mid” on the Internet, and the fact that TDE releases take a while still affect the label. However, for what it’s worth, they might have the highest batting average here and inspire many other independent labels.
Notable Releases – Control System (2012) – Ab-Soul – Oxymoron (2014) – ScHoolboy Q – To Pimp A Butterfly (2015) – Kendrick Lamar – Ctrl (2017) – SZA – The House Is Burning (2021) – Isaiash Rashad
Dreamville Records
Next up is TDE’s biggest competition, although they actually feel more like kindred spirits. J. Cole founded Dreamville in 2007 with manager Ibrahim Hamad. Cole wanted to put music out, Hamad wanted to start a label, and within seven years they released the label’s first group mixtape Revenge of the Dreamers after Cole’s mainstream success. While their roster is often compared to TDE’s, they certainly shine as a unified label with just as much talent. Bas, Ari Lennox, JID, and EARTHGANG are just a few of the charismatic creators that push Dreamville forward today. Cole continues to do incredible things, but just like TDE, the newest names are the most exciting thing about it.
JID reached rap royalty with 2022’s The Forever Story, which established him as a leader after already proving his skills. Much of the roster is entering what many would call their veteran years, but their music remains fresh and unencumbered. Let’s not forget their recent Gangsta Grillz tape with DJ Drama, which proves they can dominate on the home court or in another city. Dreamville also has a Foundation in Fayetteville, North Carolina that helped many of its community members through rough times. While many labels often engage in charitable endeavors and extracurriculars like film soundtracks and business deals, few artists come off as genuine, well-mentored, and prepared to take on those responsibilities as Dreamville’s artists do.
Notable Releases – 2014 Forest Hills Drive (2014) – J. Cole – Milky Way (2018) – Bas – Shea Butter Baby (2019) – Ari Lennox – Mirrorland (2019) – EARTHGANG – The Forever Story (2022) – JID
Griselda Records
Finally in this list, we have Griselda, the independent Buffalo, New York label with one of the most prolific and quality discographies in recent memory. Founded in 2021 by Westside Gunn, Conway the Machine, and Mach-Hommy, the label was inspired by their experiences with drug dealing, their focused artistic visions, desire for independence, and building off of rap innovators like Roc Marciano. With the help of rapper Benny the Butcher and in-house producer Daringer, they cultivated a rebirth of hardcore hip-hop. Their beats feel incredibly atmospheric, gritty, and menacing, like the best grimy East Coast boom-bap of the 1990s. Their aesthetic creativity and business acumen in many areas has given each member an illustrious career of their own.
Speaking of Griselda’s roster, it includes the aforementioned wordsmiths plus some of the most respected MCs working today. There’s Boldy James, Rome Streetz, Armani Caesar, Jay Worthy, YN Billy, and Stove God Cooks. In fact, you can count the current Griselda roster with both hands. Even with Conway’s amicable departure, any one of those nine could likely body an average label roster today. Griselda is more than just a label in people’s minds. It’s almost more of a hivemind or a genre at this point. Few labels ever in hip-hop have been so easily identifiable and respected, not just because of their trademark style but because of the consistency of their output. More than any other label on this list, Griselda clearly has a very specific goal. They produce essential hip-hop music and get its hard-working artists a lot of cash, recognition, and freedom while doing so.
Notable Releases – The Plugs I Met (2019) – Benny The Butcher – Pray for Paris (2020) – Westside Gunn – The Liz (2020) – Armani Caesar – Pray for Haiti (2021) – Mach-Hommy – God Don’t Make Mistakes (2022) – Conway The Machine
50 Cent just said that Future is “way bigger” in the streets than Jay-Z, as hard as they may be for some to believe. However, it’s not like the talent gaps between the two are all that big nowadays. After all, they both have over a decade of experience in the game, and are incredibly influential in their own right. Still, 50 addressed the comparison (that Future himself made initially) in a recent interview with MSNBC. Overall, 50 maintained that although Jay-Z dominates commercially thanks to his legacy, the Southern pioneer has a lot of treasures to unearth.
HOUSTON, TEXAS – FEBRUARY 03: Rapper 50 Cent attends a game between the Houston Rockets and the Toronto Raptors at Toyota Center on February 03, 2023 in Houston, Texas. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Carmen Mandato/Getty Images)
“Yeah, yes,” the Queens MC responded to the interviewer’s prompt that Hendrix is bigger than Hov in the streets. “Way bigger. Like, there’s consistent music from him that didn’t chart that [are] huge records that people love and appreciate. Later, it may not have the same things to hold onto that you have at points.” On that last comment, it’s unclear whether he compared the two discographies or made a statement on longevity. Regardless, the “In Da Club” rapper’s point also reflects what kind of music people want to listen to now. At the end of the day, Jay is a legend, but many believe Future’s still in his prime. What’s more is that many consider him a legend already, especially due to his influence this past decade.
However, the self-proclaimed King of New York doesn’t exactly blow out the Atlanta trap icon’s numbers. In fact, it’s a pretty close race, considering Future’s wealth of Billboard Hot 100 hits across his catalog. Even if old heads might flare up in anger at 50’s comments, it’s a very specific and circumstantial question. Beyond that, what’s wrong with bumping “HOLY GHOST” these days instead of “Holy Grail”?
Regardless, it’s quite an interesting conversation, especially coming from a legend of the genre in his own right. In the same interview, Fif spoke on his early career and why the youth fell in love with his artistry. “The stuff that they see that I’ve learned, it kinda kept me out of trouble at points. The stuff I was saying in the music in the very beginning, I was crazy to tell you the truth, Ari. I was absolutely crazy at that point. Kids fell absolutely in love with me and they were in love with the wrong part of me.
Hip-hop artist and mogul 50 Cent on his success: “I have had kids that were absolutely in love with me and they were in love with the wrong part of me. The part that won’t actually continue to be successful. The part that won’t continue to be something that people celebrate.” pic.twitter.com/gv8TUItGLH
“The part that won’t actually continue to be successful,” he continued. “The part that people won’t continue to be something that people celebrate. They have to turn into something bigger and better as they go with the new information and new opportunities that come because they’re really street.” However you may feel about Future and Jay-Z’s comparison, return to HNHH for the latest on them and 50 Cent.
Hip-hop figures from all over shared their heartfelt messages dedicated to De La Soul’s Trugoy the Dove, who passed away this weekend. While his cause of death is unknown as of writing this article, hip-hop aimed to celebrate his life instead. Moreover, many rappers, producers, and members of the rap world took to social media and other means to mourn the late rapper. Also, his death struck the community as excitement geared for the group’s upcoming streaming releases. As they reckon with the loss of a monumental figure in pioneering hip-hop, they dedicated heartfelt messages of love.
MOUNTAIN VIEW, CALIFORNIA – JUNE 22: Trugoy of De La Soul performs at Shoreline Amphitheatre on June 22, 2019 in Mountain View, California. (Photo by Miikka Skaffari/Getty Images)
“All too often we have to wait for tragedy to strike before we express how much someone means to us,” Questlove wrote on Instagram. “I just wanna thank them for the decades of zaniness, the fun memories of my teen years, the blueprint laid out that eventually brought Tariq [Black Thought] & i together.” Also, Busta Rhymes shared a pained reflection on his passing. “Complete Disbelief that I’m typing this right now,” he expressed on Instagram. “This one hurts Bad. Dave aka Trugoy the Dove Fly Beloved Fly.. Rest Easy King.” Furthermore, LL Cool J and Ghostface Killah commented under his post, wishing Dave safe travels.
Furthermore, Chuck D posted a wholesome video of him and Trugoy. “#RestInBeats my bro,” he wrote, “#DeLaSoul forever.” DJ Premier also honored Trugoy via Twitter. “So sad to hear of our icons of HIP HOP Culture Pass On… We will miss you Trugoy The Dove (Plug 2) Dave Jolicoeur of DE LA SOUL…Our memories together are endless. Condolences to your family and salute Pos, Maseo and Smiles. @WeAreDeLaSoul.” In addition, Styles P shared a simple but powerful statement on Instagram. “S.I.P. Plug 2…. Legends and energy never die!!!!!”
So sad to hear of our icons of HIP HOP Culture Pass On… We will miss you Trugoy The Dove (Plug 2) Dave Jolicoeur of DE LA SOUL…Our memories together are endless. Condolences to your family and salute Pos, Maseo and Smiles. @WeAreDeLaSoul
Meanwhile, Pharrell tweeted a message to not just David Jolicoeur and his loved ones, but to all impacted by his artistry and energy. “Trugoy Dave from De La Soul has gone up to be with the day of the stars with the Master. Sending love, light and positive vibrations to his family, The Soul and everyone whose lives have been touched by his existence. Oodles and Oodles and Oodles of O’s.” You can find more tributes to Plug 2 below, and share your favorite Trugoy songs and verses in the comments. Come back to HNHH for the latest on De La Soul, Trugoy the Dove, and their forever enduring legacy. Long Live Trugoy the Dove.
Trugoy Dave from De La Soul has gone up to be with the day of the stars with the Master. Sending love, light and positive vibrations to his family, The Soul and everyone whose lives have been touched by his existence. Oodles and Oodles and Oodles of O’s
You have no idea how much pain in this last year . Dave love you bro a blessing we got a chance to unite again .Divine power . Literally no words anymore . De la soul forever
We lost another legend of hip hop music and culture in my brother Trugoy aka Dave of De La Soul. His music will allow him to live in our hearts and minds as he is gone. But not only was he a great musician but he was a great human being. He meant a lot to us pic.twitter.com/5PlZWX65CF
Dave East perfectly rapped through a Nas verse when asked about the first verse he ever memorized. During an interview with HipHopDX at the Grammys red carpet, they spoke with the New York rapper about the first verse to live fully in his head- well, other than his own raps. Moreover, the 34-year-old recited the New York legend’s bars on “You Won’t See Me Tonight.” Furthermore, that track features the late Aaliyah and landed on Nas’s 1999 album I Am… A pretty deep cut for many fans, so props to East for the pick and for his memory.
CHICAGO, ILLINOIS – FEBRUARY 15: Nas and Dave East attend the Hennessy All-Star Saturday Night with Nas, A$AP Ferg, & Da Baby at The Old Post Office on February 15, 2020 in Chicago, Illinois. (Photo by Noel Vasquez/Getty Images for Hennessey)
“Caramel kisses of Jezebel’s sister,” he began. “I feel no guilt when I twist ya. Turn the other cheek when I see the next freak witcha. You got your name on his lease, copy his keys. That’s your lil’ spot where you rest your wig piece. Go ‘head and live baby, I know you his lady. You page me, when you got the day free. But I be out with my peeps in them system Jeeps. You wanna lay up in the sheets of presidential suites.
“You wont see me tonight” is such an underrated song. Nas & Aaliyah deserved this song to be more popular cause it’s one of their best pic.twitter.com/vNssB5YujQ
“Like I’ll massage you while you massage me, mami,” he continued. “But can you hang with a young man who’s doing his thang? Speak up, I wanna know if you can keep up. Timberland boots for girls, with the tree stump. Baggy sweatsuits, mystery what’s underneath them. They for my eyes only, you call me when you lonely. But I like to make the baddest girls wait, I got G baby.”
Meanwhile, Nas wasn’t the only OG that Dave East shouted out at the Grammys red carpet. Also, he spoke excitedly about portraying Method Man again in the upcoming season of Hulu’s series Wu Tang: An American Saga. “It’s the best season,” he told Baller Alert. “I think this the season that the world’s going to be able to identify the most with. I feel like season one and two is, like, stuff you didn’t know about them. You know what I mean? Getting to know their stories. Season three, I’m, like, really Meth. I look like Meth for real, I got the fangs and all that. It’s dope the way RZA did it this season.” Let us know if you’re excited for the show in the comments, and return to HNHH for the latest on Nas and Dave East.
JT recently opened up to Angie Martinez on her IRL podcast about the future of City Girls and how she prays for its health. While they’re one of the most talked-about and beloved duos who’ve blown up recently, their profile and success means that a lot can get in the way. Still, the Miami native spoke earnestly about her career path and the love she has for Yung Miami. After discussing JT’s personal story, the conversation eventually shifted towards the state of the duo. Overall, from the 30-year-old’s perspective, their relationship is one to nurture and protect.
ATLANTA, GEORGIA – OCTOBER 09: Yung Miami and JT of City Girls perform onstage during day 2 of the 2022 ONE Music Festival at Central Park on October 09, 2022 in Atlanta, Georgia. (Photo by Aaron J. Thornton/WireImage)
“Hopefully the future of the City Girls can be the City Girls,” she expressed. “And I pray that our egos does not separate it. Or the internet, or guys, or like, nothing! Sometimes I be on my s**t; sometimes she be on her s**t. You know? Like, we’re human; we’re women. We’re not girls, we’re women. Sometimes I wanna be with my man, just like sometimes she wanna be with her man. And I hope that’s not what be the reason or interfere.” However, she clarified that she’s not scared of them beefing or cutting ties in any way. Moreover, she just hopes that their relationship can keep thriving in a volatile industry. “I do not see beefin’ and breaking up with the City Girls at all. Ever! That’s just stupid. I hope we don’t get too busy.”
Even while JT faced prison time as they blew up, the City Girls support each other through thick and thin. While their bond is strong, they also gave each other space to form their own careers and individual pursuits. For example, Yung Miami broke into the podcasting and acting world. On the other hand, JT recently made strides in the lanes of fashion and beauty. On Thursday (February 9), she announced her first solo deal: a partnership with KISS Colors & Care.
“JT is the epitome of confidence and self-expression,” the company’s VP of Global Marketing Annette DeVita-Goldstein stated. “Because KISS Colors and Care celebrates creativity and style versatility, we could not think of a more iconic brand partner to represent the brand and its philosophy. We’re thrilled to have JT as our celebrity partner – she continues to be a disruptive force in the music, fashion, and beauty industries. She is bold and embraces new hair looks with confidence and authenticity, which aligns perfectly with our new styling collection.” Regardless of what they do next, come back to HNHH for the latest on City Girls.
Billboard and VIBE recently came out with their top 50 rappers of all time list, for which the top 10 ranking released this week. However, many people expressed issues with the placements, as expected with any subjective list. One detractor is Charlamagne Tha God, who said Kendrick Lamar and Drake don’t belong at No. 2 and 8, respectively. Moreover, the Breakfast Club co-host discussed the list with his fellow on-air colleagues, and he said it’s “too early” in their careers to tell. Of course, both rappers continue to dominate and forge their paths, but maybe their accomplishments are already enough to rival the game’s best.
ATLANTA, GA – SEPTEMBER 09: Charlamagne tha God is seen during a campaign event and conversation with Stacey Abrams, 21 Savage, and Francys Johnson at The HBUC on September 9, 2022 in Atlanta, Georgia. (Photo by Elijah Nouvelage/Getty Images)
“I feel like it’s too early for Drake and Kendrick to be saying stuff like that,” he remarked as DJ Envy went through the list. “Of all time? God damn! Penis is a form of transportation for y’all.” Still, both MCs clearly made some of the largest waves in hip-hop history. The 6 God, for example, recently became the first artist to amass over 75 billion streams on Spotify. Whereas the “God’s Plan” star leads the charts, K. Dot leads the culture. Following three Grammy wins last weekend, he’s now the third most decorated rapper in Grammy history. Moreover, Jay-Z and Kanye West currently share that honor at 24 phonograms each. For what it’s worth, Ye landed at No. 11 on Billboard‘s list, and Hov is Billboard‘s greatest rapper of all time.
In addition, the top ten also included Biggie, Nas, Nicki Minaj, Eminem, Snoop Dogg, Tupac and Lil Wayne. Other names near the top are André 3000, Rakim, LL Cool J, J. Cole, Scarface, 50 Cent, and Ice Cube. In fact, Cube was another member of hip-hop culture that criticized the rankings. “I don’t f**k with Billboard or their editor,” he told TMZ with a smile. “Billboard ain’t hip-hop so their opinion don’t matter. Yeah, it is,” he acknowledged on the travesty of Too $hort’s snub.
“It’s an irrelevant list, you know what I mean? It’s like assholes; everybody got one and they all stink. There it is.” Who else should’ve made (or been omitted from) Billboard and VIBE‘s top 10 rappers list? However you may feel, let us know how you’d make the tough call in the comments below. Also, as always, come back to HNHH for the latest on hip-hop debates and the genre’s greatest.
While it’s impossible to fit every hip-hop icon into one performance for its 50th anniversary, some omissions feel easily avoidable. Willie D just called out the Grammys for inviting Scarface to perform, but not the rest of the Geto Boys. Moreover, Scarface delivered his verse on the 1991 classic “Mind Playing Tricks On Me.” The fantastic homage at the 65th annual Grammy Awards in Los Angeles’ Crypto.com Arena on Sunday (February 5). Also, the near-14-minute show included many legends, from Grandmaster Flash and the Furious Five to Nelly and even Lil Baby. However, when Scarface delivered the medley’s first Southern staple, his fellow Geto Boy Willie D was nowhere to be seen.
ST. LOUIS – OCTOBER 1991: Rappers Willie D. (William James Dennis) and Scarface (Brad Terrence Jordan) of The Geto Boys performs at The Arena in St. Louis, Missouri in October 1991. (Photo By Raymond Boyd/Getty Images)
Afterwards, Willie took to Instagram to express his frustrations. Moreover, he’s the only other living member of the Houston group, as Bushwick Bill passed away in June of 2019. “A reminder to the Grammys and all the rest of y’all out there trying to hustle the Geto Boys brand by only including Scarface, who had a stellar solo career: How in the hell are you gonna have a 50-year tribute to Hip Hop and not include Geto Boys the group?” Willie asked. “If you forgot, the group includes Scarface and Willie D. How you gonna use a performance that includes a song that I co-wrote but not even have the decency, the respect to reach out to me and ask me if I wanted to participate? Y’all are some clowns for that. All the way out of pocket. Whoever made the call, y’all some clowns… No more talking.”
Also, he captioned his post with ““Disrespectful Mofos!!! No mo’ talk.” In fact, some people even questioned why Scarface himself didn’t give him a call or decline performing without him. Still, Questlove clearly curated this spectacle with a lot of heart and passion. With that in mind, we don’t know who was directly responsible for this specific decision. Regardless, the Roots drummer partnered with Nas’s Mass Appeal to bring hip-hop’s fifty years to life. “Hip Hop has been a driving force in the music and the culture,” he expressed. “It’s had an immeasurable impact on our culture and our world and I’ve had the great privilege of co-curating this thing with the Roots and many others that are gonna join us that night.”
How did they leave my man Willie D off the 50th anniversary of Hip Hop? Geto Boys #GRAMMYs HTOWN legend…
Meanwhile, LL Cool J finished the performance with a hopeful gaze towards the future, and by acknowledging the long journey. “From The Bronx to the five boroughs, to the West Coast to the Heartland; overseas to Europe, to Africa, to Asia; TikTok, whatever’s next,” he said. “Because thanks to the 33 Hip Hop artists on stage and the countless more we love, Hip Hop is a global platform today. We’re celebrating. Happy 50th anniversary to Hip Hop, baby!” Come back to HNHH for the latest news on the Grammys, hip-hop history, and underrepresented legends.
When legends talk about the “kids these days,” it’s usually a two-way street of negativity. However, one of rap music’s most enduring and important legends is using his experience to actually engage with and educate the next generation. Moreover, in a new feature with XXL, Bun B shared ten hip-hop songs for young rap fans to discover.
NEW YORK, NEW YORK – DECEMBER 07: Bun B attends Trillstatik 2Live Recording Session on December 07, 2022 in New York City. (Photo by Johnny Nunez/WireImage)
Furthermore, the Texas legend’s knowledge, talent, skill, taste, and experience regarding hip-hop is like gospel. Funnily enough, the rapper is a guest lecturer at Rice University in Houston, where he co-taught a Hip-Hop and Religion course. In honor of the genre’s 50th anniversary this year, the 49-year-old MC shared ten rap cuts that he finds important for the next generation. Also, he encouraged listeners to keep an open mind, as the genre’s always evolving.
That being said, here’s the list. Starting in the year 1990 is “We’re All In The Same Gang” by the West Coast All-Stars. Later, he shouted out the classic 1991 Geto Boys cut, “Mind Playing Tricks On Me.” Also from ’91, he mentioned “A Bird In The Hand” by Ice Cube and “Be A Father To Your Child” from Ed O.G. & Da Bulldogs.
Following that is E-40 and The Click’s “Drought Season” from ’92 and “Mr. Big” by 8Ball & MJG from ’93. In addition, he gave another Southern nod to Goodie Mob’s 1995 hit, “Soul Food.” Then, interestingly, came two songs featuring the one and only Tupac Shakur. First, there’s his classic ’95 track “Dear Mama” and 1997’s “Smile” where he featured with Scarface.
Finally, Bun B had to tip his hat to Nelly’s 2000 smash, “Country Grammar,” which he admitted he disliked initially. Moreover, each pick has its own write-up courtesy of the UGK legend, so click here to check his thoughts out. While all his reflections are engaging, his words on “Smile” and “Country Grammar” in particular are quite compelling.
Still, what did you think of Bun B’s list of ten hip-hop songs for the younger generation? Whatever the case, let us know in the comments down below. Also, as always, check back in with HNHH for more advice, recommendations, and wisdom from the hip-hop game’s greatest exponents.
Well, we know who bumped “Silent Hill” the most last year. Charlamagne Tha God recently called Kodak Black “the GOAT” and compared him to Kendrick Lamar. While some may find the comparison absurd, they did collaborate on the Compton rapper’s latest album, Mr. Morale & The Big Steppers. Moreover, the radio host explained why he holds the two in a similar regard.
ATLANTA, GA – SEPTEMBER 09: Charlamagne tha God is seen during a campaign event and conversation with Stacey Abrams, 21 Savage, and Francys Johnson at The HBUC on September 9, 2022 in Atlanta, Georgia. (Photo by Elijah Nouvelage/Getty Images)
“Kodak is the GOAT,” tha God stated. “I was watching that video and I was thinking to myself like, ‘Man, do people realize how dope Kodak Black is, yo? Not just as a personality, but as a rapper, as an artist. You know these true hip-hop heads will be like ‘Ah, man, you’re talking about Kodak Black…’
“I look at Kodak Black the same way I look at Kendrick Lamar,” he continued. “I’m not even joking. I feel like they’re both two different levels of prolific. They’re telling similar stories, just from different places. They’re just two different versions of the same kid from the hood.”
Furthermore, a lot of fans might consider this a hot take. However, Charlamagne has plenty more where that came from, and other opinions of his caused even more debate. Recently, the media personality expressed his skepticism regarding Chief Keef when naming his list of the most influential rappers.
“No, you know why I don’t put Chief Keef in there?” he remarked. “Because Chief Keef didn’t influence the world, he influenced a sound of a region. Those four people I named literally influenced people all over the world.” Previously, the host mentioned his picks for the top spots. “I’m not going to say the order number, but there’s four: Kanye, Jay-Z, Pac and Wayne. The four most influential rappers of all time.”
Meanwhile, G Herbo was one of many both inside and outside the rap game to disagree. “What Charlamagne said, he don’t feel like Sosa is one of the most influential, like, globally but I disagree,” the Chicago MC expressed. “Probably right now you don’t feel like that ‘cause you got the Drakes, the Futures. You got so many but I feel like it wouldn’t be a lot of artists if it wasn’t for Sosa. I’m talking about a lot of styles, though.” Even the “Don’t Like” MC himself chimed in on the debate.
G Herbo responds to Charlamagne saying Chief Keef is not globally influential pic.twitter.com/edFBLBjwV2
Still, what do you think of Charlamagne Tha God praising Kodak Black and likening him to Kendrick Lamar? Whatever the case, let us know in the comments down below. Also, as always, check back in with HNHH for the latest hot takes, debates, and kindred spirits in the game.
to be with the day of the stars with the Master.
a blessing we got a chance to unite again .Divine power . Literally no words anymore 
. De la soul forever 
(@B_Real) 
(@thegirljt)
Geto Boys 
