Museum of Graffiti Art Week Presented By Rolling Loud Announces The Opening Of Its Interactive Campus In Wynwood

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Museum of Graffiti, the leading contemporary art museum in Miami’s Art District of Wynwood, is celebrating a milestone anniversary of 5 years on December 4 – 6, 2024  with a hand-selected group of partners guaranteed to serve up an experience in culture that Miami has never seen.

Highlights include panel discussions, live performances, limited edition releases, and culinary experiences curated by CookUnity. Don’t miss the private collectors’ preview, a public opening featuring Rahzel, and a thought-provoking panel on “Global Hip Hop Culture Born in Miami.” Additional activities include live tattooing, single-line portraits, rap battles, and exclusive listening parties.

In line with its mission to share the power of expression, spark wonder, and inspire creativity for and about the graffiti art movement, Museum of Graffiti has tapped Rolling Loud for an official partnership guaranteed to pair audio with the visual art that spans 3 different exhibitions in separate buildings that are all connected via an interactive patio that will be home to the Spotify Artists’ Lounge. The three solo exhibitions are CEY ADAMS’ Departure: 40 Years of Art & Design, TRISTAN EATON: Women of Marvel, and SLICK: MIA. 

This milestone event showcases the evolution of graffiti art while celebrating the Museum’s mission to inspire creativity and highlight graffiti’s cultural significance.

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The Weeknd Unveils Limited-Edition ‘Hurry Up Tomorrow’ Vinyl with Japanese Artist Hajime Sorayama

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The Weeknd has announced the release of a special edition vinyl LP for Hurry Up Tomorrow, featuring exclusive artwork by celebrated Japanese artist Hajime Sorayama. Known for his hyper-realistic and futuristic depictions of robots and humanoid hybrids, Sorayama has once again partnered with The Weeknd, this time incorporating a unique twist on his iconic style to complement the album’s rebirth theme.

Sorayama’s influence spans art, fashion, and pop culture, blending eroticism with sci-fi elements, and his collaborations with cultural icons like George Lucas and Christian Dior have cemented his status as a leader in Japanese contemporary art. In this latest collaboration, Sorayama adapts his renowned aesthetic slightly to align with the thematic exploration in Hurry Up Tomorrow.

The limited-edition vinyl will be available for purchase exclusively for 72 hours, beginning at 9 a.m. PT on November 13 at theweeknd.co/HurryUpTomorrow. The collectible release offers fans a rare piece of art-meets-music history, bringing together The Weeknd’s vision with Sorayama’s futuristic touch for a unique addition to any vinyl collection.

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Has The King Von Mural Been Removed From O’ Block?

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Images have surfaced on social media that show that the mural. of the late Dayvon “King Von” Bennett has been removed from the walls of O’ Block in his hometown of Southside Chicago.

The picture below shows the detailed image of the “Crazy Story” rapper sitting backwards in a chair wearing an MLB fitted cap and his iced out O’ Block chain being painted over, leaving a blank, grey wall. With the wall being buffed in broad daylight, there obviously was no objection to its removal.

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The question is, why was the mural removed and who called for its removal? Also, was the removal of the image of one of Chicago’s most celebrated as well as criticized rappers related to any current legal proceedings, including the arrest of Lil Durk?

There is much speculation around the reason for the removal of the mural, but the fact is that King Von’s legacy will live on regardless of the existence of any drawing or recording ever created.

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NFL Highlights BIPOC Talent Through Artist Replay Program, Miami Art Week Showcase

NFL com Official Site of the National Football League

NFL com Official Site of the National Football League

The NFL’s 2024 Artist Replay program is spotlighting BIPOC and emerging artists throughout the season, concluding with a gallery showcase during Miami Art Week on Dec. 7. This year’s program includes Brooklyn-based artist Sophia Yeshi, who created a special piece honoring Baltimore Ravens icon Ray Lewis. The artwork will be part of a December event at Art Basel, celebrating the intersection of football and diverse artistic expression.

Curated by renowned photographer Cam Kirk, who has worked with hip-hop stars like Megan Thee Stallion and Migos, Artist Replay features five unique artists, each crafting football-inspired pieces. Selected artists include Cristina Martinez, Julian Gaines, Sophia Yeshi, Murjoni Merriweather, and Mike Ham, representing mediums from illustration to sculpture.

“Being a BIPOC artist, to me, is an opportunity to create something for the next generation,” said Yeshi. “It’s about leaving that legacy and showing what’s possible. It feels surreal to be one of the chosen artists,” said Yeshi. “I’m really excited to be mentored by Cam Kirk and think it’s not often that you get access to people like that. I can’t wait to hear what he’s going to share with us.”

Throughout the season, the NFL will profile these artists with in-depth content showcasing their creative processes, inspirations, and personal journeys in art. The profiles will lead up to the Miami Art Week event, offering fans and attendees an inside look at each artist’s interpretation of football culture.

“The goal is always to create platforms for diverse artists to shine, and where their work can resonate with people around the world,” said Cam Kirk, photographer, program curator, and founder of Cam Kirk Studios. “By amplifying their art, we’re not only elevating their voices but also deepening the connection between the game and its fans.”

“NFL Artist Replay blends the worlds of art and football, and with Cam’s artistic expertise and guidance, this program will bring to life talented artist interpretations of the sport,” said Eddie Capobianco, vice president of influencer marketing at the NFL. “Being able to feature their pieces in all different mediums at Art Basel is a huge opportunity to authentically connect with football fans and art lovers on a whole new level.”

The program aims to amplify diverse voices in art, reflecting the broader stories and communities within football. Artist Replay content and artist spotlights will be featured across NFL platforms, offering a digital showcase of the artists’ work throughout the season at nfl.com/artistreplay.

This year’s exhibition promises an immersive celebration of the cultural impact of football through a diverse artistic lens.

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MuseZeuM and Apple Music Launch Exclusive DJ Mix Series Featuring Curated Sounds from Salaam Remi, Ralph McDaniels And More

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MuseZeuM is thrilled to announce its groundbreaking collaboration with Apple Music to bring fans “The Best Curated DJ Mixes,” a unique series of mixes that merges artistry with cutting-edge sound. This series marks the beginning of MuseZeuM’s mission to make iconic mixtapes accessible in a format that ensures artists and DJs receive their due recognition and support.

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Each mix within this exclusive collection is designed to deliver an immersive experience, true to the MuseZeuM brand. The inaugural lineup includes legendary producer Salaam Remi, known for his soul-stirring blend of classic and contemporary sounds; DJ Dirty Harry, who seamlessly fuses nostalgic throwbacks with modern beats; Ralph McDaniel, the visionary behind Video Music Box, who marries iconic visuals with fresh audio; Bambino, renowned for his dynamic mixes of old-school and new-school reggae; and Disco Neil, who infuses high-energy dancehall vibes that keep listeners on their feet.

“Our partnership with Apple Music is about more than just music; it’s about creating a space where art and technology intersect to pay homage to classic mixtapes while supporting the artists who inspire us,” says Salaam Remi, founder of MuseZeuM. “These mixes offer a unique blend of nostalgia, rhythm, and creativity that makes the MuseZeuM collection an unforgettable listening experience.”

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Listeners can follow the MuseZeuM Apple Music page to stay updated on the latest releases, handpicked playlists, and exclusive content. This launch is only the beginning—MuseZeuM and Apple Music have much more in store to enrich the music culture and create memorable audio experiences for fans worldwide.

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New Mural Unveiling During Opening Of The Harris-Call Center in Los Angeles

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The official opening of a Harris-Call Center and the unveiling of FREEDOM’S PATHWAY FORWARD, a new Mural, located at 1904 5th Avenue, at the 3400 block of West Washington Blvd., Los Angeles, CA 90018; the FREEDOM’S PATHWAY FORWARD mural covers the entire west wall of the Westbrooks Building. 

The mural vividly depicts civil rights greats who’ve advanced freedom, justice, and voting rights. Some were historic or elected office firsts, including Congresswoman Shirley Chisholm, Dr. Martin Luther King, Jr., President Barack Obama, Vice President Kamala Harris, Los Angeles Mayor Tom Bradley, Caesar Chavez, Los Angeles Mayor Karen Bass, and First Lady Michelle Obama. 

The FREEDOM mural was conceived and commissioned by visionary Dr. Logan H. Westbrooks, a longtime civil rights advocate, bestselling author, educator, and former music industry executive. It was painted by Dylan M. Keene. Its purpose is “to engage and re-energize the community to continue to fight for freedom, justice, voting rights, to register and to VOTE!”  The mural is one of a kind in the Nation.

Dr. and Mrs. Geri Westbrooks, sponsors of the mural and the Harris Call Center, noted that the mural is already capturing the attention of some 350,000 daily commuters [LA Metro verified], and hundreds stop to admire, photograph, and share this powerful mural. 

The Harris-Call Center is now open daily from 11 am to 5 pm through Election Day, Tuesday, November 5, 2024, and needs volunteers to come by and sign up.

The FREEDOM’S PATHWAY FORWARD mural is now a must-visit site for families, student groups, all Angelenos, and tourists to Los Angeles.  In the days, weeks, and months ahead, the mural will be a popular, must-visit site through the 2024 election and in 2025 for the King Holiday, Inauguration, and entire Black History Month! 

Mural artist: Dylan Keene

Mural visionary: Dr. Logan H. Westbrooks

Freedom’s Pathway Forward Call Center hosts: Dr. Logan H. and Geri Westbrooks

Mural named by LaRita Shelby

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Misa Hylton, Mikki Taylor And More Featured At “Don’t Touch My Hair” Art Experience

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The Culture Parlor, led by visionary filmmaker Ayana Morris, unveiled its inaugural mobile art installation, “Don’t Touch My Hair,” at Harriet Tubman Square during the Newark Arts Festival. This immersive exhibit, designed to challenge societal norms surrounding Black hair, marks a significant cultural moment in Newark’s artistic landscape.

The opening ceremony, held on October 11th, featured esteemed guests, including Newark Mayor Ras J Baraka, Congresswoman LaMonica McIver, and Rutgers University–Newark Chancellor Jeffrey Robinson. The event commenced with a powerful address by Ayana Morris, who highlighted the exhibit’s mission to celebrate and reclaim Black identity through art.

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Once inside the “Don’t Touch My Hair” exhibition, the viewer is immersed in seven moving images that explore various aspects of Black women’s hair. Themes such as bondage, resistance, embrace, assimilation, and survival are highlighted. A powerful poem accompanies these visuals, helping the audience grasp the struggles and triumphs Black women have experienced with their hair. For example, the image on assimilation portrays a woman with blow-dried straight hair, symbolizing the pressure to conform. In contrast, the theme of survival reflects on how hair was braided into maps, guiding the path to freedom for slaves. The exhibition features a full service salon installation with products from renowned hair product company Mielle. Illuminated by ambient lighting, dynamic table dressings and reflective mirrors, the exhibit encourages introspection on the historical and cultural significance of Black hair, creating a space for dialogue and empowerment.

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Throughout the weekend, attendees enjoyed a series of events, including the Hair Gala, which encouraged attendees to express their creativity through elaborate hairstyles while enjoying a panel discussion. Saturday’s conversations with Allure’s Jessica Cruel, Shauna Kay, Barri Gibson, Amanda Mitchell, and Kela Walker, and Jennifer Edwards covered Black Women’s Portrayal In Print Media, Black In Beauty, as well as leveraging social media. On Sunday, The Grit & Glam Brunch honored influential figures Mikki Taylor, Misa Hylton, and Claire Sulmners for their contributions to Black beauty and fashion. Panel discussions, live performances, and a vibrant Hair Gala further enriched the festival’s theme of “Radical Reimaging,” enhancing Newark’s cultural vibrancy. Music was provided by DJ Sienna. 

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Ayana Morris’s “Don’t Touch My Hair” will remain on display at Harriet Tubman Square until November 15, 2024, inviting the public to engage with its transformative narrative. 

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The Evolution of Latin Hip-Hop

The Evolution of Latin Hip Hop

The late summer months of August and September celebrate both the anniversary of hip-hop as well as Hispanic heritage, a fitting combination since Hispanic culture and sound have had a significant impact on the evolution of not just Latin Hip-Hop, but hip-hop in general, in a story that tells a dynamic journey reflective of the interplay between cultural identities, socio-political contexts, and musical innovation.

Emerging in the late 1980s and early 1990s following the introduction of rap and hip-hop into mainstream music, Latin hip-hop as we know it today began as a powerful voice for Latino communities in the United States, not just in New York City and Los Angeles, but throughout the country and the world.

While the original roots of Latin hip-hop can be traced to the influence of pioneering African American hip-hop artists, Latino artists, inspired by the burgeoning hip-hop culture, began to incorporate their unique cultural elements, such as Spanish lyrics and traditional Latin rhythms, into their music. This fusion gave birth to a distinct genre that resonated with Latino youth, who saw it as a means to express their experiences and challenges.

Early Latin hip-hop artists like Mellow Man Ace and Cypress Hill played a pivotal role in popularizing the genre. Mellow Man Ace’s 1989 hit “Mentirosa” blended English and Spanish lyrics, showcasing bilingualism as a signature of Latin hip-hop. DJ Charlie Chase, the DJ for the hip-hop group the Cold Crush Brothers, fused elements of salsa with hip-hop in New York in the 1980s. In 1992, Mesanjarz of Funk was the first Spanish rap group signed to a major label (Atlantic Records).

As the genre evolved throughout the 1990s, a new wave of artists emerged, diversifying Latin hip-hop’s sound and reach. Like hip-hop in general, Latin hip-hop didn’t have a uniform sound. While each region and artist had their distinct sound, all of the artists were instrumental in shaping the Latin American hip-hop scene, addressing social issues and personal struggles through their music.

Oakland-based group Lighter Shade of Brown adopted a distinct Bay Area sound, while artists such as Frost, Cypress Hill, and others from Southern California had a distinct LA sound. Chino XL of New Jersey made a splash with his unique sound influenced by Cypress Hill and East Coast hip-hop artists of the mid-1990s. In 1998, New York’s Big Pun became the first Latin solo artist to reach platinum sales for his 1997 album Capital Punishment, which included the classic hit “Still Not a Player.” Jennifer Lopez further brought elements of Latin music into the hip-hop and pop genres, solidifying herself as one of the most successful Latina musical artists in the United States.

The evolution of Latin hip-hop wasn’t limited to the continental United States. Acts like Control Machete from Mexico and Vico C (often known as the “father of Spanish rap”) and Lisa M (sometimes referred to as “the queen of Spanish rap”), both from Puerto Rico, introduced regional styles and narratives, broadening the genre’s appeal. In Puerto Rico, Tego Calderon was also one of the first artists to blend hip-hop and reggae elements, paving the way for artists such as Daddy Yankee and giving rise to reggaeton. This genre fused hip-hop, dancehall, and Latin rhythms. Lego Calderon and Daddy Yankee’s success quickly demonstrated Latin urban music’s commercial viability on an international scale- especially when the internet quickly allowed culture to transcend global boundaries.

In the 2010s and beyond, Latin hip-hop continued to evolve, embracing new influences and technologies. Artists like Mochakk, Jessica Audiffred, Geo, Carolo, ARTIX!, and more have pushed the boundaries of the genre, integrating EDM into their distinct sounds. Snow the Product established herself as one of the most versatile female artists in the genre, while Becky G established a strong crossover presence on both the Spanish charts and mainstream American Top 40 charts. These artists have achieved massive global success, breaking language barriers and solidifying Latin hip-hop’s place in the mainstream music industry.

Today, Latin hip-hop reflects a rich tapestry of influences and is a powerful medium for storytelling, cultural expression, and social commentary. Artists such as Karol G, Peso Pluma, Bad Bunny, and more continue fusing Latin and hip-hop elements into mainstream American music. In contrast, international artists from Central and South America continue to build global fanbases. Through it all, Latin hip-hop stands as a testament to the resilience and creativity of Latino artists. It will likely continue to evolve, remaining a dynamic and influential force in the global music landscape.

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Crystal Bridges Museum of American Art Announces ‘KAWS: FAMILY’ Exhibition Set For March 2025

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Crystal Bridges Museum of American Art will present a major solo exhibition of work by KAWS. Opening in March 2025, KAWS: FAMILY will feature a broad mixture of the artist’s works – drawings, paintings, sculptures, altered advertisements, and product collaborations – that examine complex, familiar, and astonishingly heartfelt entryways into human emotions.  

Since the late 1990s, KAWS has been creating a cast of iconic characters steeped in the American zeitgeist that populate his work. Each with their own distinct personality pulled in part from their creator, these characters have been a constant throughline in the artist’s career. The exhibition takes its title and thematic jumping-off point from the sculpture titled FAMILY (2021), which brings together four of the KAWS’ characters posed in the style of a family portrait. As witnessed throughout the show, the relationships between the figures can be complex, familiar, and astonishingly heartfelt entryways into human emotions.  

“Part of the brilliance of KAWS’ work is that he pulls from the world we know,” says Alejo Benedetticurator of contemporary art at Crystal Bridges. “His characters may have recognizable elements of icons from popular culture, but at their core, the human connection is always the strongest throughline. This exhibition is a chance to introduce this great artist to our audiences and invite them to connect with this family of characters in meaningful ways.”  

Organized by the Art Gallery of Ontario (AGO), KAWS: FAMILY at Crystal Bridges is KAWS’ Arkansas solo exhibition debut. Expanding to fit Crystal Bridges’ exhibition gallery space, this presentation builds on the AGO’s original exhibition to create an experience that is uniquely suited for the museum.   

In addition to launching new exhibitions next year, progress will continue on Crystal Bridges’ nearly 100,000-square-foot expansion that is set to open in 2026. In 2025, teams will begin to transform the guest experience, providing new ways to bring American stories to life and even giving visitors a glimpse into how exhibitions are created, and artworks are reinstalled throughout the museum. During this time, the museum will remain open, with new, refreshed installations unfolding in the galleries, on the trails, and across campus. The Crystal Bridges expansion project was originally announced in 2021, with construction beginning in 2022. 

KAWS: FAMILY will be on view at Crystal Bridges from March 15, 2025, through July 28, 2025, and is curated by Julian Cox, AGO deputy director and chief curator. 

KAWS: FAMILY is sponsored by General Mills, Hartman Family, and Paradigm Advisors.

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Chance The Rapper Drops New Track “3,333”, Single Artwork Created By 8-Year-Old Daughter Kensli Bennett

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Today, Chance the Rapper unveils his latest single “3,333” is now available on all digital streaming platforms. The track finds Chance at his most introspective, reflecting on his career journey, from humble beginnings to performing on the world’s biggest stages. With its deeply personal lyrics and candid storytelling, “3,333” offers fans a glimpse into Chance’s mindset as he navigates the highs and lows of his musical path.

Adding a unique and heartfelt touch to the release, the single’s artwork was created by Chance’s 8-year-old daughterKensli Bennett. The vibrant and playful illustration captures a joyful, musical world, featuring swirling colorful notes around a central figure, her father. Kensli’s imaginative design brings a sense of innocence and family collaboration to “3,333,” making it a truly special release.

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