FN Meka Isn’t Going Away Anytime Soon — And The Next One Could Be Right Around The Corner

By now, you’ve probably already heard about the virtual rapper FN Meka, who was signed to Capitol Records a few weeks ago, and promptly dropped once folks on Twitter heard about it. Now, you may understand the backlash against the project. You might also be wondering what the fuss is about. Don’t worry; I’ll get into all that. But, besides recounting all the reasons that the project was so offensive and concerning for both Black activists on Twitter and real-life artists, I’m more interested in looking into just how we got here… and why this probably isn’t the last we hear from FN Meka or other projects like it.

Let’s get the “offensive” part out of the way. There are two parts here; one is the idea that creativity can be automated like so many other industries, forcing true artists to compete with digital facsimiles or become obsolete. The other part stems from just what FN Meka is, where it takes its inspiration from, and who seems to be getting mocked in the process.

As far as the automation thing goes, that’s pretty straightforward. We’ve already seen the harm to workers that new tech can cause and the greed that seemingly fuels its adoption. Why pay a living, breathing human being who might get sick, tired, or just not feel like doing their job on any given day when you can get a robot to do the same job as quickly, without complaining, sleeping, or taking breaks? Fun fact, the word “robot” literally means “slave.”

Record contracts are already onerous and difficult to wrangle for both record labels and artists. The idea of a virtual artist, whose songs are written by a machine learning algorithm, is probably attractive as a cost-cutting measure for people who see art as more of a commodity than a public good – and for what it’s worth, it does sort of feel like the end result could wind up being the same… if not now, than at some point in the future. It still seems like a slap in the face to artists who’ve been grinding for years.

Meanwhile, FN Meka itself is, well… to put it bluntly, it’s a racist caricature of a rapper based on controversial renegades like Tekashi 69. In a Twitter Space hosted by journalist Sowmya Krishnamurthy, rapper Dupree GOD called Meka an example of “digital blackface,” pointing out how its appearance seems stitched together out of the worst stereotypes of Black people. Furthermore, Factory New, the design group behind the character, seems to have fed only the worst of SoundCloud rap into its learning algorithm, generating lyrics that only reinforce the most reductive and toxic tropes in rap.

Those lyrics are then recited by a human, yes. But this entire process devalues and undermines the human element when those lyrics aren’t representative of anyone’s lived experience. It’s the sort of cultural appropriation I have been writing about for years on steroids. Instead of putting the words and culture of Black artists into the mouths of performers of different races – a recent, egregious example being “Pink Venom” from K-pop group Blackpink – a team of designers has created an avatar that can be used to regurgitate these tropes instead.

That Capitol signed FN Meka just two years after record labels collectively vowed to do better by Black people rubs salt in the wound. During Krishnamurthy’s Twitter Space, Billboard reporter Hero Mamo responded to the statement Capitol released announcing it had dropped FN Meka saying, “Two years later and labels are still sorry about how they treat Black people and depictions of Blackness.”

But FN Meka didn’t just appear from thin air one day. It’s the result of a longer process of both cultural and technological shifts that have already begun to change the face of the music business and there might not be any going back. Meka is the culmination of years of such baby steps in this direction, from the cultural appropriation within the gaming industry to machine learning experiments within the music industry as artists and labels try to take advantage of advances in AI to engage with fans – and potential consumers.

You might think FN Meka looks a lot like a character from Fortnite or League of Legends. That’s no accident. If you want to sell such a concept to an audience, you don’t start with fans whose tastes are cemented, who would naturally be wary of what appears to be a cartoon avatar version of a rabble-rousing goofball like Tekashi 69 (who is also, let’s not forget, very popular due almost entirely to his own commitment to controversy). You go to pre-teens, the folks whose music tastes are still being formed. And these days, you’d be hard pressed to find a 12-year-old whose face isn’t pressed into a screen playing these games for at least a couple of hours a day.

Some of those seeds have already been planted. Fortnite has had little kids engaging with hip-hop – or at least, a version of a small sliver of it – for years, from the dances appropriated from rappers to the guest appearances of performers like Travis Scott within the game. In fact, one of FN Meka’s first songs, “Florida Water,” was a collaboration between a popular entity within the gaming community, Clix, and Gunna, who was likely brought on board to lend an air of legitimacy to the proceedings. (That Gunna is currently in jail for the sort of lyrics that FN Meka apes without regard for the true meaning behind them is a cruel irony.)

@fnmeka

World’s first robot rapper 🤖. Are you scared? #robotdance #dripdrip #respectthedrip

♬ Internet by FNMeka – FNMeka

Furthermore, the gaming industry could arguably be recognized as ground zero for the “virtual rapper” archetype. In League Of Legends, another team-oriented action game with a sizable fan community, there’s a band called True Damage. Its members have their own backstories and personal histories within the game, but they’re voiced by actual musicians from the real world, including a nascent Becky G, Keke Palmer, and K-pop rapper Soyeon. Now, this concept is a far cry from the offensive stereotyping that defines FN Meka, but it undoubtedly opened the door.

But Ground Zero for the “fictional performer” category might well be Gorillaz, the fictional band cooked up by Damon Albarn and Jamie Hewlett. FN Meka’s defenders – who mostly consist of its creator, Anthony Martini, a music impresario who’s worked with acts like Gym Class Heroes and Lil Dicky – have compared Meka to Gorillaz in an effort to justify its backstory, which includes a tone-deaf Instagram post of the character being brutalized by a police officer. The difference here is in execution; while Gorillaz are meant to be a whimsical cartoon band existing in their own universe, like Josie and the Pussycats, they still have real musicians behind them. Meka is clearly meant to represent someone’s idea of rappers and by association, Black people. And, they clearly don’t have a high opinion of either, as evidenced by just which rappers Meka’s algorithm synthesizes.

The comparison might be apt in another way, though. Gorillaz have had a successful, 20-year career despite not technically being a “real” band – and while FN Meka might have lost its shot at cultural relevance, there’s obviously interest in fictional or virtual artists. Gorillaz have a huge, heavily invested fanbase who love to dig into the lore behind them, as I learned at Demon Dayz Festival a couple of years ago. A version of FN Meka minus the racial caricature and with a rich backstory of its own would obviously appeal to generations of kids raised on Marvel movies and Fortnite dances.

And the technology behind projects like Meka gets more sophisticated by the day. There are machine learning bots that have imitated songs from the likes of Eminem and Travis Scott, and while the lyrics were mostly gibberish, you could argue that human artists have already devalued the importance of lyrics that make sense in the first place (driven, as always, by capitalistic motives – if the labels only sign nonsensical SoundCloud rappers, where is the incentive to be a J. Cole or Chance The Rapper-esque lyrical miracle?). Not to harp on K-pop’s seeming obsession with sampling bits of Black American culture stripped of their context, but I really need someone to explain what “Kick in the door, waving the coco” is supposed to mean.

Pop music has always been largely manufactured to stimulate the pleasure centers in the brain, regardless of depth or meaning. Likewise, hip-hop has always been as much about the beat as the lyrics. So having a “robot” writing the songs while a digital avatar does the performing seems an inevitable step in the evolution of music as both a pop culture artifact and as a commercial product. There will be more of these projects coming down the pipeline, and sooner than later.

Now that the genie is out of the bottle, the most important thing for fans and musicians who care about equity for performers is to remain vigilant and call out record labels and other companies when they eventually try to cross the boundaries of good taste and ethics. And as for those companies, they may not have the sense to avoid signing obviously bad products like FN Meka, but they can have the wherewithal to dump them when needed – and remember to empty the Recycle Bin, too.

Coheed And Cambria’s Frontman Claudio Sanchez Thinks They Could Put On A Unique Concert In Fortnite

Coheed and Cambria’s frontman, Claudio Sanchez, surprisingly is not the kind of person to embrace being personable with others. In an interview with the Washington Post, Sanchez dove deep into how he has been using Twitch as a way to embrace being a little more open with fans of his band. It is a really interesting example of a star in a completely different industry using something like Twitch as practice for their main career.

Amidst the interview though, Sanchez did drop one really interesting tidbit about his game of choice, Fortnite. Sanchez has seen other stars of music, such as Ariana Grande, get virtual Twitch concerts and while he’s not demanding that Epic Games put his band into Fortnite, he thinks Coheed and Cambria could put on a pretty unique show.

“I don’t know if we’re at that place where ‘Fortnite’ would be like, ‘Yeah, let’s throw a Coheed and Cambria concert,’” said Sanchez. “That being said, I think we do have all the assets to create something pretty interesting with ‘The Amory Wars,’ the ‘Vaxis’ story, characters, music. There’s something there I think we have that others might not.”

While Fortnite has never publicly considered Coheed and Cambria, that is something they may want to reconsider because they have a hardcore fanbase that would absolutely turn out for a virtual concert. It would also be an opportunity for Epic Games to break out into doing something a little different with their in-game concerts. So far they’ve mainly focused on showing huge megastars like Grande, but maybe with a little variety, we could have a chance at an entire music festival being hosted in-game.

As for Sanchez, anyone interested in catching him on Twitch needs to do it while he’s actually live. He doesn’t keep VODs or upload his streams to YouTube so it really is one of those “had to be there” moments whenever he does something.

Wu-Tang Clan Hit Fortnite & Stages Nationwide

Wu Tang Fortnite Skin

Reports of the Wu-Tang Clan‘s addition to Fortnite have circled around the internet. At the same time, the group has just announced their tour. Possible Fortnite Skins The reports of the Wu-Tang Clan’s addition to Fortnite began yesterday when insider influencer “Shiina” went on Twitter and said that “one of the most influential hip-hop groups […]

The post Wu-Tang Clan Hit Fortnite & Stages Nationwide appeared first on SOHH.com.

Juice WRLD’s Manager Wants To Get The Rapper Into ‘Fortnite’ As A Playable Character

Juice WRLD was a well-known gamer in his life; fans know he was tapped in with Faze Clan, regularly expressed his love for games, and even paid homage to classic games with his music throughout his career, including on the Twisted Metal-inspired cover of his Death Race For Love album. Likewise, the gaming community reciprocated his love, with streamers regularly playing his music and expressing their grief for his death in 2018. Now, it appears the late rapper could receive one of the ultimate honors, being put into one of the most popular modern games as a player skin.

Juice’s former manager, Peter Jideonwo, posted a video to social media that has since circulated on Twitter via hip-hop-focused accounts saying that he is currently in talks with Epic Games, the publisher of the popular shooter game Fortnite, to get the rapper into the game. “(We) really need Juice WRLD in Fortnite,” he said. “We’ve been trying our hardest, and that’s also a work in progress… It would be cool because everyone in Fortnite loves Juice and ‘Come And Go’ was a huge hit in Fortnite. I think it fits. So if y’all wanna go hit up Epic Games and Fortnite, y’all should definitely do that too.”

A photo of a purported player skin representing Juice WRLD has been circulating since, with fans speculating that the rapper could be joining the game soon, but apparently, the photo in question is just fan-made concept art. Should Juice join the game, he’ll be the third rapper after Travis Scott and Anderson .Paak, who was added as part of the duo Silk Sonic alongside his groupmate Bruno Mars. Last year, the game also added LeBron James as a playable skin.

Meanwhile, another rapper was recently added to a different popular shooter; Snoop Dogg, who previously collaborated with Call Of Duty to provide his voice, will be added to three of the franchise’s current games as an operator with special equipment.

Bruno Mars & Anderson.Paak Bring Soul To Fortnite

Bruno mars

SilkSonic duo, Bruno Mars and Anderson.Paak, are taking their soul to the virtual gaming world. In partnership with Atlantic Records, Silk Sonic is being brought to the popular Fortnite game. Silk Sonic Comes To Fortnite Bruno Mars and Anderson.Paak will be gliding and skating their way into the virtual world of Fortnite.  The hit-making duo will […]

Silk Sonic Brings Soulful Radio And Funky ‘Fits To ‘Fortnite’

Over the years, Epic Games’ Fortnite has increasingly become a home not just for legions of gamers but also for musicians who enjoy the game’s combination of third-person shooter and building mechanics. Those musicians have also partnered with Epic Games for in-game appearances like Travis Scott’s 2020 concert, which broke the game’s streaming record, and Ariana Grande’s 2021 concert.

Today, Epic announced the game’s latest musical partners: Anderson .Paak and Bruno Mars — known collectively as Silk Sonic. Rather than playing an in-game concert, though, Silk Sonic will offer their music to gamers another way, via an in-game radio station that will play their hits like “Leave The Door Open.” Their debut hit previously featured in the game as an emote, or a dance that the player’s avatar can perform on command. Emotes have been a big part of the game’s success, as the game itself is free, but players can buy emotes via mini-transactions with real money.

The radio station can be accessed when a player uses one of the vehicles in the game and will be hosted by Bootsy Collins, who is featured on Silk Sonic’s debut album, An Evening With Silk Sonic. In addition, new skins will allow players to dress their avatars in funky, ’70s-style outfits inspired by Andy and Bruno.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Ariana Grande Will Be The Latest Star To Host A Concert In ‘Fortnite’

As we continue moving into the digital age, we’re seeing stars across the world get more creative in bringing fans to them, especially in music. It used to be that the only way to check out your favorites was to go to a concert, a music festival, or maybe a meet and greet of some kind. Now we’re seeing some of these same events stretch out to a wider audience through the connectivity of online platforms, and particularly gaming.

One of the more unique ways we’ve seen this happening is in Fortnite. The battle royale may be most well known for all the dance trends it spawns, but it’s also hosted a lot of crossovers with real life stars such as Travis Scott and LeBron James.

Joining the trend of celebrities making their appearance in Fortnite will be pop star Ariana Grande. The former child actor turned pop singer, will be a part of Fortnite’s “Rift Tour” where she’ll put on virtual concerts for anyone that attends the in-game events. Of course, because this is Fortnite, there will also be quests to complete and Ariana Grande themed loot to collect throughout the Rift Tour.

Among the items that players can earn while playing Fortnite during this event is a Cuddly Cloudcruiser umbrella that players will be able to glide in with after dropping. The event begins Friday, August 6, and will take place throughout the weekend. The final showing will be on August 8, Sunday, at 6 p.m. ET.

Ensuring that fans around the world can catch the Rift Tour, the experience spans five showtimes over three days. We recommend fans arrive in Fortnite 60 minutes before showtime, and the Rift Tour Playlist should be live 30 minutes before each show. Before Ariana’s arrival, the Rift Tour kicks off with Fortnite-themed experiences — pairing popular tracks with moments based on elements from the game.

This might seem weird to some, but these events have been wildly successful in the past. During Travis Scott’s virtual concert he managed to break Fortnite’s concurrent players record with over 12 million all playing at once. Considering the extreme popularity of Ariana Grande, and that FFortnite is a free game, there’s a pretty solid chance that this concert is going to break a few records of its own.