The Source Magazine Remembers The MOVE 9 Bombing 39 Years Later

Screenshot 2024 11 13 at 11.14.19 AM

Screenshot 2024 11 13 at 11.14.19 AM

Today marks the 39th commemoration of the bombing at 62nd and Osage Avenue in West Philadelphia in 1985

MOVE, which was originally called the Christian Movement for Life, was founded in 1972. Its founder, John Afrika born Vincent Leaphart on July 26, 1931 in the Mantua neighborhood of West Philadelphia, was functionally illiterate, so he dictated a document called The Guideline with Donald Glassey, a social worker from the University of Pennsylvania with whom he collaborated with. Glassey’s notes would eventually become the document. Afrika along with his mostly Black followers wore their hair in locs, advocated a political ideology that aims to create an ecologically sustainable society rooted in environmentalism, non-violence, social justice, grassroots democracy and a return to a hunter-gatherer society, while stating their opposition to science, medicine and technology. As John Afrika himself had done, MOVE members also changed their surnames to Afrika to show reverence to it, which they regarded as their mother continent.

All living beings, things that move, are equally important, whether they are human beings, dogs, birds, fish, trees, ants, weeds, rivers, wind or rain. To stay healthy and strong, life must have clean air, clear water and pure food. If deprived of these things, life will cycle to the next level, or as the system says, ‘die’.”
– John Afrika

John Afrika’s MOVE members lived in a commune in a house owned by Glassey in the Powelton Village section of West Philadelphia. They staged bullhorn-amplified, profanity-laced demonstrations against institutions which they opposed morally, such as zoos, and speakers whose views they opposed. MOVE made compost piles of garbage and human waste in their yards which attracted rats and cockroaches; they considered it morally wrong to kill the vermin with pest control. MOVE attracted much hostility from their neighbors, the majority of whom were African-Americans. Thier activities drew close scrutiny from law enforcement authorities and the police department engaged in a shootout on August 8, 1978, in which Officer James J. Ramp was struck and killed. Afrika and MOVE contend that Ramp was not shot by a member, but by one of the police department’s own men.

After that shootout, the MOVE 9 members Chuck, Debbie, Delbert, Eddie, Janet, Janine, Merle, Mike and Phil Afrika, were sentenced to 30-plus years for the killing of Ramp. Law enforcement officials obtained indictments on the implicated members of MOVE and, on May 13, 1985, attempted to arrest them, which led to an armed standoff with MOVE and subsequent death of the group members by the Philadelphia Police Department. During the raid, John Afrika was killed along with six other adults and four children when the Philadelphia Police Department head of bomb disposal, on board a Pennsylvania State Police helicopter, dropped a satchel containing a gel-based explosive on a fortified bunker occupied by members of MOVE. The resulting explosion started a fire that resulted in the destruction of 65 homes in the neighborhood. The order was given by city officials to “let the fire burn”. The explosion, fire, and shootout killed all but two members of MOVE who were present, leaving Ramona and Birdie Afrika severely burned. Birdie was released while Ramona went on to serve her maximum sentence of 7 years in prison.

In his new book to be released April 21, 2015 entitled “Writing on the Wall”, edited by Joanna Hernandez, political prisoner Mumia Abu-Jamal compares the issues of the MOVE 9 to the current era 30 years later with police brutality still being a major issue of our time.

I don’t mean bombing people…not yet, that is…I mean the visceral hatreds and violent contempt once held for MOVE is now visited upon average people; not just for radicals and revolutionaries, like MOVE.”
-Mumia Abu-Jamal (Political Prisoner)

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Today In Hip Hop History: Wu Tang Clan’s Ol Dirty Bastard Passed Away 20 Years Ago

TodayinHipHopHistory:ODBWasBornYearsAgo

TodayinHipHopHistory:ODBWasBornYearsAgo

20 years ago today, the Hip-Hop community lost one of its most eccentric, yet essential personalities that the game has ever known. Russell Jones, better known to the world as Ol’ Dirty Bastard, passed away just two days shy of his 36th birthday.

Ironically, Dirty took us through his 36th Chamber at the inception of his unprecedented career with his gold certified Return To The 36th Chamber debut in March of 1995. The Osiris of the WTC legacy followed up with another solo album entitled N***a Please as well as a posthumous release.

Ol’ Dirty will always be remembered by his loved ones and his fans as an original personality who wasn’t afraid to storm the stage during the Grammys, pick up food stamps in a limo on MTV, or repeatedly declare on The Arsenio Hall Show that the Blackman is God.

This Friday, which would’ve been the Wu Tang co-founder’s 56th birthday, his family is hosting a special screening of th A&E special documentary A Tale Of Two Dirty’s in his hometown of Brooklyn, where there will also be a panel discussion about the documentary and the impact of mental health.

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Ray J Claims He Was the Target of a Shooting: ‘Just Tried to Kill Me’

Ray J Says Diddy Needs a 'Public Whipping' For Cassie Abuse

Ray J Says Diddy Needs a 'Public Whipping' For Cassie Abuse

Ray J is pissed. Hitting Instagram, Ray J revealed that someone attempted to kill him. But he did not reveal an identity. Simply stating, “N—as just tried to shoot me. Just tried to kill me, n—a. You want me to apologize, n—a. F— you.”

It’s been a wild time for Ray J lately. Earlier this month, he confirmed an encounter between him and Diddy’s sons. Earlier in the week, TMZ detailed an incident at a Halloween party where Diddy’s sons were about to fight Ray J.

The three Combs sons, Christian, Quincy, and Justin, were at Tara Electra’s Unruly Agency Halloween bash on Halloween, and it truly almost got unruly. The Combs clan saw Ray J outside the party, as he was with Amber Rose and his manager, David Weintraub. The trio surrounded Ray J, upset about his comments about Diddy.

As the altercation escalated, with Christian and Justin reportedly eager to fight, Chris Brown, who was nearby in his car, allegedly diffused the situation and ran over to break up the fight.

After Breezy, others stepped in to prevent the incident from escalating. TMZ sources reveal this is not the first altercation between Ray J and Diddy’s sons.

Ray J spoke on the incident with Wack 100, saying, “I tried to talk some sense into what happened. Luckily, the homie Chris was there.”

Ray J claims it was eight people in the Combs party when they approached him. You can hear it all below.

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Today In Hip Hop History: Jay-Z Released His 7th Album ‘The Blueprint 2: The Gift & The Curse’ 22 Years Ago

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tumblr ff5f0e369c53622e8e4ed941c6a0417a cfbf3cad 640

The Blueprint 2: The Gift & The Curse was the seventh studio album released by rapper Shawn Carter aka Jay-Z. The album was released on November 12, 2002 on the Roc-A-Fella Records and Def Jam Recordings imprints. The Brooklyn rapper released the album as a sequel to his sixth album The Blueprint (2001). The album debuted at number one, shipping with first-week sales of 545,000 units. Jay-Z was already debatably classified as one of the greatest rappers of all time.

During this time, rumors of Jay hooking up with singer Beyonce began to circulate in the industry,  the rumor was almost confirmed with the song “03 Bonnie and Clyde” off the album. The world watched as a budding relationship began between the two megastars. “Excuse Me Miss” featuring Pharrell showed a sensitive and grown upside to the BK rapper who previously rapped about drugs and throwback jerseys. Inevitably becoming one of the biggest forces in hip hop and one of our first billionaire couples, The game changed when Jay-Z released this album and How continues to break boundaries. Today the album is certified 3x Multi-Platinum by the RIAA.  

We salute Jay-Z for another classic album.

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Today In Hip Hop History: Lil Kim Dropped Her Debut LP ‘Hard Core’ 28 Years Ago

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tumblr 92f78d64fea179228ad7d7542de5a8cc cfafc12a 400

Today in Hip Hop History, Lil’ Kim released her debut album Hard Core on November 12, 1996. The Brooklyn-born pint-sized rapper changed the course of hip hop.  Before Megan Thee Stallion bounced in a thong and before Nicki Minaj wore the colorful wigs— there was Lil Kim. Her album Hard Core album showed women in a different light compared to what we had seen from veterans like MC Late and Queen Latifah.  Lil Kim unabashedly spoke on her sex life and what she demanded from any man trying to court her. From her fashions to her hair to her aggressive rap style, she ushered women into the 2000s with sexy confidence we hadn’t seen before.

“No Time” quickly became an anthem and girls everywhere initiated Lil Kim as the Queen. There was an unforgettable promo poster released that stirred up a conversation and was plastered all over New York City. She and her crew Junior Mafia became one of the biggest groups in Hip hop led by the late great Notorious B.I.G.   Today we salute Lil Kim for a classic album, that still knocks to this day. Check out some of our favorites of the album Hardcore.  

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Today In Hip Hop History: 2Pac Dropped His Debut Album ‘2Pacalypse Now’ 33 Years Ago

pacalypsenow

pacalypsenow

On this day in 1991, one of Hip-Hop’s brightest stars, Tupac Shakur, released his first studio album 2Pacalypse Now. Although it didn’t take the Billboard charts by storm upon its original release, it was the first of many albums that hold a place in the hearts of almost all fans of Hip-Hop across the world.

As far as content goes, this is easily Pac’s most politically influenced album. From the opening single, “Young Black Male,” the listener can tell how 2Pac felt about the circumstances facing his people in 1991. The rest of the album follows that aggressive poetic style. Although this approach to the industry wasn’t one that gave him a jump start like the radio heavy songs of his competition during that era, it did hold truth and leave a mark on those that heard it. The lack of commercial success of this album came from its lack of a true radio single. The most popular song on the album, Brenda’s Got a Baby, did reach a peak position of 11 on the Hot R&B/Hip-Hop Singles and Tracks chart in 1992, the subject matter and lack of hook made it a hard song to flood the airwaves with.

This was not an album for the radio; it was an album for the people. It still is. The nearly 20-year-old Tupac Shakur was trying to talk to his bruised and battered people in the ghettos of America. He took the opportunity of his platform to showcase his poetic ability and address a country that he felt still needed to be addressed on the subject of racism and discrimination. This activist mindset became a theme throughout his career as he became more outspoken about the oppression of Blacks in America until his untimely death in 1997. From this project came the career of a man who has been argued to be the greatest rapper of all time. And whether that is certain or not, the fact still remains that this album started a legacy and we should all take some time to pay homage to the Thug who was taken from us too soon.

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Today in Hip-Hop History: Timbaland and Magoo Released Their First Collaborative LP ‘Welcome to Our World’ 27 Years Ago

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tumblr 5eff09d1ffa98b6a85c83cec1d0aae69 cfc65ae1 500

On this day in 1997, the Norfolk, Virginia-based duo of producing legend Timbaland and rapper Magoo released their first studio album Welcome To Our World. For a debut album, this LP was widely successful, going platinum during the first year of its release. Welcome To Our World also led to the relationship that Timbaland built with DeVante Swing, which jumpstarted his career to superstardom.

This album is a classic among all-rap duos in Hip Hop history. Down in the Seven Cities/Hampton Roads area, Timbaland was already well known as a producer working with artists like Missy Elliot and Ginuwine who are also from Virginia and, at the time, rising star Aaliyah. The release of this particular album only fueled the fire of their local success to set them off toward greater things.

Welcome to Our World was very popular on the HBCU circuit and gave Timbaland and Magoo opportunities to perform at homecomings and other parties on campuses in the Southeast. The promotional success of this album even got it a peaking spot of 33rd on the Billboard 200 in 1997. The album also gave way to three hit singles: “Up Jump da Boogie”, which peaked at #12 on the Billboard Hot 100 and #1 on the Billboard Hot Rap Singles chart, “Clock Strikes” featuring VA ghostwriter Madd Skillz, and “Luv 2 Luv Ya”. After this project, Timbaland and Magoo dropped two more successful studio LPs.

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Quincy Jones Laid to Rest in Private Ceremony, Public Memorial Planned

Quincy Jones Didn't Want To Work With Elvis Because He Was 'Racist'

Quincy Jones Didn't Want To Work With Elvis Because He Was 'Racist'
Michael Buckner/Variety/Shutterstock

Legendary music producer Quincy Jones was laid to rest in an intimate ceremony in Los Angeles a week after his passing at age 91.

According to The Associated Press, the 28-time Grammy-winning composer and arranger was remembered by his family in a small, private gathering that included his seven children, his brother, two sisters, and close relatives. While the location of his burial remains undisclosed, the family expressed deep appreciation for the global tributes and condolences received.

The family shared in a statement they are “enormously grateful for the outpouring of condolences and tributes from his friends and fans from around the world. Details for a memorial celebration of Mr. Jones’ life will be announced at a later date.”

Jones, whose profound impact on music stretched across genres and decades, died peacefully at his Bel Air home on Nov. 3, surrounded by loved ones.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” a statement from the family said. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones infused his genius into jazz, pop, film, and television, leaving an indelible mark on modern music and culture. Born in Chicago on March 14, 1933, Quincy Delight Jones Jr. rose from modest beginnings to become one of the most prolific and respected producers, composers, and arrangers in music history. As a young man, Jones attended the prestigious Berklee College of Music in Boston but left early to pursue his dreams. He began his career as a jazz trumpeter, working with legends like Dizzy Gillespie, before transitioning into arranging and conducting, which would become his true calling.

Jones was instrumental in crafting the sounds of numerous artists and producing some of the most influential albums of the 20th century. His work with Michael Jackson remains legendary, especially their collaborations on Off the Wall (1979), Thriller (1982), and Bad (1987), albums that redefined pop music and made Jackson a global superstar. Thriller became the best-selling album of all time, solidifying Jones’ reputation as a producer with an unparalleled ear for hits.

Beyond his work in pop, Jones was an accomplished film and television composer, scoring notable films such as The Color Purple (1985) and In the Heat of the Night (1967) and the TV series The Fresh Prince of Bel-Air. His groundbreaking arrangements and compositions earned him 28 Grammy Awards from 80 nominations, making him one of the most decorated artists in Grammy history.

Jones was also a pioneering advocate for social change, using his platform to support civil rights and champion diversity in the entertainment industry. His influence transcended music; he was a mentor, a cultural ambassador, and a visionary who brought together artists from all walks of life. In 1993, he was awarded the Grammy Legend Award, a fitting tribute to his status as one of the most transformative figures in music.

Rest in peace to Quincy Jones.

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Today In Hip Hop History: 3rd Bass’ Debut LP ‘The Cactus Album’ Turns 35 Years Old!

Screenshot 2024 11 10 at 3.34.30 PM

Screenshot 2024 11 10 at 3.34.30 PM

On this date in 1989, Bed Stuy emcee Pete Nice joined forces with Far Rock mic ripper MC Serch and DJ RIchie Rich for the release of 3rd Bass’ debut LP The Cactus Album on the Def Jam/Columbia imprint. Produced primarily by Sam Sever alongside Pete and Serch, Prince Paul and the Bomb Squad, The Cactus Album contained more songs than any other album that dropped that same year and its kaleidoscopic production made it one of the most recognized LPs of the year. Not bad for a couple of white boys in Hip Hop’s “Golden Era”.

Standout tracks on that album include the lead single “Steppin’ to the A.M.”, “Brooklyn Queens” and “The Gas Face”, which was produced by Prince Paul and featured the late MF DOOM who was then known as Zev Love X of the group KMD(Kausin Much Damage). The album featured several skits which added to the album’s allure because outside of De La Soul’s 3 Ft. High and Rising, there weren’t any concept albums in Hip Hop during that time period.

Salute to Sam Sever, Prince Paul, The Bomb Squad, Pete, Serch and Rich for this important piece of Hip Hop history! What makes it even more exclusive is this year in New Jersey at the Prudential Center in Newark, Pete and Serch reunited for the first time in over two decades to launch a 25-city 3rd Bass tour.

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Happy Heavenly Born Day To TS(Terror Squad) Lieutenant Big Pun!

Big Pun

Big Pun

Born on this day in 1971 in Bronx, NY, Terror Squad lieutenant Christopher ‘Big Pun” Rios grew from an exceptional emcee that stood side to side by Fat Joe during his Jealous One’s Still Envy heyday to morphing into one of the game’s greatest lyricists of all time.

Big Punisher initially entered the rap game in the mid-80s as a member and founder of underground hip-hop collective Full-A-Clips and at the time, went under the moniker Big Moon Dawg, which was drawn from a famed pro wrestler with the same name. Recordings from the collective have been concealed and remain unreleased, but are known to be the earliest recordings of the late Puerto Rican emcee.

After Pun received a Grammy for “I’m Not A Player”, the full-length, double-disc version of his debut Capital Punishment was released the following year,. The album went platinum causing Pun to make history as the first Hip Hop solo act of Latino descent to achieve the mark.

On February 7th, 2000 during a momentary stay at Crowne Plaza Hotel in White Plains, New York, Pun faced a fatal heart attack and respiratory failure. He weighed 698 pounds at the time of his death, the highest weight in his lifetime. He withdrew from a Saturday Night Live performance two days prior where he was scheduled to perform with Fat Joe and Jennifer Lopez.

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