Today In Hip Hop History: Raekwon’s Infamous ‘Only Built 4 Cuban Linx’ Album AKA “The Purple Tape” Dropped 27 Years Ago

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Twenty-seven years ago today, one of the greatest conceptual albums in the history of Hip Hop was released. Raekwon The Chef released his debut album, Only Built 4 Cuban Linx, guest-starring his right-hand man, Ghostface Killah aka Tony Starks.

Released on the Loud/RCA imprint and produced exclusively by The Abbott himself, Only Built For Cuban Linx was available on cassette, which was manufactured and distributed in a violet casing, thus, spawning its nickname. The album’s influence was tremendous on other landmark LPs of that era including Jay-Z’s Reasonable Doubt and Nas’ It Was Written, with heavy mafia references, the introduction of Cristal to the hood, and constant usage of the 5% Nation’s language of Supreme Mathematics and Supreme Alphabets in the lyrical content. The album also introduced the other WTC members via their aliases i.e. RZA is Bobby Steele, Ghost as “Tony Starks”, Deck is “Rollie Fingers”, Meth is, of course, “Johnny Blaze”, Masta Killa as “Noodles”, the Genius as “Maximillian” the Chef as “Lou Diamonds” and all together known as the “Wu-Gambinos”, which is the 16th track on the journey.

The Four and a Half Mic Classic’s(writer Nicholas Poluhoff) storyline plays out as a film, using many samples of John Woo’s Killer as an interlude between several tracks. The album contained several classic singles that had lives of their own in others spaces. The platinum-selling album yielded legendary hits such as the radio/female friendly “Ice Cream”, the inspirational “Glaciers Of Ice”, the genre sparking “Criminology”, which gave birth to many “Shark N****s”, which was an ode to biters and commanding them to “be original”. Ghost even shot a dart at the late B.I.G., accusing the slain legend of biting Nas’ pre-adolescent album cover concept. The album concludes with a positive build from the late Popa Wu aka Freedum Allah, which reminisces about the past life of a young, crime Raekwon who evolved into the multi-faceted individual seen today, which ironically is called “North Star(Jewels)”.

This platinum-selling time capsule is a must-have for all real Hip Hop fans, aficionados, critics, and historians. Salute to the entire Wu, especially Rae, Starks, and the RZA for this gem. We will forever be in debt to you guys for the “Purple Tape”.

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Today in Hip Hop History: Bone Thugs-N-Harmony Dropped Their Third LP ‘Art Of War’ 26 Years Ago

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On this day in Hip Hop history, we celebrate a quarter-century of one of Bone Thugs-n-Harmony’s most popular pieces of work, The Art of War. As a follow-up to the group’s most successful album E. 1999 Eternal, The Art of War did everything but disappoint.  The album kept the group’s momentum up, claiming the top spot on both the Billboard 200 and Top R&B/Hip-Hop charts. This album even capitalized on the double LP trend of the 90s in a way that was cohesive and unsaturated.

Originally rumored to be titled DNA Level C or “Cleveland” spelled backward, this album took its current title and became a declaration of war against rappers whom Bone Thugs believed to be imitators of the style they created. Some of the groups and artists targeted were Three 6 Mafia, Twista, Crucial Conflict, and Tommy Wright III. Through this project, Bone Thugs looked to cement themselves as the only soulful east coast gangsta rappers in the industry.

Commercially this album was a great success, selling 349,000 copies in its first week on shelves and going on to be certified quadruple platinum only one year after its release. The album’s two singles were also big hits with “If I Could Teach the World” reaching #27 on the Billboard Hot 100 and “Look Into My Eyes” peak at #4 on the same chart.

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Today in Hip-Hop History: EPMD’s ‘Business Never Personal’ LP Turns 30 Years Old!

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Coming after what critics would call their worst album, Business Never Personal served as a proper revival and temporary farewell for one of Hip Hop’s greatest duos to touch the mic.

This album is considered EPMD’s third classic album, even though it was their fourth overall and second on the Def Jam label.. Although underground for the majority of their career, this album saw large commercial and mainstream success, peaking higher than any of its predecessors on the Billboard 200 chart at #14 and selling 500,000 copies in the first few months of its release. The popularity of this album came in large part from the breakthrough lead single, ironically titled “Crossover”. This single itself peaked at #42 on the Billboard Hot 100 and #1 on the Top Rap singles chart.

Following this project, the duo disbanded only to join forces once again on a fifth LP, Back in Business. The group continued to bounce back and forth between activity and retirement until the release of their final album, We Mean Business in 2008.

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Today In Hip Hop History: The Hot Boys Dropped Their Sophomore Effort ‘Guerrilla Warfare’ 23 Years Ago

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23 years ago today, Turk, Juvenile, BG and Lil Wayne dropped their second collaborative LP together as the Hot Boys entitled Guerrilla Warfare on the Cash Money/ Universal label.

Produced exclusively by Cash Money Records’ production duo “Baby” Williams and Mannie Fresh aka The Big Tymers, this entire album was recorded in Miami, a thousand miles a large contrast from there NOLA roots and recording environment, this LP helped to solidify the term “bling” as a necessity in the culture at the turn of the millennium. The lead singles, “I Need A Hot Girl” and “We On Fire” propelled the album the pole position on Billboard’s Top R&B/Hip Hop albums, selling 142,000 in the first week and reaching platinum status before the end of 1999.

Salute to the Hot Boys and Cash Money Records for making this exclusive piece of Hip Hop history!

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Today In Hip Hop History: Fat Joe Released His Debut Album ‘Represent’ 29 Years Ago

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On this date in 1993, legendary DITC delegate Fat Joe dropped his debut full-length studio album Represent on the Relativity/Violator imprint.

In 2020, Fat Joe is recognized as one of the icons of NYC Hip Hop, however, back in 1993, Joe was knee-deep in the streets and having only appeared on Diggin’ In The Crates founder Diamond D’s Stunts, Blunts And Hip Hop album was fairly a newcomer to the rap game. With assistance from his DITC crew members Diamond, Lord Finesse, and Showbiz behind the boars, Joe formulated one of the most integral audible time capsules of the era. Tracks like the Beatnuts-powered “Shit Iz Real”, “You Must Be Out Of You Fuckin’ Mind” featuring the late Apache of the Flavor Unit and Kool G Rap and the premiere single “Flow Joe” were all foundational examples of the “Fat Joe Da Gangsta” persona that is now respected and celebrated in 2020.

Salute to the late Chris Lighty, Fat Joe, Diamond D, Lord Finesse, Showbiz, and the entire DITC for this timeless piece of Hip Hop history!

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Today In Hip Hop History: Eric B. And Rakim’s Sophomore LP ‘Follow The Leader’ Dropped 34 Years Ago

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On this day in Hip Hop history in 1988, one of the culture’s most prolific duo’s Eric B. & Rakim released their sophomore LP Follow the Leader. Coming shortly after their game-changing debut Paid in Full, their second album showed that not only did the two find a formula of success but that they had yet to hit a ceiling. The refinement of both Rakim’s lyrical prowess and Eric B’s beat-making ability is evident in large part on this album. Follow the Leader had everything one could ask of an album from the Golden Era of Hip Hop.

Selling 500,000 within the year of its release, the album received gold certification as well as the #22 spot on the Billboard Pop Albums chart. Two of the four singles from the project, “Follow the Leader” and “Microphone Fiend” also made appearances on multiple Billboard music charts. Critically, this album received praise across the board being praised as more consistent and cohesive than the duo’s debut. Critics from numerous publications noted the growth of Eric B and Rakim as both rappers and pop icons. Although it may not have sold as many copies or made as much noise, Follow the Leader is in more ways than one a more polished project than Paid in Full and is in large part the reason for the duo’s longevity and status.

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Today in Hip-Hop History: Main Source Dropped Their Debut Album ‘Breaking Atoms’ 31 Years Ago

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On this date in Hip Hop history, Main Source, which included DJs Sir Scratch, K-Cut, and rhyming extraordinaire and production master Large Professor, dropped their debut album Breaking Atoms in 1991 on Wild Pitch Records. It was also the final album of the original trio with the two Toronto DJs and the Corona. Queens emcee.

Breaking Atoms was also the first project where then Queensbridge Projects lyrical prodigy Nasir Jones aka Nas, who appeared on the ever-classic “Live At The BBQ”. Other classic cuts from that album include the break-up story “Looking At The Front Door”, the never-ending issue of police brutality on “Just A Friendly Game Of Baseball” and the visually-driven “Just Hangin’ Out”. Originally given a four and a half mic rating, Breaking Atoms received the coveted Five Mics in The Source Magazine‘s commemorative 150th issue.

Salute to Extra P, Pete Rock, K-Cut and Sir Scratch for making this album an undisputed Hip Hop classic!

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Today In Hip Hop History: MC Eiht Dropped His Debut Album ‘We Come Strapped’ 28 Years Ago

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On this day in Hip Hop history, West Coast legend MC Eiht released his debut LP, We Come Strapped. Featuring his group Compton’s Most Wanted, this gangsta rap classic is one of California’s pre-G Funk hits. Riding the popularity that came from his breakthrough single “Straight Up Menace” featured in the film Menace II Society, this album took the rap game by storm creating a new star on the West Coast.

Coming off group success, MC Eiht was no rookie and knew exactly what putting out a good album entailed. We Come Strapped followed a simple yet effective formula resulting in its success. This project is straight and to the point; no drawn out skits, no filler, and no big name features. Aside from a cameo from Spice-1, Redman, and his fellow Compton’s Most Wanted members, the album is entirely MC Eiht spiting cold gangsta rhymes over DJ Slip’s jazzy, keyboard heavy production.

Commercially the project was quite a success, peaking at #5 on the Billboard 200 and #1 on the Top R&B/Hip Hop chart. The album was certified gold shortly after its release and continues to sell copies today. This album serves as MC Eiht’s most successful project to date.

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Today In Hip Hop History: Missy Elliott’s Debut LP ‘Supa Dupa Fly’ Turns 25 Years Old!

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On this day in Hip Hop history, rap queen Missy Elliott released her debut LP, Supa Dupa Fly.

Arguably the most influential release by a female rapper in history, this project birthed one of rap’s most important icons, male or female. The Hip Hop/R&B experimental masterpiece not only delivered a fresh sound to a period in between dominant trends, it also set the tone for what would be considered a radio hit at the turn of the millennium.

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The sound and success of this project are due in equal part to Missy and fellow Virginian super-producer Timbaland. In the new age, digital R&B style production pioneered a sound that became the standard of any Top 40 crossover hit of the era. His technical ability as a beatmaker personally complimented Missy’s unorthodox, almost broken-up, flow and smooth, soulful vocals. Missy’s ability as an innovative songwriter allowed for the mind-boggling production to not be wasted. The subjects that were touched on came with a new perspective and the way she rode each beat added such emphasis, giving the project a strong theatrical quality.

Commercially, it performed quite well peaking at #3 on the Billboard 200 chart. The album claimed the #1 spot on the R&B/Hip Hop chart and made appearances on music charts in New Zealand and the Netherlands.  The album was certified platinum in the United States and silver in the United Kingdom, both in the year of its release. Critics across the board praised both Timbaland and Missy Elliot for their work on this album, calling it “a key prophecy of the dominant 21st-century Black pop” and “everything the Hip Hop doctor ordered; a woman who could flip between aggression and romance, sex and nonsense, materialism and imagination, without batting one outrageously spidery eyelash.”

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Today In Hip Hop History: Too $hort’s Fourth LP ‘Shorty The Pimp’ Turns 30 Years Old!

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On this day in Hip-Hop history, Oakland rapper Too $hort released his fourth studio LP, Shorty The Pimp. 

Inspired by a 1973 blaxploitation film of the same name, the album’s sexually braggadocio lyrics and funk-inspired production held true to the style Too $hort had established for himself over his past six projects. And although Too $hort rarely strayed away from his proven formula, his progression as an artist is evident on this project.

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Commercially, this album had great national reception and was Too $hort’s most popular album to date selling 82,000 copies in its first week. The project debuted at #6 on the Billboard 200 chart, where it peaked, and #11 on the Billboard R&B/Hip Hop chart.

Although Too $hort was never hailed as the greatest lyricist of his era, the production and instrumentation of his projects brought him such acclaim. On this project particularly, the instrumentation and composition from Shorty B alongside production from Ant Banks and Too $hort himself is strong enough to stand solo and still be considered a satisfying pseudo-funk album. Check out “In The Trunk” as an exemplary track from the album below.

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