We’ve already seen a glimpse of what Guy Ritchie’s Wrath Of Man will look like when it steals its way into theaters on May 7. But before that, we’ve got a new Red Band trailer to really see what Jason Statham is up to in a cash truck security guard heist film. Which apparently starts with Statham’s character getting shot and watching his own son die before his eyes of his own gunshot wounds.
The bloody trailer sets the scene for revenge for Statham, who wants to track down who killed his son and ends up doing a lot of shooting along the way as an armored truck driver. The most notable part of the trailer, though, is when he kills a man listed as “Robber #6” in the movie’s IMDB page. Despite the generic name for the role, it’s rapper Post Malone, who gets an expletive-filled line in before H, at least presumably, kills him for being unhelpful in his investigation.
“If he’s not a cop, then what is he?” asks one voice late in the trailer.
“He’s a dark f*cking spirit,” another voice answers.
Here’s the official synopsis:
A mysterious and wild-eyed new cash truck security guard (Jason Statham) surprises his coworkers during a heist in which he unexpectedly unleashes precision skills. The crew is left wondering who he is and where he came from. Soon, the marksman’s ultimate motive becomes clear as he takes dramatic and irrevocable steps to settle a score.
The movie is an Americanized version of another film, “Le Convoyeur,” which was directed by Nicolas Boukhrief. We’ll have to see if Statham can find the people responsible when the movie opens next month.
Lorde is back! Well, she’s back reviewing onion rings, at least, and we’re here for it. In her first onion ring review of 2021, the world’s most famous onion ring aficionado reviewed the Pickled Onion Rings at Auckland’s Hotel Ponsonby, which serves elevated English pub fare.
We’re talking PICKLED onion rings which is a first for this reviewer. I totally vibe the concept — used to eat pickled onions out of the jar as a youngster — however I think if you’re gonna go there, go there, and let acidity rather than sweetness dominate. Absolutely sensational batter, perhaps the best I’ve tried. 4/5 overall ringsperience.
This is a solid review and will surely lead to a ring boom at Hotel Ponsonby. It was also glowing enough to motivate us to break out the ol’ wok and try these rings for ourselves (since we’re probably not going to be in Auckland anytime soon).
To master this recipe, I looked into New Zealand pickled onion culture (yes, that’s a thing). There’s actually a fair number of recipes for pickled onions throughout New Zealand’s food media outlets. The thing is, I don’t really have a week to let something pickle in a dark cupboard. So I took my cues from New Zealander’s recipes and adapted them to make it doable in about an hour with a sous vide.
I’ve used my sous vide to make a lot of pickles (root veg, eggs, fish, etc.) in the past and it really only takes about an hour to have a fully-brined pickle. For this recipe, that sped-up process will do nicely.
Lastly, I really focused on the batter. I knew it had to be something “sensational” for Lorde to give it full marks. So I made sure I was devising something that’d have a beautifully crunchy exterior while still providing a softer interior, leading to the briny and savory pickled onion inside. That’s enough preamble, let’s get into the recipe!
A quick note on the brine. This is where I’m drawing acidity from. There’s a low amount of salt and sugar that’ll give you that “briny” edge of a pickle. Then the addition of apple cider vinegar will bring that mild pH acidic vibe to the whole thing.
Otherwise, you do you on the pickle brine spices. If you want it spicier, add more chilis. Mix and match with seeds and barks. Overall, this is a mild pickle brine with a classic edge that leans towards the New Zealand-centric pickle recipes I found online.
Zach Johnston
Ring batter:
1 cup all-purpose flour
1/4 cup corn starch
1 tsp. baking powder
1/2 bottle or can of pilsner (more as needed)
2 egg yolks
Large pinch of salt
White pepper
Other:
Two yellow onions
Neutral oil
Aioli
Salt
Another quick note: As you can see in the image below, I’ve removed the inner skins between the layers of the onion. This is crucial for a bite-able onion ring. If you’ve ever had an onion ring that immediately slid out of the batter, it was because of that slippery film that’s between every layer. It takes a little extra time but is as easy as simply pulling the skin off after you’ve made your rings.
Zach Johnston
What You’ll Need:
Large Zip-lock bag
Sous vide circulator
Large pot
Small pot
Large bowl
Whisk
Wok or deep fryer
Slotted spoon
Metal grate and baking sheet
Paper towels
Tongs
Method:
For the pickled onions:
Set the sous vide circulator to 185F/85C in a large pot of water.
Add the water, vinegar, salt, and sugar to a small pot and bring to a boil to dissolve the salt and sugar. Remove from heat and let cool for ten minutes.
Peel and slice onions, making sure to remove the film between each layer of the onion as you push out the rings (it should slide right off).
Add the spices and onions to the Zip-lock bag. Pour the warm brine into the bag.
Immerse the bag into the bath and use the pressure of the water to remove any excess air and seal the bag. Use a clip to hold the bag to the side of the large pot.
Cook the onion rings for 30 minutes.
Prepare an ice bath. When the 30 minutes are up, place the Zip-lock bag into the ice bath to stop the cooking and cool the pickled onion rings.
Zach Johnston
For the onion rings:
Combine flour, corn starch, baking powder, salt, and white pepper in a large bowl.
Add the egg yolks and beer while whisking until you get a thin batter (sort of halfway between a crepe and pancake batter).
Lay the onion rings on a paper towel and pat dry.
Heat about one-half gallon of neutral oil in a wok or heavy-bottomed pot (I used sunflower) to 375F/190C.
Using tongs, dip the rings into the batter and then gently lay them into the hot oil, creating a single layer of onion rings.
After about one minute, flip the rings with the tongs to brown them evenly on both sides.
After another minute, remove the onion rings to a rack over a baking sheet. Immediately hit with a pinch of salt.
Repeat until all the rings are fried.
Serve with aioli dip.
Bottom Line:
Zach Johnston
I love fried pickle chips, so I knew I was going to love these. And, wow, thank you, Lorde, for turning me onto pickled onion rings. These are, hands down, some of the best onion rings I’ve ever tasted. And they were without a doubt the #1 best rings I’ve ever made. The onion was soft and hot with a deep pickle brine that had a touch of heat and acidity. The sweetness was there but tied more to the onion than sugar. Really though, the sweetness took a back seat to the overall brininess of the onion.
The batter was freaking sensational. The addition of corn starch allowed the batter to be super crunchy on the outside while still feeling supple on the inside. Moreover, as these rings cooled down (onion rings always get cold too fast), the batter stayed super crunchy.
Zach Johnston
Using aioli as a dipping sauce is a win as well (I used some good stuff from Spain). The lemon/garlic/mayo feel was the perfect counterpoint to the pickle brine and crunchy batter of the ring. This was comfort food in its purest form.
Finally, there was the side-by-side look of these rings compared to Lorde’s. You can judge for yourself below. I haven’t tasted my competition, but I do know that this is the only way I’ll be making onion rings from here on out. Lorde, if you’re ever near Uproxx’s offices — we got you.
When the documentary series Framing Britney Spears bowed on HBO back in February, it caused an avalanche of support to come the singer’s way. Long a target of condescending press coverage — not to mention still legally under the control of her domineering father — Spears found the public finally rallying to her side, hoping to correct years of unfair coverage. Now the team behind the doc look to be trying to do for Janet Jackson what they did for Britney.
According to US Weekly, Left/Right TV, who produced the Spears doc, are at work on a movie about the infamous halftime show at Super Bowl XXXVIII, in 2004. That’s the one where a performance by Jackson and Justin Timberlake resulted in a “wardrobe malfunction,” in which the latter ripped off part of her costume, exposing one of her breasts for half a second. The incident led to a massive fallout. The FCC tried, and failed, to fine CBS for over half a billion dollars, while some accused the two of staging it, with Jackson receiving more vitriol than Timberlake.
Neither Jackson nor Timberlake are involved in the movie, though the former is working on a documentary about her own career to coincide with the forthcoming 40th anniversary of her debut album, Janet Jackson. Timberlake, meanwhile, has come under fire over the last couple years, as the public has begun viewing his treatment of both Jackson and Spears, who he once dated, with a more critical eye. Indeed, after Framing Britney Spears debuted, he issued a formal apology to both parties.
“I specifically want to apologize to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed,” he wrote in an Instagram post. “Because of my ignorance, I didn’t recognize it for all that it was while it was happening in my own life but I do not want to ever benefit from others being pulled down again.”
“Last summer, Yellow Springs [Ohio] was what Hollywood is supposed to be,” says Talib Kweli about the much mythologized “Chappelle Summer Camp” of 2020, which has now given birth to Dave Chappelle’s first podcast. “What we realized is that Hollywood and all that stuff is fake. The real dopeness is where the people are. If someone like Chappelle says, ‘Well, I’m in Yellow Springs.’ Then that’s where the people are going to be.”
The show, co-hosted by Kweli and Yasiin Bey and called The Midnight Miracle, will air on the subscription podcast network Luminary, will reveal the inner workings of Chappelle’s covid rapid tested events (along with the even more legendary after-parties), held in Ohio through the summer and deep into the fall. The first episodes are set to drop “in the coming weeks” and will feature wide-ranging conversations as well as sketches, archival clips, and impersonations from Chappelle, along with a roster of his incredibly famous friends.
“The constant isn’t fame,” Kweli says, “it’s contributions to the culture. Chappelle, one of his many talents, is curating great rooms, so what people will hear on the podcast is essentially what they would hear if they were in the room with us. It’s very organic, very free-flowing, it’s non-linear… we just happen to associate ourselves with greatness.”
“The Midnight Miracle” was recorded in a retrofitted mechanic’s garage turned clubhouse, and the trio has already banked over 100 hours of content recorded with a jaw-dropping list of guests from Common and Tiffany Haddish to Questlove and Chris Rock (plus a soundtrack that includes Charlie Parker, Dizzy Gillespie, Thelonius Monk, and D’Angelo).
As for where the seed of the show first blossomed, Kweli credits his longtime Black Star partner in rhyme, Yasiin Bey. The trio’s friendship has endured since the Chappelle’s Show days.
“We speak often and the last few years we’ve spoken more, as we’ve gotten older,” Kweli tells us. “It was actually Yasiin’s idea to do this type of podcast, when he and Dave first heard people talking about my show, The People’s Party. [People’s Party is produced by Uproxx] Yasiin said to Dave, ‘you should be doing a podcast, too’ and Dave said ‘well the only way I’m doing it is if I do it with ya’ll,’ It was just that simple.”
“Making a podcast isn’t the obvious next move for me, but it’s the right one,” Chappelle said in a press release announcing the show. “The Midnight Miracle gives you a look into how me and my friends process the world around us, and I think it will change the way listeners think of what a podcast can be.”
Look for The Midnight Miracle to drop on Luminary in the weeks to come.
After Morrissey’s manager called out The Simpsons for its parody of the former The Smiths frontman, which featured Benedict Cumberbatch voicing the character “Quilloughby,” the singer himself released his own statement on Monday that accuses the cartoon series of “obviously taunting a lawsuit.” In a long-winded, and very Morrissey-esque message in the “Hello Hell” section of his website, the singer rails against everything from the accusations of racism that have plagued him to the lack of “Hate Laws” that he believes should be protecting him from the “scandal sheets.”
Since my very first interview several decades ago I have lived with horrible accusations to such a degree that it is generally understood that ‘this is how we write about Morrissey’. In other words, I’m quite used to it. I’ve had enough horror thrown at me that would kill off a herd of bison. Accusations usually come from someone with a crazed desire for importance; they don’t operate at a very high level. Writing for The Simpsons, for example, evidently requires only complete ignorance. But all of these things are too easy for me to say. In a world obsessed with Hate Laws, there are none that protect me.
Despite dramatically accusing The Simpsons of opening themselves up to a lawsuit for daring to parody him like it does to countless other celebrities, Morrissey made it clear that he won’t be going down that road because it would require “more funding than I could possibly muster.” He believes this is why The Simpsons targeted him. “I think this is generally understood and is the reason why I am so carelessly and noisily attacked.”
It was just a few years ago that Future’s “Mask Off,” and the infectious flute that was present on the song, took the music world by storm. The track is just one of many rap records to feature a heavy presence of the woodwind instrument. It’s a quality that caught the eye of Kid Cudi and a few Saturday Night Live cast members as they delivered a sketch in honor of “that weird little flute.”
Cudi, along with Pete Davidson and Chris Redd, joined forces for a song that finds them flaunting their own flutes and expressing their love for it. Later on in the skit, Timothée Chalamet joins in on the fun musical sketch.
Virgil designed the dress for me. I told him I wanted to show love to Kurt w a floral print sundress and this man made a masterpiece. Thank You @virgilabloh ur a fuckin genius!! Love you man we did it!!!
In addition to the sketch, Cudi was the musical guest for the SNL episode. He performed “Sad People” and “Tequila Shots” and the former caught the attention of most viewers as Cudi stepped on stage rocking an Off-White floral dress, noticeably similar to the one Kurt Cobain famously wore. Following the performance, Cudi shared his intention with the dress in a pair of tweets. “Virgil designed the dress for me. I told him I wanted to show love to Kurt w a floral print sundress and this man made a masterpiece,” he said. “Thank You @virgilabloh ur a f*ckin genius!! Love you man we did it!!!” In a second tweet, he added, “Im doin a collection w Off White and the dress will be included!!”
You can watch the flute sketch in the video above.
Early Friday morning, DMX’s family put out a statement confirming what the entertainment world would hope to be false. The legendary rapper sadly passed away at 50 following a reported drug overdose and heart attack. Tributes from all over, including the music and sports world, came pouring in and as the days go on, many are still finding their own ways to honor him with the latest being Saturday Night Live.
The first mention of DMX came during the late-night show’s cold open segment. The sketch was led by Kenan Thompson, Ego Nwodim, Kate McKinnon, and Alex Moffat who altogether played four Minnesota anchors that were initially discussing the murder of George Floyd but switch the topic after a disagreement.
“We lost royalty yesterday,” McKinnon said, in reference to Prince Phillip’s death on Friday. “Yes, the rapper DMX died,” Nwodim replied which was met by an applause from he audience. McKinnon tried to correct Nwodim saying, “I was talking about the prince,” but her attempt failed as Nwodim retorted, “Girl, Prince been dead!”
DMX’s came on a pair of occasions later in the show. The first came with a photo SNL put onscreen of the rapper and his stage name following a commercial break, the image from when he himself performed on the show back in 2000 where he performed “What’s My Name” from his 1999 album, … And Then There Was X.. Lastly, after host Carey Mulligan delivered her thank yous to the audience and viewers, Chris Redd held up a handwritten sign that read “R.I.P. DMX” in black lettering.
You can watch the cold open segment as well as view a screenshot of show’s closing moments above.
Just a few months removed from the release of his seventh solo album, Man On The Moon III: The Chosen, Kid Cudi brought his talents to the stage of Saturday Night Live. The rapper rocked out in a pair of performances of songs from that album, but it was his wardrobe for the night that got the attention of viewers the most.
Kicking off the night with “Tequila Shots,” Cudi stepped out to the mic wearing a T-shirt that featured actor, comedian, and former SNL cast member Chris Farley, who tragically passed away in 1997 from a overdose at just the age of 33 following a lengthy struggle with drug addiction. Later on in the night, Cudi returned, this time donning an Off-White white floral dress, one that was very similar to the one Kurt Cobain famously once wore. The Nirvana frontman also struggled with drug addiction before his tragic suicide in 1994. Cudi has expressed his love and appreciation for Cobain on a number of occasions. In a past interview with GQ, he said, “I try to use [Cobain] as my muse whenever I can.”
Kid Cudi pulling the ultimate Kurt Cobain tribute on #SNL on the week of this death. @KidCudi all about love and suicide prevention and awareness!!! pic.twitter.com/m4DOUC5eFF
Cudi’s decision to honor Farley and Cobain could have been influenced by DMX’s recent passing. The Yonkers rapper died on Friday after a reported drug overdose that caused a heart attack and left him hospitalized for nearly a week.
You can watch the performances in the videos above.
For much of its current season, Saturday Night Live has featured a politically-themed sketch in its cold open. In recent episodes, however, they’ve managed to do this using Chloe Fineman’s impression of Britney Spears. In its most recent episode, the NBC sketch comedy show brought back Oops, You Did It Again to “shine a light on the social pariahs of the week.”
The sketch started with Lil Nas X, whose “Satan Shoes” have riled up conservatives and caused Nike to step in and prevent the sales of the modified pairs. While Chris Redd doesn’t look very much like the rapper, he was absolutely down to twerk on a guy dressed up like “god” to even things out on the outrage scale.
Next up was Kate McKinnon dressed as a giant skunk, playing a “canceled” Pepe Le Pew. The sketch addresses some recent news that the Looney Toon was taken out of the new Space Jam, yet another example conservatives have given regarding cancel culture.
“Any good basketball film needs a horny skunk. My part was, I see a basketball in a blonde wig and I make love to it for 10-15 minutes before LeBron James says ‘Bro, that’s a basketball,’” Le Pew explained. “Not my finest moment, but the crew loved it.”
The star of the segment, however, was Pete Davidson playing suspected “sex pest” Matt Gaetz. Davidson, who had played New York governor Andrew Cuomo, another politician under fire, on the segment earlier in the year got to play a Family Guy-inspired Gaetz. Gaetz tries hard not to admit any wrongdoing, at one point comparing himself to Le Pew. Who wasn’t having any of it.
“No, I’m a cartoon skunk. You’re a United States congressman,” McKinnon said. “Be better.”
Ice-T remains an institution throughout the various realms of pop culture, going strong for over 30 years now. From his earliest 1980s solo rapper days to his heavy-metal stylings with Body Count (the group recently won a Grammy), his influence cannot be underestimated. Nor has his career remained predictable, although once Ice-T makes a move, he does not waver, which is precisely why Law and Order: SVU fans have dug him as Fin Tutuola since the year 2000. He’s done reality TV and tells it to everyone straight on Twitter, and the man has never been anything but consistently entertaining.
Such a reliable nature might work to Ice-T’s advantage with his new ad campaign for Tide alongside Stone Cold Steve Austin. You’d probably never expect to see him associated with a laundry detergent brand, but he’s on board to educate people (through the #TurnToCold campaign) about the environmental (and money-saving) benefits of washing clothes in cold water. Not that Ice-T actually does the laundry at home, which is something that he had no problem admitting while he was cool enough to chat with us. We touched upon plenty of topics during our discussion, including when he’ll tour again, how he feels about working with Chris Meloni on the Law and Order: SVU crossover with Organized Crime, his approach to Twitter, and other assorted odds and ends.
Is this really the O.G. Original Gangster on the line here?
Hey! How you doin,’ Kim?
I should tell you that Law and Order: SVU was once a go-to syndicated show while I did cardio at the gym. Now we don’t go to the gym, and it’s a little bit sad!
Can I tell you a funny story?
Please do.
I was in Miami one time, and this lady walked up to me, and she goes, “I was on the treadmill, and I said I would go off when Law and Order went off, and it was a marathon, so I ran 26 miles.” I was like, she did a TV marathon and a marathon at the same time, okay yeah, be careful with that.
It’s strangely motivational to watch you guys take down the indisputably bad guys, and you’ve been on the show for over 20 years at this point.
Yeah, 22 years. I technically came in during the first episodes of the second season, but they shot it during the first season, so I try to claim the first season, but there’ll be arguments. [Laughs] But I’ve been on it a long time.
You’re a pretty fit guy. With gyms being closed and all that and touring not happening, are you still getting your workouts?
I stay in shape. I have a little mini-gym in my house, so I do my dips and my calisthenics, so I’ve always pretty much been in shape. You can get out of shape very easily as you get older, so I gotta stay on top of it. Since I’m on television all the time, I don’t wanna look at myself and say, “Look at yo’ fat ass!” I’m forced to be vain in that respect, but when you marry a swimsuit model, it’s not smart to get fat, so I’ve got a lot of motivation around to stay slim and trim, but I’m doing okay.
You’re SVU-ing it on an April 1 crossover episode, which is the premiere of Chris Meloni’s Organized Crime spinoff. What’s it like to have him back in the saddle?
Well, it’s fun for me. The thing of it is, the difference between me and the fans is that I’ve been in touch with Chris over the last ten years while he’s done his movies and while he had his show, Happy. Me and Chris kinda became friends because we worked together twelve years, so when we got back and we did our scenes together, it’s just like old times. We’re glad to have him back, but Chris wanted to do other things. A lot of actors, well, you don’t become an actor to just play one role for twenty years. It’s about being able to be different characters, and that’s what actors love to do. So, now he’s back, he’s happy, and he’s got his own show, so when you see this reunion, it’s gonna blow everybody away because it’s written well, and it’s good.
Speaking of blown minds… dare I ask how you got involved with your new Tide commercial?
I got cold-called. When people want you to do commercials, the first thing you do is ask, “Does the shoe fit?” “How am I gonna be connected to Tide?” Although I use Tide already, so they told me that cold washing helps the environment, it saves money, and also, it doesn’t ruin your clothes, which is smarter. And Tide does not require hot water to activate. It cleans just as well in cold water, so I thought that was cool. I was like, “Okay, okay, got that!” And then I figured out, “Oh, it’s because my name is Ice.” And they said, “The campaign will be you and Stone Cold Steve Austin,” so I was like, “I’m in.” I’m a fan of Stone Cold Steve Austin, so we went and did the campaign, and it’s a really cool campaign. We’re cold-calling people and telling them about the benefits of using Tide in cold water. We cold-called Mr. T, and it’s kind-of a cool commercial.
And does Ice-T do the laundry at home?
No, I don’t do it. Coco does the laundry. We’ve got a very old-school family situation, so she loves doing laundry, and she’s like, “I’ve got this.” Because she knows that if I do the laundry, I’m gonna half-ass do it.
You know what people say: you can’t be good at everything.
But I told her, and she got the memo that we no longer have to use this hot water, from what I understand, to clean it. And I don’t have to shrink my clothes up and have the colors running and all that stuff, so it’s great.
You’re out there lobbying for an “edit” button while saying that you’ve heard all of the comments for and against one, but dammit, you want one.
I think it’s stupid that they don’t have one! I mean, Instagram has one. People are so concerned: “Oh, you could say something, and then you could take it back!” You can screenshot, and all the reasons they don’t want an edit button are negative. It’s just based around catching someone saying something and then trying to deny it. It’s based in negativity, it’s not based to help people. There’s a million different ways they could do an edit button. They can make it so that if you edit it, it says it’s been edited — it could have a little symbol. What they don’t understand is that I’ll put up a tweet, and it might get 2000 likes, and then I’ll realize that something’s spelled wrong, and then you don’t wanna take that one down. Because I’ve had times when I’ve had a bunch of people like something, and I took it down, and they got offended. But you know, it’s Twitter, and maybe Twitter’s just not wanting to be like IG, but you know, whatever. Then don’t comment on my spelling! All the spelling Nazis, stop.
Twitter is for bursts of 240 characters. Typos happen that way.
And also, Twitter’s something you’re doing on your phone! Your thumbs are moving, and they won’t have an edit button, but they’ve got autocorrect. So why do you have autocorrect if I’m talking slang? So whatever, it’s nothing… I just had a moment when I felt like saying it because I just tweeted something where I didn’t put an -ing on a word, and I felt like, “Man, why can’t I just edit this stuff?” Whatever, who cares.
There was quite a reaction to that saga on Twitter and on the news.
It was stupid. You’ve got real crimes and all that going on, and as far as arresting me? Yeah, I think they overreacted. They could’ve given me a ticket. A lot of times when a cop arrests a celebrity, it gives them the chance to be famous. They never arrested anyone, but they arrested JLo. So now, they get to say, “Ahhhh, I put JLo in handcuffs.” It’s something that they do for themselves. You know, as many crimes as I’ve committed in my life, and you’re gonna bust me for running a toll? It’s funny to me. If there’s nobody in the trunk, I’m not sweating, so I’m not really worried about it. The thing is, I was on my way to go play a cop! on TV! And you guys are busting me.
Speaking of your SVU character again, there was a Cameo you did for some John Mulaney fans, and they got you to poke fun at Fin Tutuola — that time that he took a long time to grasp the concept of sex addiction — and you played along, and that Cameo clip went viral. People ask you to say some really odd stuff.
I don’t even remember that one! On Cameo, most of the people just want you to say “hi” and “happy birthday” and anniversaries. There were some people who had a sixty-second wedding anniversary. When I first started Cameo, I didn’t think that was as cool as it was until I saw the reaction. When I saw the way that people reacted to cameos, I thought, “Oh, this is cool.” So there’s “tell my brother to stay in school,” or “congratulate my teen” for this or that, it’s a cool platform, and I enjoy doing ’em.
We are almost out of time here, but I’m a Body Count fan, and you guys won a Grammy this year. You once talked about your heavy metal influences, like Black Sabbath. Do you dig any particular contemporary metal bands?
We based our band off of Slayer and Suicidal Tendencies, and of course, Black Sabbath. I like Lamb of God and Fit for an Autopsy, which is the band of my producer (Will Putney). We’ve been out with so many bands. Of course, I like Power Trip, but it kind of sucks because this past year, we couldn’t tour. We put out Carnivore, and then the pandemic hit, so we dropped an album, and we haven’t been able to do a single show.
Do you know when touring will likely resume for you?
Everybody’s saying 2022, so we’re gonna come up with some other ways to get the music out to the fans. Right now we’re doing an EP to connect to Carnivore because we don’t wanna just step over that album like a dead body. We got a Grammy for it, so we’re trying to keep our fans entertained, so we’re thinking of different options. We just did a fan video for “The Hate Is Real.” Have you seen that, the one with the puppets?
Oh, I saw it on Twitter and did not click on it yet, so I’m doing fantastic here.
You’re gonna bug out on that one. I had a concept where I said, “The fans are gonna make the video,” and this one was the winner. It’s outrageous.
I’ll go watch it now, and it’s been real talking to you.
Well, keep following me and stay on Twitter. You never know what’s gonna happen, day by day. Someone might pop off, and I might need to let ’em have it.
‘Law and Order: Organized Crime’ debuts on April 1, and find out more about how to #TurnToCold via Tide’s website.
