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Blxst Breaks Down How He Makes Plays In ‘NBA 2K23,’ Including Curating The Latest Game Soundtrack

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Getty Image / Derrick Rossignol

Earlier this week, 2K Games announced West Coast artist Blxst curated the soundtrack for season 7 of NBA 2K23. In a Zoom interview with Blxst, Uproxx got some insight into the creative process behind the soundtrack and the impact that a 2K placement can have on artists’ careers.

Blxst, who first exploded into stardom with his 2020 EP No Love Lost, has risen in stature ever since. He’s become one of the LA rap scene’s premier hook singers while building a thrilling catalog as a genre-bending rapper with releases like Before You Go and his Sixtape series with Bino Rideaux, which will see its third iteration in the near future. He’s also been a regular at Uproxx Studios, dropping off potent performances for UPROXX Sessions.

He’s expanded his impressive portfolio by launching his Evgle record label, supporting artists such as Jay Millian, who also makes an appearance on the 2K23 soundtrack with his song “Baby,” which exclusively launched through the game. The soundtrack also includes Blxst staples such as “Passionate” with Roddy Ricch, “Keep Calling” with Larry June, and “Spend It” with Babyface Ray and Nija.

As Blxst says during our interview, “Whenever a play comes to me of this magnitude, I think of how can I get my team involved? How can we make it a teamwork type of thing?” I compare this to the point guards as whom he loves to play in NBA 2K23 like Ja Morant and Kyrie Irving. Yes, he can score, but he also wants to put his teammates in the best position to win, which is the defining characteristic of an all-time great.

Let’s talk about the process of getting you involved in doing the soundtrack for season seven of NBA 2K23.

The process was kind of simple. 2K had reached out and it was natural. They just wanted us to curate a playlist and I was excited for it from the jump because I had linked up with Ronnie 2K randomly just going to a San Francisco 49ers game. I seen them up there and we chopped it up. I don’t know if he threw the alley-oop, but I’m definitely connected with the 2K family.

A lot of people, when they hear artists on 2K, that’s like the first time they might be hearing you. How do you decide on which songs of yours are the ones that are absolutely 100% 2K worthy?

A lot of the artists that are on the playlist I’m a fan of myself, and it’s certain songs that I pick from they projects that just inspired me to get up and do something. I feel like that’s one thing athletes can relate to, just wanting to be motivated from the music to be your best, to be the best version of yourself. That’s how I implemented the playlist.

It was really important to you to get the Evgle guys involved. What does that mean to an artist that is on your label? This might be the first time that they’re getting really that level of exposure.

I think it’s fire, especially for Jay Millian. We got to exclusively release a record in 2K. If you go to my career, you see different [Billboard achievements] and that’s a big deal. I think it’s just important to be able to give my artists and my producers them types of platforms. Whenever a play comes to me of this magnitude, I think of how can I get my team involved. How can we make it a teamwork type of thing? Even Vic and Carl — which is my manager and my attorney — … I like to look at them as tastemakers outside of the positions that they typically play. We just put our brains together, we the visionaries.

I guess the closest sports metaphor would be being a point guard, right? You’re always looking for the open shot for another member of the team. Do you have any specific songs or artists that you have memories connected with, “Oh, I discovered this person through 2K“?

I couldn’t give you a specific song, but I will say it’s certain moments that I connected with, like seeing Pharrell curate a playlist, seeing J. Cole as well, and Pharrell, somebody I’m a big fan of from the skateboard world to the fashion industry and how everything cross brands with the music. I feel like I’m following his footsteps in a sense, being here.

Speaking of J. Cole, he was actually included in the game as a playable character. Is that something we can look forward to: getting some hoops in with Blxst on the game?

I might have to get my jump shot up first, but yeah, I’m definitely down for the 3D scan. Put me in the game.

When you actually do play the game, who’s your team? Who’s your go-to?

I’m a player fan more than a team fan. I like to play with Ja Morant. I like to play with Trae Young, Kyrie Irving. I like to play the point.

What’s next for the future?

It’s summer 2023. I’m locked back in with Bino Rideaux for Sixtape part three. We slowly but surely getting that up, but outside of that, I’m also working on my album, which I’m excited for my fans to hear. It’s like an elevator version of Blxst. I’m a throw them off guard with new sounds. Been working with different producers and just staying inspired and motivated, keeping that fire under me, bro. I’m really in a positive space right now.

The NBA Finals start soon. Who you got?

Basketball don’t really matter to me ever since the Lakers got kicked out, got swept [laughing]. Being from LA, that broke my heart. I’m going to have to go with maybe the Joker. Maybe he can close it out.

I know that as an artist, you do a lot of interviews, so you get a lot of the same questions. I have to ask a lot of the same questions, too. If you were me interviewing you, what would you want to know? What would you want people to know about Blxst that you’ve never gotten to talk about?

I love that question. I would say that I’m just a goofy person, man. I think people take me serious. I’m not so vocal all the time, but if you know me, if you’re in my inner circle, I’m pretty goofy. I’m probably dancing in the studio on a random day. I think the world is going to see a different side of Blxst as things reveal.

Blxst Is Bringing His West Coast Flavor To The ‘NBA 2K23’ Season 7 Soundtrack

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Along with its annual updates, expansive play modes, and increasingly realistic graphics, the NBA 2K franchise is best known for its soundtracks, which highlight both rising stars and top talent with its in-game menus and gameplay background tunes. The newest update for the current edition, NBA 2K23, has taken things a step further, bringing in talented West Coast artist Blxst and his label, Evgle, to curate the season 7 soundtrack.

In addition to a pair of tracks from Blxst’s March EP Just For Clarity 2 — “Passionate” featuring Roddy Ricch and “Keep Calling” featuring Larry June — the new soundtrack also includes a number of tracks featuring Blxst, such as Babyface Ray’s 2022 single “Spend It,” and showcases label member Jay Millian with his new single “Baby.”

“IDC” by Jordan Ward and “Progress” by Westside Webb put the spotlight on more rising artists, while the last two tracks are big-name standouts: Benny the Butcher‘s 2020 track “Trade It All” and “Stop Breathing” from Roddy Ricch’s latest project, Feed The Streets III.

In a press release, Blxst said, “I’m excited to have Evgle included on the NBA 2K23 soundtrack simply because it’s a childhood dream. I can speak for most of us in saying that we grew up playing this game. So, to be a part of this is mind-blowing and it’s crazy how music bridges the gap. These songs were hand-picked by me and the Evgle team because this is what we like to listen to get inspired. I like to look at myself as a tastemaker and each artist on this playlist is a different ingredient to the soundtrack of my lifestyle right now.”

After premiering in the game this Friday, May 19, and remaining game exclusive through the weekend, the soundtrack will hit DSPs on Tuesday, May 23 along with Millian’s single.

Jack Black Plays A Different Mario Character (And Link) In Tenacious D’s ‘Video Games’ Music Video

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Jack Black is the MVP of the highest-grossing video game movie of all-time (and the biggest movie of 2023). In the music video for “Video Games,” Tenacious D‘s first new song in five years, he and Kyle “Rage Kage” Gass pay tribute to some of the most iconic video game characters ever, including Link (it’s almost Tears of the Kingdom Day!), Kratos, and Lara Croft. Black is also transported into Mario, but not as Bowser. This time, he’s Mario. Which I guess means Chris Pratt is now… Lakitu? That works.

In a statement, the D wrote, “It’s about growing up and leaving childish things behing… But then realizing that video games are more than just mindless toys… in fact they can be a true expression of huge ideas that belong in the pantheon of great works of art! It’s about time someone defended the honor and integrity of this bold new horizon. Leave it to the greatest band in the world… Tenacious D!!!” They’ll lead (and play video games) as two kings.

Tenacious D are on tour. Here’s where you can see them:

5/11/23 New Orleans, LA @ The Fillmore
5/13/23 St. Augustine, FL @ The St. Augustine Amphitheatre
6/2/23 Nuremberg, Germany @ Rock im Park
6/3/23 Nurburg, Germany @ Rock Am Ring
6/4/23 Prague, Czech Republic @ Forum Karlin
6/6/23 Hamburg, Germany @ Sporthalle
6/7/23 Berlin, Germany @ Zitadelle
6/8/23 Nickelsdorf, Austria @ Nova Rock Festival
6/10/23 Milan, Italy @ Carroponte
6/12/23 Zurich, Switzerland @ The Hall
6/13/23 Brussels, Belgium @ Forest National
6/14/23 Rotterdam, Netherlands @ Ahoy
6/16/23 London, England @ O2 Arena
6/18/23 Clisson, France @ Hellfest Open Air Festival

Keke Palmer’s Twitch Stream Is The Gift That Keeps Giving

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Keke Palmer
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Twitch continues to be an enticing place for celebrities that want more interaction with their fans. We’ve seen folks like T-Pain, Mike Shinoda, Snoop Dogg, and more on the platform. Now, the multi-talented actress and musician Keke Palmer, who starred in Jordan Peele’s critically acclaimed film Nope, is the latest celebrity to hop on the streaming train.

If there’s one thing Palmer knows how to do, it’s stay busy in her creative life. While only 29 years old, she’s been a working Hollywood actress for almost two decades. She first appeared in 2004’s Barbershop 2: Back in Business and followed it up two years later with a starring role as Akeelah in Akeelah And The Bee.

Since then, she’s done everything from long-running television shows, Broadway productions, and music albums, most recently starting her digital platform for Black content creators looking to showcase their work, KeyTV.

After announcing her pregnancy in late 2022 on Saturday Night Live, Palmer began filling her time off from acting by catching up on playing video games, especially Sims 4. On her Twitch bio, she talks about this briefly, “i got on here because i got preggers and started spending more time at home which got me back into playing the sims. my followers wanted to see my game play and now we hereeee.”

Before starting her Twitch channel, she’d dabbled in live streaming her gaming exploits on Instagram. On her IG, Palmer began going live and narrating the ridiculous antics her Sims got into on her most recent play sessions. Palmer has a keen eye for creating viral moments on social media, something that translates well to what she hopes to help other Black creators do with KeyTV.

Quickly, clips from her streams went viral on Twitter and other social media platforms, showcasing the funny hijinks she got into with her characters. After a large push from her fans, Palmer set up a Twitch channel in February of 2023 and began streaming.

On Palmer’s Twitch channel, simply called “Keke,” she streams everything from video games she plays (mainly Sims but other titles like Tekken and Detroit: Become Human), karaoke, cooking, and general hangouts to catch up with her audience. She writes more about this in her bio, “i like role playing obvi, i like fighting games, i like decision based games too.. but im into many things outside of gaming because i get bored v easily haha. i like trying new things, diy stuff, karaoke, stand up(light weight haha), reviewing reality tv, reviewing movies, documentaries, conspiracies!”

Palmer’s streams are lowkey and fairly irregular given her busy schedule, but when she does go live, you can expect a no-holds-barred look into who she is as a person when she’s not on the silver screen. On one of her most recent broadcasts, she streamed the narrative, choose your own adventure game Detroit: Become Human which centers around the various lives of androids who are becoming sentient in a future Detroit.

https://m.twitch.tv/videos/1789587125

The infectious charm and wit she brings to her characters on screen are given a different light on stream. In her Detroit: Become Human live stream, chaos quickly ensued as Palmer and her partner, Darius Jackson, ate takeout while trying to figure out how to play the game which features complex button inputs.

What’s interesting about Palmer’s streams is how her immense knowledge of acting and direction comes through in how she engages with the games she plays. As if on cue, Palmer and Jackson fall into character while playing Detroit, giving their own voice acting to the cinematic scenes. A particularly hilarious moment occurs as Palmer controls her android character, dodging an assailant while she gets more and more on edge trying to keep up with the button prompts.

This is shown even more when she plays the Sims 4. Palmer creates in-depth storylines for all of the characters she creates that highlight insanely funny situations you’d expect in an evening sitcom. “This is the storyline,” she says to the viewers before telling a detailed backstory about the messy relationships her characters have. Upon giving the setup for the predicament her characters are in, she proceeds to voice all of them in their respective voices to an absurdly funny extent.

It’s rare that audiences get such an intimate look into the life and persona of their favorite celebrities. While we are certainly living in the age of over-stimulation and social media fatigue, watching Palmer on stream is a much different experience than seeing a clip of a post on a social media platform. Palmer’s Twitch streams further confirm what her on-screen performances already suggest — she is one of the world’s best at blending humor with drama today, no matter the medium.

‘Roblox’ Virtual Concerts Are Both Game-Changing And More Of The Same (In A Good Way)

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Roblox/Getty Image/Derrick Rossignol

On September 18, 2020, Ava Max released her debut album, Heaven & Hell. Around that time, she celebrated the project’s release with a launch party. The event didn’t take place in some personally meaningful place like her hometown, or in a major city among the big lights. Instead, it happened on Roblox.

Some context: Earlier that year, the COVID-19 pandemic (you might be aware of it) forced the world to essentially shut down. This put the live entertainment industry on pause. Concerts and other in-person events were temporarily no more. Oof!

More context: Roblox, an online game creation platform, launched in 2006 and has grown substantially since then. It was reported in 2022 that Roblox had 57 million daily users (and that half of them were under 12 years old).

So, with both of those things in mind, Ava Max and her team decided to launch Heaven & Hell on Roblox. On September 25, the event began. After a countdown, a pre-recorded video message from Ava Max played, in which she spoke about the event, discussed her new album, and answered some questions. She then sang two songs before the video ended.

It was a neat experiment, as IRL events weren’t super possible at the time. So, Ava Max made the best of the situation and came through with something intriguing and different. Different, but also something of a return to normalcy: While the music industry was on hold, Ava Max pressed forward via the means available to her and delivered as close to a familiar experience as was possible.

It was also just the start.

A few weeks later, Lil Nas X got in on the Roblox fun. On November 14 and 15, the rapper put on quite the show. He opened with a performance of “Old Town Road” before a digital costume change and a rendition of “Rodeo” as bats flew above him. The environment allowed for some fantastical elements not possible in a real-life concert. As the Roblox Wiki describes, the show involved tornadoes, a shift to a futuristic setting, Lil Nas X levitating in front of the moon, and a black hole.

Those were the first two concerts experiences on Roblox, and from there, artists like Elton John, Mariah Carey, aespa, Soccer Mommy, Saweetie, and others hosted their own virtual events. Were they worse than in-person shows? Well, that’s hard to say.

Leaving the house, bringing your physical body to a different environment, and seeing artists in front of your face isn’t something that can be replicated on a phone, computer, or game console. It’s a special experience than can really only be felt that specific way. The thing is, though, that virtual concerts don’t need to be that. In terms of what an in-person show offers, virtual shows can’t do it. They just can’t. In other ways, however, they can present much more.

Stage design for major tours can be incredible, but Lil Nas X isn’t getting functional tornadoes and black holes on a real-life stage. Roblox has long been an open forum for imaginative expression for its users and the same has been true when it comes to virtual concerts. It’s an opportunity for artists to put on a concert in ways they could never pull off otherwise. Give the world’s most talented and creative entertainers a limitless environment and special moments are bound to result.

Furthermore, sometimes, committing a few hours to going downtown, finding parking, getting to the venue, watching a concert, and making your way home is a lot. Nights when that seems overwhelming are the perfect occasion to just open an app on your phone/computer and catch some more convenient live entertainment, to still get the feeling that you’re watching something grand unfold in the moment.

Worth noting is that as novel as this whole thing may seem, a Roblox virtual concert isn’t a completely new idea (and not just because Fortnite did it before them, like with the Marshmello event in February 2019). Roblox events represent what the live entertainment business has long been about: meeting people where they are.

Really, performers have been bringing their shows to the people for a long as it’s been possible: Shortly after the completion of the transcontinental railroad in 1869, circuses started traveling to the western half of the US. People were in their hometowns and most of them presumably didn’t have the means for significant travel (especially for leisure), so the entertainers went to them.

From there, music tours eventually became a major business, and some performers went beyond even just showing up in people’s cities. In the ’90s and ’00s, music lovers young and old spent a lot of time at the then-thriving malls. So, artists like Britney Spears and Avril Lavigne got set up between Claire’s and the food court to get a performance in. That’s where the people were, so that’s where the artists were.

The COVID-19 pandemic brought more popularity to remote-friendly practices like working from home and consuming the majority of entertainment online. Folks were in their rooms and on the internet, so that’s where the artists went.

Again, Roblox isn’t the first video game platform to host a virtual concert: Shout out to Duran Duran for performing a Second Life show in 2006. Roblox was, though, a leader in bringing them to the mainstream at the perfect time. It’s where the people were, and it’s where the artists could be whatever they wanted to be.

In 2023, the live entertainment industry is at the point where concert tours have long been back in full swing. This doesn’t mean virtual events should go back and hide in their hole of obscurity, though. Video games and other online products are as popular as they’ve ever been, and musicians are more open-minded and creatively free than ever before when it comes to self-promotional strategies.

So yes, for most artists, in-person events will return to their spot as the live entertainment priority. There’s no reason why virtual concerts can’t be a piece of the puzzle, though. While they had to fill in as the main feature for a little bit, really, they’re a different side of the same coin, one that offers its own unique value. It’s all just meeting people where they are, and as where they are changes, artists, as they always have, adapt and push the industry in exciting new directions.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

How Sports Video Games Became A New Music Hub And Where It Goes From Here

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Getty Image/Electronic Arts/Derrick Rossignol

Fire up FIFA and there’s a decent chance you’ll hear one of your favorite songs (or something you’ve never heard before but admittedly slaps). Music from some of today’s biggest artists plays a significant role in sports video games, increasingly so as the music and game industries continue to evolve. The relationship between sports games and music is so strong, in fact, that musicians are actually using them to debut new music now: 2 Chainz previewed a new album in NBA 2K21 and Madden NFL 23 featured new songs from artists like Killer Mike and Cordae.

That’s where we’re at these days, but how did we get here, and where do we go from here? Let’s start exploring those questions by rewinding a bit.

Recently, I was reminiscing about the main menu music from 1995’s Frank Thomas Big Hurt Baseball on the Super Nintendo, specifically about how hard it goes. Show me somebody who’s heard a better video game soundtrack synth solo from the mid-’90s and I’ll show you a liar. At that point, sports games were soundtracked by bespoke music created specifically for the game by in-house composers, not commercially available songs you could hear on the radio or buy at your local record shop.

Nearly a decade after Big Hurt, EA Sports pivoted from its long-running Triple Play MLB games and launched the short-lived MVP Baseball series with the 2003 installment. I grew up playing MVP Baseball 2004 and 2005 on the original Xbox, and what I remember about those games more than anything (aside from maybe the Jacob Paterson cheat) is the soundtracks.

Instead of newly composed music, these games (and many of their contemporaries) compiled soundtracks from songs of the day. Both games had carefully curated and relatively limited tracklists (2004 had 13 songs, 2005 had just nine), which meant I got intimately familiar with those songs. As I browsed in-game menus, tracks like Steriogram’s “Walkie Talkie Man,” Chronic Future’s “Time And Time Again,” The Donots’ “We Got The Noise,” and Hot Hot Heat’s “You Owe Me An IOU” became ingrained in the deepest wrinkles of my still-forming brain. The games and their soundtracks made each other better; those songs make me think about the games, the games make me think about those songs.

Yay, good for me and my childhood fun, but what does this mean in terms of a musician’s relationship with sports games today? Well, for a musician now, playing a role in a sports game is not only possible, but actually a desirable goal, and an attainable one at that.

Here’s an example: a 25-year-old (to choose an easy-to-work-with young-adult age) playing MVP Baseball 2005 didn’t necessarily grow up with sports games. In 1990, that fictitious person was 10 years old and home video game consoles were a relatively emerging market in terms of widespread adoption. There’s no guarantee they and a majority of their peers had strong childhood memories of playing games like Jordan Vs. Bird: One On One for the original Nintendo Entertainment System. Furthermore, games like that had original, relatively minimal, composed music, not songs pulled from the contemporary music industry.

Over time, video games became more widespread, sports titles became more robust, and the music in those games played a larger and larger role. Today, a 25-year-old here in 2023 was 10 in 2008, when games featured memorable compilation soundtracks. So, for a modern 25-year-old, there’s a far stronger chance sports video games and their soundtracks — comprised of regular, non-video-game music — were at the center of core childhood nostalgia. A young-adult 2005 musician didn’t grow up with the idea that their songs could be in sports video games, but a young-adult artist today did.

There’s also some level of two-way professional envy between athletes and musicians. As Lil Wayne succinctly summarized it in 2014, “Athletes wanna be rappers, rappers wanna be athletes.” While most musicians will never be able to fulfill their dreams of becoming a professional athlete (props to J. Cole, though), there’s still a way for them to be involved: through sports video games and their soundtracks. While video games once had a reputation of being “nerdy” fare, they’re now a fully mainstream and accepted pastime. Sports video games are cool, so for a musician, having their song in the latest Madden is something to brag about. Having their song debut in the latest Madden, to have a part of their career narrative significantly intertwined with a gaming franchise they’ve perhaps loved for decades, is extra special.

(There are other reasons, of course, why an artist might want their music in a sports game. NBA 2K22, for example, sold over 10 million copies, making it a sizable platform for a musician to promote their work.)

So that’s my take on how we got to where we are now, but what’s next? Trying to predict the future of games and music is like trying to predict what Kyrie Irving and Ben Simmons will be up to next week (I’d probably be wrong), but let’s take a crack at it.

One theory is that we’ll see an artist make an original sports game soundtrack. In a way, it’s not completely unprecedented: Japanese Breakfast created the soundtrack of 2021’s Sable. Stewart Copeland of The Police composed the excellent music for the beloved original Spyro The Dragon trilogy on Playstation 1. There are other examples, but to my knowledge, we haven’t seen anything like that in a sports game yet. Perhaps the closest thing is Jay-Z curating the soundtrack and serving as executive producer on NBA 2K13. So maybe that’s something we’ll see next: A major artist going all-in on a big sports game, creating an original soundtrack that both serves the game and stands on its own as an appealing collection of music. Nine Inch Nails’ Trent Reznor has pivoted to pumping out successful movie scores, so why not video games next?

Beyond that, who knows. Maybe we get something between that idea and the current reality: a game soundtrack composed of all-new music from various artists? Perhaps something else I can’t yet envision? Whatever the future of the relationship between sports games and music looks like, it wouldn’t be surprising to see it become more involved and bright than it already is. Good luck topping the Frank Thomas Big Hurt Baseball menu music, though.

Saweetie Plots A Heist For A $75K ‘Candy Crush’ All Stars Tournament Championship Ring

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Gaming is big business these days and everybody wants a piece. Last year, Lil Nas X teamed up with League Of Legends to release a theme song for the game’s world championship, and Snoop Dogg joined the cast of Call Of Duty. Earlier this month, Grand Theft Auto tapped Dr. Dre and 50 Cent for an in-game event leading to the announcement of a spin-off TV show produced by 50.

Not to be left out, Saweetie has partnered with Candy Crush to help promote the Candy Crush All Stars tournament, which kicked off today. Yeah, I didn’t know that was a thing, either. In a delightful teaser, Saweetie recruits a team of Icy Girls to plot a heist for the championship rings, only to be foiled by Atlanta-based jeweler, Z, who also helped design the rings with his brothers Mo and Rafi (collectively known as Icebox). While she fails to get the rings, she certainly looks like she’s having a blast chasing the jeweler around the “Candy Crush Headquarters” garage.

She’s got good reason to want to skip the line; according to a press release, the diamond-encrusted rings are worth $75,000. Unfortunately for her, they’re only available to the 1st, 2nd, and 3rd place winners of the tournament, so hopefully, she’s been keeping her skills on Candy Crush Saga as sharp as her nails. You can check out the game today to sign up for the tournament, which is open to anyone over 18 years old and level 25 and higher. Ten finalists will be flown to London for the last round and compete for the $250,000 prize pot.

Saweetie is no stranger to video game partnerships; in February, she performed in-game for the ever-popular Roblox and a couple of years ago, she and Uncle Snoop hosted aa Madden NFL tournament.

The Cast Of ‘The Super Mario Bros Movie’ Sang The Game’s Iconic Theme With The Roots And A Special Guest

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The Super Mario Bros. Movie is just a month away from hitting theaters and the Nintendo/Illumination PR team is going all-out to promote it. In addition to crafting an interactive website for a hypothetical Mario Bros. plumbing business and releasing a new, final trailer yesterday showing off even more of its Mad Max-inspired Rainbow Road sequence.

The cast and crew weren’t done yet, though. The film’s voice actors — consisting of Chris Pratt, Jack Black, Anya Taylor-Joy, Keegan-Michael Key, Seth Rogen, Fred Armisen, and Charlie Day — stopped by The Tonight Show for a musical sketch in which they sing the iconic Super Mario Bros. video game theme song acapella alongside the show’s host Jimmy Fallon and house band The Roots.

In a Brady Bunch-like sequence, each singer appears in their own squares, which slide and shift across the screen while scenes from both the video game and the movie scroll by. Jack Black appears to be having an utter blast, especially when the game’s underground theme kicks in. Then, as they all reach the “end” of the level, they’re joined by a few more special guests: Mario creator Shigeru Miyamoto and Illumination founder Chris Meledandri (who gets vocal backup from the Minions, naturally).

It’s a cute bit, which is to be expected from The Tonight Show, but it’s also a testament to how truly iconic and generational the Mario brand has been for the past four decades.

Watch the clip above.

It Turns Out 50 Cent’s ‘Grand Theft Auto’ Teaser Was On The Nose But Not Quite What It Seemed

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Earlier this month, 50 Cent shared an image from the game Grand Theft Auto: Vice City and wrote, “I will explain this later, GLG GreenLight Gang this sh*t bigger than Power trust me. Boom.” Naturally, this had people thinking that he was teasing some sort of involvement with the GTA franchise, perhaps in the highly anticipated sixth mainline game in the series. Now, though, we know what the post was really about: A new show that has a current working title of Vice City.

Deadline reports that Paramount+ is developing the show from Lionsgate Television, Paramount Television Studios, and G-Unit Film & Television. The publication’s summary of the show reads:

“Vice City follows three friends, and former soldiers, who return to their home city of Miami in the mid-’80s after being dishonorably discharged from the military for their involvement in the Iran Contra scandal. Disgraced, displaced, and forgotten by the country they served and with no good job prospects, the three friends partner with a mysterious Colombian immigrant, uniting their financial needs and criminal ambitions to form a heist crew. Fueled by the need for American green, they traverse a violent and dangerous path in pursuit of the American Dream.”

The show is written and executive produced by Darnell Metayer and Josh Peters (both known for their work on Transformers: Rise Of The Beasts), while Chad Stahelski (of the John Wick franchise) will serve as executive producer/director.

Drake Wasn’t Happy That Game Streamer IShowSpeed Called His Voice ‘Sexy’ On A FaceTime Call

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Drake’s usually got a great sense of humor about all the jokes people make about him, but it turns out that even he has a limit.

The Toronto singer has been popping up on gaming streams a bunch lately, cozying up to Gen Z’s version of rap stars. This week, he surprised IShowSpeed, a streamer famous for his viral reactions to games, via a FaceTime call. The two talked about soccer a bit, including whether Drake was a bigger fan of Cristiano Ronaldo or Lionel Messi.

However, when things took a turn, Drake was apparently too flustered to continue the conversation.

As Drake told IShowSpeed how much he appreciated him, Speed made things a little too awkward by complimenting Drake’s voice. “You’re doing your thing,” Drake said. “I was talking about you the other day in the car … I’m proud of you, for real.”

Speed complimented him in return, saying, “Bro, your voice is so sexy. How is it so smooth like that? How your voice so smooth like that?” Immediately after that, the call dropped. Whether Drake meant to hang up due to the comment, lost service, or had some other pressing concern, it looks like the streamer felt like he blew his shot.

“He’s not gonna answer the phone again, bro,” he said. “I didn’t mean — I said it wrong, bruh. I meant to say his voice is smooth, but I said it wrong. On God, I said it bad.”

A reminder to the kids out there… sometimes, you just gotta touch grass.

Drake, meanwhile, is $1.4 million richer thanks to some Super Bowl bets he called “psychotic” in the moment.