Sheff G And Sleepy Hallow And 30 Other Alleged Gang Members Were Indicted On Conspiracy Charges

Brooklyn drill rappers Sheff G and Sleepy Hallow are among 32 people facing 140 charges in a New York criminal conspiracy indictment, according to the New York Times. Sheff G, whose real name is Michael Williams, is accused of bankrolling two NY street gangs, the 8 Trey Crips and 9 Ways, which are linked to 12 shootings and a murder.

Prosecutors say after one such violent incident, Williams treated the shooters to a lavish dinner at a Manhattan steakhouse in 2020 which was also attended by Sheff’s frequent collaborator Sleepy Hallow, real name Tegan Chambers. Hallow had just completed an eight-month sentence in prison for weapons possession. Although authorities say Williams used the profits of his rap career to fund his gang activity, Brooklyn district attorney Eric Gonzalez maintains that no lyrics were used in the indictment.

During a press conference covered by Rolling Stone Gonzalez said, “This is not an indictment of rap music. In fact, this investigation did not rely on a single lyric to prove any of the alleged crimes. But it is an indictment of how when someone does well for themselves and could do real good in our community, they use their fame and money to further gang violence.”

The use of rap lyrics in racketeering/conspiracy indictments such as this one has been a hot topic in the past year after Atlanta authorities indicted Young Thug and several members of his YSL label including Gunna using samples of their raps as evidence. The practice has been called racist by critics and several jurisdictions are considering legislation to ban the practice.

Sheff G and Sleepy Hallow both rose to stardom as part of the explosion of drill rap’s popularity in 2019 alongside fellow Brooklynite Pop Smoke. After his death, they were among the young artists who picked up the torch for drill in defiance of New York Mayor Eric Adams’ seeming crusade against the street movement.

Lola Brooke Taps Yung Miami & Latto For Massive “Don’t Play With It (Remix)”

Lola Brooke became one of the IT artists over the past few months. With “Don’t Play With It,” she became the next promising star nearly a year after its release. The rising Brooklyn rapper earned co-signs from Kim Kardashian, Cardi B, and a number of other A-listers. Meanwhile, artists like Future and A Boogie With The Hoodie extended their own praise to Lola Brooke. It’s only a matter of time until her breakout moment and becomes the next big star out of NYC.

In the past few months, she’s unloaded a handful of new singles, which presumably will lead the campaign for a debut project. Today, however, she revisited her breakout hit and added some star power to the record. Alongside Yung Miami and Latto, Lola Brooke debuted the “Don’t Play With It (Remix)” earlier today. The drill-centric production becomes a perfect canvas for Latto to pop her sh*t and take aim at her detractors. What Yung Miami lacks in lyricism, she makes up for with her attitude, while doubling down on her singledom with Diddy’s approval.

Lola Brooke’s Star-Studded Remix

Lola Brooke continues to keep the rap game on their toes for what she has in store but with “Don’t Play With It (Remix),” she’ll definitely keep the momentum high. The rapper recently dropped off her first single of the year, “So Disrespectful,” highlighting her sleek flow, deep voice, and quick-witted wordplay.

Lola Brooke revealed to HNHH that the title of her project is going to be titled, Little Big Momma. Though no release date has been set, she explained that she wants to ensure that her fanbase can appreciate everything that she offers on the body of work. “I know what they deserve,” she said. “They deserve everything but I need my fans to tell me what they need for me. It’s there, but it’s not all the way there yet. I need to still learn them as well as they learn me.” Check the remix above. 

Quotable Lyrics
Hundred bands, fuck is a hundred bands?
You fuck like a hundred n***as, ain’t got one man
You fuck like a hundred n***as, ain’t got one hit
Whole lot of motherfuckers speakin’ on me that ain’t done shit

Jadakiss Believes Labels Should Be Held Responsible For Violent Lyrics

The call for record labels to be held accountable for how they navigate artists’ careers is ongoing, and Jadakiss is speaking on how those executives move. There have been conversations about rappers being money-makers for labels after they’ve died. We’ve seen how bigwigs have capitalized on the deaths of our favorite artists. Contracts and deals have also been disparaged by entertainers stuck in loops of debt. Jadakiss recently visited the I Am Athlete podcast to share thoughts on labels taking a gamble on artists’ lives.

“[There was] a song about it, and it was able to get a lot of streams, and that became a thing with the whole Drill [scene],” the Rap icon said. “They actually going out, gettin’ active and doin’ stuff and then go into the studio and make a song about what they just did.” Drill music has been under a microscope from the public to politicians. Mayor Eric Adams even called for a ban on Drill as he lamented over the ongoing violence in New York City.

Labels Are Taking A Gamble

CLEVELAND, OH – FEBRUARY 20: Jadakiss attends All Star WKND Finale at Galleria at Erieview on February 20, 2022 in Cleveland, Ohio.(Photo by Prince Williams/Wireimage)

“That sh*t get nipped in the bud as soon as it got created,” Jadakiss added. “But nobody’s going to these labels saying they wrong for this. We just blaming it on the kids. So, like my brother [Styles P] said, he don’t like to just put all the blame on these young artists because the radio stations are making them the top songs of the playlist. And the labels are still signing them.”

“They even got it—they puttin’ out life insurance on these young kids now.” Others were surprised at the revelation, but it’s been common for some time. “The labels. ‘Cause they gamblin’ on you to do something dumb, so they can profit after you die. So, this is getting ridiculous.” Rappers have complained about how labels move after one of their artists dies. Posthumous albums are quickly put together, and special edition merchandise is sold.

Vince Staples Said Similar Last Year

It was around this time last year when Vince Staples shared similar thoughts during an interview with Hot 97. “It’s money in it and they gonna keep selling it and we gonna keep perpetuating it and we gon’ be hurt when somebody dies,” said the Long Beach star. “I don’t necessarily know if they care. If they did, man the album ready in four weeks once you die. You get more press on the album after you die.

“When it comes to these systems, they look at you like, ‘Oh, you’re dead, now we got something to move with.’ To the people that’s running music: just treat these people with humanity. You’re worth something before you die.”

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Danny Brown Isn’t A Fan Of NY Drill: “All These N*ggas Sound Like ‘Batman Beyond’”

The Drill wave was established in Chicago, and despite being a global phenomenon, Danny Brown isn’t a fan. Drill has taken new heights in different cities, which tap into the sound but amend it to their own style. Brooklyn Drill has been the latest craze, and we’re seeing more artists emerge from New York City. As it continues to gain movement, Brown hopped on his podcast with JPEG Mafia and disparaged the subgenre.

“I got some funny sh*t for Rap I wanna say,” the rapper said on The Danny Brown Show. “What’s up with New York Drill music?” He was asked what he meant. “Why all these n*ggas sound like Batman? All these n*ggas rap like Batman Beyond. What the f*ck is wrong with y’all n*ggas man? That sh*t ain’t fire!” Obviously, it’s the deep voices that irked Brown. “N*gga you 16. Your balls ain’t even dropped yet. You ain’t even got a deep voice yet. These n*ggas rapping like villains.”

Danny Brown Unleashes

PHOENIX, AZ – OCTOBER 22: Rapper Danny Brown performs at the Lost Lake Music Festival on October 22, 2017 in Phoenix, Arizona. (Photo by Tibrina Hobson/Getty Images)

“I just wanted to say that, man,” Brown added after getting a few things off of his chest. “All you New York Drill n*ggas rapping like Batman Begins, that sh*t is over with. Pop Smoke, that was his natural voice, man, but all y’all 16.” He added, “Shout out to real New York rappers like MIKE, you know what I’m saying.” He isn’t the first to air out grievances with Drill.

While Brown’s take had much to do with the deep voices rappers use while performing, others have taken issue with the violence within Drill. Things became so concerning that certain New York City radio hosts refused to play Drill tracks that called out other artists. Recently, Remy Ma also delivered a hot take about the subgenre, stating that she feels as if much of Drill is overrated. She also noted that it’s difficult to understand and touched on the troubles regarding violence.

Is Drill The Next Hip Hop Target?

Additionally, politicians have also targeted Drill. Mayor Eric Adams has called for a ban on the music, but recently, he’s been spotted rubbing elbows with Hip Hop’s elite. Check out Danny Brown above.

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Vic Mensa Explains Why He Got Upset With Akademiks: “Parasitic Platform”

He may not be firing off new music like his peers, but that doesn’t mean Vic Mensa’s schedule isn’t stacked. The Chicago artist is fresh off helping organize the Black Star Line Festival in Ghana alongside Chance The Rapper. In an interview with Paper Magazine, Mensa detailed traveling to Ghana in January last year. When he reached out to friends about being in Africa, only Chance asked to come to visit. It was a spiritual experience that bonded the friends, sparking the idea to host a music festival overseas.

Additionally, activism is something that Mensa continues to be involved in, especially in the Windy City. His non-profit SaveMoneySaveLife has helped thousands of residents in need, and Mensa is active in the local music scene to support rising artists. Paper asked about Chi-Town’s Drill scene and Mensa’s tense reaction to DJ Akademiks during an interview in 2017.

CHICAGO, ILLINOIS – SEPTEMBER 18: Vic Mensa performs during Riot Fest 2021 at Douglass Park on September 18, 2021 in Chicago, Illinois. (Photo by Daniel Boczarski/Getty Images)
Read More: Vic Mensa’s Heated Confrontation With DJ Akademiks Resurfaces After Ak’s Clash With Megan Thee Stallion

It was then Mensa was a guest on Everyday Struggle, a show co-hosted by Akademiks. The rapper took issue with how the blogger covered Chicago Drill artists, and Paper asked what it was like to see the genre accepted worldwide. “It’s really astounding, man. It’s beautiful. Ghanaian Drill is interesting too because it’s this ping-pong effect where Drill music from Chicago then inspired the UK, who transformed that sound plus Grime into a UK Drill scene; which then ping-ponged and inspired Pop Smoke and them to do the New York Drill scene, which then ping-ponged and inspired the Ghanaian kids to make Ghanaian Drill.”

Mensa explained that each scene is rooted in something different. In the U.S., Rap is heavily centered on experiences connected to violence. In Ghana, Mensa says the struggle isn’t the same. “The Drill movement was always conflicting for me,” he shares. “While I loved the artistic expression in the music, I also had a front-row seat to the real-life accompaniment to that music. Friends of mine were killed in the midst of Drill rap beef and all that sh*t. That was why I got into it with Akademiks.”

Read More: Vic Mensa On Kanye West, XXXTentacion, DJ Akademiks & The “Trend” Of Abuse

He continued, “Because a kid that I grew up with and went to karate with when we were five years old ended up being a street n***a, gang banging, et cetera. He was also a very talented rapper. When he got killed, there was music involved, there were big Drill artists involved, and I heard about it on Akademiks’ parasitic platform. So that’s why I was upset.”

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Chief Keef Celebrates 10 Years Of “Finally Rich” With Complete Edition

Chief Keef stands as a legend in his own right following a decade-plus of relentless releases. Despite not necessarily reaching mainstream peaks as some of his contemporaries, he undeniably impacted hip-hop through the release of Finally Rich, his major label debut.

Sunday marks 10 years since the album was released. Days before reaching the milestone, Chief Keef unloaded the official complete edition of Finally Rich, equipped with seven unreleased songs including “Rider” featuring Wiz Khalifa. On the production side, Chief Keef’s Finally Rich (Complete Edition) includes contributions from Leeke Leek, Young Chop, and YG On Da Beat.

The groundbreaking debut from Chief Keef undoubtedly made a mark on the soundscape of hip-hop. The album soared to the top 5 on Billboard’s Top Hip-Hop & R&B album chart and the Top Rap Albums chart and later, earning platinum status. Largely crafted by Young Chop’s innovative production style, Chief Keef debut album further cemented his status as a juggernaut in hip-hop, paving the way for a new generation of rappers. Evidently, the past few years have showcased just how impactful Chief Keef’s debut album has been as cities across the world began launching their own variations of drill music.

In celebration of the landmark release, Chief Keef and Spotify teamed up to provide an exclusive performance in Brooklyn, NY, following the re-release of Finally Rich.

While fans could revisit the influential album, Chief Keef will also release Almighty So 2 in 2023. Keep your eyes peeled for that and check out the tracklist for Finally Rich (Complete Edition) below.

  1. Love Sosa
  2. Hallelujah
  3. I Don’t Like [feat. Lil Reese]
  4. No Tomorrow
  5. Hate Bein’ Sober [feat. 50 Cent & Wiz Khalifa]
  6. Kay Kay
  7. Laughin’ To The Bank
  8. Diamonds [feat. French Montana]
  9. Ballin’
  10. Understand Me [feat. JEEZY]
  11. 3Hunna (Remix) [feat. Rick Ross]
  12. Finally Rich
  13. Citgo
  14. Kobe
  15. Got Them Bands
  16. Bang Bang (Intro)*
  17. OB4L*
  18. Rider [feat. Wiz Khalifa]*
  19. Spread Da Word*
  20. Kush With Them Beans*
  21. It Ain’t My Fault*
  22. Squad*

The NYPD Escalates Its War On Drill Music, Forcing Rolling Loud To Cancel Three Rappers’ Sets

The New York Police Department and New York’s Mayor Eric Adams have been at war with the city’s bubbling underground drill rap scene for a while now. Today, the authorities appear to have escalated the conflict, requesting the Rolling Loud festival to remove three rappers from its lineup just days ahead of the event this weekend, according to the New York Times‘ longtime music reporter Joe Coscarelli. The three rappers — 22Gz, Ron Suno, and Sha Ek — have been booked to perform for months.

The Times report compares the last-minute move against the rappers to a similar request issued by the NYPD ahead of the 2019 concert, which removed 22Gz and Pop Smoke from the lineup (22Gz was allowed to perform in 2021; Pop Smoke, unfortunately, was killed in a home invasion in Los Angeles in 2020). According to the request letter sent that year, the performers in question were “affiliated with recent acts of violence citywide. The New York City Police Department believes if these individuals are allowed to perform, there will be a higher risk of violence.”

The report quotes Sha Ek’s manager Noodles, who said, “The police try to associate what he’s doing with violence and negativity. They don’t respect that he’s an artist and entertainer trying to better himself and feed his family at 19 years old. Sha Ek has performed all over the Northeast this year. The crowds at his concerts are full of kids dancing and having fun. He’s excited to keep growing his touring business and proving the police wrong.”

Likewise, Ron Suno’s manager Bo also reacted to the news. “How can a person who has no criminal record and no gang ties — the kid never even made a diss record — be denied to perform in his hometown after all his hard work?” he wondered. A representative for 22Gz confirmed his cancelation but declined to comment further; 22Gz was recently charged with attempted murder in a nightclub shooting in June.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Lil Zay Osama Brings The Melodic ‘Mmmhmmmm’ To ‘UPROXX Sessions’

Lil Zay Osama started rapping when he was just eight years old, and over 15 years later, he’s a Southside Chicago favorite with a feature from Lil Durk on his most recent project. His debut album, 2019’s Hood Bible, put him on the map for departing from his city’s infamous drill sound, featuring more pop-leaning records like “Percocet Crazy.” Combined with a dedicated fanbase and viral YouTube videos under his belt, Lil Zay Osama isn’t a Chicago newcomer anymore. He’s here to stay.

Today, the Chi’s Lil Zay Osama brings his “pain music” to the bathroom stage with his single “Mmmhmmmm.” The track comes from his most recent mixtape, Trench Baby 3, which also featured the hit “F*ck My Cousin.” His performance is melodic but doesn’t compromise the grittiness of his hometown’s sound. The track’s chorus is inspirational and candid as Lil Zay raps about his successes and gives insight into his rules of the streets.

Watch Lil Zay Osama perform “Mmmhmmmm” for UPROXX Sessions above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

Lil Zay Osama is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.